Happily, at this moment, Lady Adela came up, and Lionel most gladly turned aside, for she had evidently something to say to him privately.

"Mr. Moore, I want to introduce you to Mr. Hooper--to Mr. Quincey Hooper--he doesn't seem to know anybody, and I want you to look after him a little--"

"No, no, Lady Adela, you must really excuse me," said he, in an undertone, but he was laughing all the same. "I can't, really. I beg your pardon, but indeed you must excuse me. I've just had one dose of literature--a furious lecture about--about I don't know what--oh, yes, immigration into America. And do you know this--that in a generation or two the great national poet of America will be Goethe?"

"What?" said she.

He repeated the statement; and added that there could be no doubt about it, for he had it on Mr. Octavius Quirk's authority.

"Well, it's a good thing to be told," she said, sweetly, "for then you know." And therewithal, as there was a sudden sound of music issuing from the next gallery, she bade Lionel take her to see who had begun--it was Lady Sybil, indeed, who was playing a solo on the violin to an accompaniment of stringed instruments, while all the crowd stood still and listened.

The evening pa.s.sed pleasantly enough. There were one or two courageous amateurs who now and again ventured on a song; but for the most part the music was instrumental. A young lady, standing with her hands behind her back, gave a recitation, and attempted to draw pathetic tears by picturing the woes of a simple-minded chimney-sweep who accidentally killed his tame sparrow, and who never quite held up his head thereafter; he seemed to pine away somehow, until one morning they found him dead, his face downward on the tiny grave in which he had buried his little playfellow. Another young lady performed a series of brilliant roulades on a silver bugle, which seemed to afford satisfaction. A well-known entertainer sat down to the piano and proceeded to give a description of a fashionable wedding; and all the people laughed merrily at the clever and sparkling way in which he made a fool of--not themselves, of course, but their friends and acquaintances. And then Lionel Moore went to his hostess.

"Don't you want me to do anything?" he said.

"You're too kind," Lady Adela made answer, with grateful eyes. "It's hardly fair. Still, if I had the courage--"

"Yes, you have the courage," he said, smiling.

"If I had the courage to ask you to sing Sybil's song for her?"

"Of course I will sing it," he said.

"Will you? Will you really? You know, I'm afraid those two girls will never give enough force to it. And it is a man's song--if you wouldn't mind, Mr. Moore."

"Where can I get the music? I'll just look it over."

Quite a little murmur of interest went through the place when it was rumored that Lionel Moore was about to sing Lady Sybil's "Soldiers'

Marching Song," and when he stepped on to the platform at the upper end of the gallery, people came swarming in from the other rooms. Lady Sybil herself was to play the accompaniment--the grand piano being fully opened so as to give free egress to the marshalled chords; and when she sat down to the keyboard, it was apparent that the tall, pale, handsome young lady was not a little tremulous and anxious. Indeed, it was a very good thing for the composer that she had got Lionel Moore to sing the song; for the quite trivial and commonplace character of the music was in a large measure concealed by the fine and resonant quality of his rich baritone notes. The chorus was not much of a success--Lady Sybil's promised accomplices seemed to have found their courage fail them at the critical moment; but as for the martial ditty itself, it appeared to take the public ear very well; and when Lionel finally folded the music together again, there was quite a little tempest of clapping of hands.

Here and there a half-hearted demand for a repet.i.tion was heard; but this was understood to be merely a compliment to Lady Sybil; and indeed Lionel strolled out of the room as soon as his duties were over.

Fortunately no one was so indiscreet as to ask him what he privately thought of the "Soldiers' Marching Song," or of its chances of being recommended to the British Army by his royal highness the commander-in-chief.

When at length Lionel thought it was about time for him to slip away quietly from these brilliant, busy, murmuring rooms, he went to bid his hostess privately good-night.

"It was so awfully kind of you, Mr. Moore," she said, graciously, "to give us the chance of making Mr. Quirk's acquaintance. He is so interesting, you know, so unconventional, so original in his opinions--quite a treat to listen to him, I a.s.sure you. I've sent him a copy of my poor little book; some time or other I wish you could get to know what he thinks of it?"

