From Florence, _Nov_. 1740.

Child, I am going to let you see your shocking proceedings with us. On my conscience, I believe 'tis three months since you wrote to either Gray or me. If you had been ill, Ashton would have said so; and if you had been dead, the gazettes would have said it. If you had been angry,--but that's impossible; how can one quarrel with folks three thousand miles off? We are neither divines nor commentators, and consequently have not hated you on paper. 'Tis to show that my charity for you cannot be interrupted at this distance that I write to you, though I have nothing to say, for 'tis a bad time for small news; and when emperors and czarinas are dying all up and down Europe, one can't pretend to tell you of anything that happens within our sphere. Not but that we have our accidents too. If you have had a great wind in England, we have had a great water at Florence. We have been trying to set out every day, and pop upon you[1] ... It is fortunate that we stayed, for I don't know what had become of us! Yesterday, with violent rains, there came flouncing down from the mountains such a flood that it floated the whole city. The jewellers on the Old Bridge removed their commodities, and in two hours after the bridge was cracked. The torrent broke down the quays and drowned several coach-horses, which are kept here in stables under ground. We were moated into our house all day, which is near the Arno, and had the miserable spectacles of the ruins that were washed along with the hurricane. There was a cart with two oxen not quite dead, and four men in it drowned: but what was ridiculous, there came tiding along a fat hay-c.o.c.k, with a hen and her eggs, and a cat. The torrent is considerably abated; but we expect terrible news from the country, especially from Pisa, which stands so much lower, and nearer the sea. There is a stone here, which, when the water overflows, Pisa is entirely flooded. The water rose two ells yesterday above that stone.

Judge!

For this last month we have pa.s.sed our time but dully, all diversions silenced on the Emperor's death, and everybody out of town. I have seen nothing but cards and dull pairs of cicisbeos. I have literally seen so much of love and pharaoh since being here, that I believe I shall never love either again so long as I live. Then I am got into a horrid lazy way of a morning. I don't believe I should know seven o'clock in the morning again if I was to see it. But I am returning to England, and shall grow very solemn and wise! Are you wise? Dear West, have pity on one who has done nothing of gravity for these two years, and do laugh sometimes. We do nothing else, and have contracted such formidable ideas of the good people of England that we are already nourishing great black eyebrows and great black beards, and teasing our countenances into wrinkles.

[Footnote 1: MS. torn here.]

To RICHARD BENTLEY

_Pictures and Garrick_

Strawberry Hill, 15 _Aug_. 1755.

MY DEAR SIR,

Though I wrote to you so lately, and have certainly nothing new to tell you, I can't help scribbling a line to you to-night, as I am going to Mr. Rigby's for a week or ten days, and must thank you first for the three pictures. One of them charms me, the Mount Orgueil, which is absolutely fine; the sea, and shadow upon it, are masterly.

The other two I don't, at least won't, take for finished. If you please, Elizabeth Castle shall be Mr. Muntz's performance: indeed I see nothing of you in it. I do reconnoitre you in the Hercules and Nessus; but in both, your colours are dirty, carelessly dirty: in your distant hills you are improved, and not hard. The figures are too large--I don't mean in the Elizabeth Castle, for there they are neat; but the centaur, though he dies as well as Garrick can, is outrageous.

Hercules and Deianira are by no means so: he is sentimental, and she most improperly sorrowful. However, I am pleased enough to beg you would continue. As soon as Mr. Muntz returns from the Vine, you shall have a good supply of colours. In the meantime why give up the good old trade of drawing? Have you no Indian ink, no soot-water, no snuff, no coat of onion, no juice of anything? If you love me, draw: you would if you knew the real pleasure you can give me. I have been studying all your drawings; and next to architecture and trees, I determine that you succeed in nothing better than animals. Now (as the newspapers say) the late ingenious Mr. Seymour is dead, I would recommend horses and greyhounds to you. I should think you capable of a landscape or two with delicious bits of architecture. I have known you execute the light of a torch or lanthorn so well, that if it was called Schalken, a housekeeper at Hampton Court or Windsor, or a Catherine at Strawberry Hill, would show it, and say it cost ten thousand pounds. Nay, if I could believe that you would ever execute any more designs I proposed to you, I would give you a hint for a picture that struck me t'other day in Perefixe's _Life of Henry IV_.

