It being now settled that I was not to return to the plantation, my thoughts had hardly reverted to the prospect of a winter in England when I received the news of my father's return from the Continent, and dangerous illness in London; so that, I was told, unless I could go to him immediately, there was but little probability of my ever seeing him again. The misfortune I had so often antic.i.p.ated now seemed to have overtaken me, and instant preparation for my leaving America being made, and an elderly lady, with whom I had become connected by my marriage, having exerted her influence in my behalf, I was not allowed, under such painful circ.u.mstances, again to cross the Atlantic alone, but returned with a very heavy heart to my own country, but with the comfort of being accompanied by my whole family.

The news that met me on my arrival was that my father was at the point of death, that he would not probably survive twenty-four hours, and that it was altogether inexpedient that he should see me, as, if he recognized me, which was doubtful, my unexpected appearance, it having been impossible to prepare him for it, might only be the means of causing him a violent and perhaps painful shock of nervous agitation. This terrible verdict, p.r.o.nounced by three of the most eminent medical men of the day, Bright, Liston, and Wilson, was a dreadful close to all the anxious days and hours of the sea voyage, during which I had hoped and prayed to be again permitted to embrace my father. But in my deep distress, I could not help remembering that, after all, his physicians, able as they were, had not the keys of life and death. And so it proved: my father made an almost miraculous rally, recovered, and survived the sentence p.r.o.nounced against him for many years.

Not many days after our arrival, his improved condition admitted of his being told of my return, and allowed to see me. Cadaverous is the only word that describes the appearance to which acute suffering and subsequent prostration had reduced him; he looked, indeed, like one returned from the dead, and, in his joy at seeing me again, declared that I had restored him to life, and that my arrival, though he had not known of it, had called him back to existence--a sympathetic theory of convalescence, to which I do not think his doctors gave in their adhesion.

We now took up our abode in London; first at the Clarendon Hotel, and afterwards in Clarges Street, Piccadilly, where my father, as soon as he could be moved, came to reside with us, and where my sister joined us on her return from Italy. My friend Miss S----, coming from Ireland to stay with me soon after my arrival in England, added to my happiness in finding myself once more with my own family, and in my own country.]

CLARGES STREET, March 21st.

You will, ere this, dearest H----, have received my answer to your first letter. You ask me, in your second, what we think about the chances of a war with America. Our wishes prompt us to the belief that a war between the two countries is _impossible_, though the tone of the newspapers, within the last few days, has been horribly pugnacious. A letter was received the day before yesterday, from our Liverpool factor, asking us what is to be done about some cotton which had just come to them from the plantation, in the event of war breaking out: a supposition which he had treated as an utter impossibility when he was last in London, but which he confessed in this letter did not seem to him quite so impossible now. I do not, for my own part, see very well how either party is to get out of its present att.i.tude towards the other peaceably and, at the same time, without some compromise of dignity. But I pray G.o.d that the hearts of the two nations may be inclined to peace, and then, doubtless, some cunning device will be found to save their _honor_. The virtuous "_if_" of Touchstone is, I am afraid, not as valid in national as individual quarrels.

Tell Mr. H---- W----, with my love, that it is all a hoax about Niagara Falls having _fallen_ down; and that they are still _falling_ down, according to their custom; but if you should find this intelligence affect him with too painful a disappointment, you may comfort him by a.s.suring him that they inevitably must and will fall down one of these days, and, what is more, stay fallen, and precisely in the manner they are now said to have begun their career--by the gradual wearing away of the rock between Lake Ontario and Lake Erie.

We were at the opera the Sat.u.r.day after you left us; but it was a mediocre performance, both music and dancing, and gave me but little pleasure. I went last night again with my father, and was enchanted with the opera, which was an old favorite, "Tancredi," in which I heard Persiani, an admirable artist, with a mere golden wire of voice, of which she made most capital use, and Pauline Garcia, who possesses all the genius of her family; and between them it was a perfect performance.

