Shadows of Flames - Part 64
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Part 64

Sophy spent the winter that followed her husband's death in the little cottage at Bonchurch. Her one desire, after Cecil's body had been laid in the Chapel-crypt at Dynehurst, was to return "to her own land and her own people." But Bellamy had warned her against an autumn crossing for Bobby, and the sudden change to a severer climate. At first she could not bring herself to walk or ride--the sight of blue water sparkling in the sun was so dreadful to her. And it grew to be almost an hallucination that, whenever she looked on it, she saw also a yellow chair, bobbing drolly to the motion of the waves. Little by little she dominated this aversion from the sea. Had it been a lake near which Bonchurch lay, she could not have borne it. But here, after two months, she began to ride daily, and gradually grew strong again.

It was on a lovely day in June when she reached the little country station of Sweet-Waters. The chuckle of Sweet-Water creek, that just here made a special music among crowding stones, rose dearly familiar.

And there--there were her Mountains! Tears shut them out for a moment.

Before she could see them clearly again, Charlotte's arms were round her. They clung together speechless.

"Oh!" murmured Sophy at last, her face buried in Charlotte's neck. "Oh, Chartie ... how you smell of _home_!"

This made them both laugh. But they were crying, too. The sisters loved each other as twins sometimes do, though they were not twins. Charlotte was eight years older than Sophy. And there, in the broad afternoon sunlight, Sophy again buried her face in her sister's neck to savour the sweet "home" fragrance.

Then she put Bobby in Charlotte's arms. Now Charlotte was afraid to speak. She pressed the boy to her in silence. At last she said:

"He has your eyes, darling," adding: "_I've_ a new boy to show you, too, you know."

The long, grave shadows of late afternoon, in which there was no sadness, only the serene beauty of sleep, lay over the rolling fields through which the sisters drove homeward, hand in hand. Each native tree and wild-flower went to Sophy's heart. She so loved this friendly, smiling country, that almost she believed it "loved her back again," as children say. The silver-poplars along the road glittered whitely in a soft breeze. The sky changed to sheeted gold above the bluish mountains.

As they turned in at the lawn of Sweet-Waters, the old box-shrubs sc.r.a.ped against the carriage in a way that meant home, and only home.

Nowhere else in the world were box-trees set so close together on a driveway, that carriages could not pa.s.s without being brushed by the stiff leaves.

Sophy smiled, catching at a sprig as they pa.s.sed, and Charlotte, also smiling, said:

"Yes. Joe is still promising me to clip them properly."

The old red-brick of the house now glowed on them between the boughs of tulip-trees and horse-chestnuts. They pa.s.sed the clump of great acacia trees, where stood the round, green tables, covered with pots of pink and white geraniums. Sophy recalled that day when the London window-boxes had brought this memory of home. Now she was here. Home was reality--London the memory.

Judge Macon came down the front steps and took her in his arms as though she had been in truth his sister. He was much moved. Somehow to see her in the dull black of widow's weeds struck him as unnatural. Like most men, he hated "mourning." It hurt him to see her brightness thus quenched with crepe.

"Doggone it, Chartie," he said to his wife that night when they were alone, "get that black off of our Sophy as soon as you can. For the Lord's sake, get _some_ of it off right away. A human being can't go through a Virginia summer draped like a hea.r.s.e!"

Charlotte said:

"Oh, Joe, _don't_ talk so gruesomely. She'll wear white I'm sure--poor darling."

Then she went to his shoulder and cried frankly.

"I hate it as much as you do," she said. "It almost makes me 'lose my religion' to think of Sophy's being a widow. Don't you know how we--how _every one_--always thought of Sophy as being brilliant and happy?"

"Yes, yes; so we did, so we did," he soothed her. Then he added soberly:

"But those are just the people who seem to attract misfortune ... like lightning-rods," he concluded quaintly.

As soon as they had reached the house, Charlotte took Sophy upstairs to show her the nursery she had arranged for Bobby, and the old nursery just across the hall, that she and Sophy used to share together, and which was now to be her sister's bedroom. Even then Charlotte had ventured to suggest timidly:

"Won't you change to something cooler, dear?"

She longed to see Sophy in white blouse and duck skirt as in old days.

She opened a closet door, suggestively. "There are some of your summer things hanging here just as they used to. Mammy Nan did them up for you herself."

Sophy stood with her arm about Charlotte's waist, looking at the freshly laundered, white skirts that she had worn as a girl. They seemed like ghosts to her, gleaming there in the dim closet--phantoms of her dead self--of that joyous, exultant, "c.o.c.k-sure" girl that had been herself and could never come to life again. A new sadness came over her like the sadness with which we look on the garments of the dead.

"No--I don't think I'll change, Chartie," she said gently. "This gown I have on is really cool."

And she picked up a fold of her thin, crepe skirt that Charlotte might see for herself. She did not realise that it was the blackness of her dress that Charlotte wanted changed. She was so used to wearing black now that she felt more at ease in it. It had become a sort of uniform.

She was one of the army of sorrow. To wear its prescribed black made her feel less conspicuous. The repellent custom of "mourning" has this illogical consolation for its adherents.

