She was standing quite close to me, and her back was towards the French officer and her aunt. They could not see her face, and they could hardly have heard more than a word here and there of what she said. I answered her only by turning the key in the lock. She took her hand from my arm and laid it on the lid to hinder me from opening it.

"I wore the key on a chain about my neck, monsieur," she whispered.

"Does that teach you nothing? Even though you are young, does it teach you nothing? I said that if you unlocked that box you would cause me great humiliation, thinking that would be enough to stop you. But I see I must tell you more. Read the letters, monsieur, question me about them, and you will make my life a very lonely one. I think so. I think you will destroy my chance of happiness. You would not wish that, monsieur. It is true that we are enemies, but some day this war will end, and you would not wish to prolong its sufferings beyond the end.

Yet you will be doing that, monsieur, if you open that box."

[Ill.u.s.tration]

It seems now almost impossible to me that I could have doubted her sincerity: she spoke with so much simplicity, and so desperate an appeal looked out from her dark eyes. Ever since that Christmas night I can see her quite clearly at will, standing as she then stood--all the sincerity of her which I would not acknowledge, all the appeal which I would not hear; and I see her many times when for my peace I would rather not.

She was pleading for her pride, and to do that the better she laid her pride aside; yet she never lost her dignity. She was pleading for her chance of happiness, foreseeing that it was likely to be destroyed, without any reason or any profit to a living being, by a stranger who would the next moment pa.s.s out of her life. Yet there was no outcry, and there were no tears. Had it been a trick--I ask the ladies--would there not have been tears?

But I thought it a trick and a cheap one. She was trying to make me believe that there were love-letters in the box--compromising love-letters. Now, I _knew_ that there were no love-letters in the box.

I had seen the Frenchman's pretty way of saying thanks. I had noticed how the caress hurt her just through what it lacked. He was the friend, you see, and nothing more; she was the lover and the only lover of the pair.

[Ill.u.s.tration]

I opened the box accordingly. Mademoiselle Sophie turned away abruptly, and sitting down in a chair shaded her eyes with her hand. I emptied the letters out on to a table, turning the box upside down, and thus the first which I took up and read was the one which lay at the very bottom.

As I read it it seemed that every suspicion I had formed was established. She had hinted at love-letters, she had spoken of secrets sacred to a girl; and the letter was not even addressed to her. It was addressed to Madame de Villetaneuse; it was a letter which, if it meant no more than what was implied upon the surface, would have long since found destruction in the waste-paper basket. For it purported to be merely the acceptance of an invitation to dinner at the town house of Madame de Villetaneuse in the Faubourg St. Germain. It was signed only by a Christian name, "Armand," and the few sentences which composed the letter explained that M. Armand was a distant kinsman of Madame de Villetaneuse who had just come to Paris to pursue his studies, and who, up till now, had no acquaintance with the family.

I looked at Mademoiselle Sophie sternly. "So all this pother was about a mere invitation to dinner! Once let it be known that M. Armand will dine with Madame de Villetaneuse in the Faubourg St. Germain, and you are humiliated, you lose your chance of happiness, and I, too, shall find myself in good time suffering the pangs of remorse," and I read the letter slowly aloud to her, word by word.

She returned no answer. She sat with her hand shading her face, and she rocked her head backwards and forwards continually and rather quickly, like a child with a racking headache. Of course, to my mind all that was part of the game. The letter was dated two years back, but the month was December, and, of course, to antedate would be the first precaution.

[Ill.u.s.tration]

"Come, mademoiselle," I said, changing my tone, "I invite you very seriously to make a clean breast of it. I wish to take no harsh measures with you if I can avoid them. Tell me frankly what news this letter, plainly translated, gives to General Trochu in Paris."

"None," she answered.

"Very well," said I, and I took up the next letter. Ah, M. Armand writes again a week later. It was evidently a good dinner, and M. Armand is properly grateful.

The grat.i.tude, indeed, was rather excessive, rather provincial. It was just the effusion which a young man who had not yet learned self-possession might have written on his first introduction to the highest social life of Paris. Certainly the correspondence was very artfully designed. But what did it hide? I puzzled over the question; I took the words and the dates, and it seemed to me that I began to see light. So much stress was laid upon the dinner, that the word must signify some event of importance. The first letter spoke of a dinner in the future. I imagined that it had not been possible to pa.s.s this warning into Paris. The second letter mentioned with grat.i.tude that the dinner had been successful. Well, suppose "dinner" stood for "engagement"! The letter would refer to the sortie from Paris which pushed back our lines and captured Ville Evrart and Maison Blanche. That seemed likely. Madame de Villetaneuse gave the dinner; General Trochu made the sortie. Then "Madame de Villetaneuse" stood for "General Trochu." Who would be Armand? Why, the French people outside Paris--the provincials! I had the explanation of that provincial expression of grat.i.tude. Ah, no doubt it all seems far-fetched now that we sit quietly about this table. But put yourself in the thick of the war and take twenty years off your lives! Suppose yourselves young and green, eager for advancement, and just off your balance from want of sleep, want of food, want of rest, want of everything. There are very few things which would seem far-fetched. It seemed to me that I was deciphering these letters with absolute accuracy. I saw myself promoted to captain, seconded to the staff.

I went on with the letters, hoping to find an explanation there. The third letter was addressed to Mademoiselle de Villetaneuse, who had evidently written to M. Armand on behalf of her mother, inviting him to her box at the opera. M. Armand regretted that he had not been fortunate enough to call at a time when mademoiselle was at home, and would look forward to the pleasure of seeing her at the Opera.

"Mademoiselle," I cried, "what does the Opera stand for?"

Mademoiselle Sophie laughed disdainfully.

"For music, monsieur, for art, for refinement, for many things you do not understand."

[Ill.u.s.tration]

I sprang up in excitement. What did it matter what she said? M. Armand stood for the Army of the Loire. It was that army which had been expected at Ville Evrart. Here was a pledge that it would come to the help of Paris at the next sortie. That was valuable news--it could not but bring recognition to the man who brought evidence of it into the Prussian lines. I hurriedly read through the other letters, quoting a pa.s.sage here and there, trying to startle Mademoiselle de Villetaneuse into a confession. But she never changed her att.i.tude, she did not answer a word.

Her conduct was the more aggravating, for I began to get lost among these letters. They were all in the same handwriting; they were all signed "Armand," and they seemed to give a picture of the life of a young man in Paris during the two years which preceded the war. They recorded dinner-parties, visits to the theatres, examinations pa.s.sed, prizes won and lost, receptions, rides in the Bois, and Sunday excursions into the country. All these phrases, these appointments, these meetings, might have particular meanings. But if so, how stupendous a cipher! Besides, how was it that none of these messages had been pa.s.sed into Paris? Very reluctantly I began to doubt my own conjecture. I read some more letters, and then I suddenly turned back to the earlier ones. I compared them with the later notes. I began to be afraid the correspondence, after all, was genuine, for the tone of the letters changed and changed so gradually, and yet so clearly, that the greatest literary art could hardly have deliberately composed them. I seemed to witness the actual progress of M. Armand, a hobbledehoy from the provinces, losing his awkwardness, acquiring ease and polish in his contact with the refinement of Paris. The last letters had the postmark of Paris, the first that of Auvergne.

They were genuine, then. And they were not love-letters. I looked at Mademoiselle Sophie with an increased perplexity. Why did she now sit rocking her head like a child in pain? Why had she so struggled to hinder me from opening them? They recorded a beginning of acquaintanceship and the growth of that into friendship between a young man and a young girl--nothing more. The friendship might eventually end in marriage, no doubt, if left to itself, but there was not a word of that in the letters. I was still wondering, when the French officer raised himself from his sofa and dragged himself across the room to Mademoiselle Sophie's chair. His left trouser leg had been slit down the side from the knee to the foot and laced lightly so as to make room for a bandage. He supported himself from chair to chair with evident pain, and I could not doubt that his wound was as genuine as the letters.

[Ill.u.s.tration]

He bent down and gently took her hand away from her face.

"Sophie," he said, "I did not dare to think that you kept this place for me in your thoughts. A little more courage and I should long since have said to you what I say now. I beg your permission to ask Madame de Villetaneuse to-morrow for your hand in marriage."

My house of cards tumbled down in a second. The French officer was M.

Armand. With the habit women have of treasuring tokens of the things which have happened, Mademoiselle Sophie had kept all these trifling notes and messages, and had even gathered to them the letters written to her mother, so that the story might be complete. But without M. Armand's knowledge; he was not to know; her pride must guard her secret from him.

For she was the lover and he only the friend, and she knew it. Even in the little speech which he had just made, there was just too much formality, just too little sincerity of voice. I understood why she had tried to throw the ebony box down into the hall so that I might open it there--I understood that I had caused her great humiliation. But that was not all there was for me to understand.

In answer to Armand she raised her eyes quietly, and shook her head.

"You wish to spare me shame," she said, "and I thank you very much. But it is because of these letters that you spoke. I must think that. I must always think it."

"No!" he exclaimed.

"But yes," she replied firmly. "If monsieur had not unlocked that box--I don't know--but some day perhaps--oh, not yet, no, not yet--but some day perhaps you might have come of your own accord and said what you have just said. And I should have been very happy. But now you never must.

For you see I shall always think that the letters are prompting you."

And M. Armand bowed.

I had taken from her her chance of happiness. The friendship between them might have ended in marriage if left to itself. But I had not left it to itself.

"Mademoiselle," I said, "I am very sorry."

She turned her dark eyes on me.

"Monsieur, I warned you. It is too late to be sorry." And as I stood shuffling awkwardly from one foot to the other, in great remorse as she had foretold, she added, gently, "Will you not go, monsieur?"

I went out of the room, called together my escort, mounted and rode off.

It was past midnight now, and the night was clear. But I thought neither of the little beds under the slope of the roof nor of any danger on the road. There might have been a _franc-tireur_ behind every tree. I would never have noticed it until one of them had brought me down. Remorse was heavy upon me. I had behaved without consideration, without chivalry, without any manners at all. I had not been able to distinguish truth when it stared me in the face, or to recognise honesty when it looked out from a young girl's dark eyes. I had behaved, in a word, like the brute six months of war had made of me. I wondered with a vague hope whether after all time might not set matters right between M. Armand and Mademoiselle Sophie. And I wonder now whether it has. But even if I knew that it had, I should always remember that Christmas night of 1870 with acute regret. The only incident, indeed, which I can mention with the slightest satisfaction is this: On the way back to Noisy-le-Grand I came to a point where the road from Ch.e.l.les crossed the road from Montfermeil. I halted at a little cabin which stood upon a gra.s.s-plot within the angle of the roads, and tying up all the money I had on me in a pocket-handkerchief I dropped the handkerchief through a broken window-pane.

The Colonel let the end of his cigar fall upon his plate, and pushed back his chair from the table. "But I see we shall be late for the opera," he said, as he glanced at the clock.

[Ill.u.s.tration]

A SPELL FOR A FAIRY

BY ALFRED NOYES

_Painting and Drawings by_ CLAUDE A. SHEPPERSON, A. R. W. S.