"I can handle Egyptia."

"Canyou?" Clovis stared back at me. "Is this our sweet little Jane talking? Such wonders, such chemical changes, can love perform upon the human spirit."

I didn't know I was going to do it any more than I'd known I'd tell him what I had done. My arm flew up as if on a spring, and I hit him across the face. It must have stung. And to Clovis, who fastidiously abhors any contact except in a bedroom, it had an added horror.

Yes, it must have stung. He moved away from me and stopped looking at me, but he said very coolly: "If you're going to start that, get out."

"Did you think I wanted to stay?"

"No. You want to chase your bit of metal excitement round the city."

"Just to Egyptia's, where you sent him. What was wrong, Clovis? Had to turn him out before you started getting serious?"

"Oh please. Just because you're b.l.o.o.d.y maladjusted doesn't mean we all have to be."

I gulped, and holding on to my now almost empty purse, I ran to the apartment door.

In the lift, I said the word over-maladjusted. Then I laughed hysterically. Of course I was maladjusted.

So what? I got out of the lift hysterically laughing and greatly surprised a heavily Rejuvinexed couple waiting to get in.

Life was a shambles. I mustn't hesitate now. If I paused, I'd be afraid, or recognize my fear for what it was. But how interesting, a month ago I'd have shriveled with shame if anyone had found me laughing alone in a lift-or anywhere, for that matter. I'd hit Clovis, but he was right. I had changed.

I had to ride the ferry across to The Island because the bridge was shut for repairs. Otherwise I'd have walked the thirty minutes it takes on foot.

The basin of water that surrounds The Island used to be a reservoir, and trees grow out from the waterline, that the ferry has to curve around. Maybe you know it, my unknown, would-be, nonexistent reader. And the concrete platform rising on its pylons, with the rich people's towers standing amid their landscaped gardens.

Egyptia has the top floor, and therefore a private roof-garden, with miniature ten-foot palm trees at the center, and a pool. Floating up to her oval, gilded doorway in the external lift, it all seemed suddenly unbelievable after the rental block on Tolerance. Or was it that the rental block seemed unbelievable?

Surely this was just a social call, and I'd be going home directly to Chez Stratos.

(Is Jane with you, Clovis? Do you know where she might be? She'd have called Egyptia, too. And Jason and Medea. And Chloe. But not Davideed. He's at the equator, Mother. And it will only have taken Egyptia to tell my mother about Silver, what Clovis had probably revealed. Silver. I don't want to call him that. It's a registration-Am I going to have to fight with Egyptia?) The lift stopped adjacent to the gilded oval door and let me out in the high-walled enclosure before it.

Egyptia's pot plants are dying. She forgets to turn on the hose. When they lie there in brown husks, she weeps for them. Too late.

I touched the door panel.

"Who is here?"

The door-voice is Egyptia's voice, reproduced, velvety, carnal.

"Jane."

"One moment, Jane."

He must love her voice. He's a musician. Her voice is so musical, has such a variegated tonal inflexion.

He's here. I can feel it. I'm going to make a fool of myself. I've sold my world, and if Egyptia says "No,"

I've lost everything. And she'll say "No," won't she? Yes, all right. I supposed Clovis lied about Egyptia demanding him back. But Clovis, to be perverse, having-enjoyed, that's the word, enjoyed him-sent him back to Egyptia, just as he implied he had to. A sort of neat, spiteful tying up of ends. And Egyptia, having received her lover, has been with him all night again. Or part of the night. The fact that she owes the price of him to someone, now me, isn't going to stop her from being overwhelmed and playing her ace card, her legal ownership. She'll sayNo .

After ten minutes, I touched the panel again.

"Who is here?"

"Jane. I've already told you."

"I am still signaling Egyptia, Jane. Please wait."

She's in bed with him right now. That's why she won't answer, won't let me in. She's locked against him, she's crying out in ecstasy, just as I did. His face is poised above her, or buried in her long dark hair.

She's so beautiful. And the apartment is so rich. He appreciates artistry.

What can I give him to appreciate? That ghastly room. Me. I ought to go away.

I didn't.

And suddenly the door swung open.

At once I heard a tremendous, unexpected noise, which alarmed me. I shrank away from the door involuntarily, then moved forward, then stood indecisively on the threshold, not allowing the door to close.

As I did so, Lord slunk down the long, much-mirrored corridor. I remembered it was Lord, limp-handed Lord who'd guided me through the Gardens of Babylon that night I saw Silver again. And Lord remembered me.

"Oh h.e.l.l, it's you," he said, striking a pose.

"Oh h.e.l.l, it's me," I said. I amazed myself, for it sounded clever, even though I was only repeating what he'd said. (A trick worth keeping?) "Well, you'd better come in. We're in the throes ofPeac.o.c.k ."

He must mean the play.

"Normally, we rehea.r.s.e at that G.o.dvile theatre," he added, looking into a mirror at himself. "But darling Egyptia brought us here. Then we're going to lunch at Ferrier's. You're not coming, are you?"

"I don't think so."

"I shall always recall you, I'm afraid, as the girl who gets drunk and throws up."

I'd have liked to say something to that, but I couldn't think of anything. Then I did.

"That must happen to your girlfriends a lot," I said, "but are you sure it's because of the drink?"

I walked past him and down the hall into Egyptia's vast salon, my brain singing and ringing. I couldn't quite believe in myself, and I stood there, stunned, intoxicated, and looked for him and found him not.