But her sadness faded as she looked round the familiar room. The very smell of it was the same. A scent of India matting and beeswax, and the Russia leather of her sets of Shakespeare and Chaucer. She went from object to object, touching them lovingly. Colour had come to her face.

Her grey eyes shone dark. She stood at the foot of the green bed with its painted birds-of-Paradise, now but faint blurs of gold and crimson, looking lovingly at its fluted pillow-slips and coverlet of old, white "honey-comb."

"What happy dreams we've dreamed there, Chartie!" she murmured. "We were such happy things."

Charlotte called from the window for Mammy Nan to bring the youngest of her three sons to see "Miss Sophy." This was William Taliaferro, usually called "Winks," Bobby's senior by three months. Jack and Joey were still out somewhere on the farm. Winks had his mother's yellow-hazel eyes, dark curls, and decision of character. He accepted Sophy for an aunt, after some solemn pondering, and allowed her to take him in her arms.

She bore him across the hall to "make friends" with his new cousin. It was delightful to see the two youngsters "taking stock" of each other.

Like two young c.o.c.kerels they stood, fronting each other, heads down, thumbs home to the hilt in red mouths, hackles ready to rise at the least sign--round eyes fixed on round eyes. Bobby was the first to remove a glistening thumb. His delicious little grin shone forth.

"Bobby boy!" he announced. "P'ay sogers!"

Winks considered a second longer. Then he, too, removed his thumb.

"Mh-mh," he a.s.sented, and allowed Bobby to take him by the hand. They trotted off like brothers born, to play with the tin soldiers that Rosa had already unpacked.

"_Che amorini!_" sighed she, looking after them with clasped hands. She did not ask more of life than two such _bambini_ to adore. Rosa's was the true mother-heart. Whether born of her own flesh or of another's, children were all in all to her.

Though Sophy felt so dusty from her journey, she would not take the time for a tub, from these first, wondrous hours of homecoming. She longed to be out in the old grounds. Charlotte left her at last, to "see about supper." How the familiar phrase warmed Sophy's heart! She peeped again into the nursery before going down. She had worried a little as to how Rosa would "get on" with the darkies. She need not have done so. She found the dear old negress and the Lombard peasant woman sitting side by side. Rosa looked up as she entered, and patted Mammy Nan's rather embarra.s.sed, satiny-brown face.

"Ees goo-ood," she cooed. "_La Mora e molto buona ... molto simpatica._"

To hear Mammy Nan called "the Moor" made Sophy smile. She stood there smiling at them.

"Rosa's a mighty nice woman, Mammy," she said, slipping easily into the vernacular.

"She sho' do 'pear so," agreed Mammy Nan, amiable but nervous. It seemed so very peculiar to her to have a strange "white 'ooman" patting her cheek and calling her "Cara," when her name was Ann.

II

Sophy went out, while Charlotte "saw about supper," and wandered alone but not lonely through the grounds. It was "sundown," as they say in Virginia. All the west was gold above the darkling violet of the mountains. She went along one of the old brick walks towards the garden.

From the stable the scent of horses and fresh straw blew towards her, mingling with the perfume of the June roses. This, too, meant home. The stable was at the foot of the garden. Ever since she could remember, when the wind was due west, the scent of "horse" had mingled with the scent of flowers.

The garden lay in terraces connected by flights of wooden steps. She sat down on the first flight, between two damask-rose trees, and watched the swallows wheeling to nest against the dim gold of the sky. A great bush of calacanthus spread at her feet. She gathered some of the little, hard, maroon-coloured blossoms, and put them inside the breast of her gown. They would only give out their full sweetness thus warmed. Their perfume of strawberries-in-the-sun and fresh vanilla was the very essence of "home." The _tank-tonk_ of cowbells sounded along the meadow field. The cows, just milked, were grazing leisurely again. Frogs crooned softly from the mill-pond. A screech-owl trilled.

The soft, fluctuant ebb and flow of blowing foliage--like an aerial surge playing along skyey strands--came to her from the lawn above. She turned and lay at full length in the warm gra.s.s--breast to breast with the earth of home. Her heart beat strong and warm against it--her lips pressed it. And a strange, tender, universal thrill such as she had never known, ran through her as she thus clasped and kissed the soil from which she had sprung, and to which she would one day return....

And suddenly it seemed to her that the greatest gift the G.o.ds could send her would be the wish to write again. Ah, if she, the poet that was her truest self, could only rise again! It was not a "resurrection" but a "_risorgimento_" that she longed for. The word came to her with its memory of Amaldi. But he seemed now only like one of the sad phantoms in her phantasmal past. Nothing, not even the lost spirit of poetry, seemed to her so unreal as her past, leaning secure as she now did on the warm earth of home.

"_Risorgo_.... I rise again...." she murmured, pulling the purple-headed meadow-gra.s.s from its close sheath, and nibbling the yellow-white waxen stalks absently. That was a home-taste! She stopped thinking more serious thoughts, to smile down at the nibbled stalk in her hand. "You taste of childhood...." she said to the blade of gra.s.s. Then she rose to her feet. Charlotte was calling her. As she went towards the house she mused: