The average American is his own expert in every field. This is certainly not a reproach. It supplies American public life with an immense amount of energy and readiness to help. Above all, historically, it was the necessary outcome of the political democracy.

In striking contrast to the European bureaucracy, any citizen could at any time be called to be postmaster or mayor or governor or member of the cabinet. A true American would find his way, however complex the work before him. That was, and is, splendid. Yet the development of the recent decades has clearly shown that the danger of this mental att.i.tude after all appears to the newer American generation alarmingly great in many fields. Civil service has steadily grown, the influence of the engineer and the expert in every technical and practical field has more and more taken control of American life, because the go-as-you-please methods of the amateur have shown increasingly their ineffectiveness. Education has slowly been removed from the dilettantic, unprepared school boards. The reign of the expert in public life seems to have begun. But in private life such an att.i.tude is still a part of the mental equipment of millions. They ignore the physician and cure themselves with patent medicines or mental healing: they ignore the banker and broker and make their investments in accordance with their own amateurish inspiration. They pick up a few data, ask a few friends who are as little informed as themselves, but do not think of asking the only group of men who make a serious, persistent study of the market their lifework.

They call this independence, and it cannot be denied that some features of our home and school education may have fostered this tendency not to submit to the judgment of those who know better. They have grown up in schools in which the kindergarten method never stopped, in which they were permitted to select the studies which they liked, and to learn just what pleased them; they were brought up in homes in which they were begged and persuaded, but never forced to do the unwelcome; in short, they have never learned to submit their will to authority. It cannot be surprising that they fancy that it is the right kind of mental setting to feel one's self the ultimate authority in every field, and it would be harmless indeed if the patent medicines would really cure as well as the prescriptions of the physician, and if the wildcat schemes would really yield the same safe income as those investments recommended by the reliable banker. It is then, after all, no chance that this commercially clever American nation wastes more in anti-economic fancies than any other people on the globe. It is the outcome of psychological traits which are rooted in significant conditions of our educational and social life. Yet as soon as these connections are recognized and these reasons for waste are understood, it ought not to be difficult fundamentally to change all this and to make the savings of the nation everywhere really sources of national income.

IX

SOCIETY AND THE DANCE

The story of the dance is the history of human civilization, of its progress and regress. To be sure, as the human mind remains ultimately the same, mankind has often unintentionally returned again to the old forms. The pirouette, which the artists of the ballet invented a hundred years ago, and which was applauded as the wonder of its time, as we now know, was danced by old Egyptians. Not seldom the same outer forms referred to very different mental motives. We learn that many people danced half naked as an expression of humility. Who would claim that the lack of costume in the ballet of to-day is a symbol of humility, too? Moreover, the right perspective can hardly be gained as long as we take the narrow view and think only of those few forms of dance which we saw yesterday in the ballroom and the day before yesterday on the stage of the theatre. The dance has not meant to mankind only social pleasure and artistic spectacle, it originally accompanied the social life and surrounded the individual in every important function.

Dancing certainly began as a religious cult. It was the form in which every increase of emotion expressed itself, grief as well as joy, awe as much as enthusiasm. The primitive peoples danced and in many places still dance when the seasons change or when the fields are to be cultivated, when they start on the hunt or go to war, when health is asked for the sick, and when the G.o.ds are to be called upon. The Iroquois Indians have thirty-two chief types of dances, and even among civilized nations, for instance the Bohemians, a hundred and thirty-six dances may be discriminated. Moreover, at first, the dance is really one with the song; music and dancing were only slowly torn asunder. And if we look over the whole world of dance, it almost appears as if what is left to us is after all merely a poor remnant.

Yet in these very days much seems to suggest that the dance is to come to its own again. At least, he who observes the life along Broadway may indeed suspect that dancing is now to be intertwined again with every business of life, and surely with every meal of life. No longer can any hostelry in New York be found without dancing, and wider still than the dance sweeps the discussion about it. The dance seems once more the centre of public interest; it is cultivated from luncheon to breakfast; it is debated in every newspaper and every pulpit.

