Accordin' to his tell, he must have hung around that counter all day, eatin' through the pie list from top to bottom and back again, until it's a wonder his system ever got over the shock. But Zylphina keeps tollin' him on with googoo eyes and giggles, sayin' how it does her good to see a man with a nice, hearty appet.i.te, and before it come time for him to take the night train back they'd got real well acquainted.

He finds out her first name, and how she's been a whole orphan since she was goin' on ten.

After that Wilbur makes the trip to Colby Junction reg'lar every Sunday, and they'd got to the point of talkin' about settin' the day when she was to become Mrs. Cobb, when Zylphina gets word that an aunt of hers that kept a boardin' house in Fall River, Ma.s.sachusetts, wants her to come on East right away. Aunty has some kind of heart trouble that may finish her any minute, and, as Zylphina was the nearest relation she had, there was a show of her bein' heiress to the whole joint.

Course, Zylphina thinks she ought to tear herself loose from the pie counter; but before she quits the junction her and Wilbur takes one last buggy ride, with the reins wound around the whip socket most of the way. She weeps on Wilbur's shirt front, and says no matter how far off she is, or how long she has to wait for him to come, she'll always be his'n on demand. And Wilbur says that just as soon as he can make the corn and hog vineyard hump itself a little more, he'll come.

So Zylphina packs a shoe box full of fried chicken, blows two months'

wages into a yard of yellow railroad ticket, and starts toward the cotton mills. It's a couple of months before Wilbur gets any letter, and then it turns out to be a hard luck tale, at that. Zylphina has found out what a lime tastes like. She's discovered that the Fall River aunt hasn't anything more the matter with her heart than the average landlady, and that what she's fell heiress to is only a chance to work eighteen hours a day for her board. So she's disinherited herself and is about to make a bold jump for New York, which she liked the looks of as she came through, and she'll write more later on.

It was later--about six months. Zylphina says she's happy, and hopes Wilbur is the same. She's got a real elegant job as cashier in a high-toned, twenty-five cent, reg'lar-meal establishment, and all in the world she has to do is to sit behind a wire screen and make change.

It's different from wearin' an ap.r.o.n, and the gents what takes their food there steady treats her like a perfect lady. New York is a big place; but she's getting so she knows her way around quite well now, and it would seem funny to go back to a little one-horse burg like Colby.

And that's all. Nothin' about her bein' Wilbur's on demand, or anything of that kind. Course, it's an antique old yarn; but it was all fresh to Wilbur. Not bein' much of a letter writer, he keeps on feedin' the hogs punctual, and hoein' the corn, and waitin' for more news. But there's nothin' doin'.

"Then," says he, "I got to thinkin' and thinkin', and this fall, being as how I was coming as far east as Chicago on a shipper's pa.s.s, I reckons I'd better keep right on here, hunt Zylphina up, and take her back with me."

The way he tells it was real earnest, and at some points them whey coloured eyes of his moistens up good an' dewy; but he finishes strong and smilin'. You wouldn't guess, though, that any corn fed romance like that would stir up such a blood as Pinckney? A few months back he wouldn't have listened farther'n the preamble; but now he couldn't have been more interested if this was a case of Romeo Astor and Juliet Dupeyster.

"Shorty," says he, "can't we do something to help Mr. Cobb find this young lady?"

"Do you mean it," says I, "or are you battin' up a josh?"

He means it, all right. He spiels off a lot of gush about the joy of unitin' two lovin' hearts that has got strayed; so I asks Wilbur if he can furnish any description of Zylphina. Sure, he can. He digs up a leather wallet from his inside pocket and hands out a tintype of Miss Beck, one of these portraits framed in pale pink paper, taken by a wagon artist that had wandered out to the junction.

Judgin' by the picture, Zylphina must have been a sure enough prairie-rose. She's wearin' her hair loose over her shoulders, and a genuine Shy Ann hat, one of those ten-inch brims with the front pinned back. The pug nose and the big mouth wa'n't just after the Venus model; but it's likely she looked good to Wilbur. I takes one squint and hands it back.

"Nix, never!" says I. "I've seen lots of fairies on 42d-st., but none like that. Put it back over your heart, Wilbur, and try an ad. in the lost column."

But Pinckney ain't willin' to give up so easy. He says how Mr. Cobb has come more'n a thousand miles on this tender mission, and it's up to us to do our best towards helping him along. I couldn't see just where we was let into this affair of Wilbur's; but as Pinckney's so set on it, I begins battin' my head for a way of takin' up the trail.

And it's wonderful what sleuth work you can do just by usin' the 'phone liberal. First I calls up the agent of the buildin', and finds that the meal fact'ry has moved over to Eighth-ave. Then I gets that number and brings Zylphina's old boss to the wire. Sure, he remembers Miss Beck. No, she ain't with him now. He thinks she took a course in manicurin', and one of the girls says she heard of her doin' the hand holdin' act in an apartment hotel on West 35th-st. After three tries we has Zylphina herself on the 'phone.

"Guess who's here," says I.

"That you, Roland?" says she.

"Aw, pickles!" says I. "Set the calendar back a year or so, and then come again. Ever hear of Wilbur, from Hoxie, Kan.?"

Whether it was a squeal or a snicker, I couldn't make out; but she was on. As I couldn't drag Wilbur up to the receiver, I has to carry through the talk myself, and I makes a date for him to meet her in front of the hotel at six-thirty that evenin', when the day shift of nail polishers goes off duty.

