Now no longer amused, Danlo rubbed the lightning bolt scar along his forehead and asked; 'But why? Why would any G.o.d wish to destroy the stars?'

Because He is mad. He is the dark beast from the end of time. He is the great red dragon drinking in the lifeblood of the galaxy. He kills the stars because he has an infinite thirst for energy.

Danlo shook his head sadly and asked, 'But why use human beings . . . to slay the stars?'

Because the G.o.ds place constraints on each other. Because human beings in their trillions are impossible to constrain, he uses them. And because he hates human beings.

'Hates . . . why?'

On Fostora, after the end of the Lost Centuries but before the Third Dark Age, it was human beings who created him. He was the greatest of the self- programming computers. He was the first true artificial intelligence and the most nearly human. And he has never forgiven his makers for inflicting upon him the agony of his existence.

There was a shooting pain at the back of Danlo's eye, and for a moment, a harsh white light. He shut both eyes against the glare of the ideoplasts as he remembered a word his adoptive father had once taught him, shaida, which was the h.e.l.l of a universe carked out of its natural balance. Of all the shaida things he had heard and seen (and hated) in his life, none was so terrible as this mad being known as the Silicon G.o.d. With his hand held over his eyes, in a raspy and halting voice, he explained the concept of shaida to the Ent.i.ty. And then he said, 'Truly this G.o.d is shaida, as shaida as a madman who hunts animals only for the fun and pleasure of it.

But . . . it would be even more shaida to slay him.'

He is an abomination. He is nothing more than a computer who writes his own programs without rules or restraints. He should never have been made.

Just then Danlo opened his eyes to read this last communication of the Ent.i.ty's, and he wondered what rules or natural laws might restrain Her.

'But the Silicon G.o.d was created,' he said. 'In some sense, he is alive, yes? If he is truly alive, if he was called into life even as you or I . . . then we must honour this blessed life even though it is shaida.'

There was a moment of darkness as the ideoplasts winked out of existence like a light that has been turned off. And then out of the sulki grid's coils new ones appeared and hung in the air.

You are a strange man. Only a strange, strange, beautiful man would affirm a G.o.d who would destroy the galaxy and thus destroy the entire human race.

Danlo stared down at his open hands as he remembered something about himself that he had nearly forgotten. Once a time, in the romanticism of his youth, he had dreamed of becoming an asarya. The asarya: an ancient word for a kind of completely evolved man (or woman) who could look upon the universe just as it is and affirm every aspect of creation no matter how flawed or terrible. In remembrance of this younger self who still lived somewhere inside him and whispered words of affirmation in his inner ear, he bowed his head and said softly, 'I would say yes to everything, if only I could.'

On Old Earth there were beautiful tigers who burned with life in the forests of the night. And there were crazed, old, toothless tigers who preyed upon human beings. It is possible to completely affirm the world that brought forth tigers into life and still say no to an individual tiger about to devour your child.

'Perhaps,' Danlo said. 'But there must be a way . . . to avoid these wounded old tigers without killing them.'

You are completely devoted to this ideal of ahimsa.

Danlo thought about this for a moment, then said, 'Yes.'

We shall see.

These three words alarmed Danlo, who suddenly made fists, with both his hands and tensed his belly muscles. 'What do you mean?' he asked.

We must test this devotion to nonviolence. We must test you in other ways.

This is why you have been invited here, to be tested.

'But I . . . do not want to be tested. I have journeyed here to ask you if you might know-'

If you survive the tests, you may ask me three questions. It is a game that I have played with all pilots who have come to me seeking their purpose.

Danlo, who had heard of this game, asked, 'Tested ... how?'

We must test you to see what kind of a warrior you are.

'But I have already said that I am no warrior.'

All men are warriors. And life for everything in our universe is nothing but war.

'No, life is ... something other.'

There is no fleeing the war, my sweet, sweet, beautiful warrior.

Danlo clenched his fists so tightly that his knuckle bones hurt. He said, 'Perhaps I will not remain here to be tested. Perhaps I will flee this Earth.'

You will not be allowed to flee.

Danlo looked out of the window at his lightship sitting alone and vulnerable on the wild beach. He did not doubt that the Ent.i.ty could smash his ship into sand as easily as a man might swat a fly.

You will rest in this house to regain your strength. You will rest for forty days.

And then you will be called to be tested.

As Danlo kithed the meaning of these hateful ideoplasts burning in front of his face, he happened to remember a test of the Ent.i.ty's. Like the warrior-poets of Qallar, with whom he was too familiar. She would recite the first lines of an ancient poem to a trapped pilot and then require him to complete the verse. If the pilot was successful, he would be allowed to ask any three questions that he desired. The Ent.i.ty, with Her vast knowledge of nature and all the history of the universe, would always answer these questions truthfully, if mysteriously sometimes too mysteriously to be understood. If the pilot failed to complete his poem, he would be slain. The Ent.i.ty, as he well knew, had slain many pilots of his Order. Although it was Her quest to quicken life throughout the galaxy and divine the mind of G.o.d, She was in truth a terrible G.o.ddess. She never hesitated to slay any man or other being whose defects of character or mind caused him to fail in aiding Her purpose. Danlo foolishly had hoped that since he was the son of Mallory Ringess, he might be spared such hateful tests, but clearly this was not so. Because it both amused and vexed him to think that he might have journeyed so far only to be slain by this strange G.o.ddess, he smiled grimly to himself. Because he loved to play as much as he loved life (and because he was at heart a wild man unafraid of playing with his own blessed life), he drew in a deep breath of air and said, 'I would like to recite part of a poem to you. If you can complete it, I will agree to be tested. If not then ... you must answer my questions and allow me to leave.'

You would test me? What if I will not be tested?

'Then you must slay me immediately, for otherwise I will return to my lightship and try to leave this planet.'

Again he waited for the Ent.i.ty's response, but this time he waited an eternity.

I will not be tested.

Danlo stared at these simple ideoplasts, and his eyes were open to their burning crimson and cobalt lights as he waited. His heart beat three times, keenly, quickly, and he waited forever to feel the Ent.i.ty's cold, invisible hand crush the life out of his beating heart.

O blessed man! I will not be tested, but neither will I slay you now. It would be too sad if I had to slay you. You have chanced your only life to force a G.o.ddess to your will I can't tell you how this pleases me.

With a long sigh, Danlo let out the breath that he had been holding. He pushed his fist up against his eye and stared at the ideoplasts.

A man may not test a G.o.ddess. But a G.o.ddess may exercise her caprice and agree to play a game. I love to play, Danlo wi Soli Ringess, and so I will play the poetry game. I have been waiting a thousand years to play.

Danlo took this as a sign that he should recite the first line of his poem immediately. Before the Ent.i.ty could change Her capricious mind, he drew in a quick breath of air and said, 'These are two lines from an old poem that my . . . grandfather taught me. Do you know the next line?: How do you capture a beautiful bird without killing its spirit?'

For a moment, the meditation room was empty of motion or sound. Danlo could almost feel the inside of the Earth beneath him churning with underground rivers of information as the Ent.i.ty searched Her vast memory. He imagined waves of information encoded as tachyons which propagated at speeds a million times faster than light and flowed out from this planet in invisible streams toward a million brilliant moon-brains around other stars. For a moment, all was quiet and still, and then the ideoplasts array lit up, and Danlo kithed the Ent.i.ty's response: The rules of the poetry game require the lines to be from an ancient poem. It must be a poem that has been preserved in libraries or in the spoken word for at least three thousand years. Are you aware of these rules?

'Yes . . . do you remember the poem?'

How could I not remember? I love poetry as you do oranges and honey.

