This type of sepulchral structure dates almost from prehistoric times, and was in great favor with the Etruscans. The territories of Vulci, near the Ponte dell' Abbadia, and of Veii, near the Vaccareccia, are dotted with these mounds, which the peasantry call _coc.u.melle_.

Augustus made the type popular among the Romans, as is proved by the large number of tumuli which date from his age, on the Via Salaria, the Via Labicana, and the Via Appia.

His tomb was entered from the south, the entrance being flanked by monuments of great interest, such as the obelisks now in the Piazza del Quirinale and the Piazza di S. Maria Maggiore; the copies of the decrees of the Senate in honor of the personages buried within; and, above all, the _Res gestae divi Augusti_, a sort of political will, autobiography, and apology, the importance of which surpa.s.ses that of any other doc.u.ment relating to the history of the Roman Empire.

This was written by Augustus towards the end of his life. He ordered his executors to have it engraved on bronze pillars on each side of the entrance to his mausoleum. That his will was duly executed by Livia, Tiberius, Drusus, and Germanicus, his heirs and trustees, is proved by the frequent allusions to the doc.u.ment made by Suetonius and Velleius, and also by the copies which have come down to us, not from Rome or Italy, but from the remote provinces of Galatia and Pisidia.

It was customary in ancient times to raise temples in honor of the rulers of the empire, and to ornament them with their images and eulogies. These were called _Augustea_ or _aedes Augusti et Romae_ in the western provinces, seaste?a in eastern or Greek-speaking countries,[95] Ancyra (Angora), the capital of Galatia, and Apollonia, the capital of Pisidia, were the foremost among the Asiatic cities to pay this honor to the founder of the empire.

The Ancyran temple owes its preservation to the Christians, who made use of it as a church from the fourth to the fifteenth centuries, and also to the Turks, who have turned it into a mosque a.s.sociated with the Hadji Beiram. The temple and its invaluable epigraphic treasures became known towards the middle of the sixteenth century. In 1555 an emba.s.sy was sent by the emperor Ferdinand II. to Suleiman, the khalif, who was then residing at Amasia.[96] It so happened that the head of the mission, Ogier Ghislain Busbecq, and his a.s.sistant, Antony Wrantz, bishop of Agram, were fond of archaeological investigation. They were struck by the importance of the Augusteum at Ancyra; and with the help of their secretaries, they made a tolerably good copy of its inscriptions. Since 1555 the place has been visited many times, notably by Edmond Guillaume, in 1861, and by Humann, in 1882.[97]

There are two copies of the will of Augustus engraved on the marble wall of the temple: one in Latin, which is in the p.r.o.naos, on either side of the door; the other in Greek, on the outer wall of the cella.

Both were transcribed (or translated) "from the original, engraved on the bronze pillars at the mausoleum in Rome." The doc.u.ment is divided into three parts, and thirty-five paragraphs. The first part describes the honors conferred on Augustus,--military, civil, and sacerdotal; the second gives the details of the expenses which he sustained for the benefit and welfare of the public; the third relates his achievements in peace and war; and some of the facts narrated are truly remarkable. He says, for instance, that the Roman citizens who fought under his orders and swore allegiance to him numbered five hundred thousand, and that more than three hundred thousand completed the term of their engagement, and were honorably dismissed from the army. To each of these he gave either a piece of land, which he bought with his own money, or the means of purchasing it in other lands than those a.s.signed to military colonies. Since, at the time of his death, one hundred and sixty thousand Roman citizens were still serving under the flag, the number of those killed in battle, disabled by disease, or dismissed for misconduct, in the course of fifty-five years[98] is reduced to forty thousand. The percentage is surprisingly low, considering the defective organization of the military medical staff, and the length and hardships of the campaigns which were conducted in Italy (Mutina), Macedonia (Philippi), Acarnania (Actium), Sicily, Egypt, Spain, Germany, Armenia and other countries. The number of men-of-war of large tonnage, which were captured, burnt, or sunk in battle, is stated at six hundred. In the naval engagement against s.e.xtus Pompeius, off Naulochos, he sank twenty-eight vessels, and captured or burnt two hundred and fifty-five; so that only seventeen out of a powerful fleet of three hundred could make their escape.

