'Gillian, you got the time?'

'You got the money?' she replies, prompting laughter from Julie, sufficiently disproportionate as to indicate quality sucking-up.

'Gillian,' Kane warns.

She looks at her wrist.

'It's . . . sorry, watch must have stopped, sir.'

'Stopped when?' Sendak demands.

Gillian appears a little affronted by Sendak's sudden sternness.

'Eleven,' she informs him, before looking at Julie as if to ask: 'What's got up his a.r.s.e?'

'Fourth time this has happened out here,' Sendak says, irritated. Irritated is good, Kane thinks, trying to a.s.sess his level of concern.

Sendak then stops and takes out his compa.s.s, which Kane finds altogether less rea.s.suring. 'And look at this,' he says.

He shows Kane the dial.

'What am I looking for?' Kane asks by way of admitting he doesn't know one end of a compa.s.s from the other.

'The needle is pointing north.'

'Why is that bad?'

'Because that's due south. This has happened before too, except the needle usually just goes haywire. This time it's completely flipped its polarity.'

'Could we be on top of some underground power lines?'

Sendak gives a small shake of the head, looking away. Kane finds himself returning to the notion that there is something he is not being entirely truthful about.

Conscious of the approach of the permanently earwigging Gillian and Julie, Kane asks quietly: 'We're not . . . lost, or anything?'

'No. This is the same route I take everybody. We're less than a mile out, and I could find my way back from here blindfold. But something don't feel right. Let's pick up the pace, get everybody home.'

Sendak turns to address the whole group.

'Okay, people,' he booms out. 'This ain't no country stroll. Let's move like we got a party to get to.'

XVII Merrick's ears have stopped ringing but there's still blood on the tissue each time he dabs either of them. Everyone he sees walking past has smears of it at least, and in some casualties it is still running profusely as they are helped to first aid stations. He had intended to go and get checked out himself when he thought he was the only one afflicted, but it's clear that it pa.s.sed through the entire place like a shockwave, its epicentre in the Cathedral.

He was in the Beta labs when it happened. The ever-present throbbing, cyclical pulse had softened, its dwindling intensity like beating a tattoo of retreat. He knew the machine was in its final cycle before the shutdown process, and though it still had hours to run, he speculated that this indicated the onset of some advance procedure, perhaps the running-down of an auxiliary system. Quieter and quieter it faded, then there was a stillness he hadn't heard in this place in months. Despite his turmoil over the project being suspended, he could feel a big part of himself breathe out in that small moment of calm silence: the resolution of a conflict being over, even if he knew his own battle was just about to begin.

Then it was as if he was punched simultaneously on both sides of his head, while an enormous, ma.s.sively amplified version of those infernal static pings ripped through the lab, shattering the gla.s.s on several monitors and instantly burning out the screens of the unshielded ones. His ears started bleeding and his legs gave way amidst a failure of balance and the onset of dizziness as extreme as though he'd been spun inside a jet engine. He cracked a flailing arm against a gla.s.s shelf as he fell, sending beakers and test tubes hurtling to the floor where they smashed and splattered their contents.

He sat slumped on the floor, too dizzy to move out of the way of the seeping fluids, expecting an alert to sound. He heard nothing. Absolutely nothing, beyond the ringing in his ears. For a moment he thought this was because his hearing had been damaged, but after a minute or so, as the ringing and the dizziness receded, it became apparent that there really was silence.

Then the pulsing returned, building up again as incrementally as it had faded, and some kind of equilibrium was restored. It was as though they were all waiting for this signal, this sound to reanimate them. In the silence there was fear, there was unknowing: had something gone wrong with the machine? But upon its resumption, in labs, in chambers, in tunnels and corridors, despite shock and a few injuries, everyone quickly resumed their duties, perhaps with even more alacrity - if that were possible.

