5. The Vine and Grapes.} 6. The Olive. } 7. The Wheat-ears." }

At the eighth panel on the south side, under the [Greek: Alpha] and [Greek: Omega] of the cresting, stands the Pot of Lilies as a symbol of the Virgin.

We have given an account of the late learned Princ.i.p.al's paper as appropriate to this history. It shows how art can both express the spirit of the place and become a servant of religion. It ill.u.s.trates Professor Flint's declaration:--"G.o.d as the perfectly good is not only Absolute Truth and Absolute Holiness, but also Absolute Beauty. He is the source, the author, the giver of all beautiful things and qualities.

All the beauties of earth and sea and sky, of life and mind and spirit, are rays from His beauty. The powers by which they are perceived are conferred by Him. The light in which they are seen is His light."[239]

_Roslin (Mid-Lothian)._--The church was founded in 1450 by Sir William St. Clair, Baron of Roslin and third Earl of Orkney. It was dedicated to St. Matthew, and founded for a provost, six prebendaries, and two choristers. In the quaint language of Father Hay:--

"His adge creeping on him, to the end that he might not seem altogither unthankfull to G.o.d for the benefices he receaved from Him, it came in his mind to build a house for G.o.d's service, of most curious worke: the which that it might be done with greater glory and splendor, he caused artificers to be brought from other regions and forraigne kingdomes, and caused dayly to be abundance of all kinde of workmen present: as masons, carpenters, smiths, barrowmen, and quarriers, with others. The foundation of this rare worke he caused to be laid in the year of our Lord 1446: and to the end the worke might be the more rare: first he caused the draughts to be drawn upon Eastland boords, and made the carpenters to carve them according to the draughts thereon, and then gave them for patterns to the masons that they might thereby cut the like in stone."

He was probably himself the source of the design, and his enlightened liberality attracted to the place the best workmen in Scotland, as well as from parts of the Continent. It has been said by the most recent authorities:--

"The church, so far as erected, is in perfect preservation, and is a charming portion of an incomplete design. It is, in some respects, the most remarkable piece of architecture in Scotland; and had the church been finished in the same spirit as that in which it has been so far carried out, it would have gone far to have realised a poet's dream in stone. When looked at from a strictly architectural point of view, the design may be considered faulty in many respects, much of the detail being extremely rude and debased, while as regards construction many of the principles wrought out during the development of Gothic architecture are ignored. But notwithstanding these faults, the profusion of design so abundantly shown everywhere, and the exuberant fancy of the architect, strike the visitor who sees Rosslyn for the first time with an astonishment which no familiarity ever effaces."[240]

The original intention was to complete the building as a cross church, with choir, nave, and transepts, but the choir only has been completed.

The transepts have been partly erected, the east wall being carried up to a considerable height, but the nave has not been erected. The church consists of a choir, with north and south aisles, connected by an aisle which runs across the east end, giving access to a series of four chapels beyond it to the east. Beyond the east end of the church, and on a lower level, to suit the slope of the ground, a chapel has been erected that is reached from the south aisle by a stair. It is barrel-vaulted and is lighted by an eastern window. There are ambries in the walls and an eastern altar with a piscina. There are also a fireplace and a small closet on the north side. On the south a door leads to what has been an open court, where there are indications of other buildings having existed or being intended. In all probability there was a residence here, and the chapel may have served both as sacristy and private chapel. This chapel was probably built by the liberality of Lady Douglas, Sir William St. Clair's first wife.

The church is profusely adorned with sculpture which generally represents Scripture scenes, and one of the most curious examples in the remarkable decoration of the edifice is the ornamentation of the south pillar of the east aisle, known as the "Prentice Pillar"--named by Slezer (1693) as the "Prince's Pillar" and by Defoe (1723) the "Princess's Pillar." It consists of a series of wreaths twisted round the shaft, each wreath curving from base to capital round one quarter of the pillar. The ornamentation of the wreaths corresponds in character with the other carving of the church, and the grotesque animals on the base find a counterpart in those of the chapter-house pillar at Glasgow Cathedral.

