MYSTERIOUS MURDER IN BONWELL STREET.

EXTRAORDINARY CONFESSION AND SUICIDE.

"Shortly before nine o'clock this morning, a tall, middle-aged man, giving the name of Johann Schmidt, a German, and evidently in a weak state of health, entered the precincts of Bow Street Police Station, and informed the officer in charge that he desired to give himself up to justice as the murderer of Herman Clausand, the curiosity dealer of Bonwell Street, the victim of the shocking tragedy announced in our issue of Tuesday last. Schmidt, who spoke with considerable earnestness and seemed desirous of being believed, stated that several years before he had been in the deceased's employ, and since his dismissal had nursed feelings of revenge. On the day preceding the murder he had called at Bonwell Street, and, after informing Clausand that he was out of employment and starving, asked to be again taken into his service; the other, however, refused to entertain his request, whereupon Schmidt very reluctantly left the shop. For the remainder of the day he wandered about London, endeavouring to obtain work, but about midnight, having been unsuccessful, he returned to Bonwell Street and rang the bell. The door was opened by Clausand himself, who, as we stated in our first account of the murder, lived alone. Schmidt entered, and once more demanded employment, or at least money sufficient to enable him to find shelter for the night. Again Clausand refused, whereupon the man picked up a dagger from a stand near by and stabbed him to the heart.

Frightened at what he had done, he did not stay to rob the body, but made his way through the house and out by the back door. Pa.s.sing into Murbrook Street, he saw a policeman coming toward him, but by stepping into a doorway managed to avoid him. Since that time, up to the moment of surrendering himself, he had been wandering about London, and it was only when he found starvation staring him in the face that he determined to give himself up. Having told his story, the man was about to be searched prior to being conducted to a cell, when he drew from his pocket a revolver and placed the muzzle to his forehead. Before the bystanders could stop him he had pulled the trigger; there was a loud report, and a moment later the wretched man fell dead at the officer's feet. The divisional surgeon was immediately summoned, but on his arrival found that life was extinct. Inquiries were at once made with a view to ascertaining whether the story he had told had any foundation in fact. We have since learned that the description he gave of himself was a true one, that he had once been in Clausand's employ, and that on the day preceding the murder he had openly a.s.serted in a public-house in the neighbourhood of Soho his intention of being revenged upon the dead man.

"The coroner has been informed, and an inquest will be held to-morrow morning."

After I had read it, I stood for some moments looking at the paper in my hand. Then I turned to Pharos, who was still seated on the block of stone watching me intently. Since this miserable wretch had confessed to the crime, it was plain that I had wronged him in supposing he had committed it. A weight was undoubtedly lifted from my mind, but for some reason or another the satisfaction I derived from this was by no means as great as I had expected it would be. At the back of my mind there was still a vague impression that I was being deceived, and, do what I would, I could not rid myself of it.

"That, I think, should convince you, Mr. Forrester," said Pharos, rising and coming toward me, "how very unwise it is ever to permit one's feelings to outweigh one's judgment. You made up your mind that you disliked me, and for the simple reason that I had the misfortune to lose my way on that particular evening, and to reach your studio about the same time that that terrible murder was committed, you were ready at a moment's notice to believe me guilty of the crime."

"What you say is quite true," I answered humbly. "I acted very foolishly, I admit. I have done you a great wrong, and you have behaved very generously about it."

"In that case we will say no more about it," he replied. "It is an unpleasant subject; let us forget it and never refer to it again. As I asked you to believe when last I saw you, my only desire is that you should think well of me and that we should be friends. As another proof of my kindly feeling toward yourself, I will go further than I originally intended and say that I am willing to restore the mummy I took from you. It is here in Naples, but, if you wish, it shall be at once returned to your house in London."

This was more than I had expected from him, and it impressed me accordingly.

"I could not dream of such a thing," I replied. "Since you have been so generous, let me follow your example. I have wronged you, and, as some small return, I ask you to keep the king's magician, and do with him as you please."

"I accept your offer in the spirit in which it is made," he replied.

"Now, perhaps, we had better be going. If you have nothing better to do this evening I should be glad if you would dine with me. I think I can promise you a better dinner than you will get at your own hotel, and afterward, I have no doubt, we shall be able to induce my ward to give us some music. You had better say 'Yes,' for, I a.s.sure you, we shall both be disappointed if you refuse."

"You are really very kind," I began, "but----"

"With your permission we will have no 'buts,'" he replied, with a wave of his hand. "The matter is settled, and I shall look forward to a pleasant evening. My carriage is at the gate, and if you will drive back with me I shall be doubly honoured."

