" 'B' G.o.d, there's the Flour o' Wheat comin' this minute,' says Dinny Murphy to Tom, 'an' no one else.'

" 'B' G.o.d, ye're right!' says Tom.

"There were a lot of new-chums in the big room at the back, drinking and dancing and singing, and Tom says to Dinny: " 'Dinny, I'll bet you a quid an' the Flour'll run against some of those new-chums before he's an hour on the spot.'

"But Dinny woudn't take him up. He knew the Flour.

" 'Good day, Tom! Good day, Dinny!'

" 'Good day to you, Flour!'

"I was introduced.

" 'Well, boys, come along,' says the Flour.

"And so we went inside with him. The Flour had a few drinks, and then he went into the back room where the new-chums were. One of them was dancing a jig, and so the Flour stood up in front of him and commenced to dance too. And presently the new-chum made a step that didn't please the Flour, so he hit him between the eyes, and knocked him down-fair an' flat on his back.

" 'Take that,' he says. 'Take that, me lovely whipper-snapper, an' lay there! You can't dance. How dare ye stand up in front of me face to dance when ye can't dance?'

"He shouted, and drank, and gambled, and danced, and sang, and fought the new-chums all night, and in the morning he said: " 'Well, boys, we had a grand time last night. Come and have a drink with me.'

"And of course they went in and had a drink with him.

"Next morning the Flour was walking along the street, when he met a drunken, disreputable old hag, known among the boys as the 'Nipper'.

" 'Good morning, me lovely Flour o' Wheat!' says she.

" 'Good morning, me lovely Nipper!' says the Flour.

"And with that she outs with a bottle she had in her dress, and smashed him across the face with it. Broke the bottle to smithereens!

"Apoliceman saw her do it, and took her up; and they had the Flour as a witness, whether he liked it or not. And a lovely sight he looked, with his face all done up in b.l.o.o.d.y bandages, and only one damaged eye and a corner of his mouth on duty.

" 'It's nothing at all, your Honour,' he said to the S.M.; 'only a pin-scratch-it's nothing at all. Let it pa.s.s. I had no right to speak to the lovely woman at all.'

"But they didn't let it pa.s.s-they fined her a quid.

"And the Flour paid the fine.

"But, alas for human nature! It was pretty much the same even in those days, and amongst those men, as it is now. Aman couldn't do a woman a good turn without the dirty-minded blackguards taking it for granted there was something between them. It was a great joke amongst the boys who knew the Flour, and who also knew the Nipper; but as it was carried too far in some quarters, it got to be no joke to the Flour-nor to those who laughed too loud or grinned too long.

"The Flour's cousin thought he was a sharp man. The Flour got 'stiff'. He hadn't any money, and his credit had run out, so he went and got a blank summons from one of the police he knew. He pretended that he wanted to frighten a man who owed him some money. Then he filled it up and took it to his cousin.

" 'What d'ye think of that?' he says, handing the summons across the bar. 'What d'ye think of me lovely Dinny Murphy now?'

" 'Why, what's this all about?'

" 'That's what I want to know. I borrowed a five-pound-note off of him a fortnight ago when I was drunk, an' now he sends me that: " 'Well, I never would have dream'd that of Dinny,' says the cousin, scratching his head and blinking. 'What's come over him at all?'

" 'That's what I want to know.'

" 'What have you been doing to the man?'

" 'Divil a thing that I'm aware of.'

"The cousin rubbed his chin-tuft between his forefinger and thumb.

" 'Well, what am I to do about it?' asked the Flour impatiently.

" 'Do? Pay the man, of course.'

" 'How can I pay the lovely man when I haven't got the price of a drink about me?'

"The cousin scratched his chin.

" 'Well-here, I'll lend you a five-pound-note for a month or two. Go and pay the man, and get back to work.'

"And the Flour went and found Dinny Murphy, and the pair of them had a howling spree together up at the opposition pub. And the cousin said he thought all the time he was being had.