At the Reformation the lands and revenue of the church were virtually taken away, and in 1572 they were relinquished by a formal deed of resignation. The chapel does not seem to have suffered much violence till 1688, when a mob did much mischief. It remained uncared for, and gradually became ruinous till the middle of the eighteenth century, when General St. Clair glazed the windows, relaid the floor, renewed the roof, and built the wall round about. Further repairs were executed by the first Earl of Rosslyn, and again by the third Earl, who spent 3000 princ.i.p.ally in renewing and retouching the carvings of the Lady Chapel--a work said to have been suggested by the Queen, who visited the church in 1842. Since 1862, services in connection with the Scottish Episcopal Church have been held within it. At the west end a vestry and organ-chamber were erected a few years ago.

_Stirling (Chapel Royal, St. Mary's, and St. Michael's)._--On the north side of the Castle Square is the building erected by King James VI. as a chapel, and generally called now the armoury. There seems to have been a chapel in the castle founded by Alexander I., and it was connected with the monastery at Dunfermline. The original dedication is unknown, but in the fourteenth century there is mention of the chapel of St. Michael, which may possibly date from the time when an Irish ecclesiastic--St.

Malachi or Michael--visited David I. at Stirling Castle, and healed his son, Prince Henry. The chapel was rebuilt in the early part of the fifteenth century, and in the time of James III. became an important church. It was const.i.tuted both as a royal chapel and as a musical college, and endowed with the rich temporalities of Coldingham Abbey.

This chapel was the scene of the penitence of James IV., who, after the victory at Sauchie, "daily pa.s.sed to the Chapel Royal, and heard matins and evening song: in the which every day the chaplains prayed for the King's grace, deploring and lamenting the death of his father: which moved the King, in Stirling, to repentance, that he happened to be counselled to come against his father in battle, wherethrough he was wounded and slain. To that effect he was moved to pa.s.s to the dean of the said Chapel Royal, and to have his counsel how he might be satisfied, in his own conscience, of the art and part of the cruel deed which was done to his father. The dean, being a G.o.dly man, gave the King a good comfort: and seeing him in repentance, was very glad thereof."

James IV. endowed the chapel with large revenues, and in 1501 erected it into a collegiate church for dean, subdean, chanter, sacristan, treasurer, chancellor, archpriests, sixteen chaplains, six singing boys and a choir master. It was the richest of the provostries, and held many churches. The deans of the chapel, who were first the provosts of Kirkheugh at St. Andrews, afterwards the bishops of Galloway, and eventually the bishops of Dunblane, possessed in their capacity as deans an episcopal jurisdiction. The chapel, erected by James III., fell evidently into a ruinous condition, and in 1594 James VI. pulled the old structure down and erected on its site the present building. It was the scene of the baptism of Prince Henry.

ST. GILES, EDINBURGH

"In the centre of the old town of Edinburgh," writes Dr. Cameron Lees, "stands the great church of St. Giles. From whatever point of view the city is looked at, the picturesque crown of the steeple is seen sharply outlined against the sky. Soaring aloft unlike every other spire in its neighbourhood, it seems like the spirit of old Scottish history, keeping watch over the city that has grown up through the long years beneath its shadow. Edinburgh would not be Edinburgh without it. The exterior of the church itself is plain and unadorned, and it is evident that unsympathetic hands have been laid upon it and modernised it; but when one enters the building, a vast and venerable interior is presented to him, and every stone seems to speak of the past. St. Giles is a church whose history is closely interwoven with the history of Scotland from the very earliest ages, and it has been the scene of many remarkable events which have left their impress upon our national character."[241]

Dr. David Laing thinks that a parish church of small dimensions may have existed nearly coeval with the castle and town,[242] and the present St.

Giles occupies the site of the original parish church of Edinburgh.

Symeon of Durham, who flourished in the early part of the thirteenth century, includes Edinburgh under the year 854 in reckoning the churches and towns belonging to the Bishopric of Lindisfarne or Holy Island, in the district of Northumbria, a see which, previous to the Scoto-Saxon period, extended over the range of Lothian and the more southern districts of North Britain.[243] The name "Edwinesburch" is taken as having a special reference to the castle and town.[244] When David I.

founded the abbey in honour of the Holy Cross, the Virgin Mary, and all the saints, he conferred upon the canons (among other churches) the church of the castle, the Church of St. Cuthbert under the castle wall, and at the period there were lands lying to the south of Edinburgh which bore the name of St. Giles' Grange--so called from being the grange of the vicar of St. Giles' Church. These lands were gifted by King David I.

to the English abbey of Holm Cultram or Harehope in c.u.mberland, and probably the church went along with them; at all events, it continued to belong to some monastery. In 1393 it belonged to the Crown, and King Robert III. granted it to the Abbey of Scone; to that house it belonged for some time, remaining still an humble vicarage.[245]