He says, the king was often seen lying upon a common straw-bed among the soldiers, with a piece of brown bread in one hand, and a bit of charcoal in t'other, to draw an encampment, or town that he was besieging. If this is not character and a picture, I don't know what is.

I dined to-day at Garrick's: there were the Duke of Grafton, Lord and Lady Rochford, Lady Holderness, the crooked Mostyn, and Dabreu the Spanish minister; two regents, of which one is lord chamberlain, the other groom of the stole; and the wife of a secretary of state. This is being _sur un a.s.sez bon ton_ for a player! Don't you want to ask me how I like him? Do want, and I will tell you.--I like her exceedingly; her behaviour is all sense, and all sweetness too. I don't know how, he does not improve so fast upon me: there is a great deal of parts, and vivacity, and variety, but there is a great deal too of mimicry and burlesque. I am very ungrateful, for he flatters me abundantly; but unluckily I know it. I was accustomed to it enough when my father was first minister: on his fall I lost it all at once: and since that, I have lived with Mr. Chute, who is all vehemence; with Mr. Fox, who is all disputation; with Sir Charles Williams, who has no time from flattering himself; with Gray, who does not hate to find fault with me; with Mr. Conway, who is all sincerity; and with you and Mr. Rigby, who have always laughed at me in a good-natured way. I don't know how, but I think I like all this as well--I beg his pardon, Mr. Raftor does flatter me; but I should be a cormorant for praise, if I could swallow it whole as he gives it me.

Sir William Yonge, who has been extinct so long, is at last dead; and the war, which began with such a flirt of vivacity, is I think gone to sleep. General Braddock has not yet sent over to claim the surname of America.n.u.s. But why should I take pains to show you in how many ways I know nothing?--Why; I can tell it you in one word--why, Mr. Cambridge knows nothing!--I wish you good-night!

To GEORGE, LORD LYTTELTON

_Gray's Odes_

Strawberry Hill, 25 _Aug_. 1757.

MY LORD,

It is a satisfaction one can't often receive, to show a thing of great merit to a man of great taste. Your Lordship's approbation is conclusive, and it stamps a disgrace on the age, who have not given themselves the trouble to see any beauties in these _Odes_ of Mr.

Gray. They have cast their eyes over them, found them obscure, and looked no further, yet perhaps no compositions ever had more sublime beauties than are in each. I agree with your Lordship in preferring the last upon the whole; the three first stanzas and half, down to _agonizing King_, are in my opinion equal to anything in any language I understand. Yet the three last of the first Ode please me very near as much. The description of Shakespeare is worthy Shakespeare: the account of Milton's blindness, though perhaps not strictly defensible, is very majestic. The character of Dryden's poetry is as animated as what it paints. I can even like the epithet _Orient_; as the last is the empire of fancy and poesy, I would allow its livery to be erected into a colour. I think _blue-eyed Pleasures_ is allowable: when Homer gave eyes of what hue he pleased to his Queen-G.o.ddesses, sure Mr. Gray may tinge those of their handmaids.

In answer to your Lordship's objection to _many-twinkling_, in that beautiful epode, I will quote authority to which you will yield. As Greek as the expression is, it struck Mrs. Garrick, and she says, on that whole picture, that Mr. Gray is the only poet who ever understood dancing.

These faults I think I can defend, and can excuse others; even the great obscurity of the latter, for I do not see it in the first; the subject of it has been taken for music,--it is the Power and Progress of Harmonious Poetry. I think his objection to prefixing a t.i.tle to it was wrong--that Mr. Cooke published an ode with such a t.i.tle. If the Louis the Great, whom Voltaire has discovered in Hungary, had not disappeared from history himself, would not Louis Quatorze have annihilated him? I was aware that the second would have darknesses, and prevailed for the insertion of what notes there are, and would have had more. Mr. Gray said, whatever wanted explanation did not deserve it, but that sentence was never so far from being an axiom as in the present case. Not to mention how he had shackled himself with strophe, antistrophe, and epode (yet acquitting himself n.o.bly), the nature of prophecy forbade him naming his kings. To me they are apparent enough--yet I am far from thinking either piece perfect, though with what faults they have, I hold them in the first rank of genius and poetry. The second strophe of the first Ode is inexcusable, nor do I wonder your Lordship blames it; even when one does understand it, perhaps the last line is too turgid. I am not fond of the antistrophe that follows. In the second Ode he made some corrections for the worse. _Brave Urion_ was originally _stern_: brave is insipid and commonplace. In the third antistrophe, _leave me unblessed, unpitied_, stood at first, _leave your despairing Caradoc_. But the capital faults in my opinion are these--what punishment was it to Edward I to hear that his grandson would conquer France? or is so common an event as Edward III being deserted on his death-bed, worthy of being made part of a curse that was to avenge a nation? I can't cast my eye here, without crying out on those beautiful lines that follow, _Fair smiles the morn_? Though the images are extremely complicated, what painting in the whirlwind, likened to a lion lying in ambush for his evening prey, _in grim repose_. Thirst and hunger mocking Richard II appear to me too ludicrously like the devils in _The Tempest_, that whisk away the banquet from the shipwrecked Dukes.

