"What?" Lynley urged. "Didn't see what?"

Havers leaned forward. "Who? Gowan, who?"

With an enormous effort, the boy's eyes sought her. But he said nothing more. His body shuddered once and was still.

LYNLEY FOUND that he had grasped hold of Gowan's shirt in a frantic attempt to infuse his tortured body with life. Now he released him, letting the corpse rest back upon the step, and a monumental sense of outrage filled him. It began as a howling, curling deep within muscles, tissues, and organs, screaming to get out.

He thought of the wasted life-the generations of life callously destroyed-in the single young boy who had done... what? Who had paid for what crime? What chance remark? What piece of knowledge?

His eyes burned, his heart pounded, and for a moment he chose to ignore the fact that Sergeant Havers was speaking to him. Her voice broke wretchedly.

"He pulled the ruddy thing out! Oh my G.o.d, Inspector, he must have pulled it out!"

Lynley saw that she had gone back to the boiler in the corner of the room. She was kneeling on the floor, mindless of the water, a torn piece of towel in her hand. Using it, she lifted something from the pool and Lynley saw it was a kitchen knife, the very same knife he had seen in the hands of the Westerbrae cook a few short hours before.

8.

THERE WASN'T ENOUGH s.p.a.ce in the scullery, so Inspector Macaskin did his pacing in the kitchen. His left hand ran along the worktable in the centre of the room; he gnawed at the fingers of his right with vicious concentration. His eyes flicked from the windows that presented him blankly with his own reflection to the closed door leading towards the dining room. From there he could hear the raised wail of a woman's voice, and the voice of a man, raw with anger. Gowan Kilbride's parents from Hillview Farm, meeting with Lynley, flailing him mercilessly with the first fury of their grief. On the floor above them, behind closed and guarded doors, the suspects waited for their summons from the police. Again, Macaskin thought. He cursed himself soundly, his conscience shredded by the belief that had he not suggested letting everyone out of the library for dinner, Gowan Kilbride might well be alive.

Macaskin swung around as the scullery door opened and St. James stepped out with Strathclyde's medical examiner. He hurried to join them. Over their shoulders, he could see two other crime-scene men still at work in the small room, doing what they could to collect what evidence had not been obliterated by water and steam.

"Right branch of the pulmonary artery is my guess without a full postmortem," the examiner murmured to Macaskin. He was stripping off a pair of gloves, which he stuffed into his jacket pocket.

Macaskin directed a querying look at St. James.

"It could be the same killer." St. James nodded. "Right-handed. One blow."

"Man or woman?"

St. James blew out a reflective breath. "My guess is a man. But I wouldn't rule out the possibility of a woman."

"But surely we're talking about considerable strength!"

"Or a rush of adrenaline. A woman could do it if she were driven."

"Driven?"

"Blind rage, panic, fear."

Macaskin bit down too hard on his finger. He tasted blood. "But who? Who?" he demanded of no one.

WHEN LYNLEY unlocked the door to Robert Gabriel's room, he found the man sitting much like a solitary prisoner in a cell. He had chosen the least comfortable chair in the room and he leaned forward in it, his arms on his legs, his manicured hands dangling uselessly in front of him.

Lynley had seen Gabriel on the stage, most memorably as Hamlet four seasons past, but the man close-up was very different from the actor who swept the audience along with him through the tortured psyche of a Danish prince. In spite of the fact that he was not much past forty, Gabriel was starting to look worn out. There were pouches under his eyes, and a fatty layer had begun to take up permanent residence round his waist. His hair was well cut and perfectly combed, but in spite of a gel that attempted to encourage it into a modern style, it was thin upon his skull, artificial-looking as if he had enhanced its colour in some way. At the crown of his head, its thickness barely sufficed to cover a bald spot that made a small but growing tonsure. Youthfully dressed, Gabriel appeared to favour trousers and shirt of a colour and weight that seemed more appropriate to a summer in Miami Beach than a winter in Scotland. They were contradictions, notes of instability in a man one would expect to be self-a.s.sured and at ease.

Lynley nodded Havers towards a second chair and remained standing himself. He chose a spot near a handsome hardwood chest of drawers where he had an un.o.bstructed view of Gabriel's face. "Tell me about Gowan," he said. The sergeant crackled through the pages of her notebook.

"I always thought my mother sounded just like the police," was Gabriel's weary response. "I see I was right." He rubbed at the back of his neck as if to rid it of stiffness, then sat up in his chair and reached for the travel alarm clock on the bedside table. "My son gave this to me. Look at the silly thing. It doesn't even keep proper time any longer, but I've not been able to bring myself to toss it in the rubbish. I'd call that paternal devotion. Mum would call it guilt."

"You had a row in the library late this afternoon."

