"There is another stairs besides the one we ascended," says Mr. Kelly.

"I saw it when first I came: would _you_ like to see it too?"

"I should indeed," says Monica, grateful for the hint, and, going with him, suddenly becomes aware of a staircase, leading goodness knows whither, upon the third step of which she seats herself, after a rapid glance around and upwards that tells her nothing, so mysterious are the workings of a barracks.

Mr. Kelly seats himself beside her.

"I suppose it is my mission to amuse you," he says, calmly, "as I dare not make love to you."

"Why not?" says Monica, quite as calmly.

"For one thing, you would not listen to me; and for another, I don't want my head broken."

Monica smiles, more because it is her duty to than for any other reason, because after the smile comes a sigh.

"I know few knights would tilt a lance for me," she says; and Kelly, glancing at her, feels a quick desire rise within him to restore sunshine to her perfect face.

"One knight should be enough for any one, even the fairest ladye in the land," he says.

"True; but what is to be for her who has none?" asks she, pathos in her eyes, but a smile upon her lips.

"She must be a very perverse maiden who has _that_ story to tell,"

returns he; and then, seeing she has turned her face away from him, he goes on quietly,--

"You know every one here, of course."

"Indeed, no. The very names of most are unknown to me. Tell me about them, if you will."

"About that girl over there, for instance?" pointing to a dingy-looking girl in the distance, whose face is as like a b.u.t.ton as it well can be, and whose general appearance may be expressed by the word "unclean."

"That is Miss Luker," says Kelly. "Filthy Lucre is, I believe, the name she usually goes by, on account of her obvious unpalatableness (my own word, you will notice), and her overwhelming affection for coin small and great."

"She looks very untidy," says Monica.

"She does, indeed. She is, too, an inveterate chatterbox. She might give any fellow odds and beat him; I don't believe myself there is so much as one comma in her composition."

"Poor girl! What an exertion it must be to her!"

"Musn't it? Especially nowadays, when one _never_ goes for much, real hard work of any kind being such a bore. That's her mother beside her.

She is always beside her. Fat little woman, d'ye see?"

"Yes, a nice motherly-looking little woman she seems to be."

"Horribly motherly! She has a birthday for every month in the year!"

"How?" says Monica, opening her eyes.

"I don't so much allude to her own natal day (which by this time I should say is obscure) as to her children's. They came to her at all seasons, from January to December. There are fourteen of them."

"Oh, it _can't_ be possible! Poor, _poor_ soul!" says Monica, feeling quite depressed.

"She isn't poor; she is very well off," says Mr. Kelly, obtusely. "Much better than she deserves. So don't grieve for her. She glories in her crime. Well, it's 'a poor heart that never rejoices,' you know: so I suppose she is right. There's Miss Fitzgerald: do you admire her?"

"I am sure I _ought_," says Monica, simply; "but I _don't_."

"You have the courage of your opinions. Every one down here admires her tremendously. I agree with you, you know, but then," softly, "_I_ am n.o.body!"

"Perhaps you think I am jealous," says Monica. "But indeed I am not."

"What a baby you are!" says Mr. Kelly. "_Who_ could suppose you jealous of Bella Fitzgerald? 'Two stars keep not their motion in one sphere,'

and I shouldn't think the fair Bella would have _much_ motion if put in comparison with you. She always calls 'a spade a spade, and Branson's Essence of Coffee,' etc. In fact, she is material."

"That means she has common sense. Why call her 'material'?"

"Never mind. It is quite _immaterial_," says Mr. Kelly, tranquilly, after which silence reigns triumphantly for a moment or two, until a new figure presents itself on a small platform below them.

"Ah! there is Desmond," says Kelly. "He looks," innocently, "as if he was looking for somebody."

"I hope he will find her," remarks Miss Beresford, with some acerbity and a most unnecessary amount of color.

"Perhaps he is looking for _me_," says Mr. Kelly, naively.

"Perhaps so," dryly.

"At all events, whoever it is, she, or he, or it, seems difficult of discovery. Did you ever see so woebegone a countenance as his?"

"I think he looks quite happy enough," says Monica, without sympathy.

Kelly lets his languid gaze rest on her for a moment.

"What has Desmond done to you?" he says at last, slowly.

"Done?" haughtily. "Nothing. What _could_ he do?"

"Nothing, I suppose,--as you say. By the bye, I have not seen you dancing with him this afternoon."

"No."

"How is that?"

It is an indisputable fact that some people may say with impunity what other people dare not say under pain of excommunication. Owen Kelly, as a rule, says what he likes to women without rebuke, and, what is more, without incurring their displeasure.

"How is what?"

"I thought that day at Aghyohillbeg that you and Desmond were great friends."

"Friends! when we have only seen each other two or three times. Is friendship the growth of an hour?"

"No. But something else is." He looks at her _almost_ cheerfully as he says this. "But neither you nor I, Miss Beresford, have anything to do with that flimsy pa.s.sion."