From thence to the conclusion of Queen Elizabeth's portrait, which he has faithfully copied from Speed, in the pa.s.sage where she humbled the Polish Amba.s.sador, I admire. I can even allow that image of Rapture hovering like an ancient grotesque, though it strictly has little meaning: but there I take my leave--the last stanza has no beauties for me. I even think its obscurity fortunate, for the allusions to Spenser, Shakespeare, Milton, are not only weak, but the two last returning again, after appearing so gloriously in the first Ode, and with so much fainter colours, enervate the whole conclusion.

Your Lordship sees that I am no enthusiast to Mr. Gray: his great l.u.s.tre has not dazzled me, as his obscurity seems to have blinded his contemporaries. Indeed, I do not think that they ever admired him, except in his Churchyard, though the Eton Ode was far its superior, and is certainly not obscure. The Eton Ode is perfect: those of more masterly execution have defects, yet not to admire them is total want of taste. I have an aversion to tame poetry; at best, perhaps the art is the sublimest of the _difficiles nugae_; to measure or rhyme prose is trifling without being difficult.

To GEORGE MONTAGU

_At Lady Suffolk's_

Arlington Street, 11 _Jan_. 1764.

It is an age, I own, since I wrote to you; but except politics, what was there to send you? and for politics, the present are too contemptible to be recorded by anybody but journalists, gazetteers, and such historians! The ordinary of Newgate, or Mr.----, who write for their monthly half-crown, and who are indifferent whether Lord Bute, Lord Melcombe, or Maclean is their hero, may swear they find diamonds on dunghills; but you will excuse _me_, if I let our correspondence lie dormant rather than deal in such trash. I am forced to send Lord Hertford and Sir Horace Mann such garbage, because they are out of England, and the sea softens and makes palatable any potion, as it does claret; but unless I can divert _you_, I had rather wait till we can laugh together; the best employment for friends, who do not mean to pick one another's pockets, nor make a property of either's frankness. Instead of politics, therefore, I shall amuse you to-day with a fairy tale.

I was desired to be at my Lady Suffolk's on New Year's morn, where I found Lady Temple and others. On the toilet Miss Hotham spied a small round box. She seized it with all the eagerness and curiosity of eleven years. In it was wrapped up a heart-diamond ring, and a paper in which, in a hand as small as Buckinger's, who used to write the Lord's Prayer in the compa.s.s of a silver penny, were the following lines:

Sent by a sylph, unheard, unseen, A new-year's gift from Mab our queen: But tell it not, for if you do, You will be pinch'd all black and blue.

Consider well, what a disgrace, To show abroad your mottled face: Then seal your lips, put on the ring, And sometimes think of Ob. the King.

You will easily guess that Lady Temple was the poetess, and that we were delighted with the genteelness of the thought and execution. The child, you may imagine, was less transported with the poetry than the present. Her attention, however, was hurried backwards and forwards from the ring to a new coat, that she had been trying on when sent for down; impatient to revisit her coat, and to show the ring to her maid, she whisked upstairs; when she came down again, she found a letter sealed, and lying on the floor--new exclamations! Lady Suffolk bade her open it: here it is:

Your tongue, too nimble for your sense, Is guilty of a high offence; Hath introduced unkind debate, And topsy-turvy turn'd our state.

In gallantry I sent the ring, The token of a love-sick king: Under fair Mab's auspicious name From me the trifling present came.

You blabb'd the news in Suffolk's ear; The tattling zephyrs brought it here, As Mab was indolently laid Under a poppy's spreading shade.