Thrice he took the census of the citizens of Rome; the first time in the year 29-28 B. C., when 4,063,000 souls were counted; the second in the year 8 B. C., showing 4,233,000; the third in 14 A. D., with 4,937,000. Under his peaceful rule, therefore, there was an increase of 874,000 in the number of Roman citizens. He remarks with pride that, while from the beginning of the history of Rome to his own age the gate of the Temple of Ja.n.u.s had been shut but twice, as a sign that peace was prevailing over land and sea, he had been able to close it three times in the course of fifty years. His liberalities are equally surprising. Sometimes they took the form of free distributions of corn, oil, or wine; sometimes of an allowance of money. He a.s.serts that he spent in gifts the sum of six hundred and twenty millions of sestertii, nearly twenty-six millions of dollars. Adding to this sum the cost of purchasing lands for his veterans in Italy (six hundred millions) and in the provinces (two hundred and sixty millions), of giving pecuniary rewards to his veterans (four hundred millions), of helping the public treasury (one hundred and fifty millions), and the army funds (one hundred and seventy millions), besides other grants and bounties, the amount of which is not known, we reach a total expenditure for the benefit of his people of ninety-one million dollars.

I need not speak of the material renovation of the city, which he found of brick and left of marble. Roads, streets, aqueducts, bridges, quays, places of amus.e.m.e.nt, places of worship, parks, gardens, public offices, were built, opened, repaired, and decorated with incredible profusion. Suetonius says that, on one occasion alone, he offered to Jupiter Capitolinus sixteen thousand pounds of gold and fifty millions' worth of jewels. In the year 28 B. C. not less than eighty-two temples were rebuilt in Rome itself.

Were we not in the presence of official statistics and of state doc.u.ments, we should hardly feel inclined to believe these enormous statements. We must remember, too, that the work of Augustus was seconded and imitated with equal magnitude by his wealthy friends and advisers, Marcius Philippus, Lucius Cornificius, Asinius Pollio, Munatius Plaucus, Cornelius Balbus, Statilius Taurus, and above all by Marcus Agrippa, to whom we owe the aqueducts of the Virgo and Julia, the Pantheon, the Thermae, the artificial lake (_stagnum_), the Portico of the Argonauts, the Temple of Neptune, the Portico of Vipsania Palta, the Diribitorium, the Septa, the Campus Agrippae, a bridge on the Tiber, and hundreds of other costly structures. During the twelve months of his aedileship, in 19 B. C., he rebuilt the network of the city sewers, adding many miles of new channels, erected eight hundred and five fountains, and one hundred and thirty water reservoirs. These edifices were ornamented with three hundred bronze and marble statues, and four hundred columns.

We have seen works of perhaps greater importance accomplished in our age; but, as Baron de Hubner remarks, in speaking of another great man, Sixtus V., they are the joint product of government, national credit, speculation, and public and private capital; and they are facilitated by wonderful mechanical contrivances. The transformation of Rome at the time of Augustus was the work of a few wealthy citizens, whose names will forever be connected with their splendid creations.

The gates of the Mausoleum of Augustus were opened for the last time in A. D. 98, for the reception of the ashes of Nerva. We hear no more of it until the year 410, when the Goths ransacked the imperial vaults. No harm, however, seems to have been done to the building itself at that time. Like the mausolea of Metella, on the Appian Way, and Hadrian, on the right bank of the Tiber, it was subsequently converted into a stronghold, and occupied by the Colonnas. Its ultimate destruction, in 1167, marks one of the great occurences in the history of mediaeval Rome.

Between the counts of Tusculum, partisans of the German Empire, and the Romans, devoted to their independent munic.i.p.al government, there was a feud of long standing, which had resulted occasionally in open violence. In 1167, Alexander III. being Pope, the Romans decided to strike the decisive blow on the Tusculans, as well as on their allies, the Albans. The cardinal of Aragona, the biographer of Alexander III., states that towards the end of May, when the cornfields begin to ripen, the Romans sallied forth on their expedition against Count Raynone, much against the Pope's will; and having crossed the frontier of his estate, set fire to the crops, uprooted trees and vineyards, ruined farmhouses, killed cattle, and laid siege to the city itself.

