"The night I left they were all down at the station to see me off-including the girl I was gone on. When the train was ready to start she was standing away by herself on the dark end of the platform, and my sister kept nudging me and winking, and fooling about, but I didn't know what she was driving at. At last she said: " 'Go and speak to her, you noodle; go and say good-bye to Edie.'

"So I went up to where she was, and, when the others turned their backs- " 'Well, good-bye, Miss Brown,' I said, holding out my hand; 'I don't suppose I'll ever see you again, for Lord knows when I'll be back. Thank you for coming to see me off.'

"Just then she turned her face to the light, and I saw she was crying. She was trembling all over. Suddenly she said, 'Jack! Jack!' just like that, and held up her arms like this."

Mitch.e.l.l was speaking in a tone of voice that didn't belong to him, and his mate looked up. Mitch.e.l.l's face was solemn, and his eyes were fixed on the fire.

"I suppose you gave her a good hug then, and a kiss?" asked the mate.

"I s'pose so," snapped Mitch.e.l.l. "There is some things a man doesn't want to joke about...Well, I think we'll shove on one of the billies, and have a drink of tea before we turn in."

"I suppose," said Mitch.e.l.l's mate, as they drank their tea, "I suppose you'll go back and marry her some day?"

"Some day! That's it; it looks like it, doesn't it? We all say, 'Some day'. I used to say it ten years ago, and look at me now. I've been knocking round for five years, and the last two years constant on the track, and no show of getting off it unless I go for good, and what have I got for it? I look like going home and getting married, without a penny in my pocket or a rag to my back scarcely, and no show of getting them. I swore I'd never go back home without a cheque, and, what's more, I never will; but the cheque days are past. Look at that boot! If we were down among the settled districts we'd be called tramps and beggars; and what's the difference? I've been a fool, I know, but I've paid for it; and now there's nothing for it but to tramp, tramp, tramp for your tucker, and keep tramping till you get old and careless and dirty, and older, and more careless and dirtier, and you get used to the dust and sand, and heat, and flies, and mosquitoes, same as a bullock does, and lose ambition and hope, and get contented with this animal life, like a dog, and till your swag seems part of yourself, and you'd be lost and uneasy and lightshouldered without it, and you don't care a d.a.m.n if you'll ever get work again, or live like a Christian; and you go on like this till the spirit of a bullock takes the place of the heart of a man. Who cares? If we hadn't found the track yesterday we might have lain and rotted in that lignum, and no one been any the wiser-or sorrier-who knows? Somebody might have found us in the end, but it mightn't have been worth his while to go out of his way and report us. d.a.m.n the world, say I!"

He smoked for a while in savage silence; then he knocked the ashes out of his pipe, felt for his tobacco with a sigh, and said: "Well, I am a bit out of sorts to-night. I've been thinking...I think we'd best turn in, old man; we've got a long, dry stretch before us to-morrow."

They rolled out their swags on the sand, lay down, and wrapped themselves in their blankets. Mitch.e.l.l covered his head with a piece of calico, because the moonlight and wind kept him awake.

FROM WHILE THE BILLY BOILS-SECOND SERIES.

The Drover's Wife.

THE two-roomed house is built of round timber, slabs, and stringy bark, and floored with split slabs. Abig bark kitchen standing at one end is larger than the house itself, verandah included.

Bush all round-bush with no horizon, for the country is flat. No ranges in the distance. The bush consists of stunted, rotten native apple trees. No undergrowth. Nothing to relieve the eye save the darker green of a few she-oaks which are sighing above the narrow, almost waterless creek. Nineteen miles to the nearest sign of civilisation-a shanty on the main road.

The drover, an ex-squatter, is away with sheep. His wife and children are left here alone.

Four ragged, dried-up-looking children are playing about the house. Suddenly one of them yells: "Snake! Mother, here's a snake!"

The gaunt, sun-browned bushwoman dashes from the kitchen, s.n.a.t.c.hes her baby from the ground, holds it on her left hip, and reaches for a stick.

"Where is it?"

"Here! gone into the wood-heap!" yells the eldest boy-a sharp-faced, excited urchin of eleven. "Stop there, mother! I'll have him. Stand back! I'll have the beggar!"

"Tommy, come here, or you'll be bit. Come here at once when I tell you, you little wretch!"

