Side-stepping with Shorty - Part 13
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Part 13

VII

RINKEY AND THE PHONY LAMP

Say, for gettin' all the joy that's comin' to you, there's nothin' like bein' a mixer. The man who travels in one cla.s.s all the time misses a lot. And I sure was mixin' it when I closes with Snick b.u.t.ters and Sir Hunter Twiggle all in the same day.

Snick had first place on the card. He drifts into the Studio early in the forenoon, and when I sees the green patch over the left eye I knows what's comin'. He's shy of a lamp on that side, you know--uses the kind you buy at the store, when he's got it; and when he ain't got it, he wants money.

I s'pose if I was wise I'd scratched Snick off my list long ago; but knowin' him is one of the luxuries I've kept up. You know how it is with them old time friends you've kind of outgrown but hate to chuck in the discard, even when they work their touch as reg'lar as rent bills.

But Snick and me played on the same block when we was kids, and there was a time when I looked for Snick to be boostin' me, 'stead of me boostin' him. He's one of the near-smarts that you're always expectin'

to make a record, but that never does. Bright lookin' boy, neat dresser, and all that, but never stickin' to one thing long enough to make good. You've seen 'em.

"h.e.l.lo, Snick!" says I, as he levels the single barrel on me. "I see you've pulled down the shade again. What's happened to that memorial window of yours this time?"

"Same old thing," says he. "It's in at Simpson's for five, and a bookie's got the five."

"And now you want to negotiate a second mortgage, eh?" says I.

That was the case. He tells me his newest job is handlin' the josh horn on the front end of one of these Rube waggons, and just because the folks from Keokuk and Painted Post said that lookin' at the patch took their minds off seein' the skysc.r.a.pers, the boss told him he'd have to chuck it or get the run.

"He wouldn't come across with a five in advance, either," says Snick.

"How's that for the granite heart?"

"It's like other tales of woe I've heard you tell," says I, "and generally they could be traced to your backin' three kings, or gettin'

an inside tip on some beanery skate."

"That's right," says he, "but never again. I've quit the sportin' life for good. Just the same, if I don't show up on the waggon for the 'leven o'clock trip I'll be turned loose. If you don't believe it Shorty, I'll----"

"Ah, don't go callin' any notary publics," says I. "Here's the V to take up that ticket. But say, Snick; how many times do I have to buy out that eye before I get an equity in it?"

"It's yours now; honest, it is," says he. "If you say so, I'll write out a bill of sale."

"No," says I, "your word goes. Do you pa.s.s it?"

He said he did.

"Thanks," says I. "I always have thought that was a fine eye, and I'm proud to own it. So long, Snick."

There's one good thing about Snick b.u.t.ters; after he's made his touch he knows enough to fade; don't hang around and rub it in, or give you a chance to wish you hadn't been so easy. It's touch and go with him, and before I'd got out the last of my remarks he was on his way.

It wa'n't more'n half josh, though, that I was givin' him about that phony pane of his. It was a work of art, one of the bright blue kind.

As a general thing you can always spot a bought eye as far as you can see it, they're so set and stary. But Snick got his when he was young and, bein' a cute kid, he had learned how to use it so well that most folks never knew the difference. He could do about everything but see with it.

First off he'd trained it to keep pace with the other, movin' 'em together, like they was natural; but whenever he wanted to he could make the gla.s.s one stand still and let the other roam around. He always did that on Friday afternoons when he got up to speak pieces in the grammar school. And it was no trick at all for him to look wall eyed one minute, cross eyed the next, and then straighten 'em out with a jerk of his head. Maybe if it hadn't been for that eye of Snick's I'd have got further'n the eighth grade.

His star performance, though, was when he did a jugglin' act keepin'

three potatoes in the air. He'd follow the murphies with his good eye and turn the other one on the audience, and if you didn't know how it was done, it would give you the creeps up and down the back, just watchin' him.

Say, you'd thought a feller with talent like that would have made a name for himself, wouldn't you? Tryin' to be a sport was where Snick fell down, though. He had the blood, all right, but no head. Why when we used to play marbles for keeps, Snick would never know when to quit.

He'd shoot away until he'd lost his last alley, and then he'd pry out that gla.s.s eye of his and chuck it in the ring for another go. Many a time Snick's gone home wearin' a striped chiny or a pink stony in place of the store eye, and then his old lady would chase around lookin' for the kid that had won it off'm him. There's such a thing as bein' too good a loser; but you could never make Snick see it.

