There are not more than five of us living now, but we come regular. I don't know what happened to the Baboos; but the bazar-woman she died after six months of the Gate, and I think Fung-Tching took her bangles and nose-ring for himself. But I'm not certain. The Englishman, he drank as well as smoked, and he dropped off. One of the Persians got killed in a row at night by the big well near the mosque a long time ago, and the Police shut up the well, because they said it was full of foul air. They found him dead at the bottom of it. So, you see, there is only me, the Chinaman, the half-caste woman that we call the Memsahib (she used to live with Fung-Tching), the other Eurasian, and one of the Persians. The Memsahib looks very old now. I think she was a young woman when the Gate was opened; but we are all old for the matter of that. Hundreds and hundreds of years old. It is very hard to keep count of time in the Gate, and besides, time doesn't matter to me. I draw my sixty rupees fresh and fresh every month. A very, very long while ago, when I used to be getting three hundred and fifty rupees a month, and pickings, on a big timber-contract at Calcutta, I had a wife of sorts. But she's dead now. People said that I killed her by taking to the Black Smoke. Perhaps I did, but it's so long since it doesn't matter. Sometimes when I first came to the Gate, I used to feel sorry for it; but that's all over and done with long ago, and I draw my sixty rupees fresh and fresh every month, and am quite happy. Not DRUNK happy, you know, but always quiet and soothed and contented.

How did I take to it? It began at Calcutta. I used to try it in my own house, just to see what it was like. I never went very far, but I think my wife must have died then. Anyhow, I found myself here, and got to know Fung-Tching. I don't remember rightly how that came about; but he told me of the Gate and I used to go there, and, somehow, I have never got away from it since. Mind you, though, the Gate was a respectable place in Fung-Tching's time where you could be comfortable, and not at all like the chandoo-khanas where the n.i.g.g.e.rs go. No; it was clean and quiet, and not crowded. Of course, there were others beside us ten and the man; but we always had a mat apiece with a wadded woollen head-piece, all covered with black and red dragons and things; just like a coffin in the corner.

At the end of one's third pipe the dragons used to move about and fight.

I've watched 'em, many and many a night through. I used to regulate my Smoke that way, and now it takes a dozen pipes to make 'em stir.

Besides, they are all torn and dirty, like the mats, and old Fung-Tching is dead. He died a couple of years ago, and gave me the pipe I always use now--a silver one, with queer beasts crawling up and down the receiver-bottle below the cup. Before that, I think, I used a big bamboo stem with a copper cup, a very small one, and a green jade mouthpiece.

It was a little thicker than a walking-stick stem, and smoked sweet, very sweet. The bamboo seemed to suck up the smoke. Silver doesn't, and I've got to clean it out now and then, that's a great deal of trouble, but I smoke it for the old man's sake. He must have made a good thing out of me, but he always gave me clean mats and pillows, and the best stuff you could get anywhere.

When he died, his nephew Tsin-ling took up the Gate, and he called it the "Temple of the Three Possessions;" but we old ones speak of it as the "Hundred Sorrows," all the same. The nephew does things very shabbily, and I think the Memsahib must help him. She lives with him; same as she used to do with the old man. The two let in all sorts of low people, n.i.g.g.e.rs and all, and the Black Smoke isn't as good as it used to be. I've found burnt bran in my pipe over and over again. The old man would have died if that had happened in his time. Besides, the room is never cleaned, and all the mats are torn and cut at the edges. The coffin has gone--gone to China again--with the old man and two ounces of smoke inside it, in case he should want 'em on the way.

The Joss doesn't get so many sticks burnt under his nose as he used to; that's a sign of ill-luck, as sure as Death. He's all brown, too, and no one ever attends to him. That's the Memsahib's work, I know; because, when Tsin-ling tried to burn gilt paper before him, she said it was a waste of money, and, if he kept a stick burning very slowly, the Joss wouldn't know the difference. So now we've got the sticks mixed with a lot of glue, and they take half-an-hour longer to burn, and smell stinky. Let alone the smell of the room by itself. No business can get on if they try that sort of thing. The Joss doesn't like it. I can see that. Late at night, sometimes, he turns all sorts of queer colors--blue and green and red--just as he used to do when old Fung-Tching was alive; and he rolls his eyes and stamps his feet like a devil.