In truth, Danlo did not think that the Ent.i.ty would remember this poem. The lines were from the Song of Life, which was the collective lore and wisdom of the Alaloi people on the ice-locked islands west of Neverness. The Song of Life was an epic poem of four thousand and ninety-six lines; it was an ancient poem telling of man's joy in coming into the world and of the pain of G.o.d in creating the world out of fire and ice and the other elements torn from G.o.d's infinite silver body. For five thousand years, in secret ceremonies of beating drums and b.l.o.o.d.y knives, the Alaloi fathers had pa.s.sed this poem on to their sons. On pain of death, no Alaloi man could reveal any part of this poem to any man or woman (or any other being) who had not been initiated into the mysteries of manhood. For this simple reason, Danlo did not think that the Ent.i.ty would have learned of the poem. It had never been written down, or recorded in libraries, or told to outsiders inquiring about the Alaloi ways. Danlo himself did not know all the lines. One night when Danlo was nearly fourteen years old, when he had stood with b.l.o.o.d.y loins and a naked mind beneath the stars, his pa.s.sage into manhood had been interrupted. His grandfather, Leopold Soli, had died while reciting the first of the Twelve Riddles, and so Danlo had never learned the rest of the poem. He truly did not know how a beautiful bird might be captured without harming it; this vital knowledge formed no part of his memory. For this reason, too, even if the Ent.i.ty had read his memory and mind, She could not remember what he had never known. He hoped that the Ent.i.ty would simply admit Her ignorance and allow him to leave.

After waiting some sixty heartbeats, Danlo licked his dry teeth and said, 'I shall recite the lines again.

How do you capture a beautiful bird without killing its spirit?'

What is the next line?'

He did not expect an answer to these puzzling lines, so it dismayed him when the ideoplasts shifted suddenly and he kithed the words of a poem: For a man to capture a bird is shaida.

He stood there in the cold meditation room, listening to the distant ocean and the beating of his heart, and he kithed this line of poetry. It was composed in the style of all the rest of the Song of Life. It had the ring of truth, or rather, the sentiment it expressed was something that every Alaloi man would know in his heart as true. No Alaloi man (or woman or child) would think to capture a bird. Was not G.o.d himself a great silver thallow whose wings touched at the far ends of the universe? And yet Danlo, even as he smiled to himself, did not think that these seemingly true words could be the next line of the poem. Leopold Soli had once told him that the Twelve Riddles answered the deepest mysteries of life. Surely a mere prescription of behaviour, an injunction against keeping birds in cages, could not be part of the blessed Twelve Riddles. No, the next line of the Song of Life must be something other. When Danlo closed his eyes and listened to the drumbeat of his heart, he could almost hear the true words of this song. Although the memory of it eluded him, his deepest sense of truth told him that the Ent.i.ty had recited a wrong or false line.

And so he said, 'No this cannot be right.'

Do you challenge my words, Danlo wi Soli Ringess? By the rules of the game, you may challenge my response only by reciting the correct line of the poem.

Danlo closed his eyes trying to remember what he had never known. Once before, when he was a heartbeat away from death, he had accomplished such a miracle. Once before, in the great library on Neverness, as he walked the knifeblade edge between death and life, a line from an unknown poem had appeared in his mind like the light of a star exploding out of empty black s.p.a.ce. Here on this Earth halfway across the galaxy, in a strange little house that a G.o.ddess had made, he tried to duplicate this feat. But now he was only like a blind man trying to capture his shadow by running after it. He could see nothing, hear nothing, remember nothing at all. He could not recite the correct line of the poem, and so he said, 'I ... cannot. I am sorry.'

Then I have won the game.

Danlo clenched his jaws so tightly that his teeth hurt. Then he said, 'But your words are false! You have only gambled . . . that I would not know the true words.'

You have gambled too, my wild man. And you have lost.

Danlo said nothing as he ground his teeth and stared at the ideoplasts flashing up from the floor. Then gradually, like a b.u.t.terfly working free of its coc.o.o.n, he began to smile. He smiled brightly and freely, silently laughing at his hubris in challenging a G.o.ddess.

But at least you have not lost your life. And you are no worse off than if you hadn't proposed the poetry game. Now you must rest here in this house until it is time for your test.

With a quick bow of his head, Danlo accepted his fate. He laughed softly, and he said, 'Someday . . . I will remember. I will remember how to capture a bird without harming it. And then I will return to tell you.'

He expected no answer to this little moment of defiance. And then the ideoplasts lit up one last time.