"He was nasty sometimes, when he was about half drunk. For instance, he'd come on the ground when the Orewell sports were in full swing and walk round, soliloquising just loud enough for you to hear; and just when a big event was coming off he'd pa.s.s within earshot of some committee men-who had been bursting themselves for weeks to work the thing up and make it a success-saying to himself: " 'Where's the Orewell sports that I hear so much about? I don't see them! Can anyone direct me to the Orewell sports?'

"Or he'd pa.s.s a raffle, lottery, lucky bag, or golden-barrel business of some sort-- " 'No gamblin' for, the Flour. I don't believe in their little shwindles. It ought to be shtopped. Leadin' young people asthray.'

"Or he'd pa.s.s an Englishman he didn't like " 'Look at Jinneral Roberts! He's a man! He's an Irishman! England has to come to Ireland for its Jinnerals! Luk at Jinneral Roberts in the marshes of Candyhar!'

"They always had sports at Orewell Creek on New Year's Day-except once-and old Duncan was always there-never missed it till the day he died. He was a digger, a humorous and good-hearted 'hard case'. They all knew 'old Duncan'.

"But one New Year's Eve he didn't turn up, and was missed at once. 'Where's old Duncan? Anyone seen old Duncan?' 'Oh, he'll turn up all right.' They inquired, and argued, and waited, but Duncan didn't come.

"Duncan was working at Duffers. The boys inquired of fellows who came from Duffers, but they hadn't seen him for two days. They had fully expected to find him at the creek. He wasn't at Aliaura nor Notown. They inquired of men who came from Nelson Creek, but Duncan wasn't there.

" 'There's something happened to the lovely man,' said the Flour of Wheat at last. 'Some of us had better see about it.'

"Pretty soon this was the general opinion, and so a party started out over the hills to Duffers before daylight in the morning, headed by the Flour.

"The door of Duncan's whare was closed-but not padlocked. The Flour noticed this, gave his head a jerk, opened the door, and went in. The hut was tidied up and swept out-even the fireplace. Duncan had 'lifted the boxes' and 'cleaned up', and his little bag of gold stood on a shelf by his side-all ready for his spree. On the table lay a clean neckerchief folded ready to tie on. The blankets had been folded neatly and laid on the bunk, and on them was stretched old Duncan, with his arms lying crossed on his chest, and one foot-with a boot on-resting on the ground. He had his 'clean things' on, and was dressed except for one boot, the necktie, and his hat. Heart disease.

" 'Take your hats off and come in quietly, lads,' said the Flour. 'Here's the lovely man lying dead in his bunk.'

"There were no sports at Orewell that New Year. Someone said that the crowd from Nelson Creek might object to the sports being postponed on old Duncan's account, but the Flour said he'd see to that.

"One or two did object, but the Flour reasoned with them and there were no sports.

"And the Flour used to say, afterwards, 'Ah, but it was a grand time we had at the funeral when Duncan died at Duffers.'

"The Flour of Wheat carried his mate, Dinny Murphy, all the way in from Th' Canary to the hospital on his back. Dinny was very bad-the man was dying of the dysentery or something. The Flour laid him down on a spare bunk in the reception-room, and hailed the staff.

" 'Inside there-come out!'

"The doctor and some of the hospital people came to see what was the matter. The doctor was a heavy swell, with a big cigar, held up in front of him between two fat, soft, yellow-white fingers, and a dandy little pair of gold-rimmed eyegla.s.ses nipped on to his nose with a spring.

" 'There's me lovely mate lying there dying of the dysentry,' says the Flour, 'and you've got to fix him up and bring him round.'

"Then he shook his fist in the doctor's face and said: " 'If you let that lovely man die-look out!'

"The doctor was startled. He backed off at first; then he took a puff at his cigar, stepped forward, had a careless look at Dinny, and gave some order to the attendants. The Flour went to the door, turned half round as he went out, and shook his fist at them again, and said: " 'If you let that lovely man die-mind!'

"In about twenty minutes he came back, wheeling a case of whisky in a barrow. He carried the case inside, and dumped it down on the floor.

" 'There,' he said, 'pour that into the lovely man.'

"Then he shook his fist at such members of the staff as were visible, and said: " 'If you let that lovely man die-look out!'

"They were used to hard cases, and didn't take much notice of him, but he had the hospital in an awful mess; he was there all hours of the day and night; he would go down town, have a few drinks and a fight maybe, and then he'd say, 'Ah, well, I'll have to go up and see how me lovely mate's getting on.'

"And every time he'd go up he'd shake his fist at the hospital in general and threaten to murder 'em all if they let Dinny Murphy die.

"Well, Dinny Murphy died one night. The next morning the Flour met the doctor in the street, and hauled off and hit him between the eyes, and knocked him down before he had time to see who it was.

" 'Stay there, ye little whipper-snapper,' said the Flour of Wheat; 'you let that lovely man die!'

"The police happened to be out of town that day, and while they were waiting for them the Flour got a coffin and carried it up to the hospital and stood it on end by the doorway.

" 'I've come for me lovely mate!' he said to the scared staff-or as much of it as he bailed up and couldn't escape him. 'Hand him over. He's going back to be buried with his friends at Th' Canary. Now, don't be sneaking round and sidling off, you there; you needn't be frightened; I've settled with the doctor.'

"But they called in a man who had some influence with the Flour, and between them-and with the a.s.sistance of the prettiest nurse on the premises-they persuaded him to wait. Dinny wasn't ready yet; there were papers to sign; it wouldn't be decent to the dead; he had to be prayed over; he had to be washed and shaved, and fixed up decent and comfortable. Anyway, they'd have him ready in an hour, or take the consequences.

"The Flour objected on the ground that all this could be done equally as well and better by the boys at Th' Canary. 'However,' he said, 'I'll be round in an hour, and if you haven't got me lovely mate ready-look out!' Then he shook his fist sternly at them once more and said: " 'I know yer dirty tricks and dodges, and if there's e'er a pin-scratch on me mate's body-look out! If there's a parin' of Dinny's toe-nail missin-look out!'

"Then he went out-taking the coffin with him.

"And when the police came to his lodgings to arrest him, they found the coffin on the floor by the side of the bed, and the Flour lying in it on his back, with his arms folded peacefully on his bosom. He was as dead drunk as any man could get to be and still be alive. They knocked air-holes, in the coffin-lid, screwed it on, and carried the coffin, the Flour, and all to the local lock-up. They laid their burden down on the bare, cold floor of the prison-cell, and then went out, locked the door, and departed several ways to put the 'boys' up to it. And about midnight the 'boys' gathered round with a supply of liquor, and waited, and somewhere along in the small hours there was a howl, as of a strong Irishman in Purgatory, and presently the voice of the Flour was heard to plead in changed and awful tones: " 'Pray for me soul, boys-pray for me soul! Let bygones be bygones between us, boys, and pray for me lovely soul! The lovely Flour's in Purgatory!'

"Then silence for a while; and then, a sound like a dray-wheel pa.s.sing over a packing-case...That was the only time on record that the Flour was heard to swear. And he swore then.

They didn't pray for him-they gave him a month. And, when he came out, he went half-way across the road to meet the doctor, and he-to his credit, perhaps-came the other half. They had a drink together, and the Flour presented the doctor with a fine specimen of coa.r.s.e gold for a pin.

" 'It was the will o' G.o.d, after all, doctor,' said the Flour. 'It was the will o' G.o.d. Let bygones be bygones between us; gimme your hand, doctor...Goodbye.'

"Then he left for Th' Canary."

The Babies in the Bush.