If there had been any way of getting out of it, I think I should have taken advantage of it; but as I could not discover one, I was perforce compelled to accept his invitation.

"I wonder if this city has the same fascination for you, Mr. Forrester, that it has for me?" said Pharos, after I had given my consent to the arrangement he proposed. "For my own part I never come to Naples without paying it a visit; but how very few are there of the numbers who visit it weekly that really understand it! What tales I could tell you of it, if only they interested you! How vividly I could bring back to you the life of the people who once spoke in this forum, bathed in yonder baths, applauded in the theatre nineteen hundred years ago! Let us follow this street which leads toward the Temple of Isis, that Temple in which the Egyptian G.o.ddess was worshipped by such as pretended to believe in her mysterious powers. I say _pretended_, because it was the fashion then to consult her oracles--a fashion as insulting as it was popular."

By this time we had pa.s.sed out of the Temple of Mercury and were making our way along the time-worn pavement toward the building of which he spoke. The sun was sinking in the west, and already long shadows were drawing across the silent streets, intensifying the ghostliness of the long-deserted city. Reaching the Temple, we entered and looked about us.

"See how its grandeur has departed from it," said Pharos, with a note of sadness in his voice that made me turn and gaze at him in surprise.

"Time was when this was the most beautiful temple in the city, when every day her courts were thronged with worshippers, when her oracles boasted a reputation that reached even to mighty Rome. On this spot stood the statue of the G.o.ddess herself. There that of her son, the G.o.d Horus. Here was the purgatorium, and there the bronze figure of the bull G.o.d Apis. Can you not picture the crowd of eager faces beyond the rails, the white-robed priests, and the sacrifice being offered up on yonder altar amid the perfumes of frankincense and myrrh? Where, Mr. Forrester, are these priests now? The crowd of worshippers, the statues?

Gone--gone--dust and ashes, these nineteen hundred years. Come, we have lingered here long enough, let us go further."

Leaving the Temple we made our way into the Stabian Street, pa.s.sed the Temple of aesculapius, and did not stop until we had reached the house of Tullus Agrippa. Into this Pharos led me.

"O Tullus Agrippa!" he cried, as if apostrophizing the dead man, "across the sea of time, I, Pharos the Egyptian, salute thee! Great was thy wealth and endless thy resources. Greedy of honour and praise wast thou, and this house was the apex of thy vanity. Here is that same triclinium where thy guests were wont to a.s.semble when thou didst invite them to thy banquets. Here the room in which thou didst condemn thine only son to perpetual banishment. In those days, when the sun was warm and the table was laden with the banquet, and friends crowded about thee and praised the beauty of thy frescoes, the excellence of thy wine, the cunning of thy cook, and the service of thy slaves, little didst thou dream that nineteen centuries later would find thy house roofless, dug up from the bowels of the earth, and thy cherished rooms a show to be gaped at by all who cared to pay a miserable fee. Least of all didst thou think then that Pharos the Egyptian would be standing in the room where once thou didst rule so absolute, telling thy faults and follies to a man of a race that in thy day was well-nigh unknown."

He stopped for a moment, and then, turning to me again, recommenced with fresh energy:

"The owner of this house, Tullus Agrippa, was avaricious, cruel, vain, and sensual. He gave of his wealth only when he was a.s.sured of a large return. He was hated on every hand, and by his own family and dependants most of all. What did his wealth avail him on that last dread day, when the streets were filled with flying citizens, when all was confusion and none knew which way to turn for safety? The catastrophe found him tossing on a bed of sickness and scarcely able to stand alone. With the first shock of the earthquake he called imperiously for his favourite slave, but received no answer. He called again, this time almost with entreaty. Still no answer came. The walls of his house trembled and shook as he rose from his couch and staggered out into the fast darkening street. Like a blind man he groped his way to yonder corner, calling upon the names of his G.o.ds as he went, and offering every sestertia in his possession to the person who would conduct him to a place of safety. A man brushed against him. He looked up and recognised the gladiator, Tymon, the man he had encouraged and whose richest patron he had been. Accordingly, he seized him and clung to him, offering gifts innumerable if he would only carry him as far as the Marine Gate. But this, as Tymon knew, was no time for helping others, with that terrible shower of ashes pouring down like rain. The gladiator cast him off, but the other was not to be denied. He struggled to his knees and threw his arms around the strong man's legs, but only for an instant. Roused to a pitch of fury by his terror, Tymon struck him a blow on the temple with the full strength of his ponderous fist. The old man stumbled against the wall, clutched at it for support, and at length fell senseless upon the ground. The shower of ashes and scoria quickly covered him, and nineteen hundred years later the workmen, excavating the ruins, discovered his body at the base of yonder wall. Such was the fate of the n.o.ble Tullus Agrippa, citizen of Rome, and once the owner of this house."

