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Dress.

We sacrifice to dress, till household joys And comforts cease. Dress drains our cellar dry, And keeps our larder lean. Puts out our fires, And introduces hunger, frost and woe, Where peace and hospitality might reign.--COWPER.

[Ill.u.s.tration]

1. G.o.d IS A LOVER OF DRESS.--We cannot but feel that G.o.d is a lover of dress. He has put on robes of beauty and glory upon all his works. Every flower is dressed in richness; every field blushes beneath a mantle of beauty; every star is veiled in brightness; every bird is clothed in the {89} habiliments of the most exquisite taste. The cattle upon the thousand hills are dressed by the hand divine. Who, studying G.o.d in his works, can doubt, that he will smile upon the evidence of correct taste manifested by his children in clothing the forms he has made them?

2. LOVE OF DRESS.--To love dress is not to be a slave of fashion; to love dress only is the test of such homage. To transact the business of charity in a silken dress, and to go in a carriage to the work, injures neither the work nor the worker. The slave of fashion is one who a.s.sumes the livery of a princess, and then omits the errand of the good human soul; dresses in elegance, and goes upon no good errand, and thinks and does nothing of value to mankind.

3. BEAUTY IN DRESS.--Beauty in dress is a good thing, rail at it who may.

But it is a lower beauty, for which a higher beauty should not be sacrificed. They love dresses too much who give it their first thought, their best time, or all their money; who for it neglect the culture of their mind or heart, or the claims of others on their service; who care more for their dress than their disposition; who are troubled more by an unfashionable bonnet than a neglected duty.

4. SIMPLICITY OF DRESS.--Female lovliness never appears to so good advantage as when set off by simplicity of dress. No artist ever decks his angels with towering feathers and gaudy jewelry; and our dear human angels--if they would make good their t.i.tle to that name--should carefully avoid ornaments, which properly belong to Indian squaws and African princesses. These tinselries may serve to give effect on the stage, or upon the ball room floor, but in daily life there is no subst.i.tute for the charm of simplicity. A vulgar taste is not to be disguised by gold or diamonds.

The absence of a true taste and refinement of delicacy cannot be compensated for by the possession of the most princely fortune. Mind measures gold, but gold cannot measure mind. Through dress the mind may be read, as through the delicate tissue the lettered page. A modest woman will dress modestly; a really refined and intelligent woman will bear the marks of careful selection and faultless taste.

5. PEOPLE OF SENSE.--A coat that has the mark of use upon it, is a recommendation to the people of sense, and a hat with too much nap, and too high l.u.s.tre, a derogatory circ.u.mstance. The best coats in our streets are worn on the backs of penniless fops, broken down merchants, clerks with pitiful salaries, and men that do not pay up. The heaviest gold chains dangle from the fobs of gamblers and gentlemen of very limited means; costly ornaments on {90} ladies, indicate to the eyes that are well opened, the fact of a silly lover or husband cramped for funds.

6. PLAIN AND NEAT.--When a pretty woman goes by in plain and neat apparel, it is the presumption that she has fair expectations, and a husband that can show a balance in his favor. For women are like books,--too much gilding makes men suspicious, that the binding is the most important part.

The body is the sh.e.l.l of the soul, and the dress is the husk of the body; but the husk generally tells what the kernel is. As a fashionably dressed young lady pa.s.sed some gentlemen, one of them raised his hat, whereupon another, struck by the fine appearance of the lady, made some inquiries concerning her, and was answered thus: "She makes a pretty ornament in her father's house, but otherwise is of no use."

7. THE RICHEST DRESS.--The richest dress is always worn on the soul. The adornments that will not perish, and that all men most admire, shine from the heart through this life. G.o.d has made it our highest, holiest duty, to dress the soul he has given us. It is wicked to waste it in frivolity. It is a beautiful, undying, precious thing. If every young woman would think of her soul when she looks in the gla.s.s, would hear the cry of her naked mind when she dallies away her precious hours at her toilet, would listen to the sad moaning of her hollow heart, as it wails through her idle, useless life, something would be done for the elevation of womanhood.

