AJAX: I, too, have known that condition, Socrates. Two years ago Ca.s.sandra took the children to the mountains for July and August; and upon my word I had a doleful time of it. What do you say, shall we have recourse to a beaker of ginger ale and discuss this matter?

It is still only the shank of the evening.

SOCRATES: It is well thought of.

AJAX: As I was saying, the quaint part of it was that before my wife left I had secretly thought that a period of bachelorhood would be an interesting change. I rather liked the idea of strolling about in the evenings, observing the pageant of human nature in my quiet way, dropping in at the club or the library, and mingling with my fellow men in a fashion that the husband and father does not often have opportunity to do.

SOCRATES: And when Ca.s.sandra went away you found yourself desolate?

AJAX: Even so. Of course matters were rather different in those days, before the archons had taken away certain stimulants, but the principle is still the same. You know, the inconsistency of man is rather entertaining. I had often complained about having to help put the children to bed when I got home from the office. I grudged the time it took to get them all safely bestowed. And then, when the children were away, I found myself spending infinitely more time and trouble in getting some of my bachelor friends to bed.

SOCRATES: As that merry cartoonist Briggs observes in some of his frescoes, Oh Man!

AJAX: I wonder if your experience is the same as mine was? I found that about six o'clock in the evening, the hour when I would normally have been hastening home to wife and babes, was the most poignant time. I was horribly homesick. If I did go back to my forlorn apartment, the mere sight of little Priam's crib was enough to reduce me to tears. I seriously thought of writing a poem about it.

SOCRATES: What is needed is a Club of Abandoned Husbands, for the consolation of those whose families are out of town.

AJAX: I have never found a club of much a.s.sistance at such a time.

It is always full of rather elderly men who talk a great deal and in a manner both doleful and ill-informed.

SOCRATES: But this would be a club of quite a different sort. It would be devised to offer a truly domestic atmosphere to those who have sent their wives and juveniles to the country for the benefit of the fresh air, and have to stay in the city themselves to earn what is vulgarly known as kale.

AJAX: How would you work out the plan?

SOCRATES: It would not be difficult. In the first place, there would be a large nursery, with a number of rented children of various ages. Each member of the club, hastening thither from his office at the conclusion of the day's work, would be privileged to pick out some child as nearly as possible similar in age and s.e.x to his own absent offspring. He would then deal with this child according to the necessities of its condition. If it were an extremely young infant, a bottle properly prepared would be ready in the club kitchen, and he could administer it. The club bathroom would be filled with hilarious members on their knees beside small tubs, bathing such urchins as needed it. Others would be playing games on the floor, or tucking the children in bed. It ought to be quite feasible to hire a number of children for this purpose. During the day they would be cared for by a competent matron. Baby carriages would be provided, and if any of the club members were compelled to remain in town over the week-end they could take the children for an airing in the park.

AJAX: This is a brave idea, Socrates. And then, when all the children were bedded for the night, how would the domestic atmosphere be simulated?

SOCRATES: Nothing simpler. After dinner such husbands as are accustomed to washing the dishes would be allowed to do so in the club kitchen. During the day it would be the function of the matron to think up a number of odd jobs to be performed in the course of the evening. Pictures would be hung, clocks wound, a number of tin cans would be waiting to be opened with refractory can openers, and there would always be several window blinds that had gone wrong. A really resourceful matron could devise any number of ways of making the club seem just like home. One night she would discern a smell of gas, the next there might be a hole in the fly-screens, or a little carpentering to do, or a caster broken under the piano. Husbands with a turn for plumbing would find the club bas.e.m.e.nt a perpetual place of solace, with a fresh leak or a rumbling pipe every few days.

AJAX: Admirable! And if the matron really wanted to make the members feel at home she would take a turn through the building every now and then, to issue a gentle rebuke for cigar ashes dropped on the rugs or feet elevated on chairs.

SOCRATES: The really crowning touch, I think, would lie in the ice-box raids. A large ice-box would be kept well stocked with remainders of apple pie, macaroni, stewed prunes, and chocolate pudding. Any husband, making a cautious inroad upon these about midnight, would surely have the authentic emotion of being in his own home.

AJAX: An occasional request to empty the ice-box pan would also be an artful echo of domesticity.

SOCRATES: Of course the success of the scheme would depend greatly on finding the right person for matron. If she were to strew a few hairpins about and perhaps misplace a latch key now and then----

AJAX: Socrates, you have hit upon a great idea. But you ought to extend the membership of the club to include young men not yet married. Think what an admirable training school for husbands it would make!

SOCRATES: My dear fellow, let us not discuss it any further. It makes me too homesick. I am going back to my lonely apartment to write a letter to dear Xanthippe.

[Ill.u.s.tration]

WEST BROADWAY

Did you ever hear of Finn Square? No? Very well, then, we shall have to inflict upon you some paragraphs from our unpublished work: "A Scenic Guidebook to the Sixth Avenue L." The itinerary is a frugal one: you do not have to take the L, but walk along under it.