The youngster comes reluctantly, carrying a stick bigger than himself. Then he yells, triumphantly: "There it goes-under the house!" and darts away with club uplifted. At the same time the big, black, yellow-eyed dog-of-allbreeds, who has shown the wildest interest in the proceedings, breaks his chain and rushes after that snake. He is a moment late, however, and his nose reaches the crack in the slabs just as the end of its tail disappears. Almost at the same moment the boy's club comes down and skins the aforesaid nose. Alligator takes small notice of this and proceeds to undermine the building; but he is subdued after a struggle and chained up. They cannot afford to lose him.

The drover's wife makes the children stand together near the dog-house while she watches for the snake. She gets two small dishes of milk and sets them down near the wall to tempt it to come out; but an hour goes by and it does not show itself.

It is near sunset, and a thunderstorm is coming. The children must be brought inside. She will not take them into the house, for she knows the snake is there, and may at any moment come up through the cracks in the rough slab floor; so she carries several armfuls of firewood into the kitchen, and then takes the children there. The kitchen has no floor-or, rather, an earthen one, called a "ground floor" in this part of the bush. There is a large, roughly made table in the centre of the place. She brings the children in and makes them get on this table. They are two boys and two girls-mere babies. She gives them some supper, and then, before it gets dark, she goes into the house, and s.n.a.t.c.hes up some pillows and bedclothes-expecting to see or lay her hand on the snake any minute. She makes a bed on the kitchen table for the children, and sits down beside it to watch all night.

She has an eye on the corner, and a green sapling club laid in readiness on the dresser by her side, together with her sewing basket and a copy of the Young Ladies' Journal. She has brought the dog into the room.

Tommy turns in, under protest, but says he'll lie awake all night and smash that blinded snake.

His mother asks him how many times she has told him not to swear.

He has his club with him under the bedclothes, and Jacky protests: "Mummy! Tommy's skinnin' me alive wif his club. Make him take it out."

Tommy: "Shet up, you little--! D'yer want to be bit with the snake?"

Jacky shuts up.

"If yer bit," says Tommy, after a pause, "you'll swell up, an' smell, an' turn red an' green an' blue all over till yer bust. Won't he, mother?"

"Now then, don't frighten the child. Go to sleep," she says.

The two younger children go to sleep, and now and then Jacky complains of being "skeezed". More room is made for him. Presently Tommy says: "Mother! listen to them (adjective) little 'possums. I'd like to screw their blanky necks."

And Jacky protests drowsily: "But they don't hurt us, the little blanks!"

Mother: "There, I told you you'd teach Jacky to swear." But the remark makes her smile. Jacky goes to sleep.

Presently Tommy asks: "Mother! Do you think they'll ever extricate the (adjective) kangaroo?"

"Lord! How am I to know, child? Go to sleep."

"Will you wake me if the snake comes out?"

"Yes. Go to sleep."

Near midnight. The children are all asleep and she sits there still, sewing and reading by turns. From time to time she glances round the floor and wall-plate, and whenever she hears a noise she reaches for the stick. The thunderstorm comes on, and the wind, rushing through the cracks in the slab wall, threatens to blow out her candle. She places it on a sheltered part of the dresser and fixes up a newspaper to protect it. At every flash of lightning, the cracks between the slabs gleam like polished silver. The thunder rolls, and the rain comes down in torrents.

Alligator lies at full length on the floor, with his eyes turned towards the part.i.tion. She knows by this that the snake is there. There are large cracks in that wall opening under the floor of the dwelling-house.

She is not a coward, but recent events have shaken her nerves. Alittle son of her brother-in-law was lately bitten by a snake, and died. Besides, she has not heard from her husband for six months, and is anxious about him.

He was a drover, and started squatting here when they were married. The drought of 18--ruined him. He had to sacrifice the remnant of his flock and go droving again. He intends to move his family into the nearest town when he comes back, and, in the meantime, his brother, who keeps a shanty on the main road, comes over about once a month with provisions. The wife has still a couple of cows, one horse, and a few sheep. The brother-in-law kills one of the sheep occasionally, gives her what she needs of it, and takes the rest in return for other provisions.

