Now this is good teaching: it is indeed my Philosopher's object--his purpose--to work out this distinction; and all I wish is that it were good for my market. What the Philosopher means, is to plant in the reader's path a staring contrast between my pet Emilia and his puppet Wilfrid. It would be very commendable and serviceable if a novel were what he thinks it: but all attestation favours the critical dictum, that a novel is to give us copious sugar and no cane. I, myself, as a reader, consider concomitant cane an adulteration of the qualities of sugar. My Philosopher's error is to deem the sugar, born of the cane, inseparable from it. The which is naturally resented, and away flies my book back at the heads of the librarians, hitting me behind them a far more grievous blow.

Such is the construction of my story, however, that to entirely deny the Philosopher the privilege he stipulated for when with his a.s.sistance I conceived it, would render our performance unintelligible to that acute and honourable minority which consents to be thwacked with aphorisms and sentences and a fantastic delivery of the verities. While my Play goes on, I must permit him to come forward occasionally. We are indeed in a sort of partnership, and it is useless for me to tell him that he is not popular and destroys my chance.

CHAPTER LII

"Don't blame yourself, my Wilfrid."

Emilia spoke thus, full of pity for him, and in her adorable, deep-fluted tones, after the effective stop he had come to.

The 'my Wilfrid' made the owner of the name quiver with satisfaction. He breathed: "You have forgiven me?"

"That I have. And there was indeed no blame. My voice has gone. Yes, but I do not think it your fault."

"It was! it is!" groaned Wilfrid. "But, has your voice gone?" He leaned nearer to her, drawing largely on the claim his incredulity had to inspect her sweet features accurately. "You speak just as--more deliciously than ever! I can't think you have lost it. Ah! forgive me!

forgive me!"

Emilia was about to put her hand over to him, but the prompt impulse was checked by a simultaneous feminine warning within. She smiled, saying: "'I forgive' seems such a strange thing for me to say;" and to convey any further meaning that might comfort him, better than words could do, she held on her smile. The smile was of the acceptedly feigned, conventional character; a polished Surface: belonging to the pa.s.sage of the discourse, and not to the emotions. Wilfrid's swelling pa.s.sion slipped on it. Sensitively he discerned an ease in its formation and disappearance that shot a first doubt through him, whether he really maintained his empire in her heart. If he did not reign there, why had she sent for him? He attributed the unheated smile to a defect in her manner, that was always chargeable with something, as he remembered.

He began systematically to account for his acts: but the man was so const.i.tuted that as he laid them out for pardon, he himself condemned them most; and looking back at his weakness and double play, he broke through his phrases to cry without premeditation: "Can you have loved me then?"

Emilia's cheeks tingled: "Don't speak of that night in Devon," she replied.

"Ah!" sighed he. "I did not mean then. Then you must have hated me."

"No; for, what did I say? I said that you would come to me--nothing more. I hated that woman. You? Oh, no!"

"You loved me, then?"

"Did I not offer to work for you, if you were poor? And--I can't remember what I said. Please, do not speak of that night."

"Emilia! as a man of honour, I was bound--"

She lifted her hands: "Oh! be silent, and let that night die."

"I may speak of that night when you drove home from Penarvon Castle, and a robber? You have forgotten him, perhaps! What did he steal? not what he came for, but something dearer to him than anything he possesses. How can I say--? Dear to me? If it were dipped in my heart's blood!--"

Emilia was far from being carried away by the recollection of the scene; but remembering what her emotion had then been, she wondered at her coolness now.

"I may speak of Wilming Weir?" he insinuated.

Her bosom rose softly and heavily. As if throwing off some cloak of enchantment that clogged her spirit! "I was telling you of this dress,"

she said: "I mean, of Countess Branciani. She thought her husband was the Austrian spy who had betrayed them, and she said, 'He is not worthy to live.' Everybody knew that she had loved him. I have seen his portrait and hers. I never saw faces that looked so fond of life.

She had that Italian beauty which is to any other like the difference between velvet and silk."

"Oh! do I require to be told the difference?" Wilfrid's heart throbbed.

"She," pursued Emilia, "she loved him still, I believe, but her country was her religion. There was known to be a great conspiracy, and no one knew the leader of it. All true Italians trusted Countess Branciani, though she visited the Austrian Governor's house--a General with some name on the teeth. One night she said to him, 'You have a spy who betrays you.' The General never suspected Countess Branciani. Women are devils of cleverness sometimes.

"But he did suspect it must be her husband--thinking, I suppose, 'How otherwise would she have known he was my spy?' He gave Count Branciani secret work and high pay. Then he set a watch on him. Count Branciani was to find out who was this unknown leader. He said to the Austrian Governor, 'You shall know him in ten days.' This was repeated to Countess Branciani, and she said to herself, 'My husband! you shall perish, though I should have to stab you myself.'"

Emilia's sympathetic hand twitched. Wilfrid's seized it, but it proved no soft melting prize. She begged to be allowed to continue.

He entreated her to. Thereat she pulled gently for her hand, and persisting, it was grudgingly let go.

"One night Countess Branciani put the Austrians on her husband's track.

He knew that she was true to her country, and had no fear of her, whether she touched the Black-yellow gold or not. But he did not confide any, of his projects to her. And his reason was, that as she went to the Governor's, she might accidentally, by a word or a sign, show that she was an accomplice in the conspiracy. He wished to save her from a suspicion. Brave Branciani!"

Emilia had a little shudder of excitement.

