On the stage, Elsa had cast herself into the arms of Lohengrin, and the voice of love dominant was translated into song. The music filled the house with a throbbing ecstasy--an ecstasy that had captured in its notes the joys of all the senses--the light to the eye of a spring morning, the perfume to the nostrils of fresh meadows, the warmth to the touch of falling sunshine. It was the voice of love ethereal--of love triumphant over flesh, of love holding to its breast the phantom of its dreams. It was the old, ever-young voice of the human heart panting for the possession of its vision--the vision realized in the land of legends.

The curtain was rung down, and in a moment Nevins came in and they fell to talking. They spoke of the tenor, of the fact that the prima donna's voice had strengthened, and of Madame Cambria, the contralto, who was a little hoa.r.s.e. Then they spoke of the people in the boxes and of the absence of several whose names they mentioned.

Father Algarcife was silent, and he only aroused himself to attention when Miss Darcy, lowering her opera-gla.s.s, turned to Nevins inquiringly.

"Do tell me if that is Mrs. Gore across from us--the one in green and violets?"

Nevins replied constrainedly. "Yes," he said; "I think so. The other is Miss Ramsey, I believe--a friend who lives with her."

Miss Darcy smiled.

"Why, I thought she lived alone," she returned; "but I have heard so many odd things about her that I may be mistaken in this one. She is evidently the kind of person that n.o.body possesses any positive information about."

"Perhaps it is as well," observed Mrs. Ryder, stiffly. "It is better to know too little on such subjects than too much."

Nevins was writhing in his chair, his mouth half open, when Father Algarcife spoke.

"In this case," he said, and his voice sounded cold and firm, "what is not known seems to be incorrectly surmised. I knew Mrs.

Gore--before--before her marriage. She is a Southerner."

Mrs. Ryder looked up.

"Yes?" she interrogated, as he paused.

"And, although I cannot vouch for her discretion, I can for her innate purity of character."

Mrs. Ryder flushed, and spoke with a beautiful contrition in her eyes.

"I was wrong," she said, "to trust rumor. It makes me ashamed of myself--of my lack of generosity."

The curtain rose, and Father Algarcife turned to the stage. But he did not see it. The figures were blurred before his eyes and the glare tortured him. Across the circle of s.p.a.ce he knew that Mariana was sitting, her head upraised, her cheek resting upon her hand, her face in the shadow. He could almost see her eyes growing rich and soft like green velvet.

Then, as the voice of the soprano rang out, he started slightly.

Beneath the song of love he heard the cry of ambition--a cry that said:

_"I would give half my life for this--to sing with Alvary."_

Whence the words came he did not know. He had no memory of them in time or place, but they struggled in the throat of the soprano and filled the air.

He turned and looked at her as she sat across from him, her cheek resting in her hand against a blaze of diamonds. She looked white, he thought, and wistful and unsatisfied. Then a fierce joy took possession of him--a joy akin to the gloating of a savage cruelty. She had failed.

Yes, in spite of the brocade of her gown, in spite of the diamonds in her hair, in spite of the homage in the eyes of men that followed her--she had failed.

The blood rushed into his temples, and he felt it beating in his pulses.

He was glad--glad that she was unsatisfied--glad of the struggle and of the failure--glad of the slow torture of famished aspirations.

And from the throat of the soprano the words rang heavy with throbs of unfulfilment:

_"I would give half my life for this--to sing with Alvary."_

Then as he looked at her she stirred restlessly, and their eyes met. It was a blank look, such as two strangers might have interchanged, but suddenly he remembered the night they came together and sat in the fifth gallery. A dozen details of that evening flickered in his memory and reddened into life. He remembered the splendors of her eyes, the thrill in her voice, the nervous tremor of her hands. He remembered the violets in her bonnet, created from nothing after a chapter of Mill--and the worn gloves with the stains inside, which benzine had not taken away. He remembered her faintness when the opera was over, and the grocery-shop across from The Gotham, where they had bought ale and crackers. He saw her figure as she sat on the hearth-rug in her white gown, her hair hanging loose about her shoulders, her eyes drowsy with sleep. He saw her hands--bare then of jewels--as she unfastened the parcels, and heard her laugh as he drew the cork and the ale spilled upon the crackers.

Good G.o.d! He had forgotten these things eight years ago.

Again he looked across at her and their eyes met. He turned to the stage and listened to the faltering of love as it struggled with doubt. The music had changed. It had deepened in color and a new note had throbbed into it--a note of flesh that weighed upon spirit--of disbelief that shadowed faith. The ideal was singing the old lesson of the real found wanting--of pa.s.sion tarnished by the touch of clay. The ecstasy had fled. Love was not satisfied with itself. It craved knowledge, and the vision beautiful was fading before the eyes of earth. It was the song of the eternal vanquishment of love by distrust, of the eternal failure of faith.

When the curtain fell Ryder came into the box. He was looking depressed, and lines of irritation had gathered about his mouth. He pulled his fair mustache nervously. His wife rose and looked at him with a frank smile in her eyes.

"I have been watching Mrs. Gore," she said, "and she is very lovely.

Will you take me to her box for a moment?"

Nevins looked up with quick grat.i.tude, and Ryder grew radiant. He smiled on his wife in affectionate admiration.

"Of course I will," he answered, and as they left the box he added: "You are magnificent. There is not a woman in town with your neck and arms."

She smiled faintly, unmoved by his words. She had learned long since that he still admired though he no longer desired her--and desire was the loadstar of his life.

Father Algarcife, looking at the box across from him, saw Mariana start suddenly and rise with an impulsive welcome as Mrs. Ryder entered. He could see the light on her face, and the frank pleasure of her greeting.

Then, as the two women stood together, he saw Ryder glance from one to the other with his pleasant smile and turn to speak to Miss Ramsey. He heard Nevins breathing behind him, and he was conscious of a strange feeling of irritation against him. Why should he, who was at enmity with no man, cherish that curious dislike for one who was his friend?

"Mrs. Ryder is a creature to be adored," said Nevins to Miss Darcy. "She is Isis incarnate."

Miss Darcy responded with her flashing smile. "And Mrs. Gore's divinity?"

Nevins gave an embarra.s.sed laugh.

"Oh, I am not sure that she is a G.o.ddess at all," he answered. "She is merely a woman."

CHAPTER VIII

As Mariana entered her house after the opera was over she unwound the lace scarf from her head, letting it trail like a silvery serpent on the floor behind her. Then she unfastened her long cloak, and threw it on a chair in the drawing-room.

"The fire is out," she said, looking at the ashes in the grate, "and I am cold--cold."

"Shall I start it?" asked Miss Ramsey, a little timidly, as she tugged awkwardly at her gloves, embarra.s.sed by their length.

Mariana laughed absently.

"Start it? Why should you?" she questioned. "There are servants--or there ought to be--but no, I'll go up-stairs."

She went into the hall, and Miss Ramsey followed her. On the second landing they entered a large room, the floor of which was spread with white fur rugs, warmed by the reddish lights and shadows from an open fire.

Mariana crossed to the fire, and, drawing off her gloves, held her hands to the flames. There was a strained look in her eyes, as if she had not awaked to her surroundings.