Peter. The Culdees disappear in the course of history, and instead there emerges a regular cathedral body of canons under a dean.[172] The Bishop of Ross had this peculiarity, that he took his t.i.tle from the province, and not from the town, where he held his see. When the see was founded by David I., Rosmarkie continued as the cathedral centre, but after the chapter was enlarged by Gregory IX. in 1235, the cathedral site was changed to Fortrose or Chanonry, and the church was dedicated to SS.

Peter and Bonifacius. Chanonry is half a mile south-westward from Rosemarkie, and was united with it in 1455 by James II. as a free burgh under the common name of Fortrose. The presence of an educated clergy made the place a centre of culture, and famous schools of divinity and law flourished under the shadow of the cathedral.

The undercroft of the sacristy (afterwards enlarged) seems to indicate that the work must have been begun before 1250,[173] but the architecture of the aisle presents a beautiful specimen of the Middle Pointed or Decorated period, and dates before or about the beginning of the fifteenth century.[174] The cathedral, when entire, was a handsome red sandstone building, comprising a nave of four bays, with aisles 14 feet wide and round-headed windows; a choir, with aisles, lady chapel, west tower, quasi-transept, rood-turret, and to the north-east a vaulted chapter-house over a crypt. It stood on level ground, and commanded a fine view of the Moray Firth. When complete it must have been an architectural gem, and its mouldings have been said to show that in whatever other respects these remote parts of Scotland were barbarous, in ecclesiology at least they were on a par with any other branch of the mediaeval Church.[175] All that now remains of the cathedral consists of the south aisle of the nave, and the sacristy or undercroft of the chapter-house. No vestige remains of the various manses of the chapter that were within the cathedral precincts. The cathedral suffered at the Reformation, but was repaired by Bishop Lindsay in 1615, and in 1649 was not very ruinous. It would appear that the tradition is correct which says that the masonry of the walls was removed by Cromwell, like that of Kinloss Abbey, to provide material for the construction of his fort at Inverness.

In the south wall there is a beautiful piscina, and in the north wall an ambry with a small stone penthouse; an octagonal baptismal font of remarkable design stands against the east wall of the aisle. There is a range of canopied monuments, which stand between the pillars on the north side. The east end had a large traceried window of five lights, and when complete it must have been very beautiful.

The most famous of the bishops was John Leslie (1527-1596), who studied at King's College, Aberdeen, at Paris, and at Poitiers. He held offices both in the Aberdeen University and in the State, and in 1566 Queen Mary bestowed on him the Abbey of Lindores _in commendam_, and subsequently appointed him Bishop of Ross. He was a zealous supporter of Queen Mary, and, after her flight to England, followed her, and never afterwards returned to reside in Scotland. He was imprisoned in the Tower,[176]

where he wrote two small books for her spiritual profit, which Queen Mary liked and endeavoured to turn into French verse. After his release he retired to France, where he wrote his _History of Scotland_. On the day before her execution, Queen Mary wrote to Philip of Spain, beseeching him to show kindness to the Bishop of Ross for his faithful and devoted services to her. The request was complied with, and he was able to end his days tranquilly in a monastery near Brussels. It is said that the bishop persuaded the Queen in 1565 to grant to all men a liberty of conscience.[177]

9. DIOCESE OF CAITHNESS

The early history of the Church in Caithness points to a time before the Northmen had any footing there, and connects it with the missionaries of Ireland and Scotland. The legend of St. Finbar or St. Barr marks the settlement of some Irish colonists, who brought with them the veneration they had rendered in their old country to the patron saint of their tribe or province.[178] SS. Duthac and Fergus are also a.s.sociated with the church of the district during the Celtic period, and during the time of the former Keledei they may have been introduced here. The early church of Dornoch was dedicated to St. Bar or Finbar, and before 1196 the Culdees had disappeared, and the clerical element was reduced to a single priest.[179] The deed establishing a cathedral chapter of ten canons, with dean, precentor, chancellor, treasurer, and archdeacon, proceeds on the narrative "that in the times of his (Bishop Gilbert's) predecessors there was but a single priest ministering in the cathedral, both on account of the poverty of the place and by reason of frequent hostilities; and that he desired to extend the worship of G.o.d in that church, and resolved to build a cathedral church at his own expense, to dedicate it to the Virgin Mary, and, in proportion to his limited means, to make it conventual."[180] This benefactor of Dornoch was Bishop Gilbert de Moravia (1222-1245), who organised the chapter after the pattern of Elgin, which again had Lincoln for its model; and although the see of Caithness is first heard of about 1130, to him is due the credit of rebuilding the cathedral, which consisted of an aisled nave, transept, choir, and ma.s.sive central tower, with dwarfish spire. The old cathedral town, with its society of learned churchmen, maintaining a high position by their influence and example, cultivating letters, preaching peace and practising it, must have been a centre of good in the north, and Bishop Gilbert's name deserves to be honourably remembered for his statesmanship, beneficence, and Christian character.