I don't know why I don't leave the place and smoke quietly in a little room of my own in the bazar. Most like, Tsin-ling would kill me if I went away--he draws my sixty rupees now--and besides, it's so much trouble, and I've grown to be very fond of the Gate. It's not much to look at. Not what it was in the old man's time, but I couldn't leave it.

I've seen so many come in and out. And I've seen so many die here on the mats that I should be afraid of dying in the open now. I've seen some things that people would call strange enough; but nothing is strange when you're on the Black Smoke, except the Black Smoke. And if it was, it wouldn't matter. Fung-Tching used to be very particular about his people, and never got in any one who'd give trouble by dying messy and such. But the nephew isn't half so careful. He tells everywhere that he keeps a "first-chop" house. Never tries to get men in quietly, and make them comfortable like Fung-Tching did. That's why the Gate is getting a little bit more known than it used to be. Among the n.i.g.g.e.rs of course.

The nephew daren't get a white, or, for matter of that, a mixed skin into the place. He has to keep us three of course--me and the Memsahib and the other Eurasian. We're fixtures. But he wouldn't give us credit for a pipeful--not for anything.

One of these days, I hope, I shall die in the Gate. The Persian and the Madras man are terrible shaky now. They've got a boy to light their pipes for them. I always do that myself. Most like, I shall see them carried out before me. I don't think I shall ever outlive the Memsahib or Tsin-ling. Women last longer than men at the Black-Smoke, and Tsin-ling has a deal of the old man's blood in him, though he DOES smoke cheap stuff. The bazar-woman knew when she was going two days before her time; and SHE died on a clean mat with a nicely wadded pillow, and the old man hung up her pipe just above the Joss. He was always fond of her, I fancy. But he took her bangles just the same.

I should like to die like the bazar-woman--on a clean, cool mat with a pipe of good stuff between my lips. When I feel I'm going, I shall ask Tsin-ling for them, and he can draw my sixty rupees a month, fresh and fresh, as long as he pleases, and watch the black and red dragons have their last big fight together; and then....

Well, it doesn't matter. Nothing matters much to me--only I wished Tsin-ling wouldn't put bran into the Black Smoke.

THE STORY OF MUHAMMAD DIN.

"Who is the happy man? He that sees in his own house at home little children crowned with dust, leaping and falling and crying."

Munichandra, translated by Professor Peterson.

The polo-ball was an old one, scarred, chipped, and dinted. It stood on the mantelpiece among the pipe-stems which Imam Din, khitmatgar, was cleaning for me.

"Does the Heaven-born want this ball?" said Imam Din, deferentially.

The Heaven-born set no particular store by it; but of what use was a polo-ball to a khitmatgar?

"By Your Honor's favor, I have a little son. He has seen this ball, and desires it to play with. I do not want it for myself."

No one would for an instant accuse portly old Imam Din of wanting to play with polo-b.a.l.l.s. He carried out the battered thing into the verandah; and there followed a hurricane of joyful squeaks, a patter of small feet, and the thud-thud-thud of the ball rolling along the ground.

Evidently the little son had been waiting outside the door to secure his treasure. But how had he managed to see that polo-ball?

Next day, coming back from office half an hour earlier than usual, I was aware of a small figure in the dining-room--a tiny, plump figure in a ridiculously inadequate shirt which came, perhaps, half-way down the tubby stomach. It wandered round the room, thumb in mouth, crooning to itself as it took stock of the pictures. Undoubtedly this was the "little son."

He had no business in my room, of course; but was so deeply absorbed in his discoveries that he never noticed me in the doorway. I stepped into the room and startled him nearly into a fit. He sat down on the ground with a gasp. His eyes opened, and his mouth followed suit. I knew what was coming, and fled, followed by a long, dry howl which reached the servants' quarters far more quickly than any command of mine had ever done. In ten seconds Imam Din was in the dining-room. Then despairing sobs arose, and I returned to find Imam Din admonishing the small sinner who was using most of his shirt as a handkerchief.

"This boy," said Imam Din, judicially, "is a budmash, a big budmash.

He will, without doubt, go to the jail-khana for his behavior." Renewed yells from the penitent, and an elaborate apology to myself from Imam Din.