The latter is a sister of Malibran's, and will certainly be one of the finest dramatic singers of these times. But the proximity of people to me in the stalls is so intolerable that I think I shall give mine up; for I am in a state of nervous _crawling_ the whole time, with being pushed and pressed and squeezed and leaned on and breathed on by my fellow-creatures. You remember my old theory, that we are all of us surrounded by an atmosphere proper to ourselves, emanating from each of us,--a separate, sensitive envelope, extending some little distance from our visible persons. I am persuaded that this is the case, and that when my _individual atmosphere_ is invaded by any one, it affects my whole nervous system. The proximity of any _bodies_ but those I love best is unendurable to my body.

My father is much in the same condition as when you went away, suffering a great deal, and complaining frequently; but by his desire we have a dinner-party here on Tuesday, and he has accepted two invitations to dine out himself. My chicks are pretty well....

May G.o.d bless you, dear.

I am ever your own F. A. B.

CLARGES STREET.

This letter was begun three days ago, and it is now Thursday, March the 25th. Do not, I beseech you, ever make any appeals to my imagination, or my feelings. I have lost all I ever had of the first, and I never had any at all of the second....

You ask me if I have been riding. Only once or twice, for I may not do what I so fain would, give all the visiting to utter neglect, and ride every day. Yesterday I was on horseback for two hours with Henry, who, having sold his pretty mare, for 65, to the author of the new comedy at Covent Garden, was obliged to bestride one of Mr. Allen's screws, as he calls them. The day was dusty and windy, and very disagreeable, but I was all the better for my shaking, as I always am. I am never in health, looks, or spirits without daily hard exercise on horseback.

My first meeting with Mrs. Grote (I am answering your questions, dearest H----, though you have probably forgotten them) took place after all at Sydney Smith's, at a dinner the very next day after you left us. We did not say a great deal to each other, but upon my saying incidentally (I forget about what) "I, who have always preserved my liberty, at least the small crumb of it that a woman can own anywhere," she faced about, in a most emphatical manner, and said, "Then you've struggled for it."

"No, I have not been obliged to do so." "Ah, then you must, or you'll lose it, you'll lose it, depend upon it." I smiled, but did not reply, because I saw that she was not taking into consideration the fact of my living in America; and this was the only truly _Grotesque_ (as Sydney Smith says) pa.s.sage between us. Since then we have again ineffectually exchanged cards, and yesterday I received an invitation to her house, so that I suppose we shall finally become acquainted with each other.

[Mrs. Grote, wife of George Grote, the banker, member of Parliament, and historian of Greece, was one of the cleverest and most eccentric women in the London society of my time. No worse a judge than De Tocqueville p.r.o.nounced her the cleverest woman of his acquaintance; and she was certainly a very remarkable member of the circle of remarkable men among whom she was living when I first knew her. At that time she was the female centre of the Radical party in politics--a sort of not-young-or-handsome feminine oracle among a set of very clever half-heathenish men, in whose drawing-room, Sydney Smith used to say, he always expected to find an altar to Zeus. At this time Mr. Grote was in the House of Commons, and as it was before the publication of his admirable history, his speeches, which were as remarkable for their sound sense and enlightened liberality as for their clear and forcible style, were not unfrequently attributed to his wife, whose considerable conversational powers, joined to a rather dictatorial style of exercising them, sometimes threw her refined and modest husband a little into the shade in general society. When first I made Mrs.

Grote's acquaintance, the persons one most frequently met at her house in Eccleston Street were Roebuck, Leader, Byron's quondam a.s.sociate Trelawney, and Sir William Molesworth; both the first and last mentioned gentlemen were then of an infinitely deeper shade of radicalism in their politics than they subsequently became. The other princ.i.p.al element of Mrs. Grote's society, at this time, consisted of musical composers and performers, who found in her a cordial and hospitable friend and hostess, and an amateur of unusual knowledge and discrimination, as well as much taste and feeling for their beautiful art. Her love of music, and courteous reception of all foreign artists, caused her to be generally sought by eminent professors coming to England; and Liszt, Madame Viardot, Dessauer, Thalberg, Mademoiselle Lind, and Mendelssohn were among the celebrated musicians one frequently met at her house. With the two latter she was very intimate, and it was in her drawing-room that my sister gave her first public concert in London. Mendelssohn used often to visit her at a small country-place she had in the neighborhood of Burnham Beeches.