Before I could reply or ask how he had become familiar with these details, he had made his way outside and was in the road once more. I followed him to the Street of Fortune, pa.s.sed the House of the Fawn, the Baths, and the Villa of Glaucus. Of each he had some story to tell--some anecdote to relate. From the graphic way in which he described everything, the names and characters he introduced, I might have been excused had I even believed that he had known the city in its prime and been present on the day of its destruction. I said as much to him, but he only shook his head.

"Think what you please," he said. "If I were to tell you the truth you would not believe me. For that reason I prefer that you should credit me with the possession of an exceedingly vivid imagination. If I have succeeded in making the last hour pa.s.s pleasantly, I am amply rewarded.

But it grows late; the guards are coming in search of us; let us return to the gate."

Accordingly, we made our way back to the Porta Marina, and down the path toward the entrance to the ruins. My companion was evidently well known to the officials, for they treated him with obsequious respect, bowing before him and inquiring if he had seen certain new excavations, as if the success of the latter depended entirely on his good opinion of them.

In the road outside a carriage was standing, to which was attached a magnificent pair of black horses. A coachman, dressed in a neat but unpretentious black livery, sat upon the box, while a footman stood beside the carriage door. The whole turn-out was in excellent taste, and would have made a creditable appearance in the Bois de Boulogne or Hyde Park. Into this elegant equipage Pharos invited me to step, and as soon as I had seated myself he took his place beside me. Hot though the night was, a heavy fur rug was wrapped round his knees, and when this had been done he laid himself back upon the cushions with a sigh of relief, as if the exertion of the afternoon had been too much for him.

"So much for Pompeii," he said, as the horses sprang forward. "Now for Naples and the most beautiful creature it contains at present, my ward, the Fraulein Valerie de Vocsqal."

CHAPTER VII.

If any one had told me on the night that I first met Pharos at the foot of Cleopatra's Needle that within a very short s.p.a.ce of time I should be driving from Pompeii to Naples alone with him, I believe I should have laughed that person to scorn. And what is perhaps stranger, seeing how intense my dislike for him had been less than two hours before, I was not only paying attention to what he said to me, but was actually deriving a certain measure of enjoyment from his society. In my time I have met some of the cleverest talkers in Europe, men whose conversational powers are above the average, and to whom it is rightly enough considered a privilege to listen. Pharos, however, equalled if he did not exceed them all. His range of topics was extraordinary, and his language as easy and graceful as it was free from the commonplace. Upon every conceivable subject he had some information to impart, and in the cases of events in the world's history, he did so with the same peculiar suggestion of being able to speak from the point of an eye-witness, or, at least, as one who had lived in the same period, that I had noticed when he conducted me through the ruins of Pompeii that afternoon. The topography of the country through which we were pa.s.sing he also had at his fingers' ends. About every portion of the landscape he had some remark of interest to make, and when we had exhausted Italy and proceeded to more distant countries, I found that he was equally conversant with the cities they contained. How long the drive lasted I can not say; but never in my experience of the high road between Naples and Pompeii had it seemed so short. Reaching the Castello del Carmine we turned sharply to our right, pa.s.sed up the Corso Garibaldi for some considerable distance, and eventually branched off to the left. After that, I have no further knowledge of our route. We traversed street after street, some of them so narrow that there was barely room for our carriage to pa.s.s along, until at last we reached a thoroughfare that not only contained better houses than the rest, but was considerably wider.

Before a large, old-fashioned residence the horses came to a standstill; a pair of exquisitely wrought-iron gates guarding a n.o.ble archway were thrown open, and through them we pa.s.sed into the courtyard beyond.

Beautiful as many of the courtyards are in Naples, I think this one eclipsed them all. The house surrounded it on three sides; on the fourth, and opposite that by which we had entered, was the garden, with its fountains, vista of palm trees, through which a peep of the waters of the bay could be obtained, and its luxuriant orange groves. In the soft light of evening a more picturesque picture could not have been desired.

The footman, having descended from the box, opened the door of the carriage, and when he had withdrawn the rug from his master's knees, a.s.sisted him to alight. I followed, and we proceeded up the steps into the house. Prepared as I was by the fact that both Lady Medenham and Sir George Legrath had informed me of Pharos's wealth, I could scarcely contain my surprise when the beauty of the house to which I was now introduced was revealed to me. The hall in which we stood was filled from floor to ceiling with works of art, carvings, paintings, statues, tapestry, the value of which I could the better appreciate when I was permitted an opportunity of examining them more closely.