But is not all this merely a new demonstration that the story of the dance is the story of civilization? Can we deny that this recent craze which, like a dancing mania, has whirled over the country, is a significant expression of deep cultural changes which have come to America? Only ten years ago such a dancing fever would have been impossible. People danced, but they did not take it seriously. It was set off from life and not allowed to penetrate it. It had still essentially the role which belonged to it in a puritanic, hardworking society. But the last decade has rapidly swept away that New England temper which was so averse to the sensuous enjoyment of life, and which long kept an invisible control over the spirit of the whole nation. Symptoms of the change abound: how it came about is another question. Certainly the increase and the wide distribution of wealth with its comforts and luxuries were responsible, as well as the practical completion of the pioneer days of the people, the rich blossoming of science and art, and above all the tremendous influx of warm-blooded, sensual peoples who came in millions from southern and eastern Europe, and who altered the tendencies of the cool-blooded, Teutonic races in the land. They have changed the old American Sunday, they have revolutionized the inner life, they have brought the operas to every large city, and the kinometograph to every village, and have at last played the music to a nation-wide dance. Yet the problem which faces every one is not how this dancing craze arose, but rather where it may lead, how far it is healthy and how far unsound, how far we ought to yield to it or further it, and how far we ought to resist. To answer this question, it is not enough to watch the outside spectacle, but we must inquire into the mental motives and mental consequences.

Exactly this is our true problem.

Let us first examine the psychological debit account. No one can doubt that true dangers are near wherever the dancing habit is prominent.

The dance is a bodily movement which aims at no practical purpose and is thus not bound by outer necessities. It is simply self-expression: and this gives to the dancing impulse the liberty which easily becomes licentiousness. Two mental conditions help in that direction; the mere movement as such produces increased excitement, and the excitement reenforces the movement, and so the dance has in itself the tendency to become quicker and wilder and more and more unrestrained. When gay Vienna began its waltzing craze in the last century, it waltzed to the charming melodies of Lanner in a rhythm which did not demand more than about one hundred and sixty movements in a minute; but soon came Johann Strauss the father, and the average waltzing rhythm was two hundred and thirty a minute, and finally the king of the waltz, Johann Strauss the younger, and Vienna danced at the rhythm of three hundred movements. But another mental effect is still more significant than the impulse to increase rapidity. The uniformity of the movements, and especially of the revolving movement, produces a state of half dizziness and half numbness with ecstatic elements. We know the almost hypnotic state of the whirling dervishes and the raptures in the savage war dances; all this in milder form is involved in every pa.s.sionate dance. But nothing is more characteristic of such half-hypnotic states than that the individual loses control of his will. He behaves like a drunken man who becomes the slave of his excitement and of every suggestion from without. No doubt many seek the dancing excitement as a kind of subst.i.tute for the alcoholic exaltation.

The social injury which must be feared if the social community indulges in such habits of undisciplined, pa.s.sionate expression needs no explaining. The mind is a unit: it cannot be without self-control in one department and under the desirable self-discipline of the will in another. A period in which the mad rush of dancing stirs social life must be unfavourable to the development of thorough training and earnest endeavour. The fate of imperial Rome ought to be the eternal warning to imperial Manhattan. Italy, like America, took its art and science from over the sea, but gave to them abundant wealth. Instead of true art, it cultivated the virtuosi, and in Rome, which paid three thousand dancers, the dance was its glory until it began ingloriously to sink.

Not without inner relation to the inebriety, and yet distinctly different, is the erotic character of the dance. Lovemaking is the most central, underlying motive of all the mimic dances all over the globe. Among many primitive peoples the dance is a real pantomimic presentation of the whole story from the first tender awaking of a sweet desire through the warmer and warmer courtship to the raptures of sensual delight. Civilized society has more or less covered the naked pa.s.sion, but from the graceful play of the minuet to the graceless movements of the turkey trot the sensual, not to say the s.e.xual, element can easily be recognized by the sociologist. Here again cause and effect move in a circle. Love excitement expresses itself in dance, and the dance heightens the love excitement. This erotic appeal to the senses is the chief reason why the church has generally taken a hostile att.i.tude. For a long while the dance was denounced as irreligious and sinful on account of Salome's blasphemous dancing. Certainly the rigid guardians of morality always look askance on the contact of the s.e.xes in the ballroom. To be sure, the standards are relative. What appeared to one period the climax of immorality may be considered quite natural and harmless in another. In earlier centuries it was quite usual in the best society for the young man to invite the girl to a dance by a kiss, and in some times it was the polite thing for the gentleman after the dance to sit in the lap of the girl. The shifting of opinion comes to most striking expression, if we compare our present day acquiescence to the waltz with the moral indignation of our great-grandmothers. No accusers of the tango to-day can find more heated words against this Argentine importation than the conservatives of a hundred years ago chose in their hatred of the waltz. Good society had confined its dancing to those forms of contact in which only the hands touched each other, leaving to the peasants the crude, rustic forms, and now suddenly every mother has to see her daughter clasped about the waist by any strange man. Even the dancing masters cried out against the intruder and claimed that it was illogical for a man to be allowed to press a girl to his bosom at the sound of music, while no one would dare to do it between the dances.

