And would add, turning to his interlocutor, with annoyance, but with laughter in his eyes:

--"Wouldn't you like me to give you this dog? You can't believe how stupid he is."

But it happened once that "Kashtan," through his stupidity and clumsiness, got under the wheels of a cab which crushed his leg. The poor dog came home running on three legs, howling terribly. His hind leg was crippled, the flesh cut nearly to the bone, bleeding profusely.

Anton Pavlovitch instantly washed his wound with warm water and sublimate, sprinkled iodoform and put on a bandage. And with what tenderness, how dexterously and warily his big beautiful fingers touched the torn skin of the dog, and with what compa.s.sionate reproof he soothed the howling "Kashtan":

--"Ah, you silly, silly.... How did you do it? Be quiet ... you'll be better ... little stupid ..."

I have to repeat a commonplace, but there is no doubt that animals and children were instinctively drawn to Chekhov. Sometimes a girl who was ill would come to A. P. and bring with her a little orphan girl of three or four, whom she was bringing up. Between the tiny child and the sad invalid man, the famous author, was established a peculiar, serious and trusting friendship. They would sit for a long time on the bench, in the verandah. Anton Pavlovitch listened with attention and concentration, and she would whisper to him without ceasing her funny words and tangle her little hands in his beard.

Chekhov was regarded with a great and heart-felt love by all sorts of simple people with whom he came into contact--servants, messengers, porters, beggars, tramps, postmen,--and not only with love, but with subtle sensitiveness, with concern and with understanding. I cannot help telling here one story which was told me by a small official of the Russian Navigation and Trade Company, a downright man, reserved and perfectly direct in receiving and telling his impressions.

It was autumn. Chekhov, returning from Moscow, had just arrived by steamer from Sebastopol at Yalta, and had not yet left the deck. It was that interval of chaos, of shouts and bustle which comes while the gangway is being put in place. At that chaotic moment the porter, a Tartar, who always waited on Chekhov, saw him from the distance and managed to climb up on the steamer sooner than any one else. He found Chekhov's luggage and was already on the point of carrying it down, when suddenly a rough and fierce-looking chief mate rushed on him. The man did not confine himself to obscene language, but in the access of his official anger, he struck the Tartar on the face.

"And then an unbelievable scene took place," my friend told me--"the Tartar threw the luggage on the deck, beat his breast with his fists and, with wild eyes, was ready to fall on the chief mate, while he shouted in a voice which rang all over the port:"

--"'What? Striking me? D'ye think you struck me? It is him--him, that you struck!'"

"And he pointed his finger at Chekhov. And Chekhov, you know, was pale, his lips trembled. He came up to the mate and said to him quietly and distinctly, but with an unusual expression: 'Are not you ashamed!'

Believe me, by Jove, if I were that chief mate, I would rather be spat upon twenty times in the face than hear that 'are not you ashamed.' And although the mate was sufficiently thick-skinned, even he felt it. He bustled about for a moment, murmured something and disappeared instantly. No more of him was seen on deck."

III

Chekhov's study in his Yalta house was not big, about twelve strides long and six wide, modest, but breathing a peculiar charm. Just opposite the entrance was a large square window in a frame of yellow colored gla.s.s. To the left of the entrance, by the window, stood a writing table, and behind it was a small niche, lighted from the ceiling, by a tiny window. In the niche was a Turkish divan. To the right, in the middle of the wall was a brown fireplace of Dutch tiles. On the top of the fireplace there is a small hole where a tile is missing, and in this is a carelessly painted but lovely landscape of an evening field with hayricks in the distance; the work of Levitan. Further, in the corner, there is a door, through which is seen Anton Pavlovitch's bachelor bedroom, a bright, gay room, shining with a certain virgin cleanliness, whiteness and innocence. The walls of the study are covered with dark and gold papers, and by the writing table hangs a printed placard: "You are requested not to smoke." Immediately by the entrance door, to the right, there is a book-case with books. On the mantelpiece there are some bric-a-brac and among them a beautifully made model of a sailing ship. There are many pretty things made of ivory and wood on the writing table; models of elephants being in the majority. On the walls hang portraits of Tolstoy, Grigorovitch, and Turgenev. On a little table with a fan-like stand are a number of photographs of actors and authors.