"He rests," says the breviary of Aberdeen, "in the church which he built _with his own hands_"; even the gla.s.s was manufactured at Cyderhall under his personal supervision.[181]

The tower is all that remains of Bishop Gilbert's work, for the cathedral was burnt in 1570; the tower escaped with some fine Gothic arches which fell before the terrific gale of 5th November 1605--the day on which the Gunpowder Plot was discovered. In 1614 the 13th Earl of Sutherland partially repaired the cathedral, to make it available for the parish church, and in 1835-1837 it was rebuilt by the d.u.c.h.ess of Sutherland at a cost of 6000. It had thus the misfortune to be restored at a time when church restoration in Scotland was at its lowest ebb.

"The blame really attaches to those whom she entrusted with the execution of her design."[182] The structure is now used as the parish church of Dornoch. The square tower of the bishop's palace still survives.

10. DIOCESE OF GALLOWAY

The name of Whithorn is a venerable one in Scottish Church history. It is mentioned by Ptolemy, the Alexandrian geographer, in the second century as Leukopibia, a town of the Novantae. The Greek name is synonymous with the Latin Candida Casa or "White House," under which designation it was latterly known. It is a.s.sociated with the first known apostle of Christianity in Scotland, St. Ninian, who was probably born here about the middle of the fourth century. Of studious and ascetic habits, he visited Rome, and on his homeward journey visited St. Martin of Tours, who died in 397. After his arrival in Scotland, he founded the Candida Casa or Church of Whithorn, dedicated it to St. Martin, and, although Christianity was probably known in Scotland before his time, his work is the first distinct fact in the history of the Scottish Church. After preaching the Gospel among the Southern Picts, he died in 432, and was buried within his church at Whithorn. It is a matter of dispute, whether this first Christian oratory was built, after the custom of the early Scottish Church, on a small island or peninsula at the point of the promontory which lies between the bays of Luce and Wigtown, about three miles south from Whithorn, or on the spot where the monastery afterwards arose. There are the ruins of a small chapel on "The Isle," and although belonging to a later date, it is more than probable that it was the successor of St. Ninian's first church.

Whithorn was famous also for its early schools and monastery, and exercised no small influence in Christianising both the surrounding district and Northumbria, or what is now known as the northerly parts of England. A bishopric of Whithorn was founded by the Angles in 727, was held by five successive bishops, and came to an end about 796, when the disorganisation of the Northumbrian kingdom enabled the native population to eject the strangers and a.s.sert their own independence.

During the reign of David I. (1124-1153), Fergus, Lord of Galloway, re-established the see of Galloway, and founded at Whithorn a Premonstratensian priory, whose church became the cathedral, and contained the shrine of St. Ninian. The see included the whole of Wigtownshire and the greater part of Kirkcudbrightshire; the bishop remained under the jurisdiction of the Archbishop of York till at least the fourteenth century, and in 1472 became suffragan of St. Andrews. In 1491, when Glasgow became a metropolitan see, the Bishop of Galloway became a Vicar-General of it during vacancies. The canons of Whithorn Priory formed the chapter of the see of Galloway, and the prior ranked next to the bishop; the diocese was divided into three rural deaneries.

The shrine of St. Ninian became a place of pilgrimage for people from all parts of Scotland, and was visited by Scottish queens and kings--James IV. visited it generally once and frequently twice a year throughout his whole reign. The priory became wealthy, and the church and other buildings were of great extent. Among its priors may be mentioned Gavin Dunbar (1514), who was tutor to James V. and afterwards Archbishop of Glasgow; and James Beaton, who was prior and afterwards Bishop of Galloway, was advanced to the archbishopric of Glasgow in 1509, and of St. Andrews in 1522.