Thus the immorality of our most recent dances may be hardly worse than the dancing surprises of earlier fashions, but who will doubt that these sensual elements of the new social gayeties are to-day especially dangerous? The whole American atmosphere is filled with erotic thought to a degree which has been unknown throughout the history of the republic. The newspapers are filled with intra- and extra-matrimonial scandals, the playhouses commercialize the s.e.xual instinct in lurid melodramas, s.e.x problems are the centre of public discussion, all the old barriers which the traditional policy of silence had erected are being broken down, the whole nation is gossiping about erotics. In such inflammable surroundings where the sparks of the dance are recklessly kindled, the danger is imminent. If a nation focuses its attention on sensuality, its virile energy must naturally suffer. There is a well-known antagonism between s.e.x and sport. Perhaps the very best which may be said about sport is that it keeps boyhood away from the swamps of s.e.xuality. The dance keeps boyhood away from the martial field of athletics.

The dance has still another psychological effect which must not be disregarded from a social point of view. It awakes to an unusual degree the impulse to imitation. The seeing of rhythmic movements starts similar motor impulses in the mind of the onlooker. It is well known that from the eleventh to the sixteenth century Europe suffered from dancing epidemics. They started from pathological cases of St.

Vitus' dance and released in the excitable crowds cramplike impulses to imitative movements. But we hear the same story of instinctive imitations on occasions of less tragic character. It is reported that in the eighteenth century papal Rome was indignant over the pa.s.sionate Spanish fandango. It was decided solemnly to put this wild dance under the ban. The lights of the church were a.s.sembled for the formal judgment, when it was proposed to call a pair of Spanish dancers in order that every one of the priests might form his own idea of the unholy dance. But history tells that the effect was an unexpected one.

After a short time of fandango demonstration the high clerics began involuntarily to imitate the movements, and the more pa.s.sionately the Spaniards indulged in their native whirl, the more the whole court was transformed into one great dancing party. Even the Italian tarantella probably began as a disease with nervous dancing movements, and then spread over the land through mere imitation which led to an ecstatic turning around and around. Whoever studies the adventures of American dancing during the last season from New York to San Francisco must be impressed by this contagious character of our dancing habits. But this means that the movement carries in itself the energy to spread farther and farther, and to fill the daily life with increased longing for the ragtime. We are already accustomed to the dance at the afternoon tea; how long will it take before we are threatened by the dance at the breakfast coffee?

We have spoken of three mental effects: the license, the eroticism, and the imitativeness which are stirred up by the dancing movements.

But in the perspective of history we ought not to overlook another significant trait: the overemphasis on dancing has usually characterized a period of political reaction, of indifference to public life, of social stagnation and carelessness. When the volcanoes were rumbling, the ma.s.ses were always dancing. At all times when tyrants wanted to divert the attention of the crowd, they gave the dances to their people. A nation which dances cannot think, but lives from hour to hour. The less political maturity, the more happiness does a national community show in its dancing pleasures. The Spaniards and the Polish, the Hungarians and the Bohemians, have always been the great dancers-the Gypsies dance. There is no fear that the New Yorkers will suddenly stop reading their newspapers and voting at the primaries; they will not become Spaniards. But an element of this psychological effect of carelessness and recklessness and stagnation may influence them after all, and may shade the papers which they read, and even the primaries at which they do vote.