It was a very small and modest residence, situated on the verge of the magnificent tract of woodland scenery known by that name; a dependence, I believe, of the Dropmore estate, which it adjoined. It was an unenclosed s.p.a.ce of considerable extent, of wild, heathy moorland; short turfy strips of common; dingles full of foxglove, harebell, and gnarled old stunted hawthorn bushes; and knolls, covered with waving crests of powerful feathery fern. It was intersected with gravelly paths and roads, whose warm color contrasted and harmonized with the woodland hues of everything about them; and roofed in by dark green vaults of the most magnificent beech foliage I have ever seen anywhere. The trees were of great age and enormous size; and from some accidental influence affecting their growth, the huge trunks were many of them contorted so as to resemble absolutely the twisted Saxon pillars of some old cathedral.

In many of them the powerful branches (as large themselves as trunks of common trees) spread out from the main tree, at a height of about six feet from the ground, into a sort of capacious leafy chamber, where eight or ten people could have sat embowered. A more perfectly English woodland scene it would be impossible to imagine, and here, as Mrs. Grote told me, Mendelssohn found the inspiration of much of the music of his "Midsummer Night's Dream." (The overture he had composed, and played to us one evening at my father's house, when first he came to England, before he was one-and-twenty.) At one time Mrs. Grote contemplated erecting some monument in the beautiful wood to his memory, and showed me a copy of verses, not devoid of merit, which she thought of inscribing on it to his honor; but she never carried out the suggestion of her affectionate admiration; and to those who knew and loved Mendelssohn (alas! the expressions are synonymous), the glorious wood itself, where he walked and mused and held converse with the spirit of Shakespeare, forms a solemn sylvan temple, forever consecrated to tender memories of his bright genius and lovely character.

When first I knew Mrs. Grote, however, her artistic sympathies were keenly excited in a very different direction; for she had undertaken, under some singular impulse of mistaken enthusiasm, to make what she called "an honest woman" of the celebrated dancer, f.a.n.n.y Ellsler, and to introduce her into London society,--neither of them very attainable results, even for as valiant and enterprising a person as Mrs. Grote. When first I heard of this strange undertaking I was, in common with most of her friends, much surprised at it; nor was it until some years after the entire failure of this quixotic experiment, that I became aware that she had been actuated by any motive but the kindliest and most mistaken enthusiasm.

Mademoiselle Ellsler was at this time at the height of her great and deserved popularity as a dancer, and whatever I may have thought of the expediency or possibility of making what Mrs. Grote called "an honest woman" of her, I was among the most enthusiastic admirers of her great excellence in her elegant art. She was the only intellectual dancer I have ever seen. Inferior to Taglioni (that embodied genius of rhythmical motion) in lightness, grace, and sentiment; to Carlotta Grisi in the two latter qualities; and with less mere vigor and elasticity than Cerito, she excelled them all in dramatic expression; and parts of her performance in the ballets of the "Tarantella" and the wild legend of "Gisele, the w.i.l.l.ye,"

exhibited tragic power of a very high order, while the same strongly dramatic element was the cause of her pre-eminence in all national and characteristic dances, such as El Jaleo de Xeres, the Cracovienne, et cetera. This predominance of the intellectual element in her dancing may have been the result of original organization, or it may have been owing to the mental training which Ellsler received from Frederic von Genz, Gensius, the German writer and diplomatist, who educated her, and whose mistress she became while still quite a young girl. However that may be, Mrs. Grote always maintained that her genius lay full as much in her head as in her heels. I am not sure that the finest performance of hers that I ever witnessed was not a minuet in which she danced the man's part, in full court-suit of the time of Louis XVI., with most admirable grace and n.o.bility of demeanor.

Mrs. Grote labored hard to procure her acceptance in society; her personal kindness to her was of the most generous description: but her great object of making "an honest woman" of her, I believe failed signally in every way.