The buildings of the priory are now reduced to the nave--an aisleless structure--and to some underground vaulted buildings, which no doubt formerly supported the choir and other erections above.[183] The west tower fell in the beginning of last century; the cloister lay to the north of the nave; the chapter-house, slype, and site of domestic buildings extended to the north of the transept. The north wall of the nave interior contains two pointed recesses for monuments, which are of excellent design. At the south-west angle of the nave is a doorway which is undoubtedly Norman,[184] and the sculptures on the right and left of the projecting wall point to a close affinity between the sculptured figures on the ancient stones and the architecture of the twelfth century in Scotland.[185] The ancient font, probably of Norman date, bowl-shaped, and of simple design, has been preserved in the church, and St. Ninian's Cave--probably a place of religious retirement--about three miles south-east of the village, contains some very old stone crosses, and on its east wall some very old inscriptions, a number of which are partly unintelligible by being covered with more recent ones.

The neighbourhood will always be a.s.sociated with St. Ninian, the apostle of the Britons and of the Southern Picts, and may be called the historical fountain-head of the Scottish Church.

11. DIOCESE OF LISMORE OR ARGYLL

Lismore is an ancient settlement, and is the Epidium of Ptolemy, one of his five Ebudae.[186] The island lies near the south end of Loch Linnhe, and at a short distance from the mainland of Argyllshire.

The bishopric was formed about 1200 by the separation of the districts, belonging to the bishopric of Dunkeld, which lay to the west of the great range of Drumalban. Eraldus was the first Bishop of Argyll, and had his seat at Muckairn, while his church bore the name of Killesp.e.c.k.e.rill, or the church of Bishop Erailt.[187] It is possible that some of the Keledei from Dunkeld may have accompanied the new bishop and been established there. In 1236 the see was transferred from Muckairn, on the south side of Loch Etive, to Lismore, where, long before, a Columban monastery had been founded by St. Lughadh or Moluoc.

The see was afterwards known as the bishopric of Lismore, and contained the following deaneries: Kintyre, with twelve parishes; Gla.s.sary or Glasrod, with thirteen; Lorn, with fourteen; and Morvern, with eight.[188] The cathedral was perhaps the humblest in Britain, and was probably erected soon after the transference of the see in the thirteenth century. It is said to have been a structure 137 feet long by 29-1/3 wide, but of this there only now survives an aisleless choir, with traces of a chapter-house and sacristy; and, as re-roofed in 1749, this choir now serves as a parish church. It has four b.u.t.tresses of simple form against the south wall, and two at each of the north and south angles of the east wall. In the south wall, and in the usual position near the east end, there are remains of a triple sedilia; there is a piscina in a pointed recess, having a trefoil-headed niche in the wall behind.[189]

One of the deans of Lismore, Sir James MacGregor, between 1512 and 1540, compiled a commonplace book, filled chiefly with Gaelic heroic ballads, several of which are ascribed to the authorship of Ossian.

12. DIOCESE OF THE ISLES

The history of Iona is a.s.sociated with St. Columba, and, although its church did not attain full cathedral status until 1506, the island was one of the earliest centres of Christianity in Scotland.