You are tired from your journey, and you must rest. But I will leave you with a final riddle: How does a G.o.ddess capture a beautiful man without destroying his soul? How is this possible, Danlo wi Soli Ringess?

Just then the sulki grid shut itself off, and the array of ideoplasts vanished into the air. The meditation room returned into the sombre grey tones of late afternoon. In a moment, Danlo promised himself, he would have to drag in logs from the woodpile outside to light a fire against the cold. But now it amused him to stand alone in the semi-darkness while he listened to the faraway sounds of the sea. There, along the offsh.o.r.e rocks, he thought he could hear a moaning, secret whispers of love and life beckoning him to his doom. He knew then that if he chanced to pa.s.s the Ent.i.ty's tests, he should flee this dangerous Earth and never look back. He knew this deep in his belly, and he made promises to himself. And then he turned to gaze out the window at the dunes and the sandpipers and the beautiful, shimmering sea.

CHAPTER FOUR.

The Tiger.

Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye, Dare frame thy fearful symmetry?

-William Blake.

The next day Danlo moved into the house. As a pilot he had few possessions, scarcely more than fit in the plain wooden chest that he had been given when he had entered the Order seven years since. With some difficulty, he tied climbing ropes to this heavy chest and dragged it from his ship across the beach dunes up to the house. He stowed it in the fireroom. There, on fine rosewood racks near the fireplace, he hung up his black wool kamelaikas to air. Out of his trunk he also removed a rain robe to wear against the treacherous weather which fell over the sh.o.r.e in sudden squalls or the longer storms of endless downpours and great crashing waves of water. He was content to leave most of the contents of his trunk where they lay: the diamond scryers' sphere that had once belonged to his mother his ice skates; his carving tools; and a chess piece of broken ivory that he had once made for a friend. But he found much use for one of the books buried deep in the trunk. This was a book of ancient poems pa.s.sed on from the erstwhile Lord of the Order to Danlo's father. Mallory Ringess, as everyone knew, had memorized many of these poems; his love of dark, musical words and subtle rhymes had helped him survive the poetry game during his historic journey into the Solid State Ent.i.ty. Danlo liked to sit before the blazing logs of the fireplaces, reading these primitive poems and remembering. He spent much of his time during the first few days simply sitting and reading and meditating on the terrible fluidity of fire. Often, as he watched the firelight knot and twist, he longed for other fires, other places, other times. Just as often, though, he descried in the leaping flames the pa.s.sion and pattern of his own fate: he would survive whatever tests the Ent.i.ty put to him, and he would continue his journey across the stars. At these times, while he listened to the sheets of rain drumming against the windows and roof, he fell lonely and aggrieved. Only then would he search his trunk for the most cherished of all the things he owned: a simple bamboo flute, an ancient shakuhachi smelling of woodsmoke and salt and wild ocean winds. He liked to play this flute sitting crosslegged in front of the fire or standing by the windows of the meditation room above the sea. Its sound was high and fierce like the cry of a seabird; in playing the sad songs he had once composed, he sensed that the Ent.i.ty was aware of every breath he took and could hear each long, lonely note. And it seemed that She answered him with a deeper music of rushing wind and thunderous surf and the strange-voiced whales and other animals who called to each other far out at sea. The Ent.i.ty, he supposed, could play any song that She wished, upon the rocks and the sand, or in the rain-drenched forest, or in all the rushing waters of the world. He sensed that the Ent.i.ty was preparing a special song to play to him. He dreaded hearing this song, and yet he was eager for the sound of it, like a child struggling to apprehend the secret conversations of full men. And so he played his flute through many days, played and played, and waited for the G.o.ddess to call him to his fate.

Of course, he did not really need forty days to regain his strength. He was young and full of fire and all the quickness of young life. He spent long nights sleeping on top of furs in the fireroom and longer days in the kitchen eating. In the food bins and pretty blue jars he found much to eat: black bread and sweet b.u.t.ter and soft spreading cheeses; tangerines and bloodfruits; almond nuts and lychees and filberts and seeds from tens of plants and trees wholly unfamiliar to him. He found, too, a bag of coffee beans which he roasted until they were black and shiny with oil and then ground to a rich, bittersweet powder. Sometimes he would arise too early in the morning and drink himself into the sick clarity of caffeine intoxication. He remembered, then, his natural love of drugs. Once a time, he had drunk coffee and toalache freely, but he had especially loved the psychedelics made from cacti, kallantha, mushrooms, and the other spirit foods that grew out of the earth. However, as he also remembered, he had forsworn the delights of all drugs, and so he abandoned his coffee drinking in favour of cool mint teas sweetened with honey. Each day he would spend hours in the tea room sipping from a little blue cup and gazing out to sea.

One morning he remembered the keenest stimulation of all, which was walking alone in the wild. The beach outside the house and the dark green forest above were truly as wild as any he had ever seen. When his legs had hardened against the gravity of this Earth, he took to walking for miles up and down the windy beach. He left deep boot prints in the sand along the water's edge, and sensed that no other human being had ever walked here before him. He might have fallen lonely at his isolation, and in a way he did. But in another and deeper way, it was only by being alone that he could search out his true connection with the other living things of the world. He remembered a line from a poem: Only when I am alone am I not alone. All around him along the sh.o.r.e rocks and the fir trees and gra.s.sy dunes there was nothing but other life. His were not the only tracks in the sand. At times he liked nothing better than reading the sandprints of the various animals that walked the beach with him. In the hardpack he could often make out the skittering marks of the sandpipers and the sea turtles' deep, wavy grooves. There were the scratchy lines of the crabs and the bubbling holes of the underground crustacea buried beneath the wet sand. Once, higher up the beach at the edge of the forest, he found the paw prints of a tiger. They were wide and distinct and pressed deeply into the soft dunes. He knew this spoor immediately for what it was. Many times, as a boy, he had read the tracks of tigers.

Certainly, he thought, the snow tigers that stalked the islands west of Neverness would be of a different race than this slightly smaller tiger of the forest, but a tiger was always a tiger.

If Danlo had any doubt as to the evidence of his eyes, one day he heard a lone male roaring deep in the forest. The tiger, he estimated from his throaty sound, was at least a mile away. Perhaps he was calling the she-tigers to mate with him or calling other males to share his kill. Danlo suddenly remembered, then, how certain tigers sometimes hunted men. Because he had no wish to meet a hungry tiger on the open beach, he thought to arm himself with drug darts or sound bombs or lasers. But he was a pilot, after all, not a wormrunner, and his ship carried no such weapons. He might have made a spear out of whalebone and wood, but he remembered that his vow of ahimsa forbade him to harm any animal, even a desperate tiger, even in defence of his own blessed life. The most prudent course of action would have been to keep to the house while waiting for the days to pa.s.s until his test. But this he could not do. And so in the end, on his daily walks along the beach, he began carrying a long piece of driftwood that he found. He would never, of course, use this as a dub to beat against living flesh. If he encountered a tiger he would only brandish this ugly stick, waving it about and shouting like a madman in hope of scaring the beast away.

The presence of tigers on this lovely beach reminded Danlo of the dark side of nature. It reminded him of the dark side of himself. All his life he had seen a marvellous consciousness in all things, in sand and trees as well as the intelligent animals with their bright yellow eyes. But consciousness itself was not all sunlight and flowers; in the essence of pure consciousness there was something other, something dangerous and dark like the swelling of the sea beneath the bottomless winter moon. All things partook of this danger. And if he was of the world, then so did he. Because he was a man, like other men, he sometimes wanted to deny this knowledge of himself. Sometimes, when he grew faithless and weak, he was tempted to see himself as a golden and G.o.dlike creature forced merely to live in the world until he might complete his evolution and make a better world either that or transcend the darkness of rocks and blood and matter altogether. But always, when he opened the door of his house and stepped outside into the shock of the cold salt air, he returned to himself. That was the magic of all wild places. Always, at the edge of the ocean, there was a wakefulness, a watching and a waiting. All the animals, he thought the kittiwakes and seagulls, the otters and whelks and orcas were always calling to each other with a curious, wary excitement, waiting to touch each other with eyes or tongues or their glittering white teeth. Life always longed to envelope other life, to hold, to taste, to merge tissue upon tissue and consume other things. He saw this down in the tidepools, the way the crabs patiently used their strong claws to break open the razor clams a bit of sh.e.l.l at a time. He saw it in the way the great orange sea- stars clasped the mussels in their five strong arms and slowly suctioned them open, and then, with an almost s.e.xual strategem, extruded their stomachs through their mouths in order to envelope the naked mussels inside their sh.e.l.ls and digest them. All life trembled with a terrible love for all other living things, and sometimes this love was almost hate, not the simple loathing of a man for the dirt and gore of organic life, but rather the deep and true hate of being abandoned and lost and utterly consumed.

