52. _The Picture_, V., 3, 11:

Befre he ges to spper. Ha! Is my huse^trnd.

(The fourth foot is u u u .)

53. _The Picture_, V., 3, 40:

And ned no ttor. Ths is the grat^kng.

It will be noted that the rhythm often occurs in a broken line_i.e._, a line divided between two speakers. _Cf._ Nos. 7, 20, 36, 44, 50, 51, 52, 53. (_Cf._ also _The Emperor of the East_, I., 1, 342.)

_Cf._ _The False One_, I., 1:

What narer pldges chllenge: rsign^rther.

_The False One_, V., 4:

The stry f a suprme^mnarch.

_The Prophetess_, I., 3:

Cherful and grteful tkers the gds^lve.

_The Prophetess_, I., 3:

Nor mst I reval^frther, till you clar it.

_The Prophetess_, III., 1:

For ldies of high^mrk, for divne^beuties.

_The Lovers Progress_, I., 1:

To Cpid aginst^Hmen! h, mine hnour.

_The Fair Maid of the Inn_, I., 1:

A complte^curtier! my I liv to se him.

_Thierry and Theodoret_, IV., 2:

Thou dst throw chrms upn me, aginst^whch.

_Thierry and Theodoret_, IV., 2:

A?d the place whre, the place, aginst,^ll.

_Jew of Malta_, I., 2:

And extrme^trtures f the fery dep.

_Dr. Faustus_, I., 1:

And that hve with concse^sllogsms.

_Nero_, I., 4:

O sevre^nger f the highest gds.

_Rule a Wife_, I., 1:

For thre I dre be bld to appar^ften.

_The Maid in the Mill_, I., 3:

Now by the sul of lve, a divne^crature.