"Oh, yes, certainly. I will ask him," Lionel said; and again he bade her good-night, and took his leave.

But as he was going by the entrance into a smaller gallery, which had been turned into a sort of supper-room (there was a buffet at one end, and everywhere a number of small tables at which groups of friends could sit down, the gentlemen of the party bringing over what was wanted) he happened to glance in, and there, occupying a small table all by himself, was Mr. Octavius Quirk, Lionel at once made his way to him. He found him with a capacious plate of lobster-salad before him, and by the side of that was a large bottle of champagne.

"Going to sit down?" Quirk asked--but with no great cordiality; it was for one person, not for two, that he had secured that bottle.

"No; I dined here," said Lionel, with innocent sarcasm.

"My dear fellow," observed the other, earnestly, "a good dinner is the very best preparation in the world for a good supper."

"I hear Lady Adela has sent you her book; have you looked at it?" Lionel asked.

"Yes, I have," said the other, with his mouth full of lobster-salad.

"Capital! I call it capital! Plenty of _verve_ and go--knowledge of society--n.o.body can do that kind of thing like the people who are actually living in it. Her characters are the people one really meets, you know--they are in the world--they belong to life. Oh, yes, a capital novel! Light, airy, amusing, sparkling--I tell you it will be the book of the season!"

"Oh, I'm very glad to hear that," said Lionel, thoughtfully; and then he went and got his light overcoat and crush-hat, and descended the wide stone-steps, and made his way home to his rooms in Piccadilly.

CHAPTER V.

WARS AND RUMORS.

Little could Lionel Moore have antic.i.p.ated what was to come of his introducing his old comrade Nina to the New Theatre. At first all went well; and even the prima-donna herself was so good as to extend her patronage to Lionel's _protegee_; insomuch that, arriving rather early at the theatre one evening, and encountering Nina in the corridor, she said to her,

"You come into my room, and I'll show you my make-up."

It was a friendly offer; and the young Italian girl, who was working hard in every way to fit herself for the stage, was glad to be initiated still further into these mysteries of the toilet. But when she had followed Miss Burgoyne into the sacred inner room, and when the dresser had been told she should not be wanted yet awhile, Nina, who was far from being a stupid person, began to perceive what had prompted this sudden invitation. For Miss Burgoyne, as she was throwing off her things, and getting ready for her stage-transformation, kept plying her guest with all sorts of cunning little questions about Mr.

Moore--questions which had no apparent motive, it is true, so carelessly were they asked; but Nina, even as she answered, was shrewd enough to understand.

"So you might call yourself quite an old friend of his," the prima-donna continued, busying herself at the dressing-table. "Well, what do you think of him now?"

"How, Miss Burgoyne?" Nina said.

"Why, you see the position he has attained here in London--very different from what he had when he was studying in Naples, I suppose.

Don't you hear how all those women are spoiling him? What do you think of that? If I were a friend of his--an intimate friend--I should warn him. For what will the end be--he'll marry a rich woman, a woman of fashion, and cease to be anybody. Fancy a man's ruining his career--giving up his position, his reputation--becoming n.o.body at all--in order to have splendid horses and give big dinner-parties! Of course she'll have her doll, to drive by her side in the Park; but she'll tire--and then? And he'll get sick-tired, too, and wish he was back in the theatre; and just as likely as not he'll take to drinking, or gambling, or something. Depend on it, my dear, a professional should marry in the profession; that's the only safe thing; then there is a community of interests, and they understand each other and are glad of each other's success. Don't you think so yourself?"

Nina was startled by the sudden appeal; but she managed to intimate that, on the whole, she agreed with Miss Burgoyne; and that young lady proceeded to expand her little lecture and to cite general instances that had come within her own knowledge of the disastrous effects of theatrical people marrying outside their own set. As to any lesson in the art of making-up, perhaps Miss Burgoyne had forgotten the pretext on which she asked Nina to come to her room. Her maid was called in to help her now. And at last it was time for Nina to go, for she also, in her humble way, had to prepare herself for the performance.

But this friendliness on the part of the prima-donna towards the young baritone's _protegee_ did not last very long. For one thing, Lionel did not come to Miss Burgoyne's sitting-room as much as he used to do, to have a cup of tea and a chat with one or two acquaintances; he preferred standing in the wings with Nina, who was a most indefatigable student, and giving her whispered criticisms and comments as to what was going forward on the stage. When Miss Burgoyne came upon them so employed, she pa.s.sed them in cold disdain. And by degrees she took less and less notice of Miss Ross (as Nina was now called), who, indeed, was only Miss Girond's under-study and a person of no consequence in the theatre.

Finally, Miss Burgoyne ceased to recognize Miss Ross, even when they happened to be going in by the stage-door of an evening; and Nina, not knowing how she had offended, nevertheless accepted her fate meekly and without protest, nor had she any thought of asking Lionel to intervene.

But worse was to befall. One day Lionel said to her,

"Nina, I never knew any one work harder than you are doing. Of course it's very handy your having Mrs. Grey to coach you; and you can't do better than stand opposite that long mirror and watch yourself doing what she tells you to do. She's quite enthusiastic about you; perhaps it's because you are so considerate--she says you never practise until the other lodgers have gone out. By the way, that reading dialogue aloud is capital; I can hear how your English is getting freer and freer; why, in a little while you'll be able to take any part that is offered you.

And in any case, you know, the English audiences rather like a touch of foreign accent; oh, you needn't be afraid about that. Well, now, all this hard work can't go on forever; you must have a little relaxation; and I'm going to take you and Mrs. Grey for a drive down to Hampton Court, and we'll dine there in the evening, in a room overlooking the river--very pretty it is, I can tell you. What do you say? Will next Friday do? Friday is the night of least consequence in a London theatre; and if you can arrange it with Mrs. Grey, I'll arrange it with Lehmann; my under-study is always glad of a chance of taking the part. You persuade Mrs. Grey, and I'll manage Lehmann. Is it a bargain?"

So it came about that on a certain bright and sunny morning in June Lionel was standing at the window of a private room in a hotel near the top of Regent Street, where he proposed (for he was an extravagant young man) to entertain his two guests at lunch before driving them down to Hampton Court. He had ordered the wine and seen that the flowers on the table were all right; and now he was looking down into the street, vaguely noticing the pa.s.sers-by. But this barouche that drove up?--there was something familiar about it--wasn't it the carriage he had sent down to Sloane Street?--then the next moment he was saying to himself,

"My goodness gracious! can that be Nina?"

And Nina it a.s.suredly was; but not the Nina of the black dress and crimson straw hat with which he had grown familiar. Oh, no; this young lady who stepped down from the carriage, who waited a second for her friend, and then crossed the pavement, was a kind of vision of light summer coolness and prettiness; even his uninstructed intelligence told him how charmingly she was dressed; though he had but a glimpse of the tight-fitting gown of cream-white, with its silver girdle, the white straw hat looped up on one side and adorned on the other with large yellow roses, the pale-yellow gloves with silver bangles at the wrists, the snow-white sunshade, with its yellow satin ribbons attached. The vision of a moment--then it was gone; but only to reappear here at the open door. And who could think of her costume at all when Nina herself came forward, with the pretty, pale, foreign face so pleasantly smiling, the liquid black eyes softly bespeaking kindness, the half-parted lips showing a glimmer of milk-white teeth.

"Good-morning, Leo!"

"Good-morning, Nina! They say that ladies are never punctual; but here you are to the moment!"

"Then you have to thank Mrs. Grey--and your own goodness in sending the carriage for us. Ah, the delightful flowers!" said she, glancing at the table, and her nostrils seemed to dilate a little, as if she would welcome all their odors at once. "But the window, Leo--you will have the window open? London, it is perfectly beautiful this morning!--the air is sweet as of the country--oh, it is the gayest city in the world!"

"I never saw London fuller, anyway," said he, as he rang the bell, and told the waiter to have luncheon produced forthwith.