Streets where an L runs have a fascination of their own. They have a shadowy gloom, speckled and striped with the sunlight that slips through the trestles. West Broadway, which along most of its length is straddled by the L, is a channel of odd humours. Its real name, you know, is South Fifth Avenue; but the Avenue got so sn.o.bbish it insisted on its humbler brother changing its name. Let us take it from Spring Street southward.

Ribbons, purple, red, and green, were the first thing to catch our eye. Not the ribbons of the milliner, however, but the carbon tapes of the typewriter, big cans of them being loaded on a junk wagon.

"Purple Ribbons" we have often thought, would be a neat t.i.tle for a volume of verses written on a typewriter. What happens to the used ribbons of modern poets? Mr. Hilaire Belloc, or Mr. Chesterton, for instance. Give me but what these ribbons type and all the rest is merely tripe, as Edmund Waller might have said. Near the ribbons we saw a paper-box factory, where a number of high-spirited young women were busy at their machines. A broad strip of thick green paint was laid across the lower half of the windows so that these immured damsels might not waste their employers' time in watching goings on along the pavement.

Broome and Watts streets diverge from West Broadway in a V. At the corner of Watts is one of West Broadway's many saloons, which by courageous readjustments still manage to play their useful part.

What used to be called the "Business Men's Lunch" now has a tendency to name itself "Luncheonette" or "Milk Bar." But the old decorations remain. In this one you will see the electric fixtures wrapped in heavy lead foil, the kind of sheeting that is used in packages of tea. At the corner of Grand Street is the Sapphire Cafe, and what could be a more appealing name than that? "Delicious Chocolate with Whipped Cream," says a sign outside the Sapphire. And some way farther down (at the corner of White Street) is a jolly old tavern which looked so antique and inviting that we went inside. Little tables piled high with hunks of bread betokened the approaching lunch hour. A shimmering black cat winked a drowsy topaz eye from her lounge in the corner. We asked for cider. There was none, but our gaze fell upon a bottle marked "Irish Moss." We asked for some, and the barkeep pushed the bottle forward with a tiny gla.s.s. Irish Moss, it seems, is the kind of drink which the customer pours out for himself, so we decanted a generous slug. It proved to be a kind of essence of h.o.r.ehound, of notable tartness and pungency, very like a powerful cough syrup. We wrote it off on our ledger as experience.

Beside us stood a st.u.r.dy citizen with a freight hook round his neck, deducing a foaming crock of the legitimate percentage.

The chief landmark of that stretch of West Broadway is the tall spire of St. Alphonsus' Church, near Ca.n.a.l Street. Up the steps and through plain brown doors we went into the church, which was cool, quiet, and empty, save for a busy charwoman with humorous Irish face. Under the altar canopy wavered a small candle spark, and high overhead, in the dimness, were orange and scarlet gleams from a stained window. A crystal chandelier hanging in the aisle caught pale yellow tinctures of light. No Catholic church, wherever you find it, is long empty; a man and a girl entered just as we went out. At each side of the front steps the words _Copiosa apud eum redemtio_ are carved in the stone. The mason must have forgotten the _p_ in the last word. A silver plate on the brick house next door says _Redemptorist Fathers_.

York Street, running off to the west, gives a glimpse of the old Hudson River Railroad freight depot. St. John's Lane, running across York Street, skirts the ruins of old St. John's Church, demolished when the Seventh Avenue subway was built. On the old brown house at the corner some urchin has chalked the word CRAZY. Perhaps this is an indictment of adult civilization as a whole. If one strolls thoughtfully about some of these streets--say Thompson Street--on a hot day, and sees the children struggling to grow up, he feels like going back to that word CRAZY and italicizing it. The tiny triangle of park at Beach Street is carefully locked up, you will notice--the only plot of gra.s.s in that neighbourhood--so that bare feet cannot get at it. Superb irony of circ.u.mstance: on the near corner stands the Castoria factory, Castoria being (if we remember the ads) what Mr. Fletcher gave baby when she was sick.

Where Varick Street runs in there is a wide triangular spread, and this, gentle friends, is Finn Park, named for a New York boy who was killed in France. The name reminded us also of Elfin Finn, the somewhat complacent stage child who poses for chic costumes in _Vogue_. We were wondering which was a more hazardous bringing up for a small girl, living on Thompson Street or posing for a fashion magazine. From Finn Square there is a stirring view of the Woolworth Tower. Also of Claflin's packing cases on their way off to Selma, Ala., and Kalamazoo, Mich., and to Nathan Povich, Bath, Me. That conjunction of Finn and Bath, Me., suggested to us that the empty s.p.a.ce there would be a good place to put in a munic.i.p.al swimming pool for the urchins of the district.

_Drawn from the wood_, which legend still stands on the pub at the corner of Duane Street, sounds a bit ominous these wood alcohol days. John Barleycorn may be down, but he's never out, as someone has remarked. For near Murray Street you will find one of those malt-and-hops places which are getting numerous. They contain all the necessary equipment for--well, as the signs suggest, for making malt bread and coffee cake--bottle-capping apparatus and rubber tubing and densimeters, and all such things used in breadmaking. As the signs say: "Malt syrup for making malt bread, coffee, cake, and medicinal purposes."

