Ever yours most truly, F. A. B.

[The _Amistad_ was a low raking schooner, conveying between fifty and sixty negroes, fresh from Africa, from Havannah to Guamapah, Port Principe, to the plantation of one of the pa.s.sengers. The captain and three of the crew were murdered by the negroes. Two planters were spared to navigate the vessel back to Africa. Forced to steer east all day, these white men steered west and north all night; and after two months, coming near New London, the schooner was captured by the United States schooner _Washington_, and carried into port, where a trial was held by the Circuit Court at Hertford, transferred to the District Court, and sent by appeal to the United States Supreme Court. The District Court decreed that one man, not of the recent importation, should, by the treaty of 1795 with Spain, be restored to his master; the rest, delivered to the President of the United States, to be by him transported to their homes in Africa.

Before the case could come before the United States Supreme Court, the President (Mr. Van Buren), upon the requisition of the Spanish minister, had the negroes conveyed, by the United States schooner _Grampus_, back to Havannah and to slavery, under the treaty of 1795.

The case created an immense excitement among the friends and foes of slavery. The point made by the counsel for the negroes being that they were not slaves, but free Africans, freshly brought to Cuba, contrary to the latest enacted laws of Spain. The schooner _Amistad_ started on her voyage to Africa in June, 1839, reached New London in August, and was sent back in January, 1840.]

BUTLER PLACE, April 5th, 1840.

DEAREST HARRIET,

I have received both your letters concerning Dorothy's health. The one which you sent by the _British Queen_ came before one you previously wrote me from Liverpool, and destroyed all the pleasure I should have received from the cheerful spirit in which the latter was written.

I was reading the other evening a sermon of Dr. Channing's, suggested by the miserable destruction of a steamboat with the loss of upwards of a hundred lives; among them, one precious to all who knew him perished, a man who, I think, had few equals, and to whose uncommon character all who ever knew him bear witness.

The fate of so excellent a human being, cut off in the flower of his age, in the midst of a career of uncommon worth and usefulness, inspired Dr. Channing, who was his dear friend, with one of the finest discourses in which Christian faith ever "justified the ways of G.o.d to Man."

In reading that eloquent sermon, so full of hope, of trust, of resignation, and rational acknowledgment of the great purposes of sorrow, my thoughts turned to you, dearest Harriet, and dwelt upon your present trial, and on the impending loss of your dear friend. I have not the sermon by me, or I could scarce resist transcribing pa.s.sages from it; but if you can procure it, do. It was written on the occasion of the burning of the steamboat _Lexington_, and in memory of Dr. Charles Follen.

One of the views that impressed me most, of those urged by Channing, was that sorrow--however considered by us, individually, as a shocking accident,--in G.o.d's providence, was a large part of the appointed experience of existence: no blot, no jar, no sudden violent visitation of wrath; but part of the light, and harmony, and order, of our spiritual education; an essential and invaluable portion of our experience, of infinite importance in our moral training. To all it is decreed to suffer; through our bodies, through our minds, through our affections, through the n.o.blest as well as the lowest of our attributes of being. This then, he argues, which enters so largely into the existence of every living soul, should never be regarded with an eye of terror, as an appalling liability or a fearful unaccountable disturbance in the course of our lives.

I suppose it is the rarefied air our spirits breathe on great heights of achievement; as vital to our moral nature as the pure mountain element, which stimulates our lungs, is to our physical being. In sorrow, faithfully borne, the glory and the blessing of holiness become hourly more apparent to us; and it must be good for us to suffer, since our dear Father lays suffering upon us. If we believe one word of what we daily repeat, and profess to believe, of His mercy and goodness, we must needs believe that the pain and grief which enter so largely into His government of and provision for us are all part of His goodness and mercy.... I pray that you, and I, and all, may learn more and more to accept His will, even as His Son, our perfect pattern, accepted it....

J---- B---- has already returned home from the South, weary of the heat, and the oppressive _smell of the orange flowers_ on Butler's Island....

The tranquillity of my outward circ.u.mstances has its counterweight m the excitability of my nature. I think upon the whole, the task and load of life is very equal, its labors and its burdens very equal: they only have real sorrow who make it for themselves, in their own hearts, by their own faults; and they only have real joy who make and keep it there by their own effort....

Katharine Sedgwick writes in great disappointment at your not being in Italy this winter, and so does her niece, my dear little Kate. Those are loving hearts, and most good Christians; they have been like sisters to me in this strange land; I am gratefully attached to them, and long for their return. G.o.d bless you, dear. Give my affectionate remembrance to Dorothy, and

Believe me ever yours, F. A. B.

BUTLER PLACE, April 30th, 1840.

MY DEAREST HARRIET,

Of course I have begun to die already: which I believe people do as soon as they reach maturity; at any rate, the process begins, I am sure, much earlier, and is much more gradual and uninterrupted, than we suppose or are aware of. Most persons, I think, begin to die at about thirty; some take a longer, and some a shorter time in becoming quite entirely dead, but after that age I do not believe anybody is quite entirely alive....