Yet how one-sided would it be, if we gave attention only to the dangers which the dance may bring to a nation's mind. The credit account of the social dance is certainly not insignificant, and perhaps momentous just for the Americans of to-day. The dance is a wonderful discharge of stirred up energy; its rhythmic form relieves the tension of the motor apparatus and produces a feeling of personal comfort. The power to do this is a valuable a.s.set, when so much emotional poverty is around us. The dance makes life smooth in the midst of hardship and drudgery. For the dancer the cup is always overflowing, even though it may be small. There is an element of relaxation and of joyfulness in the rhythm of the music and the twinkling of the feet, which comes as a blessing into the dulness and monotony of life. The overworked factory girl does not seek rest for her muscles after the day of labour, but craves to go on contrasting them in the rhythmic movements of the dance. So it has been at all times. The hardest worked part of the community has usually been the most devoted to the gayety of popular dances. The refined society has in many periods of civilization declined to indulge in dancing, because it was too widely spread among the lowest working cla.s.ses in towns and in the country. The dance through thousands of years has been the bearer of harmless happiness: who would refuse a welcome to such a benefactor? And with the joyfulness comes the sociability. The dance brings people near together. It is unfair to claim that the dance is aristocratic, because it presupposes leisure and luxury. On the contrary, throughout the history of civilization the dance has been above all, democratic, and has reenforced the feeling of good fellowship, of community, of intimacy, of unity. Like the popular games which melt all social groups together by a common joyful interest, and like humour which breaks all social barriers, the love for dancing removes mutual distrust and harmonizes the ma.s.ses.

This social effect has manifold relation to another aspect of the dance, which is psychologically perhaps the deepest: the dance is an art, and as such, of deep aesthetic influence on the whole mental life.

Whenever the joy in dancing comes into the foreground, this art is developed to high artificiality. No step and no movement is left to the chance inspiration of the moment; everything is prescribed, and to learn the dances not seldom means an almost scientific study. In the great dancing periods of the rococo time the mastery of the exact rules appeared one of the most difficult parts of higher education, and as a real test of the truly cultivated gentleman and gentlewoman; scholarly books a.n.a.lysed every detail of the necessary forms, and the society dances in the castles of the eighteenth century were more elaborate than the best prepared ballets on the stage of to-day. But the popular dances of the really dancing nations are no less bound by traditions, and we know that even the dances of the savages are moving on in strictly inherited forms. Far from the license of haphazard movements, the self-expression of the dancer is thus regulated and bound by rules which are taken by him as prescriptions of beauty. To dance thus means a steady adjustment to artistic requirements; it is an aesthetic education by which the whole system of human impulses becomes harmonized and unified. The chance movements are blended into a beautiful whole, and this reflects on the entire inner setting.

Educators have for a long time been aware that calisthenics, with its subtly tuned movements of the body, develops refinement in the interplay of mental life. The personality who understands how to live in gentle, beautiful motions through that trains his mind to beauty.

In Europe, for instance in h.e.l.lerau near Dresden, they have recently begun to establish schools for young men and women in which the main, higher education is to be moulded by the aesthetics of bodily expression, and the culture of the symbolic dance.

This aesthetic character of the dance, however, leads still further. It is not only the training in beautiful expression; it is the development of an att.i.tude which is detached from practical effects and from the practical life of outer success. The dance is an action by which nothing is produced and nothing in the surroundings changed.

It is an oasis in the desert of our materialistic behaviour. From morning till night we are striving to do things, to manufacture something in the mill of the nation: but he who dances is satisfied in expressing himself. He becomes detached from the cares of the hour, he acquires a new habit of disinterested att.i.tude toward life. Who can underestimate the value of such detachment in our American life? The Americans have always been eagerly at work, but have never quite learned to enjoy themselves and to take the aesthetic att.i.tude which creates the wonders of beauty and the true harmonies of life. To forget drudgery and to sink into the rhythms of the dance may bring to millions that inner completeness which is possible only when practical and aesthetic att.i.tude are blending in a personality. The one means restless change; the other means repose, perfection, eternity. This hardworking, pioneer nation needs the noisy teachings of efficiency and scientific management less than the melodious teaching of song and dance and beauty. In short, the dance may bring both treacherous perils and wonderful gifts to our community. It depends upon us whether we reenforce the dangerous elements of the dance, or the beneficial ones. It will depend on ourselves whether the dance will debase the nation, as it has so often done in the history of civilization, or whether it will help to lead it to new heights of beauty and harmony, as it has not seldom done before. Our social conscience must be wide awake; it will not be a blind fate which will decide when the door of the future opens whether we shall meet the lady or the tiger.