Gabriel gave a derisive snort. "We did. It seems Gowan believed that I'd been savouring one or two of Mary Agnes' finer qualities. He didn't much like it."

"And had you?"

"Christ. Now you sound like my ex-wife."

"Indeed. That doesn't go far to answering my question, however."

"I'd spoken to the girl," Gabriel snapped. "That's all."

"When was this?"

"I don't know. Sometime yesterday. Shortly after I arrived. I was unpacking and she knocked on the door, ostensibly to deliver fresh towels, which I didn't need. She stayed to chat, long enough to find out if I had any acquaintance with a list of actors who appear to be running neck and neck at the top of her marital-prospect list." Gabriel waited belligerently and when no additional question came forth he said, "All right, all right! I may have touched her here and there. I probably kissed her. I don't know."

"You may have touched her? You don't know if you kissed her?"

"I wasn't paying attention, Inspector. I didn't know I would have to account for every second of my time with the London police."

"You talk as if touching and kissing are knee-jerk reactions," Lynley pointed out with impa.s.sive courtesy. "What does it take for you to remember your behaviour? Complete seduction? Attempted rape?"

"All right! She was willing enough! And I didn't kill that boy over it."

"Over what?"

Gabriel had at least enough conscience to look uncomfortable. "Good G.o.d, just a bit of nuzzle. Perhaps a feel beneath her skirt. I didn't take the girl to bed."

"Not then, at least."

"Not at all! Ask her! She'll tell you the same." He pressed his fingers to his temples as if to quell pain. His face, bruised from his run-in with Gowan, looked riven by exhaustion. "Look, I didn't know Gowan had his eye on the girl. I hadn't even seen him then. I didn't know he existed. As far as I was concerned, she was free for the taking. And, by G.o.d, she didn't protest. She could hardly do that, could she, when she was doing her best to manage a feel of her own."

The actor's last statement rang with a certain pride, the kind evidenced by men who feel compelled to talk about their s.e.xual conquests. No matter how puerile the reported seduction appears to others, in the speaker it always meets some undefined need. Lynley wondered what it was in Gabriel's case.

"Tell me about last night," he said.

"There's nothing to tell. I had a drink in the library. Spoke to Irene. After that, I went to bed."

"Alone?"

"Yes, as hard as that may be for you to believe, alone. Not with Mary Agnes. Not with anyone else."

"That takes away an alibi, though, doesn't it?"

"Why in G.o.d's name would I need an alibi, Inspector? Why would I want to kill Joy? All right, I had an affair with her. I admit my marriage fell apart because of it. But if I wanted to kill her, I would have done so last year when Irene found out and divorced me. Why wait until now?"

"Joy wouldn't cooperate in the plan you had, would she, the plan to win your wife back? Perhaps you knew that Irene would come back to you if Joy would tell her that she'd been to bed with you only once. Not again and again over a year, but once. Except that Joy had no intention of lying to benefit you."

"So I killed her because of that? When? How? There's not a person in the house who doesn't know her door was locked. So what did I do? Hide in the wardrobe and wait for her to fall asleep? Or better yet, tiptoe back and forth through Helen Clyde's room and hope she wouldn't notice?"

Lynley refused to let himself become involved in a shouting match with the man. "When you left the library this evening, where did you go?"

"I came here."

"Immediately?"

"Of course. I wanted a wash. I felt like h.e.l.l."

"Which stairs did you use?"

Gabriel blinked. "What do you mean? What other stairs are there? I used the stairs in the hall."

"Not those right next door to this very room? The back stairs? The stairs in the scullery?"

"I had no idea they were even there. It's not my habit to prowl about houses looking for secondary access routes to my room, Inspector."

His answer was clever enough, impossible to verify if no one had seen him in the scullery or the kitchen within the last twenty-four hours. Yet certainly Mary Agnes had used the stairs when she worked on this floor. And the man wasn't deaf. Nor were the walls so thick that he would hear no footsteps.

It appeared to Lynley that Robert Gabriel had just made his first mistake. He wondered about it. He wondered what else the man was lying about.

Inspector Macaskin poked his head in the door. His expression was calm, but the four words he said held a note of triumph.

"We've found the pearls."

"THE GERRARD woman had them all along," Macaskin said. "She handed them over readily enough when my man got to her room for the search. I've put her in the sitting room."

Sometime since their earlier meeting that night, Francesca Gerrard had decided to deck herself out in a grating array of costume jewellery. Seven strands of beads in varying colours from ivory to onyx had joined those of puce, and she was sporting a line of metallic bracelets that made her movements sound as if she were in shackles. Discoidal plastic earrings striped violently in purple and black were clipped to her ears. Yet the tawdry display seemed the product of neither eccentricity nor self-absorption. Rather, it appeared however questionably to be a subst.i.tute for the ashes which women of other cultures pour upon their heads at the time of a death.