She is used to being left alone. She once lived like this for eighteen months. As a girl she built the usual castles in the air; but all her girlish hopes and aspirations have long been dead. She finds all the excitement and recreation she needs in the Young Ladies' Journal, and, Heaven help her! takes a pleasure in the fashion-plates.

Her husband is an Australian, and so is she. He is careless, but a good enough husband. If he had the means he would take her to the city and keep her there like a princess. They are used to being apart, or at least she is. "No use fretting," she says. He may forget sometimes that he is married; but if he has a good cheque when he comes back he will give most of it to her. When he had money he took her to the city several times-hired a railway sleeping compartment, and put up at the best hotels. He also bought her a buggy, but they had to sacrifice that along with the rest.

The last two children were born in the bush-one while her husband was bringing a drunken doctor, by force, to attend to her. She was alone on this occasion, and very weak. She had been ill with a fever. She prayed to G.o.d to send her a.s.sistance. G.o.d sent Black Mary-the "whitest" gin in all the land. Or, at least, G.o.d sent "King Jimmy" first, and he sent Black Mary. He put his black face round the door-post, took in the situation at a glance, and said cheerfully: "All right, Missis-I bring my old woman, she down alonga creek."

One of her children died while she was here alone. She rode nineteen miles for a.s.sistance, carrying the dead child.

It must be near one or two o'clock. The fire is burning low. Alligator lies with his head resting on his paws, and watches the wall. He is not a very beautiful dog to look at, and the light shows numerous old wounds where the hair will not grow. He is afraid of nothing on the face of the earth or under it. He will tackle a bullock as readily as he will tackle a flea. He hates all other dogs-except kangaroo-dogs-and has a marked dislike to friends or relations of the family. They seldom call, however. He sometimes makes friends with strangers. He hates snakes and has killed many, but he will be bitten some day and die; most snakedogs end that way.

Now and then the bushwoman lays down her work and watches, and listens, and thinks. She thinks of things in her own life, for there is little else to think about.

The rain will make the gra.s.s grow, and this reminds her how she fought a bush fire once while her husband was away. The gra.s.s was long, and very dry, and the fire threatened to burn her out. She put on an old pair of her husband's trousers and beat out the flames with a green bough, till great drops of sooty perspiration stood out on her forehead and ran in streaks down her blackened arms. The sight of his mother in trousers greatly amused Tommy, who worked like a little hero by her side, but the terrified baby howled l.u.s.tily for his "mummy". The fire would have mastered her but for four excited bushmen who arrived in the nick of time. It was a mixed-up affair all round: when she went to take up the baby he screamed and struggled convulsively; thinking it was a "black man"; and Alligator, trusting more to the child's sense than his own instinct, charged furiously, and (being old and slightly deaf) did not in his excitement at first recognise his mistress's voice, but continued to hang on to the moleskins until choked off by Tommy with a saddle-strap. The dog's sorrow for his blunder, and his anxiety to let it be known that it was all a mistake, was as evident as his ragged tail and a twelve-inch grin could make it. It was a glorious time for the boys; a day to look back to, and talk about, and laugh over for many years.

She thinks how she fought a flood during her husband's absence. She stood for hours in the drenching downpour, and dug an overflow gutter to save the dam across the creek. But she could not save it. There are things that a bushwoman cannot do. Next morning the dam was broken, and her heart was nearly broken too, for she thought how her husband would feel when he came home and saw the result of years of labour swept away. She cried then.

She also fought the pleuro-pneumonia-dosed and bled the few remaining cattle, and wept again when her two best cows died.

Again, she fought a mad bullock that besieged the house for a day. She made bullets and fired at him through cracks in the slabs with an old shot-gun. He was dead in the morning. She skinned him and got seventeen-and-six for the hide.

She also fights the crows and eagles that have designs on her chickens. Her plan of campaign is very original. The children cry "Crows, mother!" and she rushes out and aims a broomstick at the birds as though it were a gun, and says, "Bung!" The crows leave in a hurry; they are cunning, but a woman's cunning is greater.

Occasionally a bushman in the horrors, or a villainous-looking sundowner, comes and nearly scares the life out of her. She generally tells the suspicious-looking stranger that her husband and two sons are at work below the dam, or over at the yard, for he always cunningly inquires for the boss.