X

NAVE PSYCHOLOGY

The scientific psychologists started on a new road yesterday. For a long time their chief interest was to study the laws of the mind. The final goal was a textbook which would contain a system of laws to which every human mind is subjected. But in recent times a change has set in. The trend of much of the best work nowadays is toward the study of individual differences. The insight into individual personalities was indeed curiously neglected in modern psychology.

This does not mean that the declaration of psychological independence insisted that all men are born equal, nor did any psychologist fancy that education or social surroundings could form all men in equal moulds. But as scientists they felt no particular interest in the richness of colours and tints. They intentionally neglected the question of how men differ, because they were absorbed by the study of the underlying laws which must hold for every one. It is hardly surprising that the psychologists chose this somewhat barren way; it was a kind of reaction against the fantastic flights of the psychology of olden times. Speculations about the soul had served for centuries.

Metaphysics had reigned and the observation of the real facts of life and experience had been disregarded. When the new time came in which the psychologists were fascinated by the spirit of scientific method and exact study of actual facts, the safest way was for them to imitate the well-tested and triumphant procedures of natural science.

The physicist and the chemist seek the laws of the physical universe, and the psychologist tried to act like them, to study the elements from which the psychical universe is composed and to find the laws which control them. But while it was wise to make the first forward march in this one direction, the psychologist finally had to acknowledge that a no less important interest must push him on an opposite way. The human mind is not important to us only as a type.

Every social aim reminds us that we must understand the individual personality. If we deal with children in the cla.s.sroom or with criminals in the courtroom, with customers in the market or with patients in the hospital, we need not only to know what is true of every human being; we must above all discover how the particular individual is disposed and composed, or what is characteristic of special groups, nations, races, s.e.xes, and ages. It is clear that new methods were needed to approach these younger problems of scientific psychology, but the scientists have eagerly turned with concerted efforts toward this unexplored region and have devoted the methods of test experiments, of statistics, and of laboratory measurements to the examination of such differences between various individuals and groups.

But in all these new efforts the psychologist meets a certain public resistance, or at least a certain disregard, which he is not accustomed to find in his routine endeavours. As long as he was simply studying the laws of the mind, he enjoyed the approval of the wider public. His work was appreciated as is that of the biologist and the chemist. But when it becomes his aim to discover mental features of the individual, and to foresee what he can expect from the social groups of men, every layman tells him condescendingly that it is a superfluous task, as instinct and intuition and the nave psychology of the street will be more successful than any measurements with chronoscopes and kymographs. Do we not know how the skilful politician or the efficient manager looks through the mind of a man at the first glance? The life insurance agent has hardly entered the door before he knows how this particular mind must be handled. Every commercial traveller knows more than any psychologist can tell him, and even the waiter in the restaurant foresees when the guest sits down how large a tip he can expect from him. In itself it would hardly be convincing to claim that scientific efforts to bring a process down to exact principles are unnecessary because the process can be performed by instinct. We all can walk without needing a knowledge of the muscles which are used, and can find nourishment without knowing the physiology of nutrition. Yet the physiologist has not only brought to light the principles according to which we actually eat, but he has been able to make significant suggestions for improved diet, and in not a few cases his knowledge can render services which no instinctive appet.i.te could replace. The psychological study of human traits, too, may not only find out the principles underlying the ordinary knowledge of men, but may discover means for an insight which goes as far beyond the instinctive understanding of man as the scientific diet prescribed by a physician goes beyond the fancies of a cook. The manager may believe that he can recognize at the first glance for which kind of work the labourer is fit: and yet the psychological a.n.a.lysis with the methods of exact experiments may easily demonstrate that his judgment is entirely mistaken. Moreover, although such practical psychologists of the street or of the office may develop a certain art of recognizing particular features in the individual, they cannot formulate the laws and cannot lay down those permanent relations from which others may learn.