Instead, I saw how the floor had been cleared and five male actors were on it, viciously fighting each other, while three women actors stood to one side, their heads tilted back, their eyes veiled, their hands and arms outstretched. Six or seven others of all s.e.xes stood on the edge, or lay over the pushed-back chairs. One had swathed himself in an Indian tiger skin. A man with a small machine by him sat cross- legged on the coffee table, checking the script. Thin and handsome, he once or twice called out, in a thin, handsome voice, "No, Paul, to the groin, dear, thegroin . Corinth, you look as if you're selling him ice cream, not trying to disembowel him."

"Youeaten any of my ice cream?" Corinth, a young man in glint-st.i.tched jeans, yelled back.

A comfit tray on a nearby cabinet was knocked to the floor with a dull clang.

Egyptia stood on the little stair that went up to the bedroom half-floor above. Her face was so white I feared for her life. Then I realized she had painted herself for her part. She leaned forward slightly. Her eyes were holes through into s.p.a.ce, with golden centers. She was living the scene in a depth none of the others even knew about. She was flawless and unreal. It was true. In some indescribable luscious way, shewas like a robot. Did he respond to that? Her sheer unblemished skin like that of a smooth and succulent fruit, her oceanic hair?

The last actor fell.

Egyptia's lips parted. She was going to speak her lines, and, despite everything, love, trauma, the chaos of my life, my fear and doubt at not finding him, I was mesmerized, waiting for what would come out.

And in that second Lord shouted across the room at her: "Egypt. Your little blond friend's here. Can you come out to play?"

I could have killed him. I was abashed, the focus of all eyes, blamed for his fault. Egyptia's robotic optic lenses flickered as if she were coming to after losing consciousness. She looked at me, not knowing me.

Who was I? No one from Antektra's tortured world.

I went over to her.

"I didn't mean to interrupt."

"That's... all right. What is it?"

"I need to talk to you. Not now. When you've finished."

"Oh." Her eyes closed. I thought she'd collapse. My head spun. "Oh, Jane," she said.

"Where is he?" I said. "Just tell me. Please. Please, Egyptia."

"Who?"

Suddenly, both in our separate agonies, our wires touched.

"Silver."

"Somewhere-the bedroom-or the roof-"

"Not with you. Why not with you?"

"Darling, he's a robot."

Suddenly as the touch of the wires, I heard the vague intransigent brutality in her voice. Instead of recoiling, I took her by the arms, and her huge eyes swam on me, so sensitive to everything, and nothing.

"Egyptia, I sold every sc.r.a.p I own. I left my mother's house. I paid Clovis the money for-him."

I'd reached her, over the gliding honeyed slope of her inward-turned concentration.

"All of it?" She breathed. "But you-"

"I know. I could only afford it by selling everything. Even my clothes, Egyptia. But you, you of all people, understand why."

Behind and around us the actors sighed with boredom, unable to overhear, drinking Egyptia's minerals and spirits, popping her vitamins and pills. I ceased to believe in them, but I heldher fast.

"Listen, Egyptia. You're so aware, so sensitive. You have so much love in you-He's a robot, but I'm in love with him. However silly that would sound to anyone else, I know I can tell you, I know you'll understand. I love him, Egyptia."

I had her measure. Her eyes filled voluptuously with tears, just as I realized mine must have.

"Jane..."

"Egyptia, he's my life."

"Yes, Jane, yes-"

"Egyptia, let me take him. Away from you. You have so much. You have your genius-" I meant it, I'd glimpsed it, like a smell of fire, and it was so useful to lie with the truth-"You have your genius, but I-I need him, Egyptia. Egyptia!"

She held me rigidly to her, then away. She stared at me, imperiously. She was Antektra. She was G.o.d.

"Take him," she said. And let me go.

I went by her up the stair, turned into the bedroom foyer. A door led out on to the roof-garden, and I took it randomly, for I was reeling. I walked to the pool and sank down beside it, and I laughed, laughed as if I had really gone mad, holding myself in my arms, rocking, crowing for breath, shaking my hair around myself like a faded golden shawl.

I hadhandled her. But, the stupid thing was, I'd believed every word.

Presently I stood up.

Fleets of immaterial sponge-cake-color clouds were blowing slowly sideways over the blue sky. The little potted palm trees rattled. The pool was green as a fruit acid. With the guitar across his body and resting in his arms, he was sitting not ten feet from me at the brink of the water. He wore dark blue and the shadows tangled over him, hid his face. His expression was serious and still, and the eyes were expressionless and flat-circuits switching over. His face cleared very gradually, and he didn't smile.

And I was afraid.

He said to me: "What's happened to you?"

"Why?" I said. I didn't know what to say. "Aren't you pleased to see me? I thought you were always pleased to seeanyone . Did you have a lovely time with Clovis? And a lovely, lovely time with Egyptia?"

He didn't answer. He set the guitar aside. (The guitar, the extra clothes, these must be in Egyptia's keeping. He hadn't brought them with him when he had gone with me.) He got up and walked over to me, and stood close to me looking down into my face.

I couldn't look at him. I said, again: "I've left my mother's house. I've paid Clovis all the money. I've told Egyptia I need you, and she's agreed to let you go." I frowned, puzzled. How could she bear to let him go? "I'm living in a place like a rat-hole, in a slum. You'll have to pretend to be human, and my lover. I don't know how I'll survive and probably in the end I shan't, and you'll come back to Egyptia. Did you sleep with her last night?"

"I don't sleep," he said.

"You know what I mean. Did you?"

"No," he said. "Islept in her robot storage compartment. She was with a man last night."

I raised my eyes to his contemplative, noncommittal, beautiful face.

"She-you-"

"You look incredibly perturbed."

"Blast her!" I cried. A puerile oath, but I meant it literally. I knew a fury like no other fury I had ever known and my eyes grew blind.

He took my hands very lightly.

"Jane. It doesn't matter."

"It matters."