Heavy dark curtains fall on both sides of the window. On the floor is a large carpet of oriental design. This softens all the outlines and darkens the study; yet the light from the window falls evenly and pleasantly on the writing table. The room smells of very fine scents of which A. Pavlovitch was very fond. From the window is seen an open horseshoe-shaped hollow, running down to the sea, and the sea itself, surrounded by an amphitheatre of houses. On the left, on the right, and behind, rise mountains in a semi-circle. In the evenings, when the lights are lit in the hilly environs of Yalta and the lights and the stars over them are so mixed that you cannot distinguish one from the other,--then the place reminds one of certain spots in the Caucasus.

This is what always happens--you get to know a man; you have studied his appearance, bearing, voice and manners, and still you can always recall his face as it was when you saw it for the first time, completely different from the present. Thus, after several years of friendship with Anton Pavlovitch, there is preserved in my memory the Chekhov, whom I saw for the first time in the public room of the hotel "London" in Odessa. He seemed to me then tall, lean, but broad in the shoulders, with a somewhat stern look. Signs of illness were not then noticeable, unless in his walk--weak, and as if on somewhat bent knees. If I were asked what he was like at first sight, I should say: "A Zemstvo doctor or a teacher of a provincial secondary school." But there was also in him something plain and modest, something extraordinarily Russian--of the people. In his face, speech and manners there was also a touch of the Moscow undergraduate's carelessness. Many people saw that in him, and I among them. But a few hours later I saw a completely different Chekhov--the Chekhov, whose face could never be caught by any photograph, who, unfortunately, was not understood by any painter who drew him. I saw the most beautiful, refined and spiritual face that I have ever come across in my life.

Many said that Chekhov had blue eyes. It is a mistake, but a mistake strangely common to all who knew him. His eyes were dark, almost brown, and the iris of his right eye was considerably brighter, which gave A. P.'s look, at certain moments, an expression of absent-mindedness.

His eyelids hung rather heavy upon his eyes, as is so often observed in artists, hunters and sailors, and all those who concentrate their gaze.

Owing to his pince-nez and his manner of looking through the bottom of his gla.s.ses, with his head somewhat tilted upwards, Anton Pavlovitch's face often seemed stern. But one ought to have seen Chekhov at certain moments (rare, alas, during the last years) when gayety possessed him, and when with a quick movement of the hand, he threw off his gla.s.ses and swung his chair and burst into gay, sincere and deep laughter. Then his eyes became narrow and bright, with good-natured little wrinkles at the corners, and he reminded one then of that youthful portrait in which he is seen as a beardless boy, smiling, short-sighted and nave, looking rather sideways. And--strange though it is--each time that I look at that photograph, I cannot rid myself of the thought that Chekhov's eyes were really blue.

Looking at Chekhov one noticed his forehead, which was wide, white and pure, and beautifully shaped; two thoughtful folds came between the eyebrows, by the bridge of the nose, two vertical melancholy folds.

Chekhov's ears were large and not shapely, but such sensible, intelligent ears I have seen only in one other man--Tolstoy.

Once in the summer, availing myself of A. P.'s good humor, I took several photographs of him with a little camera. Unfortunately the best of them and those most like him turned out very pale, owing to the weak light of the study. Of the others, which were more successful, A. P.

said as he looked at them:

"Well, you know, it is not me but some Frenchman."

I remember now very vividly the grip of his large, dry and hot hand,--a grip, always strong and manly but at the same time reserved, as if it were consciously concealing something. I also visualize now his handwriting: thin, with extremely fine strokes, careless at first sight and inelegant, but, when you look closer, it appears very distinct, tender, fine and characteristic, as everything else about him.