Only last week a gallows-faced swagman-having satisfied himself that there were no men on the place-threw his swag down on the verandah, and demanded tucker. She gave him something to eat; then he expressed his intention of staying for the night. It was sundown then. She got a batten from the sofa, loosened the dog, and confronted the stranger, holding the batten in one hand, and the dog's collar with the other. "Now you go!" she said. He looked at her and at the dog, said "All rights mum," in a cringing tone, and left. She was a determined-looking woman, and Alligator's yellow eyes glared unpleasantly-besides, the dog's chawing-up apparatus greatly resembled that of the reptile he was named after.

She has few pleasures to think of as she sits here alone by the fire, on guard against a snake. All days are much the same to her; but on Sunday afternoon she dresses herself, tidies the children, smartens up baby, and goes for a lonely walk along the bush-track, pushing an old perambulator in front of her. She does this every Sunday. She takes as much care to make herself and the children look smart as she would if she were going to do the block in the city. There is nothing to see, however, and not a soul to meet. You might walk for twenty miles along this track without being able to fix a point in your mind, unless you are a bushman. This is because of the everlasting, maddening sameness of the stunted trees-that monotony which makes a man long to break away and travel as far as trains can go, and sail as far as ships can sail-and further.

But this bushwoman is used to the loneliness of it. As a girl-wife she hated it, but now she would feel strange away from it.

She is glad when her husband returns, but she does not gush or make a fuss about it. She gets him something good to eat, and tidies up the children.

She seems contented with her lot. She loves her children, but has no time to show it. She seems harsh to them. Her surroundings are not favourable to the development of the "womanly" or sentimental side of nature.

It must be near morning now; but the clock is in the dwelling-house. Her candle is nearly done; she forgot that she was out of candles. Some more wood must be got to keep the fire up, and so she shuts the dog inside and hurries round to the wood-heap. The rain has cleared off. She seizes a stick, pulls it out, and-crash! the whole pile collapses.

Yesterday she bargained with a stray blackfellow to bring her some wood; and while he was at work she went in search of a missing cow. She was absent an hour or so, and the native black made good use of his time. On her return she was so astonished to see a good heap of wood by the chimney, that she gave him an extra fig of tobacco, and praised him for not being lazy. He thanked her, and left with head erect and chest well out. He was the last of his tribe and a King; but he had built that wood-heap hollow.

She is hurt now, and tears spring to her eyes as she sits down again by the table. She takes up a handkerchief to wipe the tears away, but pokes her eyes with her bare fingers instead. The handkerchief is full of holes, and she finds that she has put her thumb through one and her forefinger through another.

This makes her laugh, to the surprise of the dog. She has a keen, very keen, sense of the ridiculous; and some time or other she will amuse bushmen with the story.

She has been amused before like that. One day she sat down "to have a good cry", as she said-and the old cat rubbed against her dress and "cried too". Then she had to laugh.

It must be near daylight. The room is very close and hot because of the fire. Alligator still watches the wall from time to time. Suddenly he becomes greatly interested; he draws himself a few inches nearer the part.i.tion, and a thrill runs through his body. The hair on the back of his neck begins to bristle, and the battle-light is in his yellow eyes. She knows what this means, and lays her hand on the stick. The lower end of one of the part.i.tion slabs has a large crack on both sides. An evil pair of small, bright, beadlike eyes glisten at one of these holes. The snake-a black one-comes slowly out, about a foot, and moves its head up and down. The dog lies still, and the woman sits as one fascinated. The snake comes out a foot further. She lifts her stick, and the reptile, as though suddenly aware of danger, sticks his head in through the crack on the other side of the slab, and hurries to get his tail round after him. Alligator springs, and his jaws come together with a snap. He misses, for his nose is large and the snake's body close down in the angle formed by the slabs and the floor. He snaps again as the tail comes round. He has the snake now, and tugs it out eighteen inches. Thud, thud comes the woman's club on the ground. Alligator pulls again. Thud, thud. Alligator gives another pull and he has the snake out-a black brute, five feet long. The head rises to dart about, but the dog has the enemy close to the neck. He is a big, heavy dog, but quick as a terrier. He shakes the snake as though he felt the original curse in common with mankind. The eldest boy wakes up, seizes his stick, and tries to get out of bed, but his mother forces him back with a grip of iron. Thud, thud-the snake's back is broken in several places. Thud, thud-its head is crushed, and Alligator's nose skinned again.