It is the most reasonable conjecture that the parish church, dedicated in honour of St. aegidius or St. Giles, and which has ever since retained the name of that patron saint, was erected during the reign of Alexander I. (1107-1124), the founder also of the Abbey of Scone and other religious houses.[246] Some fragments of this church remained till the end of last century, the richly ornamented Norman porch, which had formed the entrance to the nave on the north side of the church, being removed about 1797.[247] Dr. Lees thinks that possibly some of the pillars of the choir, and also the door at the entry to the royal pew, belonged to the first church of St. Giles.[248] The edifice appears to have been rebuilt about the time of David II.[249]

In the frequent wars with England, Edinburgh suffered much, notably so in 1322 and 1335. This latter raid, having occurred in February, was afterwards known as the "burnt Candlemas." A reconstruction of the church was probably required after these repeated conflagrations, and this appears to have been carried out during the fourteenth century. But shortly afterwards a devastation of the town and its buildings was occasioned by Richard II. in 1385, when, during his occupation of five days, he left the town and parish church in ashes. The citizens, with the help of the Crown, made a great effort to repair the disaster to their church, and from this period the history of the present structure may be said to date.

"It is said that during the restoration, which took place in 1870-80, traces of fire were observed on the pillars of the choir, and it is inferred that these pillars must have existed before the burning caused by Richard II. This view is confirmed by the fact that, after 1387, when, doubtless, the town authorities were doing all they could to complete the restoration of St. Giles', they entered into a contract with certain masons to erect five chapels along the south side of the nave, having pillars and vaulted roofs, covered with dressed stone slabs. These chapels still exist, and the wall rib of the vaulting is yet visible on the south side of the arcade, next the south aisle; but the vault and stone roof have been removed, and a plaster ceiling of imitation vaulting subst.i.tuted.

The above contract indicates that the walls of the nave then existed. We must, therefore, a.s.sume that the church had been rebuilt previous to the destruction of 1385, and that the above contract was an addition to the building connected with its restoration two years after the fire. Although, doubtless, much injured by the conflagration, the walls and pillars of the church seem to have escaped total destruction. The style of the architecture would lead to the same view; the octagonal pillars of the choir, with their moulded caps, being most probably of the fourteenth century."[250]

The church, as restored and added to after 1387, is regarded as consisting of a choir of four bays, with side aisles; a nave of five bays, also with side aisles; a central crossing, north and south transepts, and the five chapels just added south of the nave.[251] An open porch, to the south of these chapels, was also erected along with them, with a finely groined vault in the roof, and over it a small chamber, lighted by a picturesque oriel window, supported on a corbel, carved with an angel displaying the city arms.[252] The whole of the main divisions of the structure were vaulted, and the ma.s.sive octagonal piers of the crossing were probably raised about this period.[253] The vaulting of the crossing, with its central opening, was executed about 1400.[254] The ancient Norman porch, forming the north entrance to the nave, was the only part of the twelfth century structure then preserved.

The restoration seems to have continued from 1385 to 1416.

Shortly after the erection of the five south chapels, another chapel, called the Albany Aisle, was built on the north side of the nave to the west of the old doorway. It opens from the nave with two arches, resting on a central pillar, and the roof is covered with groined vaulting in two bays.[255] On the pillar are sculptured the arms of the Duke of Albany and also those of the Earl of Douglas. Their names are often ominously found together in the history of the times, and both were accused of the murder of the Duke of Rothesay, heir to the throne. They were justly accused, and, although acquitted of the deed, the stain continues to rest on their memory. The chapels were either built to expiate their crime, or more probably to get a reputation for piety and obtain the favour of the Church.[256]

Two other chapels were probably added to the north side of the nave about the same period; they were on the east side of the Norman doorway, and between it and the transept. One of them has disappeared, and the eastern one was dedicated to St. Eloi. The vaulting of the north aisle of the nave was necessarily rebuilt at the time when the north chapels were erected.[257]