To conclude the scenic pleasures of the Sixth Avenue L route, we walk through the cool, dark, low-roofed tunnel of Church Street in those interesting blocks just north of Vesey. We hark to the merry crowing of the roosters in the Barclay Street poultry stores; and we look past the tall gray pillars of St. Peter's Church at the flicker of scarlet and gold lights near the altar. The black-robed nuns one often sees along Church Street, with their pale, austere, hooded faces, bring a curious touch of medievalism into the roaring tide that flows under the Hudson Terminal Building. They always walk in twos, which seems to indicate an even greater apprehension of the World. And we always notice, as we go by the pipe shop at the corner of Barclay Street, that this worthy merchant has painted some inducements on one side of his shop; which reminds us of the same device used by the famous tobacconist Bacon, in Cambridge, England.

Why, we wonder, doesn't our friend fill the remaining blank panel on his side wall by painting there some stanzas from Calverley's "Ode to Tobacco?" We will gladly give him the text to copy if he wants it.

[Ill.u.s.tration]

THE RUDENESS OF POETS

The poet who has not learned how to be rude has not learned his first duty to himself. By "poet" I mean, of course, any imaginative creator--novelist, mathematician, editor, or a man like Herbert Hoover. And by "rude" I mean the strict and definite limitation which, sooner or later, he must impose upon his sociable instincts.

He must refuse to fritter away priceless time and energy in the random genialities of the world. Friendly, well-meaning, and fumbling hands will stretch out to bind the poet's heart in the maddening pack-thread of Lilliput. It will always be so. Life, for most, is so empty of consecrated purpose, so full of palaver, that they cannot understand the trouble of one who carries a flame in his heart, and whose salvation depends on his strength to nourish that flame unsuffocated by crowding and scrutiny.

The poet lives in an alien world. That is not his pride; it is his humility. It is often his joy, but often also his misery: he must dree his weird. His necessary solitude of spirit is not luxury, nor the gesture of a churl: it is his sacrifice, it is the condition on which he lives. He must be content to seem boorish to the general in order to be tender to his duty. He has invisible guests at the table of his heart: those places are reserved against all comers. He must be their host first of all, or he is d.a.m.ned. He serves the world by cutting it when they meet inopportunely. There are times (as Keats said and Christ implied) when the wind and the stars are his wife and children.

There will be a thousand pressures to bare his bosom to the lunacy of public dinners, lecture platforms, and what not pleasant folderol. He must be privileged apparent ruffian discourtesy. He has his own heart-burn to consider. One thinks of Rudyard Kipling in this connection. Mr. Kipling stands above all other men of letters to-day in the brave clearness with which he has made it plain that he consorts first of all with his own imagination.

As the poet sees the world, and studies, the more he realizes that men are sharply cut in two cla.s.ses: those who understand, those who do not. With the latter he speaks a foreign language and with effort, trying shamefacedly to conceal his strangeness. With these, perhaps, every moment spent is for ever lost. With the others he can never commune enough, seeking clumsily to share and impart those moments of rare intuition when truth came near. There is rarely any doubt as to this human division: the heart knows its kin.

The world, as he sees it around him, is almost unconscious of its unspeakable loveliness and mystery; and it is largely regimented and organized for absurdity. The greater part of the movement he sees is (by his standard) not merely stupid (which is pardonable and appealing), but meaningless altogether. He views it between anger and tenderness. Where there might have been the exquisite and delicious simplicity of a j.a.panese print, he sees the flicker and cruel garishness of a speeding film. And so, for refreshment, he crosses through the invisible doorway into his own dear land of lucidity. He cons over that pa.s.sport of his unsociability, words of J.B. Yeats which should be unforgotten in every poet's mind:

Poetry is the voice of the solitary man. The poet is always a solitary; and yet he speaks to others--he would win their attention. Thus it follows that every poem is a social act done by a solitary man. And being an alien from the strange land of the solitary, he cannot be expected to admonish or to sermonize, or uplift, as it is called; and so take part in the cabals and intrigues in other lands of which he knows nothing, being himself a stranger from a strange land, the land of the solitary. People listen to him as they would to any other traveller come from distant countries, and all he asks for is courtesy even as he himself is courteous.

Inferior poets are those who forget their dignity--and, indeed, their only chance of being permitted to live--and to make friends try to enter into the lives of the people whom they would propitiate, and so become teachers and moralists and preachers. And soon for penalty of their rashness and folly they forget their own land of the solitary, and its speech perishes from their lips. The traveller's tales are of all the most precious, because he comes from a land--the poet's solitude--which no other feet have trodden and which no other feet will tread.

So, briefly and awkwardly, he justifies himself, being given (as Mrs. Quickly apologized) to "allicholy and musing." Oh, it is not easy! As Gilbert Chesterton said, in a n.o.ble poem:

The way is all so very plain That we may lose the way.