Oh, tell her a tale of the fairies bright-That only the Bushmen know-Who guide the feet of the lost aright, Or carry them up through the starry night, Where the Bush-lost babies go.

HE was one of those men who seldom smile. There are many in the Australian Bush, where drift wrecks and failures of all stations and professions (and of none) and from all the world. Or, if they do smile, the smile is either mechanical or bitter as a rule-cynical. They seldom talk. The sort of men who, as bosses, are set down by the majority-and without reason or evidence-as being proud, hard, and selfish-"too mean to live, and too big for their boots".

But when the Boss did smile his, expression was very, very gentle, and very sad. I have seen him smile down on a little child who persisted in sitting on his knee and prattling to him, in spite of his silence and gloom. He was tall and gaunt, with haggard grey eyes-haunted grey eyes sometimes-and hair and beard thick and strong, but grey. He was not above forty-five. He was of the type of men who die in harness, with their hair thick and strong, but grey or white when it should be brown. The opposite type, I fancy, would be the soft, dark-haired, blue-eyed men who grow bald sooner than they grow grey, and fat and contented, and die respectably in their beds.

His name was Head-Walter Head. He was a boss drover on the overland routes. I engaged with him at a place north of the Queensland border to travel down to Bathurst, on the Great Western Line in New South Wales, with something over a thousand head of store bullocks for the Sydney market. I am an Australian Bushman (with city experience)-a rover, of course, and a ne'er-do-well, I suppose. I was born with brains and a thin skin-worse luck! It was in the days before I was married, and I went by the name of "Jack Ellis" this trip,-not because the police were after me, but because I used to tell yarns about a man named Jack Ellis-and so the chaps nicknamed me.

The Boss spoke little to the men: he'd sit at tucker or with his pipe by the camp-fire nearly as silently as he rode his night-watch round the big, restless, weird-looking mob of bullocks camped on the dusky starlit plain. I believe that from the first he spoke oftener and more confidentially to me than to any other of the droving party. There was a something of sympathy between us-I can't explain what it was. It seemed as though it were an understood thing between us that we understood each other. He sometimes said things to me which would have needed a deal of explanation-so I thought-had he said them to any other of the party. He'd often, after brooding a long while, start a sentence, and break off with "You know, Jack." And somehow I understood, without being able to explain why. We had never met before I engaged with him for this trip. His men respected him, but he was not a popular boss: he was too gloomy, and never drank a gla.s.s nor "shouted" on the trip: he was reckoned a "mean boss", and rather a n.i.g.g.e.r-driver.

He was full of Adam Lindsay Gordon, the English-Australian poet who shot himself, and so was I. I lost an old copy of Gordon's poems on the route, and the Boss overheard me inquiring about it; later on he asked me if I liked Gordon. We got to it rather sheepishly at first, but by-and-by we'd quote Gordon freely in turn when we were alone in camp. "Those are grand lines about Burke and Wills, the explorers, aren't they, Jack?" he'd say, after chewing his cud, or rather the stem of his briar, for a long while without a word. (He had his pipe in his mouth as often as any of us, but somehow I fancied he didn't enjoy it: an empty pipe or a stick would have suited him just as well, it seemed to me.) "Those are great lines," he'd say:

'In Collins Street standeth a statue tall-A statue tall on a pillar of stone-Telling its story to great and small Of the dust reclaimed from the sand-waste lone. 'Weary and wasted, worn and wan, Feeble and faint, and languid and low, He lay on the desert a dying man, Who has gone, my friends, where we all must go.'

"That's a grand thing, Jack. How does it go?-

'With a pistol clenched in his failing hand, And the film of death o'er his fading eyes, He saw the sun go down on the sand,'-"

The Boss would straighten up with a sigh that might have been half a yawn-

"'And he slept and never saw it rise,'"

-speaking with a sort of quiet force all the time. Then maybe he'd stand with his back to the fire roasting his dusty leggings, with his hands behind his back and looking out over the dusky plain.