8. DRESSING UP.--Compare a well-dressed body with a well-dressed mind.

Compare a taste for dress with a taste for knowledge, culture, virtue, and piety. Dress up an ignorant young woman in the "height of fashion"; put on plumes and flowers, diamonds and gewgaws; paint her face, girt up her waist, and I ask you, if this side of a painted and feathered savage you can find anything more unpleasant to behold. And yet such young women we meet by the hundred every day on the street and in all our public places.

It is awful to think of.

9. DRESS AFFECTS OUR MANNERS.--A man who is badly dressed, feels chilly, sweaty, and p.r.i.c.kly. He stammers, and does not always tell the truth. He means to, perhaps, but he can't. He is half distracted about his pantaloons, which are much to short, and are constantly hitching up; or his frayed jacket and crumpled linen harrow his soul, and quite unman him. He treads on the train of a lady's dress, and says, "Thank you", sits down on his hat, and wishes the "desert were his dwelling place."

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Beauty.

"She walks in beauty, like the night Of cloudless climes and starry skies: And all that's best of dark and bright Meet her in aspect and in her eyes; Thus mellowed to that tender light Which heaven to gaudy day denies."--BYRON.

[Ill.u.s.tration]

1. THE HIGHEST STYLE OF BEAUTY.--The highest style of beauty to be found in nature pertains to the human form, as animated and lighted up by the intelligence within. It is the expression of the soul that const.i.tutes this superior beauty. It is that which looks out of the eye, which sits in calm majesty on the brow, lurks on the lip, smiles on the cheek, is set forth in the chiselled lines and features of the countenance, in the general contour of figure and form, in the movement, and gesture, and tone; it is this looking out of the invisible spirit that dwells within, this manifestation of the higher nature, that we admire and love; this const.i.tutes to us the beauty of our species. {92}

2. BEAUTY WHICH PERISHES NOT.--There is a beauty which perishes not. It is such as the angels wear. It forms the washed white robes of the saints. It wreathes the countenance of every doer of good. It adorns every honest face. It shines in the virtuous life. It molds the hands of charity. It sweetens the voice of sympathy. It sparkles on the brow of wisdom. It flashes in the eye of love. It breathes in the spirit of piety. It is the beauty of the heaven of heavens. It is that which may grow by the hand of culture in every human soul. It is the flower of the spirit which blossoms on the tree of life. Every soul may plant and nurture it in its own garden, in its own Eden.

3. WE MAY ALL BE BEAUTIFUL.--This is the capacity of beauty that G.o.d has given to the human soul, and this the beauty placed within the reach of all. We may all be beautiful. Though our forms may be uncomely and our features not the prettiest, our spirits may be beautiful. And this inward beauty always shines through. A beautiful heart will flash out in the eye.

A lovely soul will glow in the face. A sweet spirit will tune the voice, wreathe the countenance in charms. Oh, there is a power in interior beauty that melts the hardest heart!

4. WOMAN THE MOST PERFECT TYPE OF BEAUTY.--Woman, by common consent, we regard as the most perfect type of beauty on earth. To her we ascribe the highest charms belonging to this wonderful element so profusely mingled in all G.o.d's works. Her form is molded and finished in exquisite delicacy of perfection. The earth gives us no form more perfect, no features more symmetrical, no style more chaste, no movements more graceful, no finish more complete; so that our artists ever have and ever will regard the woman-form of humanity as the most perfect earthly type of beauty. This form is most perfect and symmetrical in the youth of womanhood; so that the youthful woman is earth's queen of beauty. This is true, not only by the common consent of mankind, but also by the strictest rules of scientific criticism.

[Ill.u.s.tration: A REJECTED LOVER.]

5. FADELESS BEAUTY.--There cannot be a picture without its bright spots; and the steady contemplation of what is bright in others, has a reflex influence upon the beholder. It reproduces what it reflects. Nay, it seems to leave an impress even upon the countenance. The feature, from having a dark, sinister aspect, becomes open, serene, and sunny. A countenance so impressed, has neither the vacant stare of the idiot, nor the crafty, penetrating look of the basilisk, but the clear, placid aspect of truth and goodness. The woman {94} who has such a face is beautiful. She has a beauty which changes not with the features, which fades not with years. It is beauty of expression. It is the only kind of beauty which can be relied upon for a permanent influence with the other s.e.x. The violet will soon cease to smile. Flowers must fade. The love that has nothing but beauty to sustain it, soon withers away.

