Turgenieff himself said that when they first came to know each other my father dogged his heels "like a woman in love," and at one time he used to avoid him, because he was afraid of his spirit of opposition.

My father was perhaps irritated by the slightly patronizing tone which Turgenieff adopted from the very outset of their acquaintance; and Turgenieff was irritated by my father's "crankiness," which distracted him from "his proper metier, literature."

In 1870, before the date of the quarrel, Turgenieff wrote to Fet:

"Lyoff Tolstoy continues to play the crank. It was evidently written in his stars. When will he turn his last somersault and stand on his feet at last?"

Turgenieff was just the same about my father's "Confession," which he read not long before his death. Having promised to read it, "to try to understand it," and "not to lose my temper," he "started to write a long letter in answer to the 'Confession,' but never finished it... for fear of becoming disputatious."

In a letter to D. V. Grigorevitch he called the book, which was based, in his opinion, on false premises, "a denial of all live human life" and "a new sort of Nihilism."

It is evident that even then Turgenieff did not understand what a mastery my father's new philosophy of life had obtained over him, and he was inclined to attribute his enthusiasm along with the rest to the same perpetual "crankinesses" and "somersaults" to which he had formerly attributed his interest in school-teaching, agriculture, the publication of a paper, and so forth.

IVAN SERGEYEVITCH three times visited Yasnaya Polyana within my memory, in: August and September, 1878, and the third and last time at the beginning of May, 1880. I can remember all these visits, although it is quite possible that some details have escaped me.

I remember that when we expected Turgenieff on his first visit, it was a great occasion, and the most anxious and excited of all the household about it was my mother. She told us that my father had quarreled with Turgenieff and had once challenged him to a duel, and that he was now coming at my father's invitation to effect a reconciliation.

Turgenieff spent all the time sitting with my father, who during his visit put aside even his work, and once in the middle of the day my mother collected us all at a quite unusual hour in the drawing-room, where Ivan Sergeyevitch read us his story of "The Dog."

I can remember his tall, stalwart figure, his gray, silky, yellowish hair, his soft tread, rather waddling walk, and his piping voice, quite out of keeping with his majestic exterior. He had a chuckling kind of laugh, like a child's, and when he laughed his voice was more piping than ever.

In the evening, after dinner, we all gathered in the zala. At that time Uncle Seryozha, Prince Leonid Dmitryevitch Urusof, Vice-Governor of the Province of Tula; Uncle Sasha Behrs and his young wife, the handsome Georgian Patty; and the whole family of the Kuzminskys, were staying at Yasnaya.

Aunt Tanya was asked to sing. We listened with beating hearts, and waited to hear what Turgenieff, the famous connoisseur, would say about her singing. Of course he praised it, sincerely, I think. After the singing a quadrille was got up. All of a sudden, in the middle of the quadrille, Ivan Sergeyevitch, who was sitting at one side looking on, got up and took one of the ladies by the hand, and, putting his thumbs into the armholes of his waistcoat, danced a cancan according to the latest rules of Parisian art. Everyone roared with laughter, Turgenieff more than anybody.

After tea the "grown-ups" started some conversation, and a warm dispute arose among them. It was Prince Urusof who disputed most warmly, and "went for" Turgenieff.

Of Turgenieff's third visit I remember the woodc.o.c.k shooting. This was on the second or third of May, 1880.

We all went out together beyond the Voronka, my father, my mother and all the children. My father gave Turgenieff the best place and posted himself one hundred and fifty paces away at the other end of the same glade.

My mother stood by Turgenieff, and we children lighted a bonfire not far off.

My father fired several shots and brought down two birds; Ivan Sergeyevitch had no luck, and was envying my father's good fortune all the time. At last, when it was beginning to get dark, a woodc.o.c.k flew over Turgenieff, and he shot it.

"Killed it?" called out my father.

"Fell like a stone; send your dog to pick him up," answered Ivan Sergeyevitch.

My father sent us with the dog, Turgenieff showed us where to look for the bird; but search as we might, and the dog, too, there was no woodc.o.c.k to be found. At last Turgenieff came to help, and my father came; there was no woodc.o.c.k there.