"I make you welcome to my abode, Mr. Forrester," said Pharos, as I crossed the threshold. "You are not the first English artist who has honoured me with a visit, and I think, if you will glance round these walls, you will admit that you are in good company. See, here is a Fra Angelico, here a Botticelli, here a Perugino, to your right a Giorgione--all your fellow-guests. At the foot of the stairs is a Jan Steen, half-way up a Madonna by Signorelli; the monk above is, as doubtless you can see for yourself, an Andrea del Sarto, who has found many admirers. But that is not all. If you will follow me, I think I can show you something which will have an equal interest for you, though perhaps in a somewhat different way."

Feeling as if I were walking in a dream, I followed him along the hall.

Presently he stopped and pointed to a large canvas.

"Do you recognise it?" he inquired.

To my surprise it was neither more nor less than one of my own earlier works which had appeared in the Academy about three years before and represented a fantastic subject. It had been purchased by a dealer, and after it had left my possession I had lost sight of it altogether. To find it here, in the home of the man who had come to play such an extraordinary part in my life, overwhelmed me with astonishment.

"You seem surprised at seeing it," said Pharos, as we stood before it.

"If you will allow me I will relate to you the circ.u.mstances under which it came into my possession, and I think you will admit that they are highly interesting. It is now two years since the event occurred of which I am going to tell you. I was then in Baden. It was the height of the season, and the city was crowded, not only with interesting foreigners--if you will permit the unintentional sarcasm--but with a large proportion of your own English aristocracy. Among the latter was a certain n.o.bleman to whom I was happily able to be of considerable service. He was one of life's failures. In his earlier youth he had a literary tendency which, had the Fates been propitious, might possibly have brought him some degree of fame; his accession to the t.i.tle, however, and the wealth it carried with it, completely destroyed him.

When I met him in Baden he was as near ruined as a man of his position could be. He had with him one daughter, a paralytic, to whom he was devotedly attached. Had it not been for her I am convinced he would have given up the struggle and have done what he afterward did--namely, have made away with himself. In the hope of retrieving his fortune and of distracting his mind he sought the a.s.sistance of the gaming-tables; but having neither luck nor, what is equally necessary, sufficient courage, eventually found himself face to face with ruin. It was then that I appeared upon the scene and managed to extricate him from his dilemma.

As a token of his grat.i.tude he made me a present of this picture, which up to that time had been one of his most treasured possessions."

"And the man himself--what became of him?"

Pharos smiled an evil smile.

"Well, he was always unfortunate. On the self-same night that he made me the present to which I refer he experienced another run of ill luck."

"And the result?"

"Can you not guess? He returned to his lodgings to find that his daughter was dead, whereupon he wrote me a note, thanking me for the a.s.sistance I had rendered him, and blew his brains out at the back of the Kursaal."

On hearing this I recoiled a step from the picture. While it flattered my vanity to hear that the wretched man who had lost fame, fortune, and everything else should still have retained my work, I could not repress a feeling of horror at the thought that in so doing he had, unconsciously, it is true, been bringing me into connection with the very man who I had not the least doubt had brought about his ruin. As may be supposed, however, I said nothing to Pharos on this score. For the time being we were flying a flag of truce, and having had one exhibition of his powers, I had no desire to experience a second.

Whether he read what was pa.s.sing in my mind or not I can not say. At any rate, he changed the subject abruptly and led me away from my own work to another at the farther end of the hall. From this we pa.s.sed into an anteroom, which, like the hall, was hung with pictures. It was a magnificent apartment in every way, but, as I soon discovered, was eclipsed by the larger room into which it opened. The latter could not have been less than eighty feet long by forty wide. The walls were decorated with exquisite pictures, and, if such a thing were possible, with still more exquisite china. All the appointments were in keeping.

At the farther end was a grand piano, and seated near this, slowly fanning herself with a large ostrich-feather fan, was the woman I had seen first at the Academy, then at Medenham House, and earlier that very day in the Piazza S. Ferdinando. Upon our entrance she rose, and once more I thought I discovered a frightened look in her face. In a second, however, it had pa.s.sed and she had once more recovered her equanimity.

"Valerie," said Monsieur Pharos, "I have been fortunate enough to meet Mr. Forrester, who arrived in Naples last night, and to induce him to dine with us this evening."