IV

A. P. used to get up, in the summer at least, very early. None even of his most intimate friends saw him carelessly dressed, nor did he approve of lazy habits, like wearing slippers, dressing gowns or light jackets.

At eight or nine he was already pacing his study or at his writing table, invariably impeccably and neatly dressed.

Evidently, his best time for work was in the morning before lunch, although n.o.body ever managed to find him writing: in this respect he was extraordinarily reserved and shy. All the same, on nice warm mornings he could be seen sitting on a slope behind the house, in the cosiest part of the place, where oleanders stood in tubs along the walls, and where he had planted a cypress. There he sat sometimes for an hour or longer, alone, without stirring, with his hands on his knees, looking in front of him at the sea.

About midday and later visitors began to fill the house. Girls stood for hours at the iron railings, separating the bungalow from the road, with open mouths, in white felt hats. The most diverse people came to Chekhov: scholars, authors, Zemstvo workers, doctors, military, painters, admirers of both s.e.xes, professors, society men and women, senators, priests, actors--and G.o.d knows who else. Often he was asked to give advice or help and still more often to give his opinion upon ma.n.u.scripts. Casual newspaper reporters and people who were merely inquisitive would appear; also people who came to him with the sole purpose of "directing the big, but erring talent to the proper, ideal side." Beggars came--genuine and sham. These never met with a refusal. I do not think it right, myself, to mention private cases, but I know for certain that Chekhov's generosity towards students of both s.e.xes, was immeasurably beyond what his modest means would allow.

People came to him from all strata of society, of all camps, of all shades. Notwithstanding the worry of so continuous a stream of visitors, there was something attractive in it to Chekhov. He got first-hand knowledge of everything that was going on at any given moment in Russia.

How mistaken were those who wrote or supposed that he was a man indifferent to public interests, to the whirling life of the intelligentsia, and to the burning questions of his time! He watched everything carefully, and thoughtfully. He was tormented and distressed by all the things which tormented the minds of the best Russians. One had only to see how in those terrible times, when the absurd, dark, evil phenomena of our public life were discussed in his presence, he knitted his thick eyebrows, and how martyred his face looked, and what a deep sorrow shone in his beautiful eyes.

It is fitting to mention here one fact which, in my opinion, superbly ill.u.s.trates Chekhov's att.i.tude to the stupidities of Russian life. Many know that he resigned the rank of an honorary member of the Academy; the motives of his resignation are known; but very few have read his letter to the Academy,--a splendid letter, written with a simple and n.o.ble dignity, and the restrained indignation of a great soul.

To the August President of the Academy 25 August, 1902 Yalta.

_Your Imperial Highness_, August President!

In December of last year I received a notice of the election of A. M. Pyeshkov (Maxim Gorky) as an honorary academician, and I took the first opportunity of seeing A. M. Pyeshkov, who was then in Crimea. I was the first to bring him news of his election and I was the first to congratulate him. Some time later, it was announced in the newspapers that, in view of proceedings according to Art. 1035 being inst.i.tuted against Pyeshkov for his political views, his election was cancelled. It was expressly stated that this act came from the Academy of Sciences; and since I am an honorary academician, I also am partly responsible for this act. I have congratulated him heartily on becoming an academician and I consider his election cancelled--such a contradiction does not agree with my conscience, I cannot reconcile my conscience to it. The study of Art. 1035 has explained nothing to me. And after long deliberation I can only come to one decision, which is extremely painful and regrettable to me, and that is to ask most respectfully to be relieved of the rank of honorary academician. With a feeling of deepest respect I have the honor to remain

Your most devoted Anton Chekhov.