Raynone, knowing how precarious his position was, implored the help of the emperor Frederic, who was at that time encamped near Ancona. The request was granted, and a body of German warriors returned with the amba.s.sadors to the rescue of Tusculum. They soon perceived that, although the Romans had the advantage of numbers, they were so imperfectly drilled and so insubordinate that the chances were equal for both sides. The battle was opened at nine o'clock on the morning of Whit-Monday, May 30, 1167. The twelve hundred Germans, led by Christian, archbishop of Mayence, and three hundred Tusculans, led by Raynone, gallantly attacked the advance guard of the Roman army, which numbered thirty thousand men. Overcome by panic, the Romans fled and disbanded at the first encounter. They were closely followed from valley to valley, and slain in such numbers that scarcely one third of them reached the walls of Aurelian in safety. The local memories of the battle still survive, after a lapse of eight centuries; the valley which leads from the villa of Q. Voconius Pollio (Sa.s.sone) to Marino being still called by the peasantry "la valle dei morti."

On the following day an emba.s.sy was sent to Archbishop Christian and Count Raynone begging leave to bury the dead. The permission was granted, with the humiliating clause that the number of dead and missing should be reported at Tusculum. The legend says that the number ascertained was fifteen thousand, which is an exaggeration.

Contemporary historians speak of only two thousand dead and three thousand prisoners, who were sent to Viterbo. The chronicle of Sikkardt adds that the Romans were encamped near Monte Porzio; that the battle lasted only two hours, and that the dead were buried in the church of S. Stefano, at the second milestone of the Via Latina, with the following inscription:--

MILLE DECEM DECIES ET s.e.x DECIES QVOQVE SENI,--

which, if genuine, proves that the number of killed in battle was only eleven hundred and sixty-six, that is, 1,000+100+60+6.

The connection of the Mausoleum of Augustus with this mediaeval battle of Cannae is easily explained. The mausoleum had been selected by the Colonnas for their stronghold in the Campus Martius, and it was for their interest to keep it in good repair. As happens in cases of crushing defeats, when the succ.u.mbing party must find an excuse and an opportunity for revenge, the powerful Colonnas were accused of high treason, namely, of having led the advance-guard of the Romans into an ambush. Consequently they were banished from the city, and their castle on the Campus Martius was destroyed. Thus perished the Mausoleum of Augustus.

The history of its ruins, however, does not end with the events just described. Most important of all, they are a.s.sociated with the fate of Cola di Rienzo. His biographer, in Book III. ch. xxiv., says that the body of the Tribune was allowed to remain unburied, for two days and one night, on some steps near S. Marcello. Giugurta and Sciarretta Colonna, leaders of the aristocratic faction, ordered the body to be dragged along the Via Flaminia, from S. Marcello to the mausoleum which had been occupied and fortified by that powerful family once more in 1241. In the mean time, the Jews had gathered in great numbers around the "Campo dell' Augusta," as the ruins were then called.

Thistles and dry brushwood were collected and set afire, and the body thrown into the flames; this extemporized pyre being fed with fresh fuel until every particle of the corpse was consumed. A strange coincidence, that the same monument which the founder of the empire, the oppressor of Roman liberty, had chosen for his own burial-place, should serve, thirteen centuries later, for the cremation of him who tried to restore popular freedom! Here is the description of the event by a contemporary: "Along this street (the Corso of modern days) the corpse was dragged as far as the church of S. Marcello. There it was hung by the feet to a balcony, because the head had been crushed and lost, piece by piece, along the road; so many wounds had been inflicted on the body that it might be compared to a sieve (_crivello_); the entrails were protruding like a bull's in the butchery; he was horribly fat, and his skin white, like milk tinted with blood. Enormous was his fatness,--so great as to give him the appearance of an ox (_bufalo_). The body hung from the balcony at S.

Marcello for two days and one night, while boys pelted it with stones.

On the third day it was removed to the Campo dell' Augusta, where the Jewish colony, to a man, had congregated; and although the pyre had been made only with thistles, in which those ruins abounded, the fat from the corpse kept the flames alive until their work was accomplished. Not an atom of the great champion of the Romans was left."

I need not remind the reader that the house near the Ponte Rotto, and opposite the Temple of Fortuna Virilis, which guides attribute to Cola di Rienzo, has no connection with him.[99] He was born and lived many years near the church of S. Tommaso in Capite Molarum, between the Palazzo Cenci and the synagogue of the Jews, on the left bank of the Tiber. The church is still in existence, although it has changed its mediaeval name into that of S. Tommaso a' Cenci.