"Only," she added, "why will men always think women are so weak? The Count worked with conspirators who were not dreaming they would do anything, but were plotting to do it. The Countess belonged to the other party--men who never thought they were strong enough to see their ideas acting--I mean, not bold enough to take their chance. As if we die more than one death, and the blood we spill for Italy is ever wasted! That night the Austrian spy followed the Count to the meeting-house of the conspirators. It was thought quite natural that the Count should go there. But the spy, not having the pa.s.sword, crouched outside, and heard from two that came out muttering, the next appointment for a meeting.

This was told to Countess Branciani, and in the meantime she heard from the Austrian Governor that her husband had given in names of the conspirators. She determined at once. 'Now may Christ and the Virgin help me!'"

Emilia struck her knees, while tears started through her shut eyelids.

The exclamation must have been caught from her father, who liked not the priests of his native land well enough to interfere between his English wife and their child in such a matter as religious training.

"What happened?" said Wilfrid, vainly seeking for personal application in this narrative.

"Listen!--Ah!" she fought with her tears, and said, as they rolled down her face: "For a miserable thing one can not help, I find I must cry.

This is what she did. She told him she knew of the conspiracy, and asked permission to join it, swearing that she was true to Italy. He said he believed her.--Oh, heaven!--And for some time she had to beg and beg; but to spare her he would not let her join. I cannot tell why--he gave her the pa.s.sword for the neat meeting, and said that an old gold coin must be shown. She must have coaxed it, though he was a strong man, who could resist women. I suppose he felt that he had been unkind.--Were I Queen of Italy he should stand for ever in a statue of gold!--The next appointed night a spy entered among the conspirators, with the pa.s.sword and the coin. Did I tell you the Countess had one child--a girl! She lives now, and I am to know her. She is like her mother. That little girl was playing down the stairs with her nurse when a band of Austrian soldiers entered the hall underneath, and an officer, with his sword drawn, and some men, came marching up in their stiff way--the machines!

This officer stooped to her, and before the nurse could stop her, made her say where her father was. Those Austrians make children betray their parents! They don't think how we grow up to detest them. Do I? Hate is not the word: it burns so hot and steady with me. The Countess came out on the first landing; she saw what was happening. When her husband was led out, she asked permission to embrace him. The officer consented, but she had to say to him, 'Move back,' and then, with her lips to her husband's cheek, 'Betray no more of them!' she whispered. Count Branciani started. Now he understood what she had done, and why she had done it. 'Ask for the charge that makes me a prisoner,' he said. Her husband's n.o.ble face gave her a chill of alarm. The Austrian spoke. 'He is accused of being the chief of the Sequin Club.' And then the Countess looked at her husband; she sank at his feet. My heart breaks. Wilfrid!

Wilfrid! You will not wear that uniform? Say 'Never, never!' You will not go to the Austrian army--Wilfrid? Would you be my enemy? Brutes, knee-deep in blood! with b.l.o.o.d.y fingers! Ogres! Would you be one of them? To see me turn my head shivering with loathing as you pa.s.s? This is why I sent for you, because I loved you, to entreat you, Wilfrid, from my soul, not to blacken the dear happy days when I knew you! Will you hear me? That woman is changeing you--doing all this. Resist her!

Think of me in this one thing! Promise it, and I will go at once, and want no more. I will swear never to trouble you. Oh, Wilfrid it's not so much our being enemies, but what you become, I think of. If I say to myself, 'He also, who was once my lover--Oh! paid murderer of my dear people!'"

Emilia threw up both hands to her eyes: but Wilfrid, all on fire with a word, made one of her hands his own, repeating eagerly: "Once? once?"

"Once?" she echoed him.

"'Once my love?'" said he. "Not now?--does it mean, 'not now?' My darling!--pardon me, I must say it. My beloved! you said: 'He who was once my lover:'--you said that. What does it mean? Not that--not--? does it mean, all's over? Why did you bring me here? You know I must love you forever. Speak! 'Once?'"

"'Once?'" Emilia was breathing quick, but her voice was well contained: "Yes, I said 'once.' You were then."

"Till that night in Devon?

"Let it be."

"But you love me still?"

"We won't speak of it."

"I see! You cannot forgive. Good heavens! I think I remember your saying so once--Once! Yes, then: you said it then, during our 'Once;' when I little thought you would be merciless to me--who loved you from the first! the very first! I love you now! I wake up in the night, thinking I hear your voice. You haunt me. Cruel! cold!--who guards you and watches over you but the man you now hate? You sit there as if you could make yourself stone when you pleased. Did I not chastise that man Pericles publicly because he spoke a single lie of you? And by that act I have made an enemy to our house who may crush us in ruin. Do I regret it? No. I would do any madness, waste all my blood for you, die for you!"

Emilia's fingers received a final twist, and were dropped loose. She let them hang, looking sadly downward. Melancholy is the most irritating reply to pa.s.sion, and Wilfrid's heart waged fierce at the sight of her, grown beautiful!--grown elegant!--and to reject him! When, after a silence which his pride would not suffer him to break, she spoke to ask what Mr. Pericles had said of her, he was enraged, forgot himself, and answered: "Something disgraceful."

Deep colour came on Emilia. "You struck him, Wilfrid?"

"It was a small punishment for his infamous lie, and, whatever might be the consequences, I would do it again."

"Wilfrid, I have heard what he has said. Madame Marini has told me. I wish you had not struck him. I cannot think of him apart from the days when I had my voice. I cannot bear to think of your having hurt him. He was not to blame. That is, he did not say: it was not untrue."