She lifts the mangled reptile on the point of her stick, carries it to the fire, and throws it in; then piles on the wood, and watches the snake burn. The boy and dog watch, too. She lays her hand on the dog's head, and all the fierce, angry light dies out of his yellow eyes. The younger children are quieted, and presently go to sleep. The dirty-legged boy stands for a moment in his shirt, watching the fire. Presently he looks up at her, sees the tears in her eyes, and, throwing his arms round her neck, exclaims: "Mother, I won't never go drovin'; blast me if I do!"

And she hugs him to her worn-out breast and kisses him; and they sit thus together while the sickly daylight breaks over the bush.

Steelman's Pupil.

STEELMAN was a hard case, but some said that Smith was harder. Steelman was big and good-looking, and good-natured in his way; he was a "spieler", pure and simple, and did things in humorous style. Smith was small and weedy, of the sneak variety; he had a whining tone and a cringing manner. He seemed to be always so afraid you were going to hit him that he would make you want to hit him on that account alone.

Steelman "had" you in a fashion that would make your friends laugh. Smith would "have" you in a way which made you feel mad at the bare recollection of having been taken in by so contemptible a little sneak.

They battled round together in the North Island of Maoriland for a couple of years.

One day Steelman said to Smith: "Look here, Smithy, you don't know you're born yet. I'm going to take you in hand and teach you."

And he did. If Smith wouldn't do as Steelman told him, or wasn't successful in cadging, or "mugged" any game they had in hand, Steelman would threaten to "stoush" him; and, if the warning proved ineffectual after the second or third time, he would stoush him.

One day, on the track, they came to a place where an old Scottish couple kept a general store and shanty. They camped alongside the road, and Smith was just starting up to the house to beg supplies when Steelman cried: "Here!-hold on. Now where do you think you're going to?"

"Why, I'm going to try and chew the old party's lug, of course. We'll be out of tucker in a couple of days," said Smith.

Steelman sat down on a stump in a hopeless, discouraged sort of way.

"It's no use," he said, regarding Smith with mingled reproach and disgust. "It's no use. I might as well give it best. I can see that it's only waste of time trying to learn you anything. Will I ever be able to knock some gumption into your thick skull? After all the time and trouble and pains I've took with your education, you hain't got any more sense than to go and mug a business like that! When will you learn sense? Hey? After all, Smith, you're a born mug I--!"

He always called Smith a "mug" when he was particularly wild at him, for it hurt Smith more than anything else.

"There's only two cla.s.ses in the world, spielers and mugs-and you're a mug, Smith."

"What have I done, anyway?" asked Smith helplessly. "That's all I want to know."

Steelman wearily rested his brow on his hand.

"That will do, Smith," he said listlessly; "don't say another word, old man; it'll only make my head worse; don't talk. You might, at the very least, have a little consideration for my feelings-even if you haven't for your own interests." He paused and regarded Smith sadly. "Well, I'll give you another show. I'll stage the business for you."

He made Smith doff his coat and get into his worst pair of trousers-and they were bad enough; they were hopelessly "gone", beyond the extreme limit of bush decency. He made Smith put on a rag of a felt hat and a pair of "'lastic-sides" which had fallen off a tramp and lain baking and rotting by turns on a rubbish heap; they had to be tied on Smith with bits of rag and string. He drew dark shadows round Smith's eyes, and burning spots on his cheek-bones with some grease-paints he used when they travelled as "The Great Steelman and Smith Combination Star Shakesperian Dramatic Co." He damped Smith's hair to make it dark and lank, and his face more corpse-like by comparison-in short, he "made him up" to look like a man who had long pa.s.sed the very last stage of consumption, and had been artificially kept alive in the interests of science.

"Now you're ready," said Steelman to Smith. "You left your whare the day before yesterday and started to walk to the hospital at Palmerston. An old mate picked you up dying on the road, brought you round, and carried you on his back most of the way here. You firmly believe that Providence had something to do with the sending of that old mate along at that time and place above all others. Your mate also was hard up; he was going to a job-the first show for work he'd had in nine months-but he gave it up to see you through; he'd give up his life rather than desert a mate in trouble. You only want a couple of shillings or a bit of tucker to help you on to Palmerston. You know you've got to die, and you only want to live long enough to get word to your poor old mother, and die on a bed.