The house by the Ponte Rotto, just referred to, has still another name in folk-lore; it is called the _House of Pilate_. The denomination is not so absurd as it at first seems; it brings us back to bygone times, when pa.s.sion-plays were performed in Rome in a more effective way than they are now exhibited at Oberammergau. They took place, not on a wooden stage, so suggestive of conventionality, but in a quarter of the city most wonderfully adapted to represent the Via Dolorosa of Jerusalem, from the houses of Pilate and Caiaphas to the summit of Calvary.

The pa.s.sion-play began at a house, Via della Bocca della Verita, No.

37, which is still called the "Locanda della Gaiffa," a corruption of _Gaifa_, or _Caiaphas_. From this place the procession moved across the street to the "Casa di Pilato," as the house of Crescenzio was called, where the scenes of the Ecce h.o.m.o, the flagellation, and the crowning with thorns, were probably enacted. The Via Dolorosa corresponds to our streets of the Bocca della Verita, Salara, Marmorata, and Porta S. Paolo; there must have been stations at intervals for the representation of the various episodes, such as the meeting with the Virgin Mary, the fainting under the cross, the meeting with Veronica and with the man from Cyrene. The performance culminated on the summit of the Monte Testaccio, where three crosses were erected. One is still there.

Readers who have had an opportunity of studying the Via Dolorosa at Jerusalem will be struck by the resemblance between the original and its Roman imitation. The latter must have been planned by crusaders and pilgrims on their return from the Holy Land towards the end of the thirteenth century. Every particular, even those which rest on doubtful tradition, was repeated here, such as that referring to the house of the rich man, and to the stone in front of it on which Lazarus sat. A ruin half-way between the house of Pilate, by the Ponte Rotto, and the Monte Testaccio, or Calvary, is still called the Arco di S. Lazaro.

The Mausoleum of Augustus was explored archaeologically for the first time in 1527, when the obelisk now in the Piazza di S. Maria Maggiore was found on the south side, near the church of S. Rocco. On July 14, 1519, Balda.s.sarre Peruzzi discovered and copied some fragments of the original inscriptions _in situ_; but the discovery made in 1777 casts all that preceded it into the shade. In the spring of that year, while the corner house between the Corso and the Via degli Otto Cantoni (opposite the Via della Croce) was being built, the _ustrinum_, or sacred enclosure for the cremation of the members of the imperial family, came to light, lined with a profusion of historical monuments. Strabo describes the place as paved with marble, enclosed with bra.s.s railings, and shaded by poplars. The marble pavement was found at a depth of nineteen feet below the sidewalk of the Corso. The first object to appear was the beautiful vase of _alabastro cotognino_, now in the Vatican Museum (Galleria delle Statue), three feet in height, one and one half in diameter, with a cover ending in a lotus flower, the thickness of the marble being only one inch. The vase had once contained the ashes of one of the imperial personages in the mausoleum; either Alaric's barbarians or Roman plunderers must have left it in the _ustrinum_, after looting its contents.

The marble pedestals lining the borders of the square were of two kinds: some were intended to indicate the spot on which each prince had been cremated, others the place where the ashes had been deposited. The former end with the formula HIC CREMATVS (or CREMATA) EST, the latter with the words HIC SITVS (or SITA) EST.

Augustus was not the first member of the family to occupy the mausoleum. He was preceded by Marcellus (28 B. C.) whose premature fate is so admirably described by Virgil (aeneid, vi. 872); by Marcus Agrippa, in 14 B. C.; by Octavia, the sister of Augustus, in the year 13; by Drusus the elder, in the year 9; and by Caius and Lucius, nephews of Augustus. After Augustus, the interments of Livia, Germanicus, Drusus, son of Tiberius, Agrippina the elder, Tiberius, Antonia wife of Drusus, Claudius, Brittannicus, and Nerva are registered in succession. Of these great and, in many cases, admirable men and women, ten funeral cippi have been found in the _ustrinum_, some by the Colonnas before they were superseded by the Orsinis in the possession of the place, some in the excavations of 1777.