The process is well underway, even before the anomaly itself has been closed: the systematic eradication of all tangible traces that this operation ever happened. The soldiers can't wait for this to be over, but they're not going to let their eagerness spill into impatience. They are being fastidiously methodical, albeit with demob-happy enthusiasm. Thus anything that obstructs their progress will be harshly dealt with. All samples, all data, all files have been inventoried and will have to be accounted for, down to even the last fragment of the last test tube lying smashed on the laboratory floor. As Steinmeyer predicted, nothing will be permitted to leak from this place but memories, and even those might be cleansed. According to Lucius, there was a contingency in place whereby all but the highest-ranking soldiers would be told they had been unknowingly subject to a drug experiment, and left with the rea.s.suring belief that nothing they saw here was real.

And where is is Steinmeyer? He hasn't seen him in hours. Merrick harboured a growing concern that he was planning to do something reckless, and would confess that it was the first thought that came into his head when that wave went through the place, but then when the pulsing resumed, the thought evaporated. Perhaps, like Merrick, Steinmeyer is inconspicuously going about his own salvage project, his own means of ensuring that his work here is not lost, and maybe whatever just happened to the machine was part of it, a means of distraction. Steinmeyer? He hasn't seen him in hours. Merrick harboured a growing concern that he was planning to do something reckless, and would confess that it was the first thought that came into his head when that wave went through the place, but then when the pulsing resumed, the thought evaporated. Perhaps, like Merrick, Steinmeyer is inconspicuously going about his own salvage project, his own means of ensuring that his work here is not lost, and maybe whatever just happened to the machine was part of it, a means of distraction.

Merrick's plan, in the initial phase at least, is considerably more low-tech. He's watching the corridor, both through the window on the door and via the CCTV monitor suspended on the laboratory wall, waiting for someone to come or go from The Little Vatican. There's been plenty of traffic through the corridor, especially after the wave, but no movement in or out of the former Alpha labs' card-locked door.

But now, finally, he sees what might be his chance. There's two soldiers coming down the pa.s.sage. He recognises them as Harper and Velasquez. They're kitted out in full body armour, side arms holstered on their hips. They only get suited and booted like that down here when they're dealing with the specimens, and from the grim expressions on their faces, he suspects he knows what task this particular detail has been charged with.

Merrick goes to the door as they reach the entrance opposite. He's expecting to see them press the intercom and request entry, but one of them goes straight for the key-swipe. They have their own auth code. It's definitely what he thinks.

Merrick grabs an aluminium measuring rod with his right hand and grips the handle of the door with his left. The card swiped, they push open the door to the Alpha labs and proceed inside. Merrick waits for the second of the soldiers to enter, then briskly strides across the pa.s.sage, sliding the rod between the door and its frame before it swings fully closed.

A few seconds is enough for the soldiers to clear the anteroom and enter the lobby, where they will present themselves to whoever is minding the store. Merrick nudges the door open slightly and listens out for voices: his green light to step just inside, out of sight.

'. . . been instructed to inform you that all Vatican jurisdiction over any aspect of this facility is hereby dissolved,' says Harper.

'Dissolved?'

'This is coming from the top. You are to cooperate in the surrender of all materials pertaining to any aspect of the work you carried out here,' adds Velasquez.

'But this work was carried out under the auspices of the Holy See. That it took place in your facility is immaterial. All doc.u.ments and samples stored herein are now the possessions of the Vatican.'

'Not any more. When I said it came from the top, I didn't just mean our top. Cardinal Tullian has already signed off on this order, as you can see from the doc.u.ment. When you leave this place, it will be with only the clothes you walked in wearing. But first, you are required to escort us to the containment pods.'

Merrick hears them exit: sounds like two priests as well as the soldiers. After the door closes, he waits another few seconds, listening out for any further activity in the lobby. There's none. He moves rapidly to the front desk, where the main admin computer has been left logged on. There are noises coming from adjacent rooms: someone could walk in here any second, so he knows he'll have to be quick. He pulls a keycard blank from his pocket and slides it into the mag-writer slot, then issues himself a new pa.s.s.