6. A PRETTY WOMAN PLEASES THE EYE, a good woman, the heart. The one is a jewel, the other a treasure. Invincible fidelity, good humor, and complacency of temper, outlive all the charms of a fine face, and make the decay of it invisible. That is true beauty which has not only a substance, but a spirit; a beauty that we must intimately know to justly appreciate.

7. THE WOMAN YOU LOVE BEST.--Beauty, dear reader, is probably the woman you love best, but we trust it is the beauty of soul and character, which sits in calm majesty on the brow, lurks on the lip, and will outlive what is called a fine face.

8. THE WEARING OF ORNAMENTS.--Beauty needs not the foreign aid of ornament, but is when unadorned adorned the most, is a trite observation; but with a little qualification it is worthy of general acceptance. Aside from the dress itself, ornaments should be very sparingly used--at any rate, the danger lies in over-loading oneself, and not in using too few. A young girl, and especially one of a light and airy style of beauty, should never wear gems. A simple flower in her hair or on her bosom is all that good taste will permit. When jewels or other ornaments are worn, they should be placed where you desire the eye of the spectator to rest, leaving the parts to which you do not want attention called as plain and negative as possible. There is no surer sign of vulgarity than a profusion of heavy jewelry carried about upon the person.

[Ill.u.s.tration]

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Sensible Helps to Beauty.

[Ill.u.s.tration]

1. FOR SCRAWNY NECK.--Take off your tight collars, feather boas and such heating things. Wash neck and chest with hot water, then rub in sweet oil all that you can work in. Apply this every night before you retire and leave the skin damp with it while you sleep.

2. FOR RED HANDS.--Keep your feet warm by soaking them often in hot water, and keep your hands out of the water as much as possible. Rub your hands with the skin of a lemon and it will whiten them. If your skin will bear glycerine after you have washed, pour into the palm a little glycerine and lemon juice mixed, and rub over the hands and wipe off.

3. NECK AND FACE.--Do not bathe the neck and face just before or after being out of doors. It tends to wrinkle the skin.

4. SCOWLS.--Never allow yourself to scowl, even if the sun be in your eyes.

That scowl will soon leave its trace and no beauty will outlive it. {96}

5. WRINKLED FOREHEAD.--If you wrinkle your forehead when you talk or read, visit an oculist and have your eyes tested, and then wear gla.s.ses to fit them.

6. OLD LOOKS.--Sometimes your face looks old because it is tired. Then apply the following wash and it will make you look younger: Put three drops of ammonia, a little borax, a tablespoonful of bay rum, and a few drops of camphor into warm water and apply to your face. Avoid getting it into your eyes.

7. THE BEST COSMETIC.--Squeeze the juice of a lemon into a pint of sweet milk. Wash the face with it every night and in the morning wash off with warm rain water. This will produce a very beautiful effect upon the skin.

8. SPOTS ON THE FACE.--Moles and many other discolorations may be removed from the face by a preparation composed of one part chemically pure carbolic acid and two parts pure glycerine. Touch the spots with a camel's-hair pencil, being careful that the preparation does not come in contact with the adjacent skin. Five minutes after touching, bathe with soft water and apply a little vaseline. It may be necessary to repeat the operation, but if persisted in, the blemishes will be entirely removed.

9. WRINKLES.--This prescription is said to cure wrinkles: Take one ounce of white wax and melt it to a gentle heat. Add two ounces of the juice of lily bulbs, two ounces of honey, two drams of rose water, and a drop or two of ottar of roses. Apply twice a day, rubbing the wrinkles the wrong way.

Always use tepid water for washing the face.

10. THE HAIR.--The hair must be kept free from dust or it will fall out.

One of the best things for cleaning it, is a raw egg rubbed into the roots and then washed out in several waters. The egg furnishes material for the hair to grow on, while keeping the scalp perfectly clean. Apply once a month.

11. LOSS OF HAIR.--When through sickness or headache the hair falls out, the following tonic may be applied with good effect: Use one ounce of glycerine, one ounce of bay rum, one pint of strong sage tea, and apply every other night, rubbing well into the scalp.