About fifty years later, great extensions and improvements were carried out under the auspices of Queen Mary of Gueldres, by whom Trinity College Church was also founded in 1462. The Town Council and merchants of Edinburgh also endowed it. The extensions of St. Giles consisted of (1) the lengthening of the choir by one bay; (2) the heightening of the central aisle of the choir and vaulting it anew, together with the introduction of a new clerestory; and (3) the lengthening of the transepts.[258] The church is thus the work of many generations, and is the outcome of public and private contributions. That the choir was enlarged at this period is chiefly made evident by the heraldic devices and armorial bearings still existing. While the pillars nearest to the centre are plain octagons, with arches corresponding in simplicity, those at the east end have decorated capitals, supporting moulded arches. The King's pillar, as it is called, is the first from the window on the north side, and is near the spot where stood the High Altar. On the foliated capital are four coats of arms, and the first has the lion within the double tressure, and the armorial bearings are usually supposed to be those of King James II. (1436-1460); the second, impaled, of his Queen, Mary of Gueldres (1449-1463); the third has also the lion within the double tressure and a label of three points, which is held to denote a prince or heir, if not a younger son. The fourth shield has three _fleurs-de-lys_ for France.[259] These shields clearly connect the pillar with Mary of Gueldres, and her husband, James II., and their son, James III., who was born in 1453. The work was probably executed between 1453 and 1463.[260] On the opposite pillar, on the south side of the high altar, are also four coats of arms, viz. those of the town of Edinburgh and of the families of Kennedy, Otterburn, and Preston. To commemorate other benefactors, on the demi-pillar, on the north side of the eastern window, we have the arms (three cranes _gorged_) of Thomas Cranstoun, chief magistrate of Edinburgh in 1439 and 1454; on the south side, those of Napier of Merchiston, Provost of Edinburgh in 1457--a saltier engrailed, cantoned with four rosettes.[261] (2) The heightening of the choir and the introduction of a new clerestory were also carried out shortly after the middle of the fifteenth century, the height of the former choir being shown by the vault of the crossing, which it doubtless resembled, and which was not altered at that time. The outline of the old roof may also be observed against the east and west walls of the tower--the raglet and a stepped string-course above it being yet preserved, and being specially visible on the east side next the choir.

The beauty of the vaulting of the central choir aisle is noticeable when contrasted with that of the side aisles.[262] The central crossing, with its vault, was left unaltered, and still remains in the same position, with its vaulting at the level it was raised to about 1400. It forms a break between the nave and the choir, in both of which the vault has been raised.[263] (3) The transepts were extended, their original length being marked by breaks in the roof, where the vaulting terminates.

In a charter dated 11th January 1454-1455,[264] it is narrated that William Preston of Gourtoun, after much trouble and expense abroad, and aided by "a high and mighty prince, the King of France, and many other Lords of France," had succeeded in obtaining an arm bone of the patron saint, which he generously bequeathed to the church. The Town Council were so gratified with the gift that they resolved to add an aisle to the choir in commemoration of the event, and to place therein a tablet of bra.s.s recording the bounty of the donor. This aisle was to be built within six or seven years "furth frae our Lady isle, quhair the said William lyis." It thus appears that the south aisle of the nave was known as the lady chapel, and that Sir William was buried there. The resolution was carried into effect, and a new aisle called the Preston Aisle was constructed, south of the lady chapel. The Preston Aisle was afterwards known as the a.s.sembly Aisle. In carrying out the work the south wall opposite the three westmost bays of the choir was removed, and three arches carried on two piers subst.i.tuted. These piers and arches correspond with the work of the same period at the east end of the choir. One of the caps contains a shield bearing the three unicorns'

heads of the Prestons. The structure extends into the choir the great width of the four aisles of the church previously formed in the nave, and adds greatly both to s.p.a.ciousness and grandeur. The church was now complete in all its parts, as, internally, it still remains, with a few exceptions, to the present day.[265]

Several additional chapels were afterwards thrown out. In 1513 an aisle of two arches was formed by Alexander Lauder of Blyth, Provost of the city; in 1518 the altar of the Holy Blood was erected in this aisle, which lay on the south of the nave, and to the east of the south porch, immediately adjoining the south transept. It opened into the south chapels of the nave with two arches, and had two windows to the south.

There was within it a handsome monument containing a rec.u.mbent statue, or forming, as some suppose, part of the altar canopy. The monument is still preserved, but one half of the chapel was obliterated in 1829.