Well, I'd marked up five to the bad on my books, and then Swifty Joe and me had worked an hour with a couple of rockin' chair commodores from the New York Yacht Club, gettin' 'em in shape to answer Lipton's batch of spring challenges, when Pinckney blows in, towin' a tubby, red faced party in a frock coat and a silk lid.

"Shorty," says he, "I want you to know Sir Hunter Twiggle. Sir Hunter, this is the Professor McCabe you've heard about."

"If you heard it from Pinckney," says I, "don't believe more'n half of it." With that we swaps the grip, and he says he's glad to meet up with me.

But say, he hadn't been in the shop two minutes 'fore I was next to the fact that he was another who'd had to mate up his lamps with a specimen from the gla.s.s counter.

"They must be runnin' in pairs," thinks I. "This'd be a good time to draw to three of a kind."

Course, I didn't mention it, but I couldn't keep from watchin' how awkward he handled his'n, compared to the smooth way Snick could do it.

I guess Pinckney must have spotted me comin' the steady gaze, for pretty soon he gets me one side and whispers, "Don't appear to notice it."

"All right," says I; "I'll look at his feet."

"No, no," says Pinckney, "just pretend you haven't discovered it. He's very sensitive on the subject--thinks no one knows, and so on."

"But it's as plain as a gold tooth," says I.

"I know," says Pinckney; "but humour him. He's the right sort."

Pinckney wa'n't far off, either. For a gent that acted as though he'd been born wearin' a high collar and a shiny hat, Sir Twiggle wasn't so worse. Barrin' the stiffenin', which didn't wear off at all, he was a decent kind of a haitch eater. Bein' dignified was something he couldn't help. You'd never guessed, to look at him, that he'd ever been mixed up in anything livelier'n layin' a church cornerstone, but it leaks out that he had been through all kinds of sc.r.a.ps in India, comes from the same stock as the old Marquis of Queensberry, and has followed the ring more or less himself.

"I had the doubtful honour," says he, bringin' both eyes into range on me, "of backing a certain Mr. Palmer, whom we sent over here several years ago after a belt."

"He got more'n one belt," says I.

"Quite so," says he, almost crackin' a smile; "one belt too many, I fancy."

Say, that was a real puncherino, eh? I ain't sure but what he got off more along the same line, for some of them British kind is hard to know unless you see 'em printed in the joke column. Anyway, we has quite a chin, and before he left we got real chummy.

He had a right to be feelin' gay, though; for he'd come over to marry a girl with more real estate deeds than you could pack in a trunk. Some kin of Pinckney's, this Miss Cornerlot was; a sort of faded flower that had hung too long on the stem. She'd run across Sir Hunter in London, him bein' a widower that was willin' to forget, and they'd made a go of it, n.o.body knew why. I judged that Pinckney was some relieved at the prospects of placin' a misfit. He'd laid out for a little dinner at the club, just to introduce Sir Hunter to his set and brace him up for bein' inspected by the girl's aunt and other relations at some swell doin's after.

I didn't pay much attention to their program at the time. It wa'n't any of my funeral who Pinckney married off his leftover second cousins to; and by evenin' I'd clean forgot all about Twiggle; when Pinckney 'phones he'd be obliged if I could step around to a Broadway hotel right off, as he's in trouble.

Pinckney meets me just inside the plate gla.s.s merry go round.

"Something is the matter with Sir Hunter," says he, "and I can't find out from his fool man what it is."

"Before we gets any deeper let's clear the ground," says I. "When you left him, was he soused, or only damp around the edges?"

"Oh, it's not that at all," says Pinckney. "Sir Hunter is a gentleman--er, with a wonderful capacity."

"The Hippodrome tank's got that too," I says; "but there's enough fancy drinks mixed on Broadway every afternoon to run it over."

Sir Hunter has a set of rooms on the 'leventh floor. He wa'n't in sight, but we digs up Rinkey. By the looks, he'd just escaped from the chorus of a musical comedy, or else an Italian bakery. Near as I could make out he didn't have any proper clothes on at all, but was just done up in white buntin' that was wrapped and draped around him, like a parlour lamp on movin' day. The spots of him that you could see, around the back of his neck and the soles of his feet, was the colour of a twenty-cent maduro cigar. He was spread out on the rug with his heels toward us and his head on the sill of the door leadin' into the next room.

"Back up, Pinckney!" says I. "This must be a coloured prayer meetin'

we're b.u.t.tin' into."