Yet even this claim of the psychological scholar seems idle pride. Had the world really to wait for his exact statistics and his formulae of correlation of mental traits in order to get general statements and definite descriptions of the human types and of the mental diversities? Are not the writings of the wise men of all times full of such psychological observations? Has not the consciousness of the nations expressed itself in an abundance of sayings and songs, of proverbs and philosophic words, which contains this nave psychological insight into the characters and temperaments of the human mind? We may go back thousands of years to the contemplations of oriental wisdom, we may read the poets of cla.s.sic antiquity, or Shakespeare, or Goethe, we may study what the great religious leaders and statesmen, the historians and the jurists, have said about man and his behaviour; and we find an over-abundance of wonderful sayings with which no textbooks of psychology can be compared.

This is all true. And yet, is it not perhaps all entirely false? Can this nave psychology of the ages, to which the impressionism and the wisdom of the finest minds have so amply contributed, really make superfluous the scientific efforts for the psychology of groups and correlations and individual traits? It seems almost surprising that this overwhelmingly rich harvest of prescientific psychology has never been examined from the standpoint of scientific psychology, and that no one has sifted the wheat from the chaff. The very best would be not only to gather such material, but to combine the sayings of the nave psychologists in a rounded system of psychology. In all ages they surely must have been among the best observers of mankind, as even what is not connected with the name of an individual author, but is found in proverbs or in the folk-epics of the nations, must have originated in the minds of individual leaders. My aim here is more modest: I have made my little pilgrimage through literature to find out in a tentative fashion whether the supply of psychology, outside of science, is really so rich and valuable as is usually believed.

What I wish to offer, therefore, is only a first collection of psychological statements, which the prescientific psychologists have proclaimed, and surely will go on proclaiming, and ought to go on proclaiming, as they do it so beautifully, where we scientists have nothing but tiresome formulae.

Let us begin at the beginning. There has never been a nation whose contemplation was richer in wisdom, whose view of man was subtler and more suggestive, than those of old India. The sayings of its philosophers and poets and thinkers have often been gathered in large volumes of aphorisms. How many of these fine-cut remarks about man contain real psychology? The largest collection which I could discover is that of Boehtlinck, who translated seventy-five hundred Indian sayings into German. Not a few of them refer to things of the outer world, but by far the largest part of them speaks of man and of man's feeling and doing. But here in India came my first disappointment, a disappointment which repeated itself in every corner of the globe.

After carefully going through those thousands of general remarks, I could not find more than a hundred and nine in which the observation takes a psychological turn. All those other thousands of reflections on men are either metaphors and comparisons of distinctly aesthetic intent, or rules of practical behaviour with social or moral or religious purpose. Yet even if we turn to this 1 per cent. which has a psychological flavour, we soon discover that among those hundred and nine, more than a half are simply definitions of the type of this: "Foolish are they who trust women or good luck, as both like a young serpent creep hither and thither," or this: "Men who are rich are like those who are drunk; in walking they are helped by others, they stagger on smooth roads and talk confusedly." It cannot be said that any psychological observations of the fool's or of the rich man's mind are recorded here. If I sift those maxims more carefully, I cannot find more than two score which, stripped of their picturesque phrasing, could really enter into that world system of nave psychology. And yet even this figure is still too high. Of those forty, most are after all epigrams, generalizations of some chance cases, exaggerations of a bit of truth, or expressions of a mood of anger, of love, of cla.s.s spirit, or of male haughtiness. The a.n.a.lysis of woman's mind is typical. "Inclination to lies, falsehood, foolishness, greediness, hastiness, uncleanliness, and cruelty are inborn faults of the woman"; or "Water never remains in an unbaked vessel, flour in a sieve, nor news in the mind of women"; or "The mind of a woman is less stable than the ear of an elephant or the flash of lightning." On the other hand we read: "True women have twice as much love, four times as much endurance, and eight times as much modesty as men"; or "The appet.i.te of women is twice as large, their understanding four times as large, their spirit of enterprise six times as large, and their longing for love eight times as large as that of men." Again we read: "The character of women is as changeable as a wave of the sea; their affection, like the rosy tint of a cloud in the evening sky, lasts just for a moment"; or "When women have a man's money, they let him go, as he is no longer of any use to them."