Another fraught thirty seconds' work tells him where he'll find what he's looking for: The Little Vatican's video files of the experiments, as well as CCTV footage of the containment area. Like his own doc.u.ments, they will have been scrupulously inventoried and the file tags cross-matched. He can't afford to have his own files show up back in the outside world, but if it looks like someone from the Vatican made the leak, then it becomes a different story. They also have a highly plausible motive for smuggling footage out of here: putting the fear of G.o.d back into the world - or at least the fear of h.e.l.l.

As he suspected, the files are not accessible remotely. He'll have to get them direct from the servers in the Alpha labs' AV room. He lifts the newly encoded keycard from the slot: he'll need it to exit the lobby and venture deeper into forbidden territory. But first he opens a wall-mounted cabinet and grabs one of their yellow suits, by way of disguise. Then, before proceeding any further, he retreats to the main door and retrieves the rod, which he had left there as insurance. The doors in this place didn't open from the inside without authorisation either, in order to trap anybody performing precisely the kind of tailgating stunt he just pulled.

He's in sight of the AV room when a priest emerges from a door off the same corridor, carrying a folder full of papers. Merrick gives him a cursory nod as they pa.s.s, and it takes all of his willpower to deny himself the rea.s.surance of a look back to make sure the priest is continuing on his way.

By the time he reaches the door of the AV room, he fears he's going to be sick from nerves inside the suit. He staggers against the door and it falls open, card-swipe not required.

Merrick pushes the door closed again and takes a moment to steady himself. It was one thing sneaking into the TLV lobby, but as that priest pa.s.sed him, it hit home that if he's stopped and caught now, he's going to jail. And if this is how he feels about walking past one priest, how is he going to cope when it comes to smuggling data past the military?

He asks himself how committed he really is to the n.o.ble goal of science. Committed enough to carry out the things he did in this place; committed enough to be complicit in the acts that took place in the test chamber. The compromises he has made, the resurrectionist's Faustian pact he entered into to steal that crucial glimpse: all of these become merely craven excuses for self-seeking amorality if he's not prepared to make a sacrifice of himself.

He takes a seat before the bank of monitors and plugs a USB- cable into one of the servers. Flash memory is so compact these days that he could leave this place 'with only the clothes he walked in wearing', yet have hundreds of gigs' worth of files secreted about him. Scary as that final walk would be, the real issue would be traceability, and he has that covered.

There's a lot of files. He can't take them all, but he only needs a sample: enough to prove what really happened here, and in particular his paradigm-shattering discoveries regarding holy water: again, another plausible motive for the Vatican to have made the leak.

He scans through the lists, finds the corresponding dates, and begins copying the files to his compact media player, a device that would normally be known as an iPhone in the outside world, where it might be permitted to connect to a comms network. As he waits for the data to transfer, he glances at the monitors, his eyes drawn by movement on one of the screens. It's the soldiers and their Vatican escorts: they've reached the containment area, the priests having donned radiation suits en route. Merrick moves to a second keyboard and toggles through the CCTV controls, pulling up images from the expanded brig on all of the screens and fading in the sound.

There are rows upon rows upon rows of those pods, but no movement from within. That, he is certain, is about to change.

Harper approaches a wall cabinet just inside the door: four rifles racked behind a mesh-reinforced gla.s.s panel, at the side of which is a combination keypad. He keys in six numbers. Nothing happens.

's.h.i.t,' he mutters.

'You forget your code?' asks Velasquez.

'I know my code. We're in The Little Vatican: they got their own auth codes this side of the rainbow.'

'I'm Catholic myself,' Velasquez mutters, 'and I don't care if G.o.d strikes me down for saying it, but those guys creep me out almost as much as the diablos diablos, man.'

Harper turns to the two priests.

'The use of decoherence weapons has not only been authorised, but explicitly specified. We need you to open these cabinets. Now Now.'

So he was right. Total annihilation. There would be nothing left, not even dust.

