"I have ever reverenced the little finger of Chatterton, more than Mr.

Southey knows how to respect the poor boy's whole body.

"I learn so much of Mr. Southey's justice from his abuse, that I should be ashamed of myself, were this person ever to disgrace me by his praise; which might happen, did he wish to gain money, or fame! by becoming the officious editor of MY WORKS!

"Innocence would less often fall a prey to villany, if it boldly met the whole of a nefarious accusation!

"The great Mr. Southey writes prose somewhat like bad poetry, and poetry somewhat like bad prose.

"Chatterton was the glory of that Bristol which I hope Mr. S. will not farther disgrace.

"Mr. Southey, not content with trying to 'filch from me my good name,' in order to enrich himself, (conduct agreeable enough to what I have heard of BRISTOL Pantisocracy,) but condescends to steal from me my humble prose!" &c. &c.

This edition of Chatterton's works was published in three volumes, 8vo.

during a ten months' residence of mine, in London, in the year 1802. Mr.

Southey allowed me to make what observations I thought proper in the course of the work, provided that I affixed to them my initials; and, with the generosity which was natural to him, thus wrote in the preface: "The editors (for so much of the business has devolved on Mr. Cottle, that the plural term is necessary) have to acknowledge," &c. &c. "They have felt peculiar pleasure, as natives of the same city, in performing this act of justice to Chatterton's fame, and to the interests of his family."

The result of our labours was, that Mrs. Newton, received more than three hundred pounds, as the produce of her brother's works. This money rendered comfortable the last days of herself and daughter, and Mr Southey and myself derived no common satisfaction in having contributed to so desirable an end.

In this edition Mr. Southey arranged all the old materials, and the consideration of the authenticity of Rowley, I regret to say, devolved exclusively on me. Mr. S. would doubtless have been more successful in his investigations at the Bristol Museum and Herald's College than myself. I however did not spare my best efforts, and was greatly a.s.sisted by the late Mr. Haslewood, who had collected one copy of every work that had been published in the Controversy. And as I had obtained much new doc.u.mentary evidence since that period, besides knowing many of Chatterton's personal friends, I condensed the arguments in his favor into four essays, distinguished by the initials, "J. C."

In the year 1829, having received still an accession of fresh matter, I enlarged these Essays, and printed them in the fourth edition of "Malvern Hills, Poems, and Essays." I thought the subject worthy a full discussion, and final settlement; and to this point I believe it now to be brought.

Higher authority than that of Mr. Wordsworth could hardly be adduced, who on being presented by me with a copy of the above work thus replied,

"My dear sir,

I received yesterday, through the hands of Mr. Southey, a very agreeable mark of your regard, in a present of two volumes of your miscellaneous works, for which accept my sincere thanks. I have read a good deal of your volumes with much pleasure, and, in particular, the 'Malvern Hills,'

which I found greatly improved. I have also read the 'Monody on Henderson,' both favorites of mine. And I have renewed my acquaintance with your observations on Chatterton, which I always thought very highly of, _as being conclusive on the subject of the forgery_....

With many thanks, I remain, my dear Mr. Cottle,

Your old and affectionate friend,

William Wordsworth.

Patterdale, August 2nd, 1829."

[40] War, a Fragment.

[41] John the Baptist, a Poem.

[42] Monody on John Henderson.

[43] Miss Sarah Fricker, afterwards, Mrs. Coleridge.

[44] Relating to these Sonnets, chiefly satirising himself, Mr. C. has said, in his "Biographia;" "So general at that time, and so decided was the opinion concerning the characteristic vices of my style, that a celebrated physician, (Dr. Beddoes) speaking of me, in other respects, with his usual kindness, to a gentleman who was about to meet me at a dinner party, could not however resist giving him a hint not to mention, in my presence, 'The House that Jack Built' for that I was as sore as a boil about that sonnet, he not knowing that I myself was the author of it."

Mr. Coleridge had a singular taste for satirising himself. He has spoken of another ludicrous consequence arising out of this indulgence.

"An amateur performer in verse, expressed to a common friend, a strong desire to be introduced to me, but hesitated in accepting my friend's immediate offer, on the score that 'he was, he must acknowledge, the author of a confounded severe epigram on Mr. C.'s 'Ancient Mariner,'

which had given him great pain.' I a.s.sured my friend, that if the epigram was a good one, it would only increase my desire to become acquainted with the author, and begged to hear it recited; when, to my no less surprise than amus.e.m.e.nt, it proved to be one which I had myself, sometime before, written and inserted in the Morning Post."

TO THE AUTHOR OF THE ANCIENT MARINER.

Your Poem must eternal be, Dear Sir, it cannot fail, For 'tis incomprehensible, And without head or tail."

[45] The motto was the following:

Duplex n.o.bis vinculum, et amicitae et similium junctarumque Camoenarum; quod utinam neque mors solvat, neque temporis longinquitas!--_Groscoll.

Epist. ad Car. Utenhov. et Ptol. Lux. Tast._

[46] Eminent writers, particularly poets, should ever remember, they wield a mighty engine for evil or for good. An author, like Mr.

Coleridge, may confidently talk of consigning to "pitch black oblivion,"

writings which he deems immoral, or calculated to disparage his genius; but on works once given to the world, the public lay too tenacious a hold, to consult even the wishes of writers themselves. Improve they may, but withdraw they cannot! So much the more is circ.u.mspection required.

[47] Chemical Lectures, by Dr. Beddoes, delivered at the Red Lodge.

[48] A portrait of Mr. Wordsworth, correctly and beautifully executed, by an artist then at Stowey; now in my possession.

[49]Joan of Arc, 4to. first edition, had twenty lines in a page.

[50] Did the report of the "still," in the former page, originate in this broken bottle of brandy?

[51] "Robert Southey and Edith p.r.i.c.ker were married, in St. Mary Redcliffe Church, in the City of Bristol, the 14th day of November, 1795, as appears by the Register of the Parish.

George Campbell, Curate.

Witnesses--Joseph Cottle, Sarah Cottle."

[52] At the instant Mr. Southey was about to set off on his travels, I observed he had no stick, and lent him a stout holly of my own. In the next year, on his return to Bristol, "Here" said Mr. S. "Here is the holly you were kind enough to lend me!"--I have since then looked with additional respect on my old igneous traveller, and remitted a portion of his accustomed labour. It was a source of some amus.e.m.e.nt, when, in November of 1836, Mr. Southey, in his journey to the West, to my great gratification, spent a few days with me, and in talking of Spain and Portugal, I showed him his companion, the Old Holly! Though somewhat bent with age, the servant (after an interval of forty years) was immediately recognised by his master, and with an additional interest, as this stick, he thought, on one occasion, had been the means of saving his purse, if not his life, from the sight of so efficient an instrument of defence having intimidated a Spanish robber.

[53] See page 32 [Paragraph starting with "The deepest sorrow often admits...." Transcriber.].

[54] During the French war, Spanish dollars received the impression of the King's head, and then pa.s.sed as the current coin at 4s 6d.