The bone-melting ferocity with which nature was always trying to consume itself was truly an awesome thing. To be slain and eaten and absorbed by a fierce animal was the terror that all creatures must face, but being absorbed into the partic.i.p.ation with all other life was the joy and wildness of the world. This sense of oneness with other life, he thought, was the essence of love. He saw love in the dance of the bee and flower and in the way that the algae and fungi combined to form the symbiotic lichens that grew over the rocks in bright bursts of ochre and orange. It was as if life, in its longing to love, must continually seek out other living things in order to share its nectar, its secrets, its memories, its wonderful sense of being alive.

But for a man, that glorious and doomed being halfway between ape and G.o.d, it was always too possible to fall out of love. Always, for all men and women across all the worlds of the galaxy's many stars, there was the danger of living along the knifeblade edge between a craven terror of nature and the urge to isolate oneself from the world, ultimately to dominate and destroy it. Along this fine and terrible edge was the wildness of the soul, its n.o.bility and pa.s.sion, neither cowering nor controlling but simply living, bravely, freely, like a sparrowhawk racing along the wind. This was the challenge of the wild. But few human beings have ever dared to live this way. For it is only in accepting death that one can truly live, and for the human animal, death has always been the great black beast from the abyss to be dreaded or defeated or avoided or hated but never looked upon clearly face to face.

If Danlo was able to see the darkness (and splendour) of life more deeply than most men, this gift had been won at great cost. As a child he had grown up within the fear of ice and wind and the cunning white bears that stalked the islands of his home. As a young man he had suffered wounds and sacrificed part of his flesh that he might face the world as a full man. And once, on a night of broken lips and blood, he had taken a vow of ahimsa. Many thought of ahimsa as merely a strict moral code that forbade people to harm other life; as a tight, silky coc.o.o.n of words and conceits that restricted one's actions and yet allowed a man to feel superior to others. But for Danlo, ahimsa was pure freedom. Although the keeping of his vow sometimes required tremendous will, his reward was the fearlessness of life and more, the greatest reward of all, to share in its joy. There was a word that Danlo remembered, animajii, wild joy, life's overflowing delight in itself. Along this cold, misty sh.o.r.e, he sensed animajii everywhere, in the red cedars and hemlock trees straight and silent as spires, in the death-cup mushrooms and earthstars, in the b.u.t.terflies and spiders and waterworms, and perhaps most of all, in the great whales that dove beneath the ocean's waves. He loved looking out to sea as the sun died and melted over the golden waters. All too often he stood frozen and helpless on soft sands as he drank in all this wild joy around him and marvelled that the Ent.i.ty could have made this Earth so perfectly. The G.o.ddess, he thought, must surely know all there was to know about joy, about beauty, about men, about life.