Still, though somewhat dead (as I have most reason to know), to the eyes of most people I am even now an uncommonly lively woman; and while my soul is at peace, and my spirits cheerful, I am not myself painfully conscious that I am dying.... The treasure of health was mine in perfection, almost for five and twenty years, and I do not see that I should have any right to complain that I no longer possess it as fully as I once did....

You and I have changed places curiously enough, since first we began to hold arguments together; and it seems as strange that you should disparage reason to me, as the chief instrument of education, as that I should be upholding it against your disparagement. The longer I live, the more convinced my _reason_ is of the goodness and wisdom of G.o.d; and from what my _reason_ can perceive of these attributes of our Father my _faith_ derives the surest foundation on which to build perfect trust and confidence, where my _reason_ can no longer discern the meaning of my existence, the exact purpose of its several events, and significance of its circ.u.mstances. Entire faith in G.o.d seems to me entirely reasonable; but, indeed, I have yet had no experience of any dispensations of Divine Providence which at all tried or shook my reason, or disturbed my trust in their unfailing righteousness.

Our reason, above all our other faculties, shows us how little we can know; and it is the very function of reason to perceive how finite, vague, and feeble all our conceptions of the Almighty must be; how utterly futile all our attempts to fathom His purposes, whose ways are a.s.suredly not our ways, nor His thoughts our thoughts.

The spring has come; the mysterious resurrection which with its annually recurring miracle adorns the earth, and makes the heavens above it bright; and even on this uninteresting place, the flush of rosy bloom down in the apple-orchard, the tender green halo above, the golden green atmosphere beneath the trees of the avenue, the smell of the blossoms, the songs of the birds, awaken impressions of delight; and while the senses rejoice, the soul worships. Tulips, and hyacinths, and lilacs, and monthly roses shake about in the soft wind, and scatter their colored petals like jewels among the young vivid verdure. Delicate shadows of delicate leaves lie drawn in quivering tracery on the smooth emerald gra.s.s. My garden is a source of pleasure and perpetual occupation to me. Here, where ornamental cultivation is so little attended to, my small improvements of our small pleasure-ground are repaid, not only by my own enjoyment, but by the admiring commendation of all who knew the place before we came to it; and as within the last two years I have planted upwards of two hundred trees, I begin to feel as if I had really done something in my generation. Good-bye, dear.

I remain ever yours, F. A. B.

BUTLER PLACE, June 7th, 1840.

Thank you, my dear Mrs. Jameson, for your letter of April 4th. It was interesting and amusing enough to have been written by one whose thoughts and feelings were far otherwise free and cheerful than yours could have been when you indited it. I lament the protraction of your father's illness very much, for your mother's sake, and all your sakes.

A serious illness at his period of life is not a circ.u.mstance to cause surprise; but its long continuance is to be deprecated, no less for the sufferer than those whose health and strength, expended in anxious watching, can leave them but little fort.i.tude to meet the result should it prove fatal. I hope to hear in your next that your mother is relieved from her present painful position, and that your own spirits are more cheerful.

I have not seen even as much as an extract from Leigh Hunt's play [I think called a "Legend of Florence," and founded upon the incident that gave its name to the Via della Morte in the fair city]; but I am very glad he has written one, and hope he will write others: certain elements of his genius are essentially those of an effective dramatist, and surely, if the public can swallow a play of ----'s, it might be brought to taste one of Leigh Hunt's. I dislike everything that ---- ever wrote, and think he ought to have been a Frenchman. Can one say worse of a man who is not?...

You ask me if writing plays is not pleasanter and more profitable than reading Gibbon. Certainly, if one only has the mind to do the one instead of the other, which at present I have not.

I have sometimes fancied it was my duty to work out such talent of that kind as was in me; but I have hitherto not felt at all sure that I had any such gift which, you know, would be necessary before I could determine what was my duty with regard to it. I never write anything but upon impulse--all my compositions are impromptus; and the species of atmosphere I live in is not favorable to that order of inspiration. The outward sameness of my life; its uniformity of color, level surface, and monotonous tone; its unvaried tenor, alike devoid of pleasurable and painful excitement; its wholesome abundance of daily recurring trivial occupations, and absence of any great or varied interests; its entire isolation from all literary and intellectual society, which might strike the fire from the sleepy stone--all these influences prevail against my writing.

I once thought the material lay within me, but it will probably moulder away for want of use; and as long as I am neither the worse woman, wife, nor mother for its neglect, I take it it matters very little, and there is no harm done. My serious interest in life is the care of my children, and my princ.i.p.al recreation is my garden; and though I formerly sometimes imagined I had faculties whose exercise might demand a wider sphere, the consciousness that I discharge very imperfectly the obligations of that which I occupy, ought to satisfy me that its homely duties and modest tasks are more than sufficient for my abilities; and though I am not satisfied with myself, I should be with my existence, since, such as it is, it furnishes me with more work than I do as it should be done.