In 1466 the parish church of St. Giles was erected by charter of James III. into a collegiate establishment, but it is not called collegiate till 1475. The chapter consisted of a provost or dean, sixteen prebendaries, a master of the choir, four choristers, a sacristan, and a beadle with chaplains. The revenues of the altars and chaplainries in the church were appropriated for the support of the several officers in the new establishment. The King reserved the nomination of the dean or provost, who enjoyed the t.i.thes and other revenues of St. Giles' Church, with the adjacent manse; the provost had the right of choosing a curate, who had a yearly allowance of 25 marks with a house adjoining.[266] In subsequent charters the church is called the College Kirk of St. Geill of Edinburgh.

About this period a few additions were made. A small chapel, called the Chapman Aisle, was thrown out from the Preston Aisle close to the south transept. It was dedicated to St. John the Evangelist by Walter Chapman, called the Scottish Caxton, from his having introduced into Scotland in 1507 the art of printing. The chapel was dedicated within a month of King James' death at Flodden. The south transept seems to have been extended southward during the erection. The chapel to the east of the north transept contained several storeys and a staircase. It is said to have been erected after the Reformation. Used as the Town Clerk's office, and later as a vestry, it has been recently set apart to contain the monument of Dr. William Chambers, by whose liberality the cathedral has been recently restored.

In 1829 the church was entirely renewed as regards the exterior, and two chapels to the south of those built in 1389 and the south porch were removed. The round arched doorway of the south porch was again erected between the north pillars of the crossing as the entrance to the central division of the church. It has now been transferred to the entrance doorway to the royal pew at the east end of the Preston Aisle.[267] The only portions of the exterior which escaped the unfortunate renewal of 1829 were the tower and steeple. Fortunately the well-known crown of St.

Giles was not interfered with. It was probably erected about 1500.[268]

"This crown," say the same authorities, "seems to have been a favourite feature with Scottish architects. The crown of the tower of King's College, Aberdeen, was built after 1505, and similar crowns formerly existed on the towers of Linlithgow and Haddington churches. The crown of St. Nicholas' Church, Newcastle, which is probably the only other steeple of this kind in Great Britain, is also of a late date. There is a crown of the same description on the tower of the Town Hall at Oudenarde, in Belgium, which is also of late Gothic work.... Some of the above crown steeples have an arch thrown from each angle to a central pinnacle, an arrangement which renders them rather thin and empty looking; but that of St. Giles'

has, in addition to the arches from the angles, another arch cast from the centre of each side to the centre pinnacle. This produces an octagonal appearance, which, together with the numerous crocketed pinnacles with which the arches are ornamented, gives a richness and fulness of effect which is wanting in some of the other steeples of this description. The steeple of St. Giles' was partly rebuilt in 1648."[269]

In the tower was placed the great bell of St. Giles, which must have been heard far and near on special occasions, as when, after the news of the disastrous field of Flodden, the inhabitants were ordered at the tolling of the common bell to a.s.semble in military array for the defence of the city. The bell was cast in Flanders.[270] About 1500 several of the guilds had chapels a.s.signed to them, and for these they contributed to the church funds. Many famous Scotsmen were buried within St. Giles, and amongst them were the Napiers of Merchiston, although it is doubtful whether Baron Napier rests there or not.[271] The Regent Murray, a.s.sa.s.sinated at Linlithgow in 1569, was buried in the south aisle; his monument was destroyed, but the bra.s.s plate, with the inscription written in his honour by George Buchanan, was rescued, and is inserted in a new monument erected in the Murray Aisle. The scattered members of the body of the great Montrose were collected and buried in the Chapman Aisle, in the south part of St. Giles, in 1661, but all trace of his remains has now been lost, and no monument until recently indicated his grave.

The last day on which ma.s.s was said in St. Giles was probably the 31st of March 1560;[272] the disturbances connected with the Reformation broke out in Edinburgh at an early date, and St. Giles' Church was one of the first to suffer.

All things have their end.

Churches and cities, which have diseases like to men, Must have like death that we have.

The images were stolen from the church; that of St. Giles was carried off by the mob, drowned in the North Loch, and then burned; his arm bone, so precious before, is supposed to have been thrown into the adjacent churchyard; the church was pillaged and the altars and images cast down; the valuables were taken by the authorities and sold, while the proceeds were spent in the repairs of the church.

"Irreverence," writes Dr. Lees, "had long been common. It was not to be expected that with the change of religion would come any additional reverence for the things and places which the old religion had proclaimed sacred. We read without much surprise, therefore, of weavers being allowed to set up their looms and exercise their craft 'in ane volt prepared for them in the rufe of Sanct Gellis Kirk,' of the vestry of the church being turned into an office for the town clerk.... It is almost inconceivable that old a.s.sociations should so thoroughly and quickly have died out."[273]

The church suffered from the over-zeal of the early reformers and also from the effects of civil contention when Sir William Kirkaldy of Grange and Queen Mary's adherents retained possession of the castle. Kirkaldy took forcible possession of St. Giles' Church, and placed some of his men in the steeple to keep the citizens in awe.