"Perhaps you only winged it; it may have got away along the ground,"

said my father, puzzled. "It is impossible that the dog shouldn't find it; he couldn't miss a bird that was killed."

"I tell you I saw it with my own eyes, Lyoff Nikolaievich; it fell like a stone. I didn't wound it; I killed it outright. I can tell the difference."

"Then why can't the dog find it? It's impossible; there's something wrong."

"I don't know anything about that," insisted Turgenieff. "You may take it from me I'm not lying; it fell like a stone where I tell you."

There was no finding the woodc.o.c.k, and the incident left an unpleasant flavor, as if one or the other of them was in the wrong. Either Turgenieff was bragging when he said that he shot it dead, or my father, in maintaining that the dog could not fail to find a bird that had been killed.

And this must needs happen just when they were both so anxious to avoid every sort of misunderstanding! That was the very reason why they had carefully fought shy of all serious conversation, and spent all their time merely amusing themselves.

When my father said good night to us that night, he whispered to us that we were to get up early and go back to the place to have a good hunt for the bird.

And what was the result? The woodc.o.c.k, in falling, had caught in the fork of a branch, right at the top of an aspen-tree, and it was all we could do to knock it out from there.

When we brought it home in triumph, it was something of an "occasion,"

and my father and Turgenieff were far more delighted than we were. It turned out that they were both in the right, and everything ended to their mutual satisfaction.

Ivan Sergeyevitch slept down-stairs in my father's study. When the party broke up for the night, I used to see him to his room, and while he was undressing I sat on his bed and talked sport with him.

He asked me if I could shoot. I said yes, but that I didn't care to go out shooting because I had nothing but a rotten old one-barreled gun.

"I'll give you a gun," he said. "I've got two in Paris, and I have no earthly need for both. It's not an expensive gun, but it's a good one.

Next time I come to Russia I'll bring it with me."

I was quite taken aback and thanked him heartily. I was tremendously delighted at the idea that I was to have a real central-fire gun.

Unfortunately, Turgenieff never came to Russia again. I tried afterward to buy the gun he had spoken of from his legatees not in the quality of a central-fire gun, but as Turgenieff's gun; but I did not succeed.

That is all that I can remember about this delightful, naively cordial man, with the childlike eyes and the childlike laugh, and in the picture my mind preserves of him the memory of his grandeur melts into the charm of his good nature and simplicity.

In 1883 my father received from Ivan Sergeyevitch his last farewell letter, written in pencil on his death-bed, and I remember with what emotion he read it. And when the news of his death came, my father would talk of nothing else for several days, and inquired everywhere for details of his illness and last days.

Apropos of this letter of Turgenieff's, I should like to say that my father was sincerely annoyed, when he heard applied to himself the epithet "great writer of the land of Russia," which was taken from this letter.

He always hated cliches, and he regarded this one as quite absurd.

"Why not 'writer of the land'? I never heard before that a man could be the writer of a land. People get attached to some nonsensical expression, and go on repeating it in season and out of season."

I have given extracts above from Turgenieff's letters, which show the invariable consistency with which he lauded my father's literary talents. Unfortunately, I cannot say the same of my father's att.i.tude toward Turgenieff.

In this, too, the want of dispa.s.sionateness in his nature revealed itself. Personal relations prevented him from being objective.

In 1867, apropos of Turgenieff's "Smoke," which had just appeared, he wrote to Fet:

There is hardly any love of anything in "Smoke" and hardly any poetry.

The only thing it shows love for is light and playful adultery, and for that reason the poetry of the story is repulsive. ... I am timid in expressing this opinion, because I cannot form a sober judgment about an author whose personality I dislike.

In 1865, before the final breach with Turgenieff, he wrote, again to Fet: "I do not like 'Enough'!" A personal subjective treatment is never good unless it is full of life and pa.s.sion; but the subjectivity in this case is full of lifeless suffering.

In the autumn of 1883, after Turgenieff's death, when the family had gone into Moscow for the winter, my father stayed at Yasnaya Polyana alone, with Agafya Mikhailovna, and set earnestly about reading through all Turgenieff's works.

This is what he wrote to my mother at the time: