I glanced to the left and saw a stout woman in a voluminous purple skirt and a hat made from parts of beer cans crocheted together with bright red yarn. Her hair stuck out from beneath the hat in gray tufts, brushing the shoulders of her blouse, which was covered in pins bearing racy slogans such as I USED TO BE SNOW WHITE, BUT I DRIFTED. She was giving me a sly smile.

"Early in the day for celebrating, isn't it?" she asked.

Seattle is known for its passive-aggressive friendliness, so I was a little taken aback. Then the woman laughed. "Oh, there, I'm just yanking your chain, girl! You looked so serious, I thought you needed a good poke in the funny bone. You only live once, you know, but if you do it right that should be more than enough. Now, what's making you so grumpy-faced? Anything I can do to help?"

"I'm trying to find out about a guy who might have worked around here or had some connection to the market recently. . . ."

"There's a lot of people working here and hanging around. What's his name?"

"Jordan Delamar."

She shook her head. "Not ringing a bell, but I haven't been around much in a while and I don't know all the new folks. What's he do?"

"I'm not sure. I think he might be 'the boy who played' if that means anything. . . ."

"Played what? Because a boy who plays might be one of the kids down in the ramp, or it might be one of the buskers, or-if we're lucky-he might be a playboy and carry us off to his Playboy Mansion. I bet you'd be quite a bunny, honey." She laughed at her joke.

"I don't think I'd fit in very well," I replied. "I'm not polite and subservient. I'm more the poking-things-with-a-stick type."

She laughed again. "Well, that makes two of us, sweetie! I'll tell you what-you try the ramp, and if that doesn't work out, try the buskers. They know everybody. You tell 'em Mae sent you," she added with a gleeful cackle.

I nodded, a touch overwhelmed but willing to take the suggestion, since it was all I had at the moment. "All right."

She grinned, but it faded quickly and she peered at me. "You do that. But just one thing, Miss Pokes-Things-with-Sticks-can you tell me what I'm doing here? I haven't been around in such a long time and yet . . . here I am again."

"I'm afraid I don't know. Where have you been until now?"

"Dead, honey. I'm plumb sure of it," she said, turning away, cackling and fading from my sight.

She'd seemed pretty solid for a ghost-solid enough that I hadn't been certain right up until the end of the interview. I had a feeling I should have gotten a joke, there, but I hadn't. I hoped I'd figure it out eventually-unresolved questions always bug me.

I had to ask around to find it, but it turned out "the ramp" was an actual ramp inside the area of lower shops. That section of the market starts about fifty feet below on Western Avenue across from the Pike Hill Climb and spreads up the cliff like some kind of wooden vine to the original shopping area at the top of the bluff. The market folks call that section "Down Under." Since I was so close, I headed downstairs first, plunging through the flood of ghosts and the tipping icebergs of temporaclines.

At the stair landing is a doorway to the washrooms on one side and the hallways of the shops on the other, but no ramp, so I went down farther. At the bottom I came out onto an open area that connected the market buildings on my side with the former LaSalle Hotel building on the other and a staircase in between that walks down to Western Avenue. There was a large red musical note with a yellow number painted on the ground in front of a mural of the market. I'd seen these signs around the market, but wasn't sure what they were for, and whatever this one was meant for, it wasn't in use at the moment-at least not by anyone alive, though the red spot was so deeply awash in ghost-stuff that it was difficult to see with my left eye. Layers of memory lay over the spot, crystal-strewn with shards of temporaclines enclosed in a wide blue net of light. Peering through the Grey sideways I saw a ley line as bright as Las Vegas shooting straight through the site and arrowing for the Hill Climb below. Whatever happened on that red note, it was magical. Reluctantly, I turned away from it and headed into the building, looking for the ramp.

I found it in a moment, just inside the market building on my right: a narrow wooden way between two sets of shops that dropped steeply to the next floor and led into a crooked labyrinth of passages to a large atrium over the main hub of Down Under. Stepping onto the ramp I smelled hay and horse dung and could hear the jingle and stamp of long-gone horses in harness. Large shadow shapes brushed past me, whickering and blowing wet, oat-scented breath into my face. Smaller shadows, some solemn, others laughing and running, raced past, some with the ghostly horses, others from some other time, after the horses had gone. "I want to catch him," one whispered.

I stopped, looking around in the normal world as best I could with one eye firmly in the Grey. I was alone on the narrow ramp. I closed my eyes and dropped down into the ghost world, letting my fingers spread and float forward, feeling for the layers of frozen history that laced through the place like rutile in quartz. A cold edge fluttered under my touch and I opened my eyes, peering into the misty place between the worlds, confronted with stacks of ragged time. I pushed on one, tilting it until I could see without falling in.

The ramp was dusty with bits of straw and dirt knocked from the hooves of the dray horses led by young boys. The lower level was now filled with stalls around a central work area where the massive beasts stood to be dressed up in their bits of harness or blankets. Apparently Down Under had once been a stable for the cart horses that had brought the farmers' goods in to market. But none of these memories of boys was the one I wanted to talk to. I touched another temporacline and pulled it back. . . .

This time it was not the atrium or shops I was seeing, but some other place, its crystallized moment of history displaced by some strong will or association. A large room, packed with cots and people dressed in dirtied white clothes and thick gauze masks who moved among the shivering, miserable patients on the beds. Almost half of the shapes I saw beneath the thin blankets were too small to be adults. One of them retched and turned in its cot, huge fevered eyes catching sight of me. It-I couldn't tell if the child was a boy or a girl-raised its hand an inch or so off the bed, as if it wanted to touch me, but hadn't the strength. I walked forward, unable to resist that sad plea, and crouched next to the bed, as incorporeal to the shadows that passed around me as any other phantom.

"Are you an angel?" the child whispered. "I don't want to die."

"I can't stop that," I said, thinking my heart would break. "This time-your time-is past."

"My mother already died of the influenza. My sister, too."

"I'm sorry."

"Did you take them to heaven? Will I see them?"

One of the nurses had stopped and turned toward the child, staring with wide eyes, stricken but unable to see me. I didn't know why anyone could see me on the icy plains of a moment's history-sometimes they do, sometimes they don't-but I knew nothing I did made any difference. This had happened. Some child had seen a ghost or an angel or just a flicker of desire for comfort given momentary flesh as he or she lay dying in a makeshift ward near the market, the smells of soil and fish, produce and garbage, hay and horses slipping in with the sounds of commerce even under the stench of carbolic acid and vomit and the whispering pleas of the dying.

"You'll see them there. In heaven," I replied. What else was there to say?

And it smiled at me, this ghost of a child. Smiled and turned its head aside, breathing softer, softer, and then not at all.

I ripped myself away from the horrible piece of history and dropped a bit, stumbling, onto the atrium floor only feet from where I'd stood a moment-a century?-before. A man caught my arm and steadied me.

"Are you all right?" he asked. He peered at my face. "Are you-? Oh my. You're not all right at all, are you? C'mon. Come with me."

This total stranger propped me up with his shoulder and walked me into the magic shop under the ramp, steering me through the displays of toys and tricks, into a corner. He helped me into a chair.

"Sit tight. I'll be right back."

In a moment, he returned with a bottle of cold water and a box of tissues. "Here. Are you doing OK now?"

I took the tissues and wiped unexpected tears off my face. "Yeah. I'm OK. I was just . . . upset about something. It's nothing."

"It can't be something and nothing."

I glanced up at him-a skinny guy in his thirties wearing pressed trousers and a striped shirt under a brocade vest, trendy glasses, and a handlebar mustache that was carefully waxed into a stiff curl on each cheek.

"It was something, but it's not anything anymore."

"Did you see it, then?"

"What?"

"Did you see the ghosts?"

Startled, I stared at him. "Ghosts."

"Yeah, the market is haunted. Sometimes you see kids down here who aren't actually here anymore. It's kind of perturbing."

"Have you seen them?"

"Me? No. I hear them once in a while, when there's no one around. And once, our display of dollhouse furniture was all rearranged and the glass on one side was broken when there was no one here to break it. But that's about all. Maybe the occasional levitating stuffed toy, but nothing really amazing. What about you? You seemed really upset."

"I thought I saw . . . patients-medical patients. Little kids in cots."

"Oh, there used to be a tuberculosis clinic around here, somewhere. Way back when the market was new. And I heard that the Market Theater was used to hold sick people during the flu epidemic. That would upset anyone-seeing something like that."

"You believe in ghosts?"

He bit his lip and made a crooked face. "Ehhh . . . I'm not sure. Things happen around here that certainly seem to be unaccountable, and it's romantic to imagine it's ghosts. But I haven't ever seen an apparition per se. And there could always be some other reason things move or make noise or seem . . . kind of weird. We're on top of the train tunnel, you know. And things have been a little disturbed since they started construction on the Route Ninety-nine tunnel. There have even been a few accidents because of tunnel construction stuff. So maybe it's not ghosts. Maybe it's just guys in overalls digging holes."

"You don't have to humor me. I do believe in ghosts."

"Oh. Well then. Yeah, the place is practically a ghost hotel."

I just looked at him. He glanced aside, giving a rueful smile. "Really. You work here long enough, you start to believe in the strange." He looked back at me and offered his hand. "Hey, I'm Derek Russell. I didn't mean to tease you. Sorry. Apology accepted?"

I reflected his smile. "Yeah. Apology accepted." I took his hand. "Harper Blaine."

"Nice to meet you, Harper. Were you looking for ghosts or for something else? I've got a lot of interesting tricks and toys in here." He picked up a fuzzy, bewinged green thing with a face full of tentacles. "Plush Cthulhu, maybe?"

I shook off the adorably dreadful Lovecraftian horror. "I was actually trying to find a guy who might have worked around here. Jordan Delamar. Someone suggested he might be a busker . . . ?"

"I don't know him, but maybe. There's a lot of buskers in the market and they don't all come every day."

"How could I find him-or find out if he worked here?"

"Oh, you'd have to ask at the market office. They issue the performers' badges, so they would have a list of who has a badge, but they'd have no way to tell who was here when. The buskers just set up on the notes and do their thing when they want to and move on to the next note if they want to stay longer. I think the limit's an hour before they have to move on. They can put out a tip jar or hat or whatever. Some of them sell CDs if they have them."

"What do you mean 'they set up on the notes'?"

"The red music notes painted on the ground. There's one just outside the ramp-you must have seen it, since I don't hear anyone playing out there-the wall reflects a lot of sound into the market from that location. It's a favorite spot, since it's got such great acoustics and plenty of space for a large group. Most of the spots are pretty small-just a one or a two-so the larger groups, like the Andean guys, can't use them. There are a few spots that are very popular regardless of how big they are and others that aren't as much, but they all get busy in the summer."

So that's what the red note on the ground had been. It certainly explained why it was not only rife with memories and spirits but right on a ley line-music and the Grey have a lot in common and strong emotions and powerful actions are always associated with ley lines. "What did you mean 'a one or a two'? Is that a measure of popularity or priority or something?"

"Oh no. There are numbers painted in yellow indicating how many can work on that location. Any performer can work any location solo, but bigger groups can only work where the number is the same or higher than their group size."

"Clever."

"Yeah, it is."

"But what stops the buskers from just wedging in as many people as they can?"

"Aside from the fire marshal? It's not practical in a lot of spots even if it looks big enough. You want to slow traffic, but not stop it. Most of the buskers are good about sharing and keeping the spaces clean and not overloading the area. There are always a few who don't play well with others, but they don't last."

"Do you know a lot of the buskers?"

"Not so many. I don't have an assistant most of the time, so I don't get to go out of the shop much to meet folks. Andy's here today, or I wouldn't have been out there to catch you."

"Oh. And thank you for that. Do you know if any of the buskers have been injured in the past . . . six months or so?"

Russell shrugged. "I'm afraid I really don't. You'd have to ask them. They'd know. A lot of them will have gone for the day by now-though they might move down to the waterfront until it gets dark."

"Is there anyplace they hang out?" I asked.

"Oh . . . I'm not sure. If you're looking for someone, your best bet would be to ask at the market office, or just start asking the buskers at the notes. Someone will know, eventually."

