Pietro Ghisleri - Part 29
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Part 29

A long silence followed. Maddalena sat quite still, leaning back in a corner of the sofa and looking at a picture on the opposite wall.

Ghisleri sat upright on a chair at a little distance from her.

"You say that you will be my friend, if I will let you," she said slowly, after several minutes. "Even if you could imagine that I could not wish it, you ought to be my best friend just the same. If I made you suffer every hour of the day as I did on that last night, you ought to bear it, and never have one unkind thought of me. No; do not answer me yet: I have much more to say. You know that I have always told you just what I have felt, when I have told you anything about myself. I was very unhappy when we met at that ball--or, rather, when we parted--so unhappy that I hardly knew what I said. I ought to have waited and thought before I spoke. If I could have guessed that you were to be wounded--well, it is of no use now. I am very, very fond of you. In spite of everything, if you felt the least love for me still, however little, I would say, 'Let us be as we were, as long as it can last.' As it is--"

She paused and looked at him. He knew what she meant. If there were a spark of love, she would forget everything and take him back on any terms. For a moment the old struggle was violently resumed in his heart.

Ought he not, for her sake, to pretend love, and to live out his life as best he could in the letter of devotion if not in the true spirit of love? Or would not such an attempt necessarily be a failure, and bring her more and more unhappiness with each month and year? He only hesitated for an instant while she paused; then he determined to say nothing. That was really the turning-point in Pietro Ghisleri's life.

"As it is," continued Maddalena, a little unsteadily, but with a brave effort, "nothing but friendship is possible. Let it at least be a true and honest friendship which neither of us need be ashamed of. Let all the world see it. Go your way, and I will go mine, so far as the rest is concerned. If you love Lady Herbert, marry her, if she will have you, when her mourning is over."

"I do not love Lady Herbert at all," said Ghisleri with perfect truth.

"Well--if you should, or any other woman. Let the world say what it will, it cannot invent anything worse than it has said of me already.

You owe me nothing--nothing but that,--to be a true friend to me always, as I will be to you as long as I live."

She put out her hand, and he took it and pressed it. As she felt his, the bright tears started to her eyes.

"What is it?" he asked tenderly, bending towards her as he spoke.

"Nothing," she answered hastily. "Your hand is so thin--how foolish of me! I suppose you will grow to be as strong as ever?"

He saw how she still loved him, in spite of all. It was not too late even now to renew the comedy, but his resolution had grown strong and unalterable in a few moments.

"You are much too good to me," he said softly. "I have not deserved it--but I will try to."

"Do not let us speak of all this any more for the present," she replied.

"Since we are friends, let us talk of other things, as friends do."

It was not easy, but Ghisleri did his best, feeling that the effort must be made sooner or later and had therefore best be made at once. He kept up the conversation for nearly half an hour, and then rose to go.

"Are you not very tired?" asked Maddalena, anxiously.

"Not at all. I am much stronger than I look."

"Indeed I hope you are!" she answered, looking at him sadly. "Good-bye.

Come soon again."

"Yes, I will come very soon."

Ghisleri went out and had himself driven about the city for an hour in the bright spring weather. It was all new to him now, and he looked at people and things with a sort of interest he had long forgotten to feel.

A few of his acquaintances recognised him at once, and waved their hats to him if they chanced to be men, or made pretty gestures with their hands if they were women. But the greater number did not know him at first, and stared after the death-like face and the gaunt figure wrapped in a fur coat that had grown far too wide.