On one occasion I paid Mrs. Grote a visit at Burnham Beeches. Our party consisted only of my sister and myself; the Viennese composer, Dessauer; and Chorley, the musical critic of the _Athenaeum_, who was very intimately acquainted with us all. The eccentricities of our hostess, with which some of us were already tolerably familiar, were a source of unfeigned amazement and awe to Dessauer, who, himself the most curious, quaint, and withal nervously excitable and irritable humorist, was thrown into alternate convulsions of laughter and spasms of terror at the portentous female figure, who, with a stick in her hand, a man's hat on her head, and a coachman's box-coat of drab cloth with manifold capes over her petticoats (English women had not yet then adopted a costume undistinguishable from that of the other s.e.x), stalked about the house and grounds, alternately superintending various matters of the domestic economy, and discussing, with equal knowledge and discrimination, questions of musical criticism and taste.

One most ludicrous scene which took place on this occasion I shall never forget. She had left us to our own devices, and we were all in the garden. I was sitting in a swing, and my sister, Dessauer, and Chorley were lying on the lawn at my feet, when presently, striding towards us, appeared the extravagant figure of Mrs. Grote, who, as soon as she was within speaking-trumpet distance, hailed us with a stentorian challenge about some detail of dinner--I think it was whether the majority voted for bacon and peas or bacon and beans.

Having duly settled this momentous question, as Mrs. Grote turned and marched away, Dessauer--who had been sitting straight up, listening with his head first on one side and then on the other, like an eagerly intelligent terrier, taking no part in the culinary controversy (indeed, his entire ignorance of English necessarily disqualified him for even comprehending it), but staring intently, with open eyes and mouth, at Mrs. Grote--suddenly began, with his hands and lips, to imitate the rolling of a drum, and then broke out aloud with, "_Malbrook s'en vat' en guerre_," etc.; whereupon the terrible lady faced right about, like a soldier, and, planting her stick in the ground, surveyed Dessauer with an awful countenance.

The wretched little man grew red and then purple, and then black in the face with fear and shame; and exclaiming in his agony, "_Ah, bonte divine! elle m'a compris!_" rolled over and over on the lawn as if he had a fit. Mrs. Grote majestically waved her hand, and with magnanimous disdain of her small adversary turned and departed, and we remained horror-stricken at the effect of this involuntary tribute of Dessauer's to her martial air and deportment.

When she returned, however, it was to enter into a most interesting and animated discussion upon the subject of Gluck's music; and suddenly, some piece from the "Iphigenia" being mentioned, she shouted for her man-servant, to whom on his appearance she gave orders to bring her a chair and footstool, and "the big fiddle" (the violoncello) out of the hall; and taking it forthwith between her knees, proceeded to play, with excellent taste and expression, some of Gluck's n.o.ble music upon the sonorous instrument, with which St.

Cecilia is the only female I ever saw on terms of such familiar intimacy.

The second time Mrs. Grote invited me to the Beeches, it was to meet Mdlle. Ellsler. A conversation I had with my admirable and excellent friend Sydney Smith determined me to decline joining the party. He wound up his kind and friendly advice to me upon the subject by saying, "No, no, my child; that's all very well for Grota" (the name he always gave Mrs. Grote, whose good qualities and abilities he esteemed very highly, whatever he may have thought of her eccentricities); "but don't mix yourself up with that sort of thing." And I had reason to rejoice that I followed his good advice.

Mrs. Grote told me, in the course of a conversation we once had on the subject of Mdlle. Ellsler, that when the latter went to America, she, Mrs. Grote, had undertaken most generously the entire care and charge of her child, a lovely little girl of about six years old.

"All I said to her," said this strange, kind-hearted woman, "was 'Well, f.a.n.n.y, send the brat to me; I don't ask you whose child it is, and I don't care, so long as it isn't that fool d'Orsay's'"

(Mrs. Grote had small esteem for _the_ dandy of his day), "'and I'll take the best care of it I can.'" And she did take the kindest care of it during the whole period of Mdlle. Ellsler's absence from Europe.