Queer--to what an extent people misunderstood Chekhov! He, the "incorrigible pessimist," as he was labelled,--never tired of hoping for a bright future, never ceased to believe in the invisible but persistent and fruitful work of the best forces of our country. Which of his friends does not remember the favorite phrase, which he so often, sometimes so incongruously and unexpectedly, uttered in a tone of a.s.surance:

--"Look here, don't you see? There is sure to be a const.i.tution in Russia in ten years time."

Yes, even in that there sounds the _motif_ of the joyous future which is awaiting mankind; the _motif_ that was audible in all the work of his last years.

The truth must be told: by no means all visitors spared A. P.'s time and nerves, and some of them were quite merciless. I remember one striking, and almost incredible instance of the ba.n.a.lity and indelicacy which could be displayed by a man of the so-called artistic power.

It was a pleasant, cool and windless summer morning. A. P. was in an unusually light and cheerful mood. Suddenly there appeared as from the blue a stout gentleman (who subsequently turned out to be an architect), who sent his card to Chekhov and asked for an interview. A. P. received him. The architect came in, introduced himself, and, without taking any notice of the placard "You are requested not to smoke," without asking any permission, lit a huge stinking Riga cigar. Then, after paying, as was inevitable, a few stone-heavy compliments to his host, he began on the business which brought him here.

The business consisted in the fact that the architect's little son, a school boy of the third form, was running in the streets the other day and from a habit peculiar to boys, whilst running, touched with his hand anything he came across: lamp-posts, or posts or fences. At last he managed to push his hand into a barbed wire fence and thus scratched his palm. "You see now, my worthy A. P.,"--the architect concluded his tale, "I shall very much like you to write a letter about it in the newspapers. It is lucky that Kolya (his boy) got off with a scratch, but it's only a chance. He might have cut an artery--what would have happened then?" "Yes, it's a nuisance," Chekhov answered, "but, unfortunately, I cannot be of any use to you. I do not write, nor have ever written, letters in the newspapers. I only write stories." "So much the better, so much the better! Put it in a story"--the architect was delighted. "Just put the name of the landlord in full letters. You may even put my own name, I do not object to it.... Still ... it would be best if you only put my initials, not the full name.... There are only two genuine authors left in Russia, you and Mr. P." (and the architect gave the name of a notorious literary tailor).

I am not able to repeat even a hundredth part of the boring commonplaces which the injured architect managed to speak, since he made the interview last until he finished the cigar to the end, and the study had to be aired for a long time to get rid of the smell. But when at last he left, A. P. came out into the garden completely upset with red spots on his cheeks. His voice trembled, when he turned reproachfully to his sister Marie and to a friend who sat on the bench:

"Could you not shield me from that man? You should have sent word that I was needed somewhere. He has tortured me!"

I also remember,--and this I am sorry to say was partly my fault--how a certain self-a.s.sured general came to him to express his appreciation as a reader, and, probably, desiring to give Chekhov pleasure, he began, with his legs spread open and the fists of his turned-out hand leaning on them, to vilify a young author, whose great popularity was then only beginning to grow. And Chekhov, at once, shrank into himself, and sat all the time with his eyes cast down, coldly, without saying a single word. And only from the quick reproachful look, which he cast at my friend, who had introduced that general, did he show what pain he caused.

Just as shyly and coldly he regarded praises lavished on him. He would retire into his niche, on the divan, his eyelids trembled, slowly fell and were not again raised, and his face became motionless and gloomy.

Sometimes, when immoderate raptures came from some one he knew, he would try to turn the conversation into a joke, and give it a different direction. He would suddenly say, without rhyme or reason, with a light little laugh:

--"I like reading what the Odessa reporters write about me."

"What is that?"

"It is very funny--all lies. Last spring one of them appeared in my hotel. He asked for an interview. And I had no time for it. So I said: 'Excuse me but I am busy now. But write whatever you like; it is of no consequence to me.' Well, he did write. It drove me into a fever."

And once with a most serious face he said:

--"You know, in Yalta every cabman knows me. They say: 'O, Chekhov, that man, the reader? I know him.' For some reason they call me reader.