A high-pitched whistling cut through the air of the shop. Russell looked toward it. "Oh . . . damn. I have to go find out what Andy's broken this time. I'm sorry to bunk off. Are you OK now?"

I smiled and stood up, offering the tissues and water bottle back to him. "I'm fine. Thanks, Derek."

He took the tissues, but waved the water bottle away. "You keep that. And good luck with your search. If you ever need a magic trick or a stuffed elder god, drop back by. OK?"

"OK."

I suspect he was just as glad to see me go-spooky women who believe in ghosts can be bad for business.

I got out of the shop and up into the market proper without being sucked back into visions of the past, though I was rushed and bumped by torrents of ghosts, including more children and gruffer adults who seemed preoccupied and confused, even for the dead. I chose the longer route out of Down Under, coming up the stairs on the west side of the building that overlooked Western Avenue, rather than braving the ramp again.

NINE.

As I walked up the steps, I heard violin music. Emerging into the open space between the buildings once again, I saw two musicians standing on the note in front of the market mural-a young man and a young woman, both with short hair and dark clothes, their violin cases open on the ground in front of them. One case held a hopeful dollar bill, the other a few CDs in plastic cases with a hand-lettered sign that read CD'S $12 EACH-SUPPORT CORNISH STUDENTS TRIP TO EUROPE. Their music soared upward in the resonant space, each bow sending a tendril of song and colorful energy twining around its companion's thread, flowing into the road behind them and up into the market as if alive, seeking a path to the sky. People lined the rail of the staircase landing above, listening for a few moments while they waited for friends to emerge from the washrooms or what have you. A few passersby dropped coins into the case, making muffled clanks that reminded me of the harness chains of phantom horses.

I stopped to listen, letting the music flow over me with the remembered thrill of elation I'd once had for dancing. I had loved it once-even when it was a misery imposed on me by necessity and my mother-and this feeling was why. And for the first time in a long while I didn't mind the memory. I guess I was finally growing out of my resentment and anger-I'm stubborn that way. I felt an odd pressure in my feet and legs and realized I was stretching up, hampered by my boots, as if my legs wanted to dance, even when the rest of me resisted. I took a breath and calmed myself down, settling back onto my heels, not because I refused to dance but because now wasn't the time. And it's dangerous to roll up en pointe in hiking boots-I hadn't had to undergo the surgeries Olivia Sterling had been through during my student days or professional career, and I didn't want to head that way now, either. My odd relationship with the Grey seemed to have granted me preternatural health and longer life than the average human-or so I'd been told by the only other Greywalker I'd ever met-but even that wouldn't fix foolishness or damaged tendons. When the violinists paused, I stepped forward, picking up one of the CDs.

The girl smiled at me, taking her instrument off her shoulder. The boy followed suit in a moment, his eyes hazy as if the music held him in a daze while a kaleidoscopic mist of colors swarmed around him, touching the girl, then coiling back to him. The girl's aura was pure gold that burned like a steady flame.

"Hi," she said. "Would you like to buy a CD? We're raising money to spend the fall quarter in Europe."

"You're at Cornish College?" I asked-it was a pretty safe bet they were students and not from Cornwall, but I asked anyhow.

"For now."

"How long have you been busking down here? Is this a regular gig for you two?"

She shrugged. "Not so much. We're both pretty busy during the school year. We only get down here in the summer and occasional weekends. Sean doesn't like to play alone."

"I see." Judging by their energy, Sean was the more brilliant of them, but not as strong-willed or focused as his partner, so I understood his reluctance to do this gig by himself. I looked at the disc cover and pointed at the names of the performers. "You're Selena?"

She smiled and nodded again, her aura flickering a touch of orange annoyance before she tamped it down. "That's me."

I dug a twenty-dollar bill out of my pocket and offered it to her. She took it with another professional smile and tucked it into her own pocket as I refused change and put the CD into my bag. I wasn't as interested in the music as in their goodwill and that was little enough to pay.

"You don't know another busker named Jordan Delamar, do you?"

Selena shook her head. "No, I can't say I do. Sorry."

I shrugged it off. "Not a problem. Thanks for the CD-you play beautifully."

Now she beamed. "Thank you!"