From the interest you express in f.a.n.n.y Ellsler, you will be glad to hear that her success here has been triumphant. I believe the great ma.s.s of people always recognize and acknowledge excellence when they see it, though their stupid or ignorant toleration of what is mediocre, or even bad, would seem to indicate the contrary.... The general mind of man is capable of perceiving the most excellent in all things, and prompt to seize it, too, when it meets with it. Even in morals it does so theoretically, however the difficulty of adhering to high standards may make the actions of most people conform but little to their best conceptions of right. The idea of perfection is recognized by the spirit of creatures capable of and destined for perfection in all things, whether great or small; and so (since this is _a propos_ of opera dancing) f.a.n.n.y Ellsler's performances have been appreciated here to a degree that would astonish those who forget that education, though it develops, does not create our finer perceptions, and, moreover, that the finest are commoner than is commonly believed. The possession is almost universal: the cultivation in _any_ degree worth anything comparatively rare, and in a _high_ degree very rare indeed everywhere; and here--well! it does not exist.

I hope we shall see you in England in the autumn; I am using every endeavor not to be sent over alone.... I cannot bear to go to England again a "widow bewitched."

I am ever yours most truly, F. A. B.

BUTLER PLACE, June 8th, 1840.

DEAREST HARRIET,

It is not to you that I apologize for talking over-much about my children, but to myself.... For what said the witty Frenchman of a man's love for wife and child? "_Ah! bien c'est de l'egosme a trois._" ... I hope you will see my children, both them and me, in a very few months; for I think we are coming to England in September, and I shall surely not leave it without borrowing some of your company from you, let you be where you may....

I must go and dress for dinner, hence the brevity of this letter, which pray accept for "the soul of wit."

Did you ever see a humming-bird? Have they them in Italy? We have a honeysuckle hedge here, where the little jewels of creatures stuff themselves incessantly, early and late, sabbaths and week-days, flickering over the sweet bushes of fragrance, like the diamonds of modern fashion set on elastic wires, to make them quiver and increase their sparkle and brilliancy. I should like to have written some more to you.

I am ever your affectionate F. A. B.

BUTLER PLACE, June 28th, 1840.

MY DEAR T----,

Your discoveries in the private character of Sir Samuel Romilly are none to me. I have known those who knew him intimately. My brother was school and college mate of his sons, one of whom I know very well; and their father's character, in all its most endearing aspects, was familiar to me. I think I was once told (not by them, however, of course) that the melancholy induced by the loss of his wife had been the chief cause of his destroying himself, for he was devotedly and pa.s.sionately attached to her.

We go every night to see f.a.n.n.y Ellsler; only think what an extraordinary effort of dissipation for me, who hardly ever stir abroad of an evening, and who had almost as much forgotten the inside of a theatre as Falstaff had the inside of a church! My admiration for her grows rather than diminishes, though she is a better actress even than dancer, which I think speaks in favor of her intellect. Did you ever see Taglioni? Who invented and who suggested the expression the "poetry of motion"? It should have been _made_ for her. Her dancing is like nothing but poetic inspiration, and seems as if she was composing while she executed it. I wonder if it is the ballet-master who devises all the steps of these great dancers,--of course, not the national dances, but the inconceivably lovely things that Taglioni does, or whether she orders her own steps, and (given a certain dramatic situation and a certain strain of music) floats or flies, or glides, or gyrates at her own will and pleasure. Did you ever see her in the "Sylphide"? What an exquisite pathetic dream of supernatural sentiment that was! Other dances are as graceful as possible; that woman was grace itself.

I was saying once to my friend, Frederick Rackeman, that Chopin's music made me think of Taglioni's dancing, to which he replied, to my great surprise, that Chopin had said that he had more than once received his inspiration from Taglioni's dancing; a curious instance of influence so strong as to be recognized by one who was perfectly unaware of it. If I remember rightly, Gibson, the sculptor, said that he owed many suggestions to the vigorous and graceful dancing of Cerito; but those, of course, were a suggestion of form to a creator of form, and not an inspiration of exquisite sound gathered from exquisite motion, as in the instance of Taglioni and Chopin.

Certain music suggests the waving of trees, as in the Notturno in Mendelssohn's "Midsummer Night's Dream" and Schubert's exquisite _beckoning_ song of the linden tree.

Certainly dancers deserve to be well paid when one thinks of the mechanical labor, the daily hours of _battements_ and _changements de pieds_, and turning, and twisting, and torturing of the limbs before this apparently spontaneous result of mere movement can be obtained.

Ellsler has great dramatic power. Her Tarentelle and Wylie are really finely tragical in parts; but then she had a first-rate _head_ as well as foot training.

She is a wonderful artist; but there is something unutterably sad to me in the contemplation of such a career. The blending in most unnatural union of the elements of degradation and moral misery with such exquisite perceptions of beauty, grace, and refinement, produces the impression of a sort of monstrosity, a deformity of the whole higher nature, which fills one with poignant compa.s.sion and regret. Poor, fair, admired, despised, flattered, forlorn souls!...

Pray come and see us when you can, and

Believe me very truly yours, F. A. B.

BUTLER PLACE, June 26th, 1840.

DEAREST HARRIET,