"Tell the baby," said I, "that the Sahib is not angry, and take him away." Imam Din conveyed my forgiveness to the offender, who had now gathered all his shirt round his neck, string-wise, and the yell subsided into a sob. The two set off for the door. "His name," said Imam Din, as though the name were part of the crime, "is Muhammad Din, and he is a budmash." Freed from present danger, Muhammad Din turned round, in his father's arms, and said gravely:--"It is true that my name is Muhammad Din, Tahib, but I am not a budmash. I am a MAN!"

From that day dated my acquaintance with Muhammad Din. Never again did he come into my dining-room, but on the neutral ground of the compound, we greeted each other with much state, though our conversation was confined to "Talaam, Tahib" from his side and "Salaam Muhammad Din" from mine. Daily on my return from office, the little white shirt, and the fat little body used to rise from the shade of the creeper-covered trellis where they had been hid; and daily I checked my horse here, that my salutation might not be slurred over or given unseemly.

Muhammad Din never had any companions. He used to trot about the compound, in and out of the castor-oil bushes, on mysterious errands of his own. One day I stumbled upon some of his handiwork far down the ground. He had half buried the polo-ball in dust, and stuck six shrivelled old marigold flowers in a circle round it. Outside that circle again, was a rude square, traced out in bits of red brick alternating with fragments of broken china; the whole bounded by a little bank of dust. The bhistie from the well-curb put in a plea for the small architect, saying that it was only the play of a baby and did not much disfigure my garden.

Heaven knows that I had no intention of touching the child's work then or later; but, that evening, a stroll through the garden brought me unawares full on it; so that I trampled, before I knew, marigold-heads, dust-bank, and fragments of broken soap-dish into confusion past all hope of mending. Next morning I came upon Muhammad Din crying softly to himself over the ruin I had wrought. Some one had cruelly told him that the Sahib was very angry with him for spoiling the garden, and had scattered his rubbish using bad language the while. Muhammad Din labored for an hour at effacing every trace of the dust-bank and pottery fragments, and it was with a tearful apologetic face that he said, "Talaam Tahib," when I came home from the office. A hasty inquiry resulted in Imam Din informing Muhammad Din that by my singular favor he was permitted to disport himself as he pleased. Whereat the child took heart and fell to tracing the ground-plan of an edifice which was to eclipse the marigold-polo-ball creation.

For some months, the chubby little eccentricity revolved in his humble orbit among the castor-oil bushes and in the dust; always fashioning magnificent palaces from stale flowers thrown away by the bearer, smooth water-worn pebbles, bits of broken gla.s.s, and feathers pulled, I fancy, from my fowls--always alone and always crooning to himself.

A gayly-spotted sea-sh.e.l.l was dropped one day close to the last of his little buildings; and I looked that Muhammad Din should build something more than ordinarily splendid on the strength of it. Nor was I disappointed. He meditated for the better part of an hour, and his crooning rose to a jubilant song. Then he began tracing in dust. It would certainly be a wondrous palace, this one, for it was two yards long and a yard broad in ground-plan. But the palace was never completed.

Next day there was no Muhammad Din at the head of the carriage-drive, and no "Talaam Tahib" to welcome my return. I had grown accustomed to the greeting, and its omission troubled me. Next day, Imam Din told me that the child was suffering slightly from fever and needed quinine. He got the medicine, and an English Doctor.

"They have no stamina, these brats," said the Doctor, as he left Imam Din's quarters.

A week later, though I would have given much to have avoided it, I met on the road to the Mussulman burying-ground Imam Din, accompanied by one other friend, carrying in his arms, wrapped in a white cloth, all that was left of little Muhammad Din.

ON THE STRENGTH OF A LIKENESS.

If your mirror be broken, look into still water; but have a care that you do not fall in.

Hindu Proverb.

Next to a requited attachment, one of the most convenient things that a young man can carry about with him at the beginning of his career, is an unrequited attachment. It makes him feel important and business-like, and blase, and cynical; and whenever he has a touch of liver, or suffers from want of exercise, he can mourn over his lost love, and be very happy in a tender, twilight fashion.

Hannasyde's affair of the heart had been a G.o.dsend to him. It was four years old, and the girl had long since given up thinking of it. She had married and had many cares of her own. In the beginning, she had told Hannasyde that, "while she could never be anything more than a sister to him, she would always take the deepest interest in his welfare." This startlingly new and original remark gave Hannasyde something to think over for two years; and his own vanity filled in the other twenty-four months. Hannasyde was quite different from Phil Garron, but, none the less, had several points in common with that far too lucky man.