Nothing was quite so clear as the fact that Francesca Gerrard was grieving. She sat at the table in the centre of the room, one arm pressed tightly into her waist, one fi st clenched between her eyebrows. Swaying slowly from side to side, she wept. The tears were not spurious. Lynley had seen enough mourning to know when he was faced with the real thing.

"Get something for her," he said to Havers. "Whisky or brandy. Sherry. Anything. From the library."

Havers went to do so, returning a moment later with a bottle and several gla.s.ses. She poured a few tablespoons of whisky into one of the tumblers. Its smoky scent struck at the air like a sound.

With a gentleness unusual in her, Havers pressed the gla.s.s into Francesca's hand. "Drink a bit," she said. "Please. Just to steady yourself."

"I can't! I can't!" Nonetheless, Francesca allowed Sergeant Havers to lift the gla.s.s to her lips. She took a grimacing swallow, coughed, took another. Then she said brokenly, "He was...I liked to pretend he was my son. I've no children. Gowan...It's my fault that he's dead. I asked him to work for me. He didn't really want to. He wanted to go to London. He wanted to be like James Bond. He had dreams. And he's dead. And I'm to blame."

Like people afraid of making any sudden movements, the others in the room took seats surrept.i.tiously: Havers at the table with Lynley, St. James and Macaskin out of Francesca's line of vision.

"Blame is part of death," Lynley said quietly. "I bear equal responsibility for what's happened to Gowan. I'm not likely to forget it."

Francesca looked up, surprised. Clearly, she had not expected such an admission from the police.

"Part of myself feels lost. It's as if...No, I can't explain." Her voice quavered, then held.

Any man's death diminishes me, because I am involved in mankind. Exposed for years to death in a thousand and one horrible varieties, Lynley understood far better than Francesca Gerrard could ever have realised. But he said only, "You'll find that, in a case like this, a burial of grief comes hand-in-hand with justice. Not at once, of course. But eventually."

"And you need me for that. Yes. I do understand." She drew herself up, blew her nose shakily on a wadded tissue from her pocket, took another hesitant sip of whisky. Her eyes brimmed with tears again. Several escaped in a wet trail from cheeks to lips.

"How did you come to have the necklace in your room?" Lynley asked. Sergeant Havers took out her pencil.

Francesca hesitated. Her lips parted twice to speak before she was able to go on. "I took it back last night. I would have told you earlier in the drawing room. I wanted to. But when Elizabeth and Mr. Vinney began...I didn't know what to do. Everything happened so quickly. And then Gowan..." She faltered on the name, like a runner stumbling and not righting himself properly.

"Yes. I see. Did you go to Joy's room for the necklace or did she bring it to you?"

"I went to her room. It was on the chest of drawers by the door. I suppose I had changed my mind about her having it."

"You took it back as easily as that? There was no discussion?"

Francesca shook her head. "There couldn't have been. She was asleep."

"You saw her? You got into her room? Was the door unlocked?"

"No. I'd gone without my keys because I thought at first it might be unlocked. Everyone knew each other, after all. There was no reason to lock doors. But hers was locked, so I went to the office for the master keys."

"The key wasn't in her lock from the inside?"

Francesca frowned. "No...It couldn't have been, could it, or I wouldn't have been able to unlock it with my own."

"Take us through exactly what you did, Mrs. Gerrard."

Willingly, Francesca retraced her route from her bedroom to Joy's where she turned the door handle only to find the room locked; from Joy's room to her own where she picked up her desk key from her chest of drawers; from her room to her office where she took the master keys from the bottom drawer of her desk; from her office to Joy's room where she unlocked the door quietly, saw the necklace in the light from the corridor, took it, and relocked the door; from Joy's room to her office where she returned the keys; from her office back to her own room where she replaced the necklace in her jewellery box.

"What time was this?" Lynley asked.

"Three-fifteen."

"Exactly?"

She nodded and went on to explain. "I don't know whether you've ever done anything impulsive that you regret, Inspector. But I regretted parting with the pearls directly after Elizabeth took them to Joy. I lay in bed trying to decide what to do. I didn't want a confrontation with Joy, I didn't want to burden my brother Stuart with anything else. So I...well, I suppose I stole them, didn't I? And I know it was three-fifteen because I had been lying awake watching the clock and that's what time it was when I finally decided to do something about getting my necklace back."

"You said Joy was asleep. Did you see her? Hear her breathing?"

"The room was so dark. I...I suppose I a.s.sumed she was asleep. She didn't stir, didn't speak. She..." Her eyes widened. "Do you mean she might have been dead?"

"Did you actually see her in the room at all?"

"You mean in the bed? No, I couldn't see the bed. The door was in the way and I hadn't opened it more than a few inches. I just thought, of course..."

"What about your desk in your office? Was it locked?"