The jealous queen started in rage; She kick'd her crown, and beat her page: 'Bring me my magic wand ', she cries; 'Under that primrose, there it lies; I'll change the silly, saucy chit, Into a flea, a louse, a nit, A worm, a gra.s.shopper, a rat, An owl, a monkey, hedgehog, bat.

But hold, why not by fairy art Transform the wretch, into--?

Ixion once a cloud embraced, By Jove and jealousy well placed; What sport to see proud Oberon stare And flirt it with a--!'

Then thrice she stamped the trembling ground, And thrice she waved her wand around; When I, endow'd with greater skill, And less inclined to do you ill, Mutter'd some words, withheld her arm, And kindly stopp'd the unfinish'd charm.

But though not changed to owl or bat, Or something more indelicate; Yet, as your tongue has run too fast, Your boasted beauty must not last.

No more shall frolic Cupid lie In ambuscade in either eye, From thence to aim his keenest dart To captivate each youthful heart: No more shall envious misses pine At charms now flown, that once were thine: No more, since you so ill behave, Shall injured Oberon be your slave.

There is one word which I could wish had not been there, though it is prettily excused afterwards. The next day my Lady Suffolk desired I would write her a patent for appointing Lady Temple poet laureate to the fairies. I was excessively out of order with a pain in my stomach, which I had had for ten days, and was fitter to write verses like a poet laureate, than for making one; however, I was going home to dinner alone, and at six I sent her some lines, which you ought to have seen how sick I was, to excuse; but first, I must tell you my tale methodically. The next morning by nine o'clock Miss Hotham (she must forgive me twenty years hence for saying she was eleven, for I recollect she is but ten) arrived at Lady Temple's, her face and neck all spotted with saffron, and limping. 'Oh, madam!' said she, 'I am undone for ever if you do not a.s.sist me!' 'Lord, child,' cried my Lady Temple, 'what is the matter?' thinking she had hurt herself, or lost the ring, and that she was stolen out before her aunt was up. 'Oh, madam,' said the girl, 'n.o.body but you can a.s.sist me!' My Lady Temple protests the child acted her part so well as to deceive her. 'What can I do for you?' 'Dear madam, take this load from my back; n.o.body but you can.' Lady Temple turned her round, and upon her back was tied a child's waggon. In it were three tiny purses of blue velvet; in one of them a silver cup, in another a crown of laurel, and in the third four new silver pennies, with the patent, signed at top, 'Oberon Imperator'; and two sheets of warrants strung together with blue silk according to form; and at top an office seal of wax and a chaplet of cut paper on it. The warrants were these:

From the Royal Mews: A waggon with the draught horses, delivered by command without fee.

From the Lord Chamberlain's Office: A warrant with the royal sign manual, delivered by command without fee, being first entered in the office books.

From the Lord Steward's Office: A b.u.t.t of sack, delivered without fee or gratuity, with an order for returning the cask for the use of the office, by command.

From the Great Wardrobe: Three velvet bags, delivered without fee, by command.

From the Treasurer of the Household's Office: A year's salary paid free from land-tax, poundage, or any other deduction whatever, by command.

From the Jewel Office: A silver b.u.t.t, a silver cup, a wreath of bays, by command without fee.

Then came the Patent:

By these presents be it known, To all who bend before our throne, Fays and fairies, elves and sprites, Beauteous dames and gallant knights, That we, Oberon the grand, Emperor of fairy-land, King of moonshine, prince of dreams, Lord of Aganippe's streams, Baron of the dimpled isles That lie in pretty maidens' smiles, Arch-treasurer of all the graces Dispersed through fifty lovely faces, Sovereign of the slipper's order, With all the rites thereon that border, Defender of the sylphic faith, Declare--and thus your monarch saith: Whereas there is a n.o.ble dame, Whom mortals Countess Temple name, To whom ourself did erst impart The choicest secrets of our art, Taught her to tune the harmonious line To our own melody divine, Taught her the graceful negligence, Which, scorning art and veiling sense, Achieves that conquest o'er the heart Sense seldom gains, and never art; This lady, 'tis our royal will, Our laureate's vacant seat should fill: A chaplet of immortal bays Shall crown her brow and guard her lays; Of nectar sack an acorn cup Be at her board each year filled up; And as each quarter feast comes round A silver penny shall be found Within the compa.s.s of her shoe-- And so we bid you all adieu!

Given at our palace of Cowslip Castle, the shortest night of the year.

OBERON.