Decoherence rifles: they were Steinmeyer's price, what he sold of his soul to pay for his place here, with his hand on the controls of what the facility housed. Weapons so deadly, the army had never allowed them to leave this base. Their calculation of the risk-benefit equation had resolved that the threat of anyone else getting hold of such devices was far too great a price to pay even for the considerable advantage they would confer upon their own troops. It had been generally a.s.sumed that they would be decommissioned and buried before ever being fired in anger - but that was before the demons came through, and the military bra.s.s had reason to be a little less trusting in the efficacy of conventional ballistic technologies.

The rifles were so secret that even their naming was an act of misinformation, intended to cloud speculation should anybody ever be telling tales out of school. They had nothing to do with decoherence. Steinmeyer's field of interest was gravity, and in particular why it exerts such power despite its comparative weakness next to the other three forces. In the case of the electromagnetic force, this was due to the mutual cancellation of positive and negative charge. The greater strength of the electromagnetic force over gravity was such that if there was a difference of even 0.00001 per cent between the positive and negative charges within the human body, its atoms would be torn apart and instantaneously scattered into s.p.a.ce.

Steinmeyer invented a weapon that created precisely that differential at a localised target; only for a nanosecond, but a nanosecond was all it took. The decoherence rifle was an abomination, but it was the price he had considered worth paying in order to facilitate the pursuit of his true ambitions. Now it was about to be used to erase the most tangible evidence that his greater work had ever borne fruit.

'I'd like to contact the Cardinal before you do this,' says one of the priests up on screen. 'There may be a rite that it is necessary to perform in order to cleanse-'

'Just open the G.o.dd.a.m.n weapons cabinet. No, second thoughts, just give me your code. You guys don't get to keep secrets here any more.'

The priest rhymes off a sequence of six numbers. Merrick can't see his face through the visor, but from the tone of his voice he can tell he's doing so with dignity and humility: no whining, no bad grace. Harper turns to the cabinet once again and keys in the code.

Still it doesn't open.

'Father,' he says gravely, 'I am warning you: you no longer enjoy any kind of special privilege or protection. You give the correct G.o.dd.a.m.n code, right now, or so help-'

Harper has glimpsed something behind the two priests, something that halts him mid-sentence. Velasquez turns his head to see what Harper is looking at.

Merrick watches on a different monitor, viewing the scene from another angle.

Oh G.o.d.

The barred steel gate on one of the pens is ajar. It's open only slightly, but in such circ.u.mstances that distinction has the same meaning as only slightly pregnant.

'The f.u.c.king code - now now!' Harper yells.

'But that was was the code,' the priest insists, a millisecond before something flashes across Merrick's screen. When he looks back at the first monitor, he sees Harper on the ground, one of the creatures clawing frenziedly on top of him. Velasquez unhol sters his side arm and a shot rings out, but not before a second demon has hurled itself headlong into him, taking him down. the code,' the priest insists, a millisecond before something flashes across Merrick's screen. When he looks back at the first monitor, he sees Harper on the ground, one of the creatures clawing frenziedly on top of him. Velasquez unhol sters his side arm and a shot rings out, but not before a second demon has hurled itself headlong into him, taking him down.

One of the priests makes a lunge towards a wall rack, where two of their electrified pikes are lodged alongside four more empty slots. He reaches towards the nearer shaft with both hands, but just as they are about to grasp it, another pike swings from somewhere unseen and shatters his visor with an electric crackle.

The other priest stands frozen for a moment, then breaks suddenly from his terrified stasis and turns to run for the door. He stops after one pace, halted by a shuddering impact. He looks down and sees another pike jutting from his midriff, a scaly talon curled around it.

The demon takes a step back and angles the pike, lifting him off the ground. He jitters and trembles spastically, blue sparks dancing about the edges of the suit like an aura, before an eruption of blood spatters the inside of the visor.

Merrick watches as though hypnotised. It feels like he's stranded there, unable to move, though in reality it's all taken five seconds at most.

The pods are open. The f.u.c.king pods are open. On the monitors, he sees dozens of demons emerging from their pens, suddenly aware that their way is no longer barred.