"Does that suit, Wilbur?" says I.

Does it? You never saw so much pure joy spread over a single countenance as what he flashes up. He gives me a grip I can feel yet, and the grin that opens his face was one of these reg'lar ear connectors. Pinckney was tickled too, and it's all I can do to get him off one side where I can whisper confidential.

"Maybe it ain't struck you yet," says I, "that Zylphina's likely to have changed some in her ideas as to what a honey boy looks like. Now Wilbur's all right in his way; but ain't he a little rugged to spring on a lady manicure that hasn't seen him for some time?"

And when Pinckney comes to take a close view, he agrees that Mr. Cobb is a trifle fuzzy. "But we can spruce him up," says Pinckney. "There are four hours to do it in."

"Four weeks would be better," says I; "it's considerable of a contract."

That don't bother Pinckney any. He's got nothing else on hand for the afternoon, and he can't plan any better sport than improvin' Wilbur's looks so Zylphina's first impression'll be a good one.

He begins by making Wilbur peel the cinnamon brown costume, drapin' him in a couple of bath robes, while Swifty takes the suit out to one of these pants-pressed-while you wait places. When it comes back with creases in the legs, he hustles Wilbur into a cab and starts for a barber shop.

Say, I don't suppose Cobb'll ever know it; but if he'd been huntin' for expert help along that line, he couldn't have tumbled into better hands than he did when Pinckney gets interested in his case. When they floats in again, along about six o'clock, I hardly knows Wilbur for the same party. He's wearin' a long black ulster that covers up most of the plaid nightmare; he's shook the woolly lid for a fall block derby, he's had his face sc.r.a.ped and powdered, and his neck ringlets trimmed up; and he even sports a pair of yellow kids and a silver headed stick.

"Gosh!" says I. "Looks like you'd run him through a finishing machine.

Why, he'll have Zylphina after him with a net."

"Yes," says Pinckney. "I fancy he'll do now."

As for Wilbur, he only looks good natured and happy. Course, Pinckney wants to go along with him, to see that it all turns out right; and he counts me in too, so off we starts. I was a little curious to get a glimpse of Zylphina myself, and watch how stunned she'd be. For we has it all framed up how she'll act. Havin' seen the tintype, I can't get it out of my head that she's still wearin' her hair loose and looking like M'liss in the first act.

"Hope she'll be on time," says I, as we turns the corner.

There was more or less folks goin' and comin' from the ladies'

entrance; but no girl like the one we was lookin' for. So we fetches up in a bunch opposite the door and prepares to wait. We hadn't stood there a minute, before there comes a squeal from behind, and some one says:

"Why, Wilbur Cobb! Is that you?"

And what do you guess shows up? There at the curb is a big, open tourin' car,--one of the opulent, shiny kind,--with a slick looking shuffer in front, and, standin' up in the tonneau, a tart little lady wearin' Broadway clothes that was right up to the minute, hair done into breakfast rolls behind, and a long pink veil streamin' down her back. Only by the pug nose and the mouth could I guess that it might be Zylphina. And it was.

There wa'n't any gettin' away from the fact that she was a little jarred at seein' Wilbur lookin' so cute; but that was nothin' to the jolt she handed us. Mr. Cobb, he just opens his mouth and gazes at her like she was some sort of an exhibit. And Pinckney, who'd been expectin' something in a dollar-thirty-nine shirtwaist and a sagged skirt, is down and out. It didn't take me more'n a minute to see that if Zylphina has got to the stage where she wears pony jackets and rides in expensive bubbles, our little pie counter romance is headed for the ash can.

"Stung in both eyes!" says I under my breath, and falls back.

"Well, well!" says Zylphina, holdin' out three fingers. "When did you hit Broadway, Wilbur?"

It was all up to Cobb then. He drifts up to the tonneau and gathers in the fingers dazed like, as if he was walkin' in his sleep; but he gets out somethin' about bein' mighty glad to see her again.

Zylphina sizes him up kind of curious, and smiles. "You must let me introduce you to my friend," says she. "Roland, this is Mr. Cobb, from Kansas."

Mr. Shuffer grins too, as he swaps grips with Wilbur. It was a great joke.

"He's awfully nice to me, Roland is," says Zylphina, with a giggle.

"And ain't this a swell car, though? Roland takes me to my boardin'

house in it 'most every night. But how are the corn and hogs doin', Wilbur?"

Say, there was a topic Wilbur was up on. He throws her a grateful grin and proceeds to unlimber his conversation works. He tells Zylphina how many acres he put into corn last spring, how much it shucked to the acre, and how many head of hogs he has just sent to the ham and lard lab'ratory. That brand of talk sounds kind of foolish there under the arc lights; but Zylphina p.r.i.c.ks up her ears.

"Ten carloads of hogs!" says she. "Is that a kid, or are you just havin' a dream?"

"I cal'late it'll be twenty next fall," says he, fishin' for somethin'

in his pocket. "Here's the packing house receipts for the ten, anyway."

"Let's see," says she, and by the way she skins her eye over them doc.u.ments you could tell that Zylphina'd seen the like before. Also she was somethin' of a ready reckoner.

"Oh, Wilbur!" says she, makin' a flyin' leap and landin' with her arms around his neck. "I'm yours, Wilbur, I'm yours!"