The next time I visited the Beeches was after an interval of some years, when I went thither with my kind and constant friend Mr.

Rogers. My circ.u.mstances had altered very painfully, and I was again laboring for my own support.

I went down to Burnham with the old poet, and was sorry to find that, though he had consented to pay Mrs. Grote this visit, he was not in particularly harmonious tune for her society, which was always rather a trial to his fastidious nerves and refined taste.

The drive of between three and four miles in a fly (very different from his own luxurious carriage), through intricate lanes and rural winding avenues, did not tend to soften his acerbities, and I perceived at once, on alighting from the carriage, that the aspect of the place did not find favor in his eyes.

Mrs. Grote had just put up an addition to her house, a sort of single wing, which added a good-sized drawing-room to the modest mansion I had before visited. Whatever accession of comfort the house received within from this addition to its size, its beauty, externally, was not improved by it, and Mr. Rogers stood before the offending edifice, surveying it with a sardonic sneer that I should think even brick and mortar must have found it hard to bear. He had hardly uttered his three first disparaging bitter sentences, of utter scorn and abhorrence of the architectural abortion, which, indeed it was, when Mrs. Grote herself made her appearance in her usual country costume, box-coat, hat on her head, and stick in her hand. Mr. Rogers turned to her with a verjuice smile, and said, "I was just remarking that in whatever part of the world I had seen this building I should have guessed to whose taste I might attribute its erection." To which, without an instant's hesitation, she replied, "Ah, _'tis_ a beastly thing, to be sure. The confounded workmen played the devil with the place while I was away." Then, without any more words, she led the way to the interior of her habitation, and I could not but wonder whether her blunt straightforwardness did not disconcert and rebuke Mr. Rogers for his treacherous sneer.

During this visit, much interesting conversation pa.s.sed with reference to the letters of Sydney Smith, who was just dead; and the propriety of publishing all his correspondence, which, of course, contained strictures and remarks upon people with whom he had been living in habits of friendly social intimacy. I remember one morning a particularly lively discussion on the subject, between Mrs. Grote and Mr. Rogers. The former had a great many letters from Sydney Smith, and urged the impossibility of publishing them, with all their comments on members of the London world. Rogers, on the contrary, apparently delighted at the idea of the mischief such revelations would make, urged Mrs. Grote to give them ungarbled to the press. "Oh, but now," said the latter, "here, for instance, Mr.

Rogers, such a letter as this, about ----; do see how he cuts up the poor fellow. It really never would do to publish it." Rogers took the letter from her, and read it with a stony grin of diabolical delight on his countenance and occasional chuckling exclamations of "Publish it! publish it! Put an R, dash, or an R and four stars for the name. He'll never know it, though everybody else will." While Mr. Rogers was thus delecting himself, in antic.i.p.ation, with R----'s execution, Mrs. Grote, by whose side I was sitting on a low stool, quietly unfolded another letter of Sydney Smith's, and silently held it before my eyes, and the very first words in it were a most ludicrous allusion to Rogers's cadaverous appearance. As I raised my eyes from this most absurd description of him, and saw him still absorbed in his evil delight, the whole struck me as so like a scene in a farce that I could not refrain from bursting out laughing.

In talking of Sydney Smith Mr. Rogers gave us many amusing details of various visits he paid him at his place in Somersetshire, Combe Flory, where, on one occasion, Jeffrey was also one of the party. It was to do honor to these ill.u.s.trious guests that Sydney Smith had a pair of horns fastened on his donkey, who was turned into the paddock so adorned, in order, as he said, to give the place a more n.o.ble and park-like appearance; and it was on this same donkey that Jeffrey mounted when Sydney Smith exclaimed with such glee--

"As short, but not as stout, as Bacchus, As witty as Horatius Flacchus, As great a radical as Gracchus, There he goes riding on my _jackuss_."