The same one-sidedness and epigrammatic exaggeration can always be felt where whole groups of men are to be characterized. "The faults of the dwarf are sixty, of the red-haired man eighty, of the humpback a hundred, and of the one-eyed man innumerable."

But let us rather turn to sayings in which the subtlety of psychological observation deserves admiration: "The drunkard, the careless, the insane, the fatigued, the angry, the hungry, the greedy, the timid, the hasty, and the lover know no law"; "If a man commits a crime, his voice and the colour of his face become changed, his look becomes furtive, and the fire is gone from his eye"; "The best remedy for a pain is no longer to think of it; if you think of it, the pain will increase"; "A greedy man can be won by money, an angry man by folding the hands, a fool by doing his will, and an educated man by speaking the truth"; "The wise man can recognize the inner thoughts of another from the colour of his face, from his look, from the sound of his words, from his walk, from the reflections in his eyes, and from the form of his mouth"; "The good and bad thoughts, however much they are hidden, can be discovered from a man when he talks in his sleep or in his drunkenness"; "The ignorant can be satisfied easily, and still more easily the well educated, but a man who has become confused by a little knowledge cannot be won over even by Brahma"; "Good people are pacified by fair treatment, even if they have been very angry, but not common people; gold, though it is hard, can be melted, but not gra.s.s"; "By too great familiarity we produce low esteem, by too frequent visits, indifference; in the Malaja mountains a beggar woman uses the sandalwood tree for firewood"; "The silly man steps in without being invited, talks much without being questioned, and trusts him who does not deserve confidence"; "New knowledge does not last in the mind of the uneducated any more than a string of pearls about the neck of a monkey"; "The inner power of great men becomes more evident in their misfortune than in their fortune; the fine perfume of aloes wood is strongest when it falls into the fire"; "The anger of the best man lasts an instant, of the mediocre man six hours, of the common man a day and a night, and the rascal will never get rid of it"; "The scholar laughs with his eyes, mediocre people show their teeth when they laugh, common people roar, and true men of wisdom never laugh"; "Truthfulness and cleverness can be found out in the course of a conversation, but modesty and restraint are visible at the first glance"; "Grief destroys wisdom, grief destroys scholarship, grief destroys endurance; there is no perturbation of the mind like grief."

Often we hardly know whether a psychological observation or a metaphor is given to us. In any case we may appreciate the fineness of a saying like this: "Even a most translucent, beautiful, perfectly round and charming pearl can be strung on a thread as soon as it has been pierced; so a mind which longs for salvation, perfectly pure, free from quarrel with any one and full of goodness, will nevertheless be bound down to the earthly life as soon as it quarrels with itself." On the borderland of psychology we may find sayings like these: "As a tailor's needle fastens the thread in the garment, so the thread of our earthly life becomes fastened by the needle of our desires"; "An elephant kills us if he touches us, a snake even if he smells us, a prince even if he smiles on us, and a scoundrel even if he adores us."

But there is one saying which the most modern psychologist would accept, as it might just as well be a quotation from a report of the latest exact statistics. The Indian maxim says: "There is truth in the claim that the minds of the sons resemble more the minds of the fathers, those of the daughters more those of the mothers."