Merrick looks at the door to the AV room, remembers how he fell against it. The red light is on next to the key-swipe, indicating that it's locked. He turns the handle. It opens freely. f.u.c.k. Jesus. The key-readers are functioning normally, but the mag-locks themselves are dead. That pulse from the machine, that shock wave that had run through the entire base: it had disabled the magnetics. Every door in the complex is open.

He hears a gurgling scream from the speakers and looks up again in response. Before he can avert his eyes, he sees Velasquez's terrified face as his scream is choked to silence by a demon's claw emerging from inside inside his mouth. his mouth.

Two screens along, Harper is being ripped apart.

Merrick hauls the headpiece and visor off the radiation suit and grips the desktop for balance. When his head stops swimming, a degree of clarity returns amid the fear and panic. He's got to sound the alert. He tears off the suit. It's no longer relevant that he's in deep s.h.i.t for trespa.s.sing on the Alpha labs - none of that matters now. He has to let everyone know.

He uses the headpiece to smash the gla.s.s on the emergency panel and thumps the alarm b.u.t.ton. There's a pregnant second while he waits, like the system needs to breathe in before it can call out its warning. The second becomes two. Three. He hits the b.u.t.ton again, holds it down. f.u.c.k.

Don't panic. Try another.

He opens the door, staggers into the corridor, repeats the procedure on the first panel he can find, only a few yards along.

Still nothing.

Oh no.

The alarm system has been disabled, the mag-locks have been wiped out by an electromagnetic pulse and the auth codes have been changed on the cabinets storing the decoherence rifles.

Oh Jesus Christ no.

Steinmeyer.

He sees it, too late. Merrick thought he could convince the world of the truth with a few smuggled video files, but Steinmeyer knew there was one way of ensuring that the military couldn't suppress what happened here, one way of guaranteeing that further research would not only be permitted, but would become utterly imperative.

For this infernal pit shall never hold Celestial Spirits in bondage, nor th' Abyss long under darkness cover.

Chaos and Eternal Night

XVIII Yeah.

It's all happening. Makeshift stage at one end of the dining room, speakers stacked either side. The man Sendak has some decent kit, Radar has been pleasantly surprised to discover. Must throw some parties up here for all the corporate w.a.n.ks learning to be proactive hothousing go-getters. Whatever. f.u.c.k them. Got a lighting rig, USB connector so that it can respond to the tunes: spinning ball in the centre of it, firing laser effects about the place. UV lamp to make all these peely-wally Scots look suntanned, and show up all the pooks on their clothes.

Found a big box of Christmas decorations in a storeroom. Bit early for that, you could argue, first week of December, so they've just draped the tinsel and laid off the flashing Santas and the like. The point is to make the place look fit for a party, and it does. Good as any effort they ever cobble together back at St Pete's anyway. Same old rolls of twisted crepe paper they've probably been hanging since the place was built back in the seventies.

No sound system like this back in the San Pedro dinner hall of an evening, either. And no chance of him being granted control of it. This is the berries. Got his cans on, got double decks, got two litres of Merrydown transferred into a jumbo plastic ginger ale bottle stashed beneath the table. It's not a perfect colour match, but n.o.body can tell in the dark. Could do with some actual f.u.c.king records to play, but you cannae have everything. He's connected up the turntables anyway, just because it looks good. It's not Father Ted Father Ted though: stuck playing the one song all night. The whole show's running off a laptop, and everybody with an MP3 player has had the chance to upload their stuff. though: stuck playing the one song all night. The whole show's running off a laptop, and everybody with an MP3 player has had the chance to upload their stuff.

Yeah.

Radar's cued up 'Cloudy Room'. Perfect for the occasion. It's f.u.c.king Sat.u.r.day night! Having a bit of it up on the stage, starting to move, tapping time with his fingers, ba.s.s drum, hi-hat, ba.s.s guitar, waiting for the big snare beat to kick in.