He was very glad that the first meeting with Maddalena was over, for he had looked forward to it with considerable anxiety. Something like what had actually been said about friendship had been inevitable, as he now saw, but he had not realised how much he was still loved, nor that Maddalena could so far humiliate herself as to show that she cared for him still, and to offer a renewal of their old relations. Even now, could he have seen her pale and tear-stained face as she sat motionless in the place where he had left her, he might possibly have been weak enough to yield, strong as his determination was not to do so. But that sight was spared him, and he was glad that he had held his peace when she had paused to give him an opportunity of speaking. It was far better so. To act a miserable play with her, no matter from what so-called honourable motive of consideration, would be to make her life far more unhappy than it would ultimately be if she knew the truth. He was satisfied with what he had done, therefore, when he went back to his rooms and lay down to rest after the fatigue of his first day out. But the meeting had left a very sad and painful impression, and all that he felt of remorse and regret for what he had done was doubled now. He hated to think that by his fault she was cast upon the world, with little left to save her, "trying to amuse herself," as she had said, and he wondered at her gentleness and kindness to himself, so different from her behaviour at their last meeting. That, at least, comforted him. In a woman who could thus forgive there must be depths of goodness which would ultimately come to the surface. He remembered how often he had thought her hard, unjust, unkind, and, above all, unbelieving, in the days that succeeded the first outbursts of unreasoning love, and how, even while loving her, he had not always found it easy not to judge her harshly. She was very different now. Possibly, since she felt that she had lost her old power over him, she would be less impatient with him when she did not understand him, and when he displeased her. Come what might, treat him as she would, he owed her faithful allegiance and service--and those at least he could give. He could never atone to her, but in the changing scenes of the world he might, by devoting to her interest all the skill and tact he possessed, make her life happier and easier.

Before night he received a note from Laura Arden. She wrote that she had seen him driving, though he had not seen her pa.s.s, as he had been looking in the opposite direction. If he was able to bear the fatigue of making a call, she begged that he would come to her at any hour he chose to name, as she wished to speak to him. He answered at once that he would be at her house on the following day at three o'clock.

He knew very well what she wanted, and why she did not wait until he came of his own accord. She meant to speak to him of the duel, and her questions would be hard to answer, since she was probably in ignorance of many details of his former life, familiar enough to people of his own age. He knew, of course, that the world said he had really fought on her account, and that he could never prevail upon the world to think otherwise. But he was very anxious that Laura herself should know the truth. She might forgive him for having let people believe that she had been concerned in the matter rather than Maddalena dell' Armi, out of womanly consideration for the latter, but she would a.s.suredly not pardon him if she continued to suppose that he had made her the subject of useless gossip.

The situation was not an easy one.

At the appointed hour he entered her drawing-room. He was almost startled by her beauty when he first saw her standing opposite to him.

She had developed in every way during the many weeks since he had seen her. The perfectly calm and regular life she led had produced its inevitable good effect. She, on her part, was almost as much shocked by his looks as Maddalena had been.

"Have I not asked too much of you?" she inquired, pushing forward a comfortable chair for him, and arranging a cushion in it.

"Not at all. Thanks," he added, as he sat down, "you are very good, but pray do not imagine that I am an invalid."

"I only saw you in the street," she said, almost apologetically. "I did not realise how desperately ill you still looked. Please forgive me."

"But I should have come to-day or to-morrow in any case," protested Ghisleri. "After what has happened--yes, I think I know why you sent for me. You have heard what every one is saying. The men who came to see me before I could go out told me all about it. I knew beforehand that it would turn out as it has, though we gave our seconds another excuse, as you have probably also heard, and which, if the truth were known, was much nearer to betraying the cause of the quarrel than any one supposed.

Am I right? You wished to ask me why I had the impertinence to fight a duel about you. Is that it?"

"I would not put it in that way," said Laura. "But I did wish to ask you why you took the matter up so violently. Please do not enter into the question now--you are not strong enough. I am very sorry indeed that I wrote to you."

"You need not be, for I am quite able to tell you all about it. I have thought the matter over, and I think you will forgive me if I tell you the whole story from beginning to end. It is a confidence, and I have not the least fear that you will betray it. If you are not willing to hear it, you will always believe that I have wantonly made you the talk of the town. It is entirely to justify myself in your eyes that I ask you to listen to what I am going to say. Some points may shock you a little. Have I your leave?"

"Yes--if you really wish to tell me for your own sake. For mine, I do not ask you to tell me anything."

"It is for my own sake. I am quite selfish. When you have heard all, you will know more or less the history of my life, of which many people know certain details."

He paused and leaned back in his deep chair, closing his eyes a moment as though he were collecting his thoughts. Laura settled herself to listen, turning in her seat so as not to face him, but so that she could look at him while he was speaking.