We may leave the banks of the Ganges and listen to the wisdom of Europe. Antiquity readily trusted the wonderful knowledge of men which Homer displays. He has instinctively delineated the characters with the inner truth of life. How far was this art of the creative poet accompanied by the power of psychological abstraction? I do not think that we can find in the forty-eight books of Homer even a dozen contributions to our unwritten system of the nave psychology of the nations. To be sure we ought not to omit in such a system the following reflections from the "Odyssey": "Wine leads to folly, making even the wise to love immoderately, to dance, and to utter what had better have been kept silent"; or "Too much rest itself becomes a pain"; or still better, "The steel blade itself often incites to deeds of violence." We may have more doubt whether it is psychologically true when we read: "Few sons are equal to their sires, most of them are less worthy, only a few are superior to their fathers"; or, "Though thou lovest thy wife, tell not everything which thou knowest to her, but unfold some trifle while thou concealest the rest." From the "Iliad" we may quote: "Thou knowest the over-eager vehemence of youth, quick in temper, but weak in judgment"; or, "n.o.blest minds are easiest bent"; or, "With everything man is satiated-sleep, sweet singing, and the joyous dance; of all these man gets sooner tired than of war." Some may even doubt whether Homer's psychology is right when he claims: "Even though a man by himself may discover the best course, yet his judgment is slower and his resolution less firm than when two go together." And in the alcohol question he leaves us a choice: "Wine gives much strength to wearied men"; or if we prefer, "Bring me no luscious wines, lest they unnerve my limbs and make me lose my wonted powers and strength."

It is not surprising that the theoretical psychology of the Bible is no less meagre. Almost every word which deals with man's mind reflects the moral and religious values and is thus removed from pure psychology into ethics. Or we find comparisons which suggestively illuminate the working of the mind without amplifying our psychological understanding. We approach empirical psychology most nearly in verses like these: "Foolishness is bound in the heart of the child, but the word of correction should drive it far from him"; or "He that is faithful in that which is least, is faithful also in much; and he that is unjust in the least, is unjust also in much"; or "Stolen waters are sweet, and bread eaten in secret is pleasant"; or "The full soul loatheth an honeycomb, but to the hungry soul every bitter thing is sweet"; or "For if any man be a hearer of the word and not a doer, he is like a man beholding his natural face in a gla.s.s, for he beholdeth himself and goeth his way and straightway forgetteth what manner of man he was"; or "Sorrow is better than laughter, for by the sadness of the countenance the heart is made better." But here we have almost overstepped the limits of real psychology; we are moving toward ethics. Nor can we call metaphors like this psychology: "He that hath no rule over his own spirit is like a city that is broken down and without walls."

Let us turn for a moment to the greatest knower of men in mediaeval days, to Dante. How deeply his poetic eye looked into the hearts of men, how living are the characters in his "Divine Comedy"; and yet he left us hardly any psychological observations. Some psychology may be acknowledged in words like these: "The man in whose bosom thought on thought awakes is always disappointed in his object, for the strength of the one weakens the other"; "When we are wholly absorbed by feelings of delight or of grief, our soul yields itself to this one object, and we are no longer able to direct our thoughts elsewhere"; "There is no greater grief than to remember our happy time in misery."

It is hardly psychology if we hear, "The bad workman finds fault with his tools"; or, "Likeness ever gives birth to love"; or "The wisest are the most annoyed to lose time."

From Dante we naturally turn to Shakespeare. We have so often heard that he is the greatest psychologist, and yet we ought not to forget that such a popular cla.s.sification does not in itself really mean that Shakespeare undertakes the work of the psychologist. It does mean that he creates figures with the temperament, character, thought, and will so similar to life and so full of inner mental truth that the psychologist might take the persons of the poet's imagination as material for his psychological studies. But this by no means suggests that Shakespeare phrased abstract judgments about mental life; and as we seek his wisdom in his dramatic plays, it may be taken for granted that in this technical sense he must be a poor psychologist, because he is a great dramatist. Does not the drama demand that every word spoken be spoken not from the author's standpoint, but from the particular angle of the person in the play? And this means that every word is embedded in the individual mood and emotion, thought, and sentiment of the speaker. A truly psychological statement must be general and cannot be one thing for Hamlet and another for Ophelia.

The dramatist's psychological sayings serve his art, unfolding before us the psychological individuality of the speaker, but they do not contribute to the textbooks of psychology, which ought to be independent of personal standpoints. And yet what a stream of verses flows down to us, which have the ring of true psychology!

"Smooth runs the water where the brook is deep."

"Trifles light as air Are to the jealous confirmation strong As proofs of holy writ."

"Lovers and madmen have such seething brains, Such sharp fantasies, that apprehend More than cool reason ever comprehends."

"Thus conscience does make cowards of us all."

"Present fears Are less than horrible imagining."

"Too swift runs as tardy as too slow."

"Never anger made good guard for itself."