Rogers told us too, with great satisfaction, an anecdote of Sydney Smith's son, known in London society by the amiable nickname of the a.s.sa.s.sin.... This gentleman, being rather addicted to horse-racing and the undesirable society of riders, trainers, jockeys, and semi-turf black-legs, meeting a friend of his father's on his arrival at Combe Flory, the visitor said, "So you have got Rogers here, I find." "Oh, yes," replied Sydney Smith's dissimilar son, with a rueful countenance, "but it isn't _the_ Rogers, you know."

_The_ Rogers, according to him, being a famous horse-trainer and rider of that name.

I have called him his father's dissimilar son, but feel inclined to withdraw that epithet, when I recollect his endeavor to find an appropriate subject of conversation for the Archbishop of York, by whom, on one occasion, he found himself seated at dinner: "Pray, my lord, how long do you think it took Nebuchadnezzar to get into condition again after his turn out at gra.s.s?"

The third time I went to Burnham Beeches, it was to meet a very clever Piedmontese gentleman, with whom Mr. Grote had become intimate, Mr. Senior, known and valued for his ability as a political economist, his clear and acute intelligence, his general information and agreeable powers of conversation. His universal acquaintance with all political and statistical details, and the whole contemporaneous history of European events, and the readiness and fulness of his information on all matters of interest connected with public affairs used to make Mrs. Grote call him her "man of facts." The other member of our small party was Charles Greville, whose acquaintance Mrs. Grote had made through his intimacy with my sister and myself. This gentleman was one of the most agreeable members of our intimate society. His mother was the sister of the late Duke of Portland, and during the short administration of his uncle, Charles Greville, then quite a young man, had a sinecure office in the island of Jamaica bestowed upon him, and was made Clerk of the Privy Council; which appointment, by giving him an a.s.sured position and handsome income for life, effectually put a stop to his real advancement at the very outset, by rendering all effort of ambition on his part unnecessary, and inducing him, instead of distinguishing himself by an honorable public career, to adopt the life and pursuits of a mere man of pleasure, ... and to waste his talents in the petty intrigues of society, and the excitements of the turf. He was an influential member of the London great world of his day; his clear good sense, excellent judgment, knowledge of the world, and science of expediency, combined with his good temper and ready friendliness, made him a sort of universal referee in the society to which he belonged. Men consulted him about their difficulties with men; and women, about their squabbles with women; and men and women, about their troubles with the opposite s.e.x. He was called into the confidence of all manner of people, and trusted with the adjustment of all sorts of affairs. He knew the secrets of everybody, which everybody seemed willing that he should know; and he was one of the princ.i.p.al lawgivers of the turf. The publication of Charles Greville's Memoirs, which shocked the whole of London society, surprised, as much as it grieved, his friends, the character they revealed being painfully at variance with their impression of him, and not a little, in some respects, at variance with that of a gentleman.... Our small party at the Beeches was broken up on the occasion of this, my third visit, by our hostess's indisposition. She was seized with a violent attack of neuralgia in the head, to which she was subject, and by which she was compelled to take to her bed, and remain there in darkness and almost intolerable suffering for hours, and sometimes days together. I have known her prostrated by a paroxysm of this sort when she had invited a large party to dinner, and obliged to leave her husband to do the honors to their guests, while she betook herself to solitary confinement in a darkened room.

On the present occasion the gentlemen guests took their departure for London, and I should have done the same, but that Mrs. Grote entreated me to remain, for the chance of her being soon rid of her torment. Towards the middle of the day she begged me to come to her room, when, feeling, I presume, some temporary relief, she presently began talking vehemently to me about a French opera of "The Tempest," by Halevy, I believe, which had just been produced in Paris, with Madame Rossi Sontag as Miranda, and Lablache as Caliban.

Mrs. Grote was violent in her abuse of the composition, deploring, as I joined her in doing, that Mendelssohn should not have taken "The Tempest" for the subject of an opera, and so prevented less worthy composers from laying hands upon it.