St. Columba (Columcille or Colm) was born at Gartan, County Donegal, 7th December 521, and was the son of a chief related to several of the princes then reigning in Ireland and the west of Scotland. He studied under St. Finnian at Moville, and under another of the same name at Clonard. In 546 he founded the monastery of Derry, and in 553 that of Durrow. The belief that he had caused the b.l.o.o.d.y battle of Culdremhne led to his excommunication and exile from his native land, and, accompanied by twelve disciples, he left Ireland and sailed for the Western Islands, settling ultimately at Iona, where he and his companions began their work among the heathen Picts. The legend of his perpetual exile seems to be a fable, and Dr. Skene adds, "His real motive for undertaking this mission seems therefore to have been partly religious and partly political. He was one of the twelve apostles of Ireland who had emerged from the school of Finnian of Clonard, and he no doubt shared the missionary spirit which so deeply characterised the monastic Church of Ireland at that period. He was also closely connected through his grandmother with the line of the Dalriadic kings, and, as an Irishman, must have been interested in the maintenance of the Irish colony in the west of Scotland. Separated from him by the Irish Channel was the great pagan nation of the Northern Picts, who, under a powerful king, had just inflicted a crushing defeat upon the Scots of Dalriada, and threatened their expulsion from the country; and, while his missionary zeal impelled him to attempt the conversion of the Picts, he must have felt that, if he succeeded in winning a pagan people to the religion of Christ, he would at the same time rescue the Irish colony of Dalriada from a great danger, and render them an important service by establishing peaceable relations between them and their greatly more numerous and powerful neighbours, and replacing them in the more secure possession of the western districts they had colonised."[190] It was in 563, and at the age of forty-two, that he settled at Iona and commenced his mission-work by founding his monastery[191] there. He met there "two bishops," who came to receive his submission from him, but "G.o.d now revealed to Columcille that they were not true bishops, whereupon they left the island to him, when he told of them their history." They were, thinks Dr. Skene, the remains of that anomalous church of seven bishops which here, as elsewhere, preceded the monastic church, while Columba appears to have refused to recognise them as such, and the island was abandoned to him. Possessed as he was with the soul of a poet, and susceptible to the impressive in nature, Columba could not have chosen a finer spot than Iona for his work, or one where he could better combine with missionary activity a life of purity and self-denial. Tradition says he landed at the bay now known as Port-a-churaich, and proceeded to found the monastery and establish the church which was ultimately to embrace in its jurisdiction the whole of Scotland north of the Firths of Forth and Clyde, to be for a century and a half the national church of Scotland, and to give to the Angles of Northumbria the same form of Christianity for a period of thirty years. The buildings that now remain are of much later date, but it may be inferred that in its const.i.tution, spirit, and work the Columban Church was not isolated, but was in reality a mission from the Irish Church, formed an integral part of it, and never lost its connection with it. The princ.i.p.al buildings were constructed of wood and wattles, and were originally (1) a monastery with a small court, on one side of which was the church, with a small side chamber, on a second side the guest-chamber, on the third a refectory, and on the fourth dwellings of the monks; a little way off on the highest part of the ground were (2) the cell of St. Columba, where he sat and read or wrote during the day, and slept at night on the bare ground with a stone for his pillow; and (3) various subsidiary buildings, including a kiln, a mill, a barn, all surrounded by a rampart or rath. Not far off was a sequestered hollow (Cabhan cuildeach) to which Columba retired for solitary prayer. The mill has left its traces in the small stream to the north of the present cathedral ruins, and remains of old causeways may be traced from the landing places of Port-na-martir, Port-Ronan, and Port-na-muintir. All the early buildings, except the kiln, were of wood; the guest-chamber was wattled, Columba's cell was made of planks, and the church was of oak. The members of the community were termed brethren, and were addressed by Columba as familia or chosen monks. They consisted of three cla.s.ses: (1) the older brethren, who devoted themselves to the religious services of the church, and to reading and transcribing the Scriptures; (2) the younger and stronger working brothers, who devoted themselves to agriculture and the service of the monastery; (3) the alumni or youth, who were under instruction. The dress of the monks consisted of a white tunica or undergarment, over which they wore a camilla, consisting of a body and hood made of wool, and of the natural colour of the material.

When working or travelling their feet were shod with sandals; they took a solemn monastic vow on bended knees in the oratorium, were tonsured from ear to ear--the fore part of the head being made bare, and the hair allowed to grow only on the back part of the head. The church of Iona was monastic, and in it we find neither a territorial episcopacy nor a presbyterian parity. The bishops were under the monastic rule, and were, in respect of jurisdiction, subject to the abbot, even though a presbyter, as the head of the monastery; the privilege of the episcopate was not interfered with.[192] The monastery was described as a "gloriosum caen.o.bium."