He kept his unrequited attachment by him as men keep a well-smoked pipe--for comfort's sake, and because it had grown dear in the using. It brought him happily through the Simla season. Hannasyde was not lovely.

There was a crudity in his manners, and a roughness in the way in which he helped a lady on to her horse, that did not attract the other s.e.x to him. Even if he had cast about for their favor, which he did not. He kept his wounded heart all to himself for a while.

Then trouble came to him. All who go to Simla, know the slope from the Telegraph to the Public Works Office. Hannasyde was loafing up the hill, one September morning between calling hours, when a 'rickshaw came down in a hurry, and in the 'rickshaw sat the living, breathing image of the girl who had made him so happily unhappy. Hannasyde leaned against the railing and gasped. He wanted to run downhill after the 'rickshaw, but that was impossible; so he went forward with most of his blood in his temples. It was impossible, for many reasons, that the woman in the 'rickshaw could be the girl he had known. She was, he discovered later, the wife of a man from Dindigul, or Coimbatore, or some out-of-the-way place, and she had come up to Simla early in the season for the good of her health. She was going back to Dindigul, or wherever it was, at the end of the season; and in all likelihood would never return to Simla again, her proper Hill-station being Ootacamund. That night, Hannasyde, raw and savage from the raking up of all old feelings, took counsel with himself for one measured hour. What he decided upon was this; and you must decide for yourself how much genuine affection for the old love, and how much a very natural inclination to go abroad and enjoy himself, affected the decision. Mrs. Landys-Haggert would never in all human likelihood cross his path again. So whatever he did didn't much matter.

She was marvellously like the girl who "took a deep interest" and the rest of the formula. All things considered, it would be pleasant to make the acquaintance of Mrs. Landys-Haggert, and for a little time--only a very little time--to make believe that he was with Alice Chisane again.

Every one is more or less mad on one point. Hannasyde's particular monomania was his old love, Alice Chisane.

He made it his business to get introduced to Mrs. Haggert, and the introduction prospered. He also made it his business to see as much as he could of that lady. When a man is in earnest as to interviews, the facilities which Simla offers are startling. There are garden-parties, and tennis-parties, and picnics, and luncheons at Annandale, and rifle-matches, and dinners and b.a.l.l.s; besides rides and walks, which are matters of private arrangement. Hannasyde had started with the intention of seeing a likeness, and he ended by doing much more. He wanted to be deceived, he meant to be deceived, and he deceived himself very thoroughly. Not only were the face and figure, the face and figure of Alice Chisane, but the voice and lower tones were exactly the same, and so were the turns of speech; and the little mannerisms, that every woman has, of gait and gesticulation, were absolutely and identically the same. The turn of the head was the same; the tired look in the eyes at the end of a long walk was the same; the sloop and wrench over the saddle to hold in a pulling horse was the same; and once, most marvellous of all, Mrs. Landys-Haggert singing to herself in the next room, while Hannasyde was waiting to take her for a ride, hummed, note for note, with a throaty quiver of the voice in the second line:--"Poor Wandering One!" exactly as Alice Chisane had hummed it for Hannasyde in the dusk of an English drawing-room. In the actual woman herself--in the soul of her--there was not the least likeness; she and Alice Chisane being cast in different moulds. But all that Hannasyde wanted to know and see and think about, was this maddening and perplexing likeness of face and voice and manner. He was bent on making a fool of himself that way; and he was in no sort disappointed.

Open and obvious devotion from any sort of man is always pleasant to any sort of woman; but Mrs. Landys-Haggert, being a woman of the world, could make nothing of Hannasyde's admiration.

He would take any amount of trouble--he was a selfish man habitually--to meet and forestall, if possible, her wishes. Anything she told him to do was law; and he was, there could be no doubting it, fond of her company so long as she talked to him, and kept on talking about trivialities.

But when she launched into expression of her personal views and her wrongs, those small social differences that make the spice of Simla life, Hannasyde was neither pleased nor interested. He didn't want to know anything about Mrs. Landys-Haggert, or her experiences in the past--she had travelled nearly all over the world, and could talk cleverly--he wanted the likeness of Alice Chisane before his eyes and her voice in his ears. Anything outside that, reminding him of another personality jarred, and he showed that it did.

Under the new Post Office, one evening, Mrs. Landys-Haggert turned on him, and spoke her mind shortly and without warning. "Mr. Hannasyde,"