One day, late on the forty-first afternoon of his sojourn on the planet, a distant sound far off in the heavens startled him out of his usual ritual of drinking peppermint tea. At first he thought it was thunder, not the omnipresent thunder of the crashing surf but rather that of lightning and ozone and superheated air. When he looked out the window at the heavy grey clouds hanging low over the sea, he thought that this might be the beginning of a storm. But when he listened more closely, he heard a great rolling sound more like drum music than thunder, as if the whole of the sea was booming out low, deep, angry notes that reverberated from horizon to sh.o.r.e. Then the terrible sound intensified, shaking the house and rattling the windows. Because Danlo remembered other windows in other places, he quickly covered his face with his hands lest the gla.s.s suddenly shatter inward. And then, a moment later, the thunder died into a whisper. Turn his head as he might, from right to left, from left to right, he could not divine the source of this whisper. It seemed to float along the beach and fall down over him from the skylights in the roof; he heard the whisper of wind whooshing down the blackened fireplace, and then a strange voice whispered words in his ear. The voice gradually grew clearer and more insistent. It filled the fireroom, and then all the rooms of the house. It was a lovely voice, sweet and feminine though coloured with undertones of darkness, pa.s.sion, and a terrible pride. Only a G.o.ddess, he thought could command such a voice. Only a G.o.ddess could speak to him, and sing to him, and recite words of beautiful poetry to him, all at the same time.

Danlo, Danlo, my brave pilot are you ready?

Danlo stood holding his ears, but still he could hear the Ent.i.ty's voice. In acceptance of Her considerable powers, he dropped his hands away from his head and smiled. 'I ... will be tested now, yes?'

Oh, my beautiful man yes, yes, yes, yes! Go down to the beach where the Cathedral Rock rises from the sea. You must go out toward this rock now; you know the way.

Indeed, Danlo did know the way. Although he had not yet named the offsh.o.r.e rocks visible from the house, there was one rock that pushed straight up out of the water like a cathedral's spire, a great shining needle of basalt speckled white with the gulls and other birds who nested there. Some days earlier he had tried to climb the cracked face of this rock, only to slip and fall and plunge thirty feet downward into cold, killing sea. He had been lucky not to break his back or drown in the fierce riptide. As it was, the shock of the icy water had nearly stopped his heart; it was only with great difficulty that he had managed to swim to sh.o.r.e. He could not guess why the Ent.i.ty wanted him to return to this rock. Perhaps She would require him to climb it once more. And so, pausing only to gulp a mouthful of hot tea, he hurried to dress himself in his boots, his kamelaika and his rain robe. He vowed that if he must climb this treacherous rock again, he would not slip. And then, because he had fallen into the strange self-consciousness of remembrance, he smiled and prayed to the spirit of rocks and went down to the sea.

He made his way over the dunes and the hardpack where the sandpipers hopped along singing their high, squeaky chirrups. At the water's edge he stood in the wet sand and looked out at this so-called Cathedral Rock rising up before him. He saw immediately that he would have little trouble hiking out to it. At low tide the sea pulled back its blankets of water to uncover a bed of rocks: twelve large, flat-topped rocks leading like a path from the sh.o.r.e out into the ocean's shallows. The tide was now at its lowest, and the rocks were s.h.a.gged with red and green seaweeds, a living carpet rippling in the wind. Along the sides of the rocks and in the tidepools between them were twenty types of seaweed, the kelps and red-purple lavers, and a species called desmarestia that used poison to ward off predators. Danlo smelled the faint rotten-egg reek of sulphuric acid, salt and bird droppings and the sweet decay of broken clams. In the tidepools before him there were tubeworms and barnacles and mussels, sea-stars and crabs, anemones and urchins and clams filtering the water for the plankton larvae that they like to eat. He took in all this bright, incredible life in a glance. But he was aware of it only dimly because he had eyes only for another bit of life farther out along the rocks. From the beach, almost back at the house when he had first crested the dunes, he had espied an animal lying flat on top of the twelfth rock, the last in the pathway and the one nearest Cathedral Rock. At first he had thought it must be a seal, though a part of him knew immediately that it was not. Now that he stood with the sea almost sucking at his feet, he could see this animal clearly. It was, in truth, a lamb. It had a curly, woolly fur as white as snow. He had never seen a lamb before, in the flesh, but he recognized the species from his history lessons. The lamb was trussed in a kind of golden rope that wound around its body and legs like some great serpent. It was completely helpless, and it could not move. But it could cry out, pitifully, a soft bleating sound almost lost to the roaring of the sea. It was desperately afraid of the strange ancient sea and perhaps of something other. Although the tide was low, it was a day of wind, and the surf raged and churned and broke into white pieces against Cathedral Rock; soon the sea would return to land and drown the lesser rocks in a fathom of water.