Columba made Iona his centre of activity, but his labours were not confined to it. He travelled with his companions and preached the Gospel as far north as Inverness, where King Brude was converted. He also preached among the Southern Picts, and a church was built at Abernethy by King Gartnaidh, as an outcome of his mission and as a memorial of his labours. He was also a far-seeing statesman, and succeeded in reconciling the feuds of the Northern and Southern Picts, and in making the two kingdoms one. His life was spent in missionary activity and beneficent service, and he died at Iona. The day before his death he "ascended the hill that overlooketh the monastery, and stood for some little time on its summit, and as he stood there with both hands uplifted, he blessed his monastery, saying, 'Small and mean though this place is, yet it shall be held in great and unusual honour, not only by Scotic kings and people, but also by the rulers of foreign and barbarous nations, and by their subjects; the saints also, even of other churches, shall regard it with no common reverence.'" On the following day, at nocturnal vigils, he went into the church, and knelt down in prayer beside the altar, and "his attendant Diormit, who more slowly followed him, saw from a distance that the whole interior of the church was filled with a heavenly light in the direction of the saint," which, as he drew near, quickly disappeared. "Feeling his way in the darkness, as the brethren had not yet brought in the lights, he found the saint lying before the altar," and all the monks coming in, Columba moved his hand to give them his benediction, and died 9th June 597, while "the whole church resounded with loud lamentations of grief." He left behind him an imperishable memory in the hearts of the people converted by him to the Christian faith, and in the national church which he so splendidly helped to build up. He wrote an Altus, and is said to have copied 300 books with his own hand. He was buried at Iona.

After Columba's death, the monastery of Iona appears to have been the acknowledged head of all the monasteries and churches which his mission had founded in Scotland, as well as of those previously founded by him in Ireland. It was a centre of light and life, but the monks were not permitted to pursue their work unmolested. The monastery was burned and plundered by the sea-pirates in 795, 798, and 802; in 806 sixty-eight of the community were ruthlessly slain. The monks remaining were filled with fear, and before 807 the relics of St. Columba were carried away to Ireland, and enshrined at Kells. In 818 they were brought back, and the monastery at Iona was rebuilt with stone. The Danes, however, granted little respite, and in 878 the relics were again removed, and were probably placed first at Dunkeld and afterwards at Abernethy,[193] where the primacy was successively established, and a memorial of which exists in the Abernethy round tower. The plundering continued at intervals, and the buildings were more or less ruinous till about 1074, when Queen Margaret "restored the monastery, ... rebuilt it, and furnished it with monks, with an endowment for performing the Lord's work." "One of the present buildings," said the late Duke of Argyll--"the least and the most inconspicuous, but the most venerable of them all--St. Odhrain's Chapel, may possibly be the same building which Queen Margaret of Scotland is known to have erected in memory of the saint, and dedicated to one of the most famous of his companions. But Queen Margaret died in A.D. 1092, and therefore any building which she erected must date very nearly five hundred years after Columba's death; that is to say, the most ancient building which exists upon Iona must be separated in age from Columba's time by as many centuries as those which now separate us from Edward III. But St. Odhrain's Chapel has this great interest--that in all probability it marks the site of the still humbler church of wood and wattles in which Columba worshipped."[194] Shortly afterwards the island pa.s.sed into the possession of Magnus Barefoot, King of Norway, and in 1099 the old order culminated in the death of Abbot Duncan, the last of the old abbots. Under the bishopric of Man and the Isles, the monastery became subject to the Bishop of Drontheim till 1156, when Somerled won it, and once more restored the connection between Iona and Ireland by placing the monastery under the care of the Abbot of Derry.

In 1164 the community was represented by the priest, the lector, the head of the Culdees, and the Disertach or the head of the disert for the reception of pilgrims.[195] Somerled appears to have rebuilt the ruined monastery on a larger scale, and about 1203 the Lord of the Isles (Reginald) adopted the policy of the Scottish kings, and founded at Iona a monastery of Benedictine monks (Tyronenses), and at the same time a nunnery for Benedictine nuns, of which Beatrice, sister of Reginald, was first prioress. It is of this Benedictine monastery and nunnery that the present ruins are the remains, and they were formerly connected by a causeway which extended from the nunnery to the monastery. After a struggle, the Culdees seem to have conformed to the new order of Benedictines, and the head of the Culdees was represented by the Prior of Iona, whom we afterwards find in the monastery. Iona was suffragan to the Bishop of Man and the Isles till 1431, when the Abbot of Iona made obedience to the Bishop of Dunkeld. In 1498, the Isles were made suffragan to St. Andrews; in 1506 they pa.s.sed back to the care of the Bishop of the Isles; and from that date till the Reformation the abbey church became the cathedral church of the diocese. In 1648 Charles I.

granted the island to Archibald, Marquis of Argyll,[196] and it still belongs to his descendant, the Duke of Argyll. The diocese contained forty-four parishes.