Towards this time Mrs. Grote became absorbed by a pa.s.sionate enthusiasm for Mademoiselle Jenny Lind, of whom she was an idolatrous worshipper, and who frequently spent her days of leisure at the Beeches. Mrs. Grote engrossed Mademoiselle Jenny Lind in so curious a manner that, socially, the accomplished singer could hardly be approached but through her. She was kind enough to ask me twice to meet her, when Mendelssohn and herself were together at Burnham--an offer of a rare pleasure, of which I was unable to avail myself. I remember, about this time, a comical conversation I had with her, in which, after surveying and defining her social position and its various advantages, she exclaimed, "But I want some lords, f.a.n.n.y. Can't you help me to some lords?" I told her, laughingly, that I thought the lady who held watch and ward over Mademoiselle Jenny Lind might have as many lords at her feet as she pleased....

Besides her literary and artistic tastes, she took a keen interest in politics, and among other causes for the slight esteem in which she not unnaturally held my intellectual capacity was my ignorance of, and indifference to, anything connected with party politics, especially as discussed in coteries and by coterie queens.

Great questions of European policy, and the important movements of foreign governments, or our own, in matters tending to affect the general welfare and progress of humanity, had a profound interest for me; but I talked so little on such subjects, as became the profundity of my ignorance, that Mrs. Grote supposed them altogether above my sympathy, and probably above my comprehension.

I remember very well, one evening at her own house, I was working at some embroidery (I never saw her with that feminine implement, a needle, in her fingers, and have a notion she despised those who employed it, and the results they achieved), and I was listening with perfect satisfaction to an able and animated discussion between Mr. Grote, Charles Greville, Mr. Senior, and a very intelligent Piedmontese then staying at the Beeches, on the aspect of European politics, and more especially of Italian affairs, when Mrs. Grote, evidently thinking the subject too much for me, drew her chair up to mine, and began a condescending conversation about matters which she probably judged more on a level with my comprehension; for she seemed both relieved and surprised when I stopped her kind effort to entertain me at once, thanking her, and a.s.suring her that I was enjoying extremely what I was listening to.

Some time after this, however, I must say I took a mischievous opportunity of purposely confirming her poor opinion of my brains; for on her return from Paris, where she had been during Louis Napoleon's _coup d'etat_, she offered to show me Mr. Senior's journal, kept there at the same time, and recording all the remarkable and striking incidents of that exciting period of French affairs. This was a temptation, but it was a greater one to me--being, as Madame de Sevigne says of herself, _mechante ma fille_--to make fun of Mrs. Grote; and so, comforting myself with thinking that this probably highly interesting and instructive record, kept by Mr. Senior, would be sure to be published, and was then in ma.n.u.script (a thing which I abhor), I quietly declined the offer, looking as like Audrey when she asks "What is poetical?" as I could: to which Mrs. Grote, with an indescribable look, accent, and gesture of good-humored contempt, replied, "Ah, well, it might not interest you; I dare say it wouldn't. It _is_ political, to be sure; it is political."

This is the second very clever woman, to whom I know my intelligence had been vaunted, to whom I turned out completely "Paradise Lost,"

as my mother's comical old acquaintance, Lady Dashwood King, used to say to Adelaide of me: "Ah, yes, I know your sister is vastly clever, exceedingly intelligent, and all that kind of thing, but she is 'Paradise Lost' to me, my dear." I sometimes regretted having hidden my small light under a bushel as entirely as I did, in the little intercourse I had with the first Lady Ashburton, Lady Harriet Montague, with whom some of my friends desired that I should become acquainted, and who asked me to her house in London, and to the Grange, having been a.s.sured that there was something in me, and trying to find it out, without ever succeeding.

Mrs. Grote had generally a very contemptuous regard for the capacity of her female friends. She was extremely fond of my sister, but certainly had not the remotest appreciation of her great cleverness; and on one occasion betrayed the most whimsical surprise when Adelaide mentioned having received a letter from the great German scholar Waelcker. "Who? what? you? Waelcker, write to you!"

exclaimed Grota, in amazement more apparent than courteous, it evidently being beyond the wildest stretch of her imagination that one of the most learned men in Europe, and profoundest scholars of Germany, could be a correspondent of my sister's, and a devoted admirer of her brilliant intelligence.