"Remember, they're Scotch up at that house. You understand the Scotch barrack pretty well by now-if you don't it ain't my fault. You were born in Aberdeen, but came out too young to remember much about the town. Your father's dead. You ran away to sea and came out in the Bobbie Burns to Sydney. Your poor old mother's in Aberdeen now-Bruce or Wallace Wynd will do. Your mother might be dead now-poor old soul!-anyway, you'll never see her again. You wish you'd never run away from home. You wish you'd been a better son to your poor old mother; you wish you'd written to her and answered her last letter. You only want to live long enough to write home and ask for forgiveness and a blessing before you die. If you had a drop of spirits of some sort to brace you up you might get along the road better. (Put this delicately.) Get the whine out of your voice and breathe with a wheeze-like this; get up the nearest approach to a death-rattle that you can. Move as if you were badly hurt in your wind-like this. (If you don't do it better'n that, I'll stoush you.) Make your face a bit longer and keep your lips dry-don't lick them, you d.a.m.ned fool!-breathe on them; make 'em dry as chips. That's the only decent pair of breeks you've got, and the only 'shoon'. You're a Presbyterian-not a U.P., the Auld Kirk. Your mate would have come up to the house, only-well, you'll have to use the stuffing in your head a bit; you can't expect me to do all the brain-work. Remember it's consumption you've got galloping consumption; you know all the symptoms-pain on top of your right lung, bad cough and night sweats. Something tells you that you won't see the new year-it's a week off Christmas now. And if you come back without anything, I'll blessed soon put you out of your misery."

Smith came back with about four pounds of shortbread and as much various tucker as they could conveniently carry; a pretty good suit of cast-off tweeds; a new pair of 'lastic-sides from the store stock; two bottles of patent medicine and a black bottle half-full of home-made consumption-cure; also a letter to a hospital committee man and three shillings to help him on his way to Palmerston. He also got about half a mile of sympathy, religious consolation, and medical advice which he didn't remember.

"Now," he said triumphantly, "am I a mug or not?"

Steelman kindly ignored the question. "I did have a better opinion of the Scotch," he said, contemptuously.

Steelman got on at an hotel as billiard-marker and decoy, and in six months he managed that pub. Smith, who'd been away on his own account, turned up in the town one day clean-broke, and in a deplorable state. He heard of Steelman's luck, and thought he was "all right", so went to his old friend.

Cold type-or any other kind of type-couldn't do justice to Steelman's disgust. To think that this was the reward of all the time and trouble he'd spent on Smith's education! However, when he cooled down, he said: "Smith, you're a young man yet, and it's never too late to mend. There is still time for reformation. I can't help you now; it would only demoralise you altogether. To think, after the way I trained you, you can't battle round any better'n this! I always thought you were an irreclaimable mug, but I expected better things of you towards the end. I thought I'd make something of you. It's enough to dishearten any man and disgust him with the world. Why! you ought to be a rich man now with the chances and training you had! To think-but I won't talk of that; it has made me ill. I suppose I'll have to give you something, if it's only to get rid of the sight of you. Here's a quid, and I'm a mug for giving it to you. It'll do more harm than good; and it ain't a friendly thing nor the right thing for me-who always had your welfare at heart-to give it to you under the circ.u.mstances. Now, get away out of my sight, and don't come near me till you've reformed. If you do, I'll have to stoush you out of regard for my own health and feelings."

But Steelman came down in the world again and picked up Smith on the road, and they "battled round" together for another year or so; and at last they were in Wellington-Steelman "flush" and stopping at an hotel, and Smith stumped, as usual, and staying with a friend. One night they were drinking together at the hotel, at the expense of some mugs whom Steelman was "educating". It was raining hard. When Smith was going home, he said: "Look here, Steely, old man. Listen to the rain! I'll get wringing wet going home. You might as well lend me your overcoat to-night. You won't want it, and I won't hurt it."

And, Steelman's heart being warmed by his successes, he lent the overcoat.

Smith went and p.a.w.ned it, got glorious on the proceeds, and took the p.a.w.n-ticket to Steelman next day.