Surrounding the Chapel of St. Oran is a very ancient churchyard, containing beautiful specimens of Highland carved tombstones, and near which reposes the dust of Scotch, Irish, and Norwegian kings and ecclesiastics. The late Duke of Argyll both preserved and restored, and the foundations of the chapels and cloisters have been plainly marked out, and give a clear idea of the original plan of the abbey. The abbey or cathedral, although begun in the twelfth century, took a long time in building, was altered and added to, and is cla.s.sed with the buildings of the Third Pointed period, as the greater part of the work connected with it belongs to a late date.[197] It is cruciform in shape, consisting of nave, transepts, and choir, with sacristy on the north side of the choir, and aisle on the south. Near the west entrance was a small chamber called St. Columba's tomb. Over the crossing is a square tower, 70 feet high, and supported by arches resting on four pillars. It is lighted on one side by a window formed by a slab with quatrefoil openings, and on the other by a marigold or Catherine-wheel window with spiral mullions. The capitals of the pillars are carved with beautiful ornamentation and grotesque figures, which are still sharp and well defined.[198] There are three sedilia, and the high altar seems to have been of marble. North of the nave is the cloister-garth; to the north and east of the cloisters are the refectory and chapter-house; the building over the chapter-house was the library, which was large and valuable. There were said to be many crosses in Iona; the entire ones are St. Martin's Cross, opposite the west door of the abbey church, and Maclean's Cross, on the wayside between the nunnery and the cathedral.

There are the ruins of a small detached chapel to the north-east of the chapter-house, and of another to the west of the cloister: to the north-east of the cloister lie the total ruins of what is called the abbot's house.[199] A short distance north-east of the abbey church, at Cladh-an-diseart, there was found in 1872 a heart-shaped stone, with an incised cross on it, which Dr. Skene is disposed to think was the stone used by St. Columba as a pillow.[200]

The ruins of the nunnery, of which Beatrice, sister of Reginald, was the first abbess, and which was apparently erected soon after 1203, consist of a quadrangle about 68 feet square, having the church on the north side, foundations of the chapter-house and other apartments on the east side, and the refectory on the south side. There may have been other buildings on the west side, as the walls are broken at the ends; but if so, they are now removed.[201] The church was an oblong structure, divided into nave and choir, and had a northern aisle extending along both. At a distance of about 30 feet north of the convent church stand the ruins of another building, said to have been the parish church. It was a simple oblong chamber, and was dedicated to St. Ronan.[202] Lovely carved work has been found around the buildings, and these are carefully preserved and have been reproduced in ill.u.s.tration.[203] These designs were probably carved on stone from the beautiful illuminated tracery which the Celtic monks executed in their scriptorium.

No ruthless destruction about the Reformation period could deprive Iona of its three great voices of the mountain, the sky, and the sea. That St. Columba's poetic nature and susceptible heart were impressed by them is beyond doubt, for they survive in his poem--

Delightful would it be to me to be in Uchd Ailiun On the pinnacle of a rock, That I might often see The face of the ocean: That I might see its heaving waves Over the wide ocean, When they chant music to their Father Upon the world's course:

That I might see its level sparkling strand, It would be no cause of sorrow: That I might hear the song of the wonderful birds, Source of happiness: That I might hear the thunder of the crowding waves Upon the rocks: That I might hear the roar by the side of the church Of the surrounding sea:

That I might bless the Lord Who conserves all, Heaven with its countless bright orders, Land, strand, and flood:

At times kneeling to beloved heaven: At times at psalm singing: At times contemplating the King of Heaven, Holy the chief: At times at work without compulsion; This would be delightful.[204]

Thus Iona, the isle of the saints, the lamp lit amid the darkness of the western sea, impressed the founder as he heard its voices. May there soon be added another, the voice of the restored cathedral, connecting the present with a glorious past, carrying us away in thought by its architecture to earlier days, and by its situation to the hour when the great apostle of the Picts first landed on its sh.o.r.es. This may at no distant future be realised, since the late Duke of Argyll gifted the ruined cathedral to the Church of Scotland, which hopes to do for it what has already been done for Dunblane.