They made "holes in the vaute of the Great Kirk of Edinburgh, which they made like a riddell, to shoot thorough at suche as they pleased within the kirk, or at such as would prease to breake down the pillars."[274]

In 1560 St. Giles' again became the parish church, with John Knox for its minister. It was afterwards considered too large for Protestant worship, and in Knox's time the Magistrates began to cut it up into sections and formed several churches. Other alterations were made at different times, so that besides the High Church in the choir and the Tolbooth Church in the nave there were under the same roof a grammar school, courts of justice, the Town Clerk's office, a weaver's workshop, and a place for the Maiden, or instruments of public executions! In 1633, on the introduction of Laud's form of worship, the church became the seat of a bishop, and the choir was used as a cathedral. Between 1637 and 1661 it was again Presbyterian; from 1661 to 1690 it was once more Episcopalian; at the Revolution the Presbyterian worship was again restored, and the cathedral was divided with walls and filled with galleries. The Tolbooth Church occupied the south-west angle, and Haddow's Hole Church the north-west angle. The Old Church comprised the south transept and portions adjoining; the Preston Aisle was used as a place of meeting for the General a.s.sembly and other purposes. The dark portions under the crossing and north transept were occupied as the police office. The alterations and rebuilding of 1829 left the cathedral still divided into three separate churches, and "the ancient architecture of the exterior of St. Giles was entirely obliterated by the reconstruction."[275] As to this "restoration," Dr. Lees writes, "What ensued was deplorable, and can scarcely be conceived by those who have not themselves seen what was done."[276] On the other hand, advantage was obtained by the removal of the small houses and booths that had been built against the structure and between the b.u.t.tresses.

All must at least be grateful that the steeple "was left alone."

The position of affairs remained thus until Dr. William Chambers, the Lord Provost of Edinburgh, conceived the idea of removing the part.i.tions and opening up the whole building. By his exertions, and largely by his own personal munificence, the restoration was effected between 1870 and 1883.

"The Cathedral," says Dr. Cameron Lees, "restored from end to end, was opened with a public service on the 23rd May 1883. Her Majesty the Queen was represented by a Scottish n.o.bleman (the Earl of Aberdeen), and representatives of all the chief corporations in Scotland attended. The ceremonial was fitting the occasion, and three thousand persons filled the immense building. The whole scene recalled the brilliant pageants of an earlier day. But there was sadness in the hearts of all present, for three days previous to the ceremonial Dr. William Chambers had pa.s.sed away. The words of the preacher[277] received, and still receive a response from many. 'So long as these stones remain one upon another, will men remember the deed which William Chambers hath done, and tell of it to their children.' Two days after the reopening of the church, the funeral service of the restorer was conducted within the building his patriotism had beautified and adorned, and amid a vast and solemn crowd his body was borne forth from the place he loved so well, and for which he had done so much, to his burial."[278] "What a strange story its old gray crown, as it towers high above the city, tells out day by day to all who have ears to hear. It is the story of Scotland's poetry, romance, religion--the story of her progress through cloud and sunshine, the story of her advance from barbarism to the culture and civilisation of the present day."[279]

_St. Andrews--St. Mary's, or Kirkheugh._--A very old chapel, known as St. Mary's on the Rock, is said to have stood on the Lady's Craig, but no trace of it now remains. Another chapel, also dedicated to St. Mary, stood on the Kirk Heugh, and was known as the Chapel of the King of Scotland on the Hill. All traces of it were for a long time lost, but in 1860 the foundations were discovered, and they show it to have been a cruciform structure. It is between the cathedral wall on the north-east and the sea. It had a provost and ten prebendaries.[280]

_St. Salvator's, St. Andrews._--The College of St. Salvator was founded and endowed by Bishop Kennedy in 1456 for a provost and prebendaries.

This bishop was distinguished for his liberality to the Church. The Church of St. Salvator is the only portion of the college buildings which still survives. It is now attached to the united colleges of St.

Leonard's and St. Salvator, which form the existing University of St.

Andrews, and the other buildings of which are modern.