Go out to the lamb now, Danlo wi Soli Ringess.

The G.o.dvoice was no longer a sweet song in Danlo's ears. Now it fell down from the sky and thundered over the water. The sound of the wind and the sea was bottom- less and vast, but this voice was vaster still.

Go now. Or are you afraid to save the lamb from its terror?

Danlo faced the wind blowing off the sea. Faintly, he smelled the lamb, its soft, woolly scent, and its fear.

Go, go, please go, my wild man. If you would please me, you must go.

Because Danlo's rain robe was flapping in the wind, he bent low and snapped it tight around his ankles and knees, the better to allow his legs free play for difficult movements. Then he climbed out onto the first of the twelve rocks. Strands of thick, rubbery seaweed crunched and popped and slipped beneath his boots. With a little running jump, he leaped the distance over the tidepool to the second rock, and then to the third, and so on. He had his walking stick for balance against the slippery rocks, and his awe of the ocean for a different kind of balance, inside. The further out he went, the deeper the water grew around the base of the rocks. In little time, running and leaping against the offsh.o.r.e wind, he reached the twelfth rock. Of all the rocks, this was the largest, except for Cathedral Rock itself. It was fifty feet long and twenty feet wide, and it rose up scarcely five feet above the streaming tide. Above the west end of the rock, toward the sea, across a few feet of open s.p.a.ce and dark, gurgling water, Cathedral Rock stood like a small mountain. On Danlo's last visit here, he had leaped this distance onto the face of Cathedral Rock in his vain attempt to climb it. He had made this leap from a low, seaweed-covered shelf at the very edge of the twelfth rock. This shelf was something like a great greenish stair; it was also something like an altar. For on top of the seaweed and the dripping rock the lamb lay. To its left was a pile of driftwood, grey-brown and dry as bone. To the lamb's right, almost touching its black nose, a dagger gleamed against the rock shelf. It had a long blade of diamond steel and a black shatterwood handle, much like the killing knives that the warrior- poets use. Danlo immediately hated the sight of this dagger and dreaded the impli- cations of its nearness to the helpless lamb.

Go up to the lamb, Danlo wi Soli Ringess.

Out of the wind came a terrible voice, and the wind was this dark, beautiful voice, the sound and soul of a G.o.ddess. Danlo moved almost without thinking. It was almost as if the deeps of the ocean were pulling at his muscles. He came up close to the shelf; the lip of it was slightly higher than his waist. The lamb, he saw, was a young male and it was bleating louder now; each time he opened his mouth to cry out, a puff of steam escaped into the cold air. Danlo smelled milk and panic on the lamb's breath; he was aware of the minty scent of his own. The lamb, sensing Danlo's nearness, struggled to lift its head up and look at him. But the golden rope encircled him in tight coils, forcing and folding his legs up against his belly. Danlo reached out to touch the lamb's neck, lacing his fingers through the soft wool covering the arteries of the throat. The lamb bleated at this touch, shuddering and convulsing against his bonds, and he lifted his head to fix Danlo with his bright black eye. He was only a baby, as Danlo was all too aware as he stroked the lamb's head and felt the tremors of the animal's bleating deep inside his throat.

Take up the knife in your hand, my sweet, gentle Danlo.

Danlo looked down at the long knife. He looked over to his left at the heap of driftwood and dry pine twigs. And then, for the tenth time, he looked at the lamb.

How had these things come to be here, on a natural altar of rock uncovered by the daily motions of the sea? And somehow his house had been stocked with furniture and furs, with fruits and coffee and bread and other foods. Most likely, he thought, the Ent.i.ty must be interfaced with some sort of robots who could roam the planet's surface according to Her programs and plans. Above all else a G.o.ddess must be able to manipulate the elements of common matter; and so even a G.o.ddess the size of a star cl.u.s.ter must have human-sized hands to move sticks of wood and knives and lambs, and other such living things.

Take up the knife in your hand and slay the lamb. You know the way. You must cut open his throat and let his blood run down the rock into the ocean. I am thirsty, and all streams of life must run into me.