13. DIOCESE OF ORKNEY

Christianity reached the Orkneys through the labours of the Columban clergy, and there are many traces in the islands that speak of their work. Under the rule of the Norse, in the ninth and tenth centuries any Christian influence that survived from the labours of such early pioneers of the Christian faith must have died out. The first actual Bishop of Orkney was William the Old, who was consecrated in 1102, held the bishopric for sixty-six years, and died in 1168. His see was first at Birsay, and was removed to Kirkwall on the erection of the cathedral in 1137-1152. The Bishop of Orkney was one of the suffragans of the metropolitan see at Throndhjeim, erected in 1154. In 1472 the see of Orkney was placed under the metropolitan Bishop of St. Andrews.

The story of the foundation at Kirkwall is as follows. The possession of the Orkneys was divided between two relatives, and about the beginning of the twelfth century two cousins, Hacon and Magnus, shared the government. In 1115 Magnus was treacherously slain at Egilsay by Hacon, who thus obtained the whole earldom. Rognvald, son of Magnus' sister, became a claimant for Magnus' share of the earldom, and vowed that if he succeeded he would erect a "stone minster" in honour of his predecessor St. Magnus, who had been canonised. Rognvald was successful, and fulfilled his vow by founding at Kirkwall a cathedral dedicated to St.

Magnus. The building was designed and superintended by the Norwegian Kol, the father of Rognvald; the relics of St. Magnus were brought from Christ's Kirk in Birsay, to be deposited in the cathedral as soon as it was prepared to receive them, and until the work was finished they rested in the Church of St. Olaf, an older edifice which then existed in Kirkwall.[205]

"The Cathedral of St. Magnus was thus designed and erected by a Norwegian earl, while the bishopric was under the authority of the Norwegian Metropolitan of Throndhjeim. It is thus practically a Norwegian edifice, and is by far the grandest monument of the rule of the Nors.e.m.e.n in Orkney. In these circ.u.mstances, it is not to be expected that the architecture should in every detail follow the contemporary styles which prevailed in Britain, but it is astonishing to find how closely the earlier parts correspond with the architecture of Normandy, which was developed by a kindred race,--the successors of Rollo and his rovers, who settled in that country at an earlier date. There can be little doubt that the Romanesque architecture which prevailed in the north of Europe found its way at a comparatively late date into Scandinavia. The Norman form of that style would naturally follow the same course amongst the kindred races in Norway and Denmark, just as it did in England and Scotland, and from Norway it would be transplanted into Scotland."[206] Kirkwall Cathedral, begun in 1137, was carried on with great expedition, unlike Glasgow Cathedral, which took so long in completion that it gave rise to a proverb, "Like St. Mungo's work, it will never be finished." The Orcadians did their work n.o.bly, and when a difficulty arose as to funds, it was overcome by allowing the proprietors of land in Orkney to redeem their property by a single payment of a sum per acre, paid at once, instead of according to the usual practice, on each succession.[207] Help was received from far and wide, and the building was so liberally sped by the oblations of a past age, that all Christendom was popularly said to have paid tribute for its erection;[208] but the spirit of religion must have been fervid in the islands themselves. The earl who founded the cathedral died after a pilgrimage to Rome and Jerusalem. "He had begun his High Church on no mean scale, and it was afterwards greatly enlarged in length. To this circ.u.mstance, together with its severe simplicity, its narrowness, its height, and the multiplicity of its parts, must be ascribed the most striking characteristic of the pile--its apparent vastness."[209] It has been doubted if either York or Lincoln gives the _idea_ of greater internal length, though Kirkwall measures less by half than the smaller of these minsters. As pointed out by the latest authorities on the cathedral, its western doorways recall the portals of the cathedrals of France rather than those of England; its interior gives the impression of great size, arising from the height and length of the building as compared with its width; the exterior presents at a glance the changes which have taken place in it, and the layers and ma.s.ses of different coloured stones tell their own tale; the oldest work (comprising several periods) is constructed with dark slaty stone, having red freestone dressings; the Norman work is observed in the transept and several bays of the nave and choir nearest the transept, while the pointed work is specially noticeable in the eastern half of the choir.[210] The first parts of the cathedral built were the three westmost or Norman bays of the choir, with their aisles, both the transepts, the crossing (afterwards altered) intended to receive a tower over it, and two bays of the nave, which served to form an abutment for the crossing. These portions, where unaltered, are said to be in the earliest style of Norman work in the edifice. The round piers and responds of the choir, the two south piers and one north pier of the nave (with their cushion caps), the main arches (with their label mouldings in the choir and transept), the round arched and labelled windows in choir, transept, and nave, and the interlaced arcades in the nave, all point to a somewhat advanced period of Norman work. The choir originally terminated with a central apse beyond the third pier. The Norman windows of the choir aisle have three external orders, with a label ornament in the outer order; the single shafts have cushion caps; the windows are largely splayed internally.[211] An interlacing arcade of round arches, with single shafts and cushion caps (some with volutes) runs round the north, south, and west sides of the transept. The large arches leading into the east chapels are part of the original structure, but the chapels were built later. The lower string-course of the transept is enriched with a four-leaved flower.[212]