"I have never told any one this story," he began, "for I have never had any good reason for doing so. When I was a very young man I loved the Princess Corleone, who was, by her maiden name, Donna Bianca Campodonico, the daughter of the old Duca di Norba who died of paralysis, and own sister to Gianforte Campodonico, with whom I fought this duel. I loved that lady with all my heart to the day of her death, and being young and tactless, I showed it too much. Her brother, Gianforte, hated me in consequence, because there was talk about his sister and me--and our names were constantly coupled together. I did my best to remain on civil terms with him, but at last he insulted me openly and we fought. This first duel took place a little more than six years ago, in Naples, where Donna Bianca lived after her marriage.

Campodonico did his best to kill me, and at last I ran him through the arm. On the ground, without heeding the slight wound which disabled his right arm, he demanded pistols, but the seconds on both sides refused, and declared the affair terminated. As the original challenge had come from me, his position was quite untenable. He sought occasion after that to insult me again, but I avoided him. Then the Princess fell ill. Two days before she died, she had herself carried into the drawing-room, and sent for me. Her brother was already there. She made us both promise that for her sake we would never quarrel again. We joined hands and solemnly bound ourselves, for we knew she was dying. Then I took leave of her. I never saw her again, and I shall not see her hereafter."

He paused a moment, but not a muscle of his face betrayed emotion. Laura had listened with breathless interest.

"Do not say that," she said softly.

"I lived alone for a long time," continued Ghisleri, without heeding her remark. "Then at last I came back to the world, and did many things, mostly bad, of which I need not speak. I fell a little in love, now and then, and at last somewhat more seriously with a lady of whom we will not speak, against whose good name no slander had ever been breathed.

Now I come to the events which caused the duel. People have been saying that you have the evil eye and are a jettatrice. The absurd tale is repeated from mouth to mouth, and will ultimately make society here unbearable for you. You are enough of a Roman to understand that. There was a big dinner at San Giacinto's one night, and Campodonico and I sat opposite to each other. He believes in this nonsense and I do not.

Pietrasanta mentioned your name, and accidentally broke a gla.s.s at almost the same moment. Then a discussion arose about the existence of such a thing as the evil eye, and Campodonico and I talked about it across the table, while everybody listened. We exchanged a few rather incisive remarks, but nothing more. That was the end of the matter so far as you were concerned, and it was owing to this discussion that people said we fought on your account."

"I see," said Laura. "It was all a mistake, then?" "Yes. But I suppose Campodonico was irritated. In the drawing-room I lit a cigarette, and stood some time looking at a copy of Zichy's picture of Tamara falling into the Demon's arms. Tamara chances to be a very striking likeness of the Princess Corleone, and if I had reflected that Campodonico might have also noticed the fact, I would not have stood there looking at it as I did. But I forgot. Before I knew it, he was at my elbow, evidently very angry, for he perfectly understood why I liked the picture. He asked me whether I did not think that a solemn promise such as we had made might be broken under certain circ.u.mstances. I said I did not think so. He lost his temper completely, and said I was a coward. I still refused to quarrel with him, and he grew more and more insulting, until at last he began a sentence which I would not let him end, to the effect that, could Donna Bianca have been there to judge us both, she might wish the promise broken--I suppose that would have been his inference--if she could have seen that the man she had loved had fallen so low as to love the lady to whom I referred a little while ago. He named her. I answered that Donna Bianca never meant that our promise should shield the liar who slandered a good and defenceless woman, because his name chanced to be Campodonico. We told our seconds that we had quarrelled about the talent of Zichy, the painter of the picture, because no immediate and better excuse suggested itself. That is the whole story."

"It is a very strange one," said Laura, in a low voice, and looking up at his pale face. "If people only knew the truth about what they see!

Tell me, Signor Ghisleri, is it a fact that you did not fire at him?"

"Yes."

"Why did you not?"

"Because--if you really care to know--I still felt bound to my promise, and I should never have forgiven myself if I had hurt him. Will you say that you understand the rest of the story, and will you forgive me if I let it be thought that the duel was about you?"

"Indeed I forgive you," Laura answered without hesitation. "You acted splendidly all through, and I would not--"

"Please do not praise me," said Ghisleri, interrupting her with word and gesture. "Whatever I did was only the consequence of former actions of mine, most of which were bad in themselves. Besides, I have told you all this by way of an apology, and I thank you very sincerely for accepting it. Let the matter end there."

"Very well. That need not prevent me from thinking what I please, need it?"