After the completion of these portions, attention was given to the continuation of the nave westwards for several bays. The north aisle wall opposite the three bays, west from the crossing, would appear to have been built early.[213] The b.u.t.tresses are of flat Norman form. The north aisle doorway is p.r.o.nounced to be Norman in detail, but has been restored at a later date; the south aisle doorway retains its old Norman arch and shafts in the interior, but has been altered externally. The nave piers were probably continued as far as the above doors about this time, with the triforium, but the upper part of the nave walls and the vaulting are later.[214] The transition style is prominently seen in the piers and arches of the crossing, and the windows in the choir nearest the main arches of the crossing, and the triforium openings into the transept, appear to have been altered and rebuilt at the time of this operation. The upper part of the north transept was probably raised and its windows inserted at this time; the raising of the south transept and the introduction of the rose windows is of somewhat later date.[215]

This circular window is very similar to that in the east window of the choir. The chapels on the east side of the transept are of the advanced transition period, which, in Orkney, was probably the middle of the thirteenth century.[216] The completion of the nave would be next undertaken.[217] The apse was taken down, and the choir, with its aisles, was extended by three bays eastwards,[218] the style having a resemblance to advanced First Pointed work, with some peculiarities of detail, exhibiting probable French influence from Upsala.[219] The triforium consists of plain, chamfered, semicircular arches and jambs in three orders; the clerestory has simple pointed windows, moulded on sconsion, but without cusps. A vaulting shaft is carried up between the piers.[220] The east end of the cathedral is of First Pointed period, and the great east window fills the whole s.p.a.ce available.[221] The three western doorways and the pointed doorway in the south transept are later than the choir;[222] they present the finest examples in Great Britain of the use of coloured stones in the construction.[223] The north doorway and the central doorway of the west front have the colours arranged in concentric rings in the arches, red and yellow alternating.

In the south doorway the same colours radiate and alternate, and in the doorway of the south transept the red and yellow stones are arranged chequerwise.[224] They are among the most charming portions of the edifice, and are unique in Scotland. The upper part of the gablet over the centre doorway is of the seventeenth century, and bears the shield of Sir George Hay of Kinfauns, who rented the lands of the bishopric about the beginning of the seventeenth century, the crozier being added to the shield in connection with the lands of the see.[225] The tower has been considerably operated upon in modern times; the old wooden spire was destroyed by lightning in 1671. The parapet and pinnacles are modern, as also the pointed and slated roof--the lower part being of considerable age. The part within the roof of the church is apparently of transition date; the upper part, with the large pointed windows, is probably of fifteenth-century work.[226] There were originally beautiful specimens of wood-work; the canopy over the bishop's throne has disappeared.[227] The tower contains four bells, three of which were given by Bishop Maxwell (1526-1540). The cathedral does not appear to have suffered during the Reformation period, but an attempt made by the Earl of Caithness to destroy it in 1606, during the rebellion of Earl Patrick Stewart and his son, was prevented by the intervention of Bishop Law (sacred be his memory!).

The bishop's palace was founded about the beginning of the thirteenth century. Twenty bishops held the see in succession. The diocese contained the archdeaconries of Orkney, with thirty-five parishes, and of Tingwall (Shetland) with thirteen. The church suffered from vandalism in 1701 and 1855, and the east end is used as the parish church. May the northern minster soon be restored and made worthy of its glorious past.

Lord Tennyson's son's diary contains the following entry on the Cathedral of St. Magnus: "Gladstone and my father admired the n.o.ble simplicity of the church, and its ma.s.sive stone pillars, but we all shuddered at the liberal whitewash and the high pews."[228]

A catalogue of the Bishops of Orkney, by Professor Munch of Christiania, will be found in the _Bannatyne Miscellany_.[229]

CHAPTER IV