The fate of two of them cannot fail to impress the student of the history of the ruins of Rome. The pedestal of Agrippina the elder, daughter of Agrippa, wife of Germanicus, and mother of Caligula, and that of her eldest son Nero, were hollowed out during the Middle Ages, turned into standard measures for solids, and as such placed at the disposal of the public in the portico of the city hall. The pedestal of Nero perished during the renovation of the Conservatori Palace at the time of Michelangelo; that of Agrippina is still there.

The fate of this n.o.ble woman is described by Tacitus in the sixth book of the Annals; she was banished by Tiberius to the island of Pandataria, now called Ventotiene, where she spent the last three years of her life in solitude and grief. In 33 A. D.--the most memorable date in Christian chronology--she either starved herself to death voluntarily, or was starved by order of her persecutor. On hearing of her death the emperor eulogized his own clemency, because, instead of strangling the princess and exposing her body on the Gemonian steps, he had allowed her to die a peaceful death in that island. No honors were paid to her memory, but as soon as Caligula succeeded Tiberius in the government of the empire, he sailed to Pandataria, collected the ashes of his mother and relatives, and ultimately placed them in the mausoleum. The cippus represented in the ill.u.s.tration below is manifestly the work of Caligula, because mention is made on it of his accession to the throne. The hole excavated in it in the Middle Ages is capable of holding three _hundred_ pounds of grain, as shown by the legend RVGIATELLA DE GRANO, engraved in Gothic letters above the munic.i.p.al coat of arms. The three armorial shields below belong to the three syndics, or conservatori, by whose authority the standard measure was made. Another inscription, engraved in 1635 on the opposite side, says: "The S. P. Q. R. pay honor to the memory of the n.o.ble and courageous woman who voluntarily put an end to her life"

(and here follows a witticism of doubtful taste on the _bread_ which she denied herself, and on the _breadstuffs_, for the measurement of which her tomb had been used).

[Ill.u.s.tration: The Cippus of Agrippina the Elder, made into a measure for grain.]

The other cippi found in the _ustrinum_ mention four other children of Germanicus, among them Caius Caesar, the lovely child who was so much beloved by Augustus, and so deeply regretted by him. A statue representing the youth with the attributes of a Cupid was dedicated by Livia in the temple of the Capitoline Venus, and another one was placed by Augustus in his own bedroom, on entering and leaving which he never missed kissing the cherished image.

The Mausoleum of Augustus and its precious contents have not escaped the spoliation and desecration which seem to be the rule both in past and modern times. The building is used now as a circus. Its bas.e.m.e.nt is concealed by ign.o.ble houses; the urn of Agrippina is kept in the courtyard of the Palazzo dei Conservatori; three others have been destroyed, and six belong to the Vatican Museum.

THE TOMB OF NERO. The defection of the last Roman legion was announced to Nero while at dinner in the Golden House. On hearing the news, he tore up the letters, upset the table, dashed upon the floor two marvellous cups, called _Homeric_, because their chiselling represented scenes from the Iliad; and having borrowed from Locusta a phial of poison, went out to the Servilian gardens. He then despatched a few faithful servants to Ostia with orders to keep a squadron of swift vessels in readiness for his escape. After this he inquired of the officers of the praetorian guards if they were willing to accompany him in his flight; some found an excuse, others openly refused; one had the courage to ask him: "Is death so hard?" Then various projects began to agitate his mind; now he was ready to beg for mercy from Galba, his successful opponent; now to ask help from the Parthian refugees, and again to dress himself in mourning, and appear barefooted and unshaven before the public by the rostra, and implore pardon for his crimes; in case that should be refused, to ask permission to exchange the imperial power for the governorship of Egypt. He was ready to carry this project into execution, but his courage failed at the last moment, as he knew that the exasperated people would tear him to pieces before he could reach the Forum.

Towards evening he calmed his mind in the hope that there would be time enough to make a decision if he waited until the next day. As midnight approached he awoke, to find that the Praetorians detailed at the gates of the Servilian gardens had retired to their barracks.

Servants were sent to rouse the friends sleeping in the villa, but none of them returned. He went around the apartments, finding them closed and deserted. On re-entering his own room he saw that his private attendants had run away, carrying the bed-covers, and the phial of poison. Then he seemed determined to put an end to his life by throwing himself from one of the bridges; but again his courage failed, and he begged to be shown a hiding-place. It was at this supreme moment that Phaon the freedman offered him his suburban villa, situated between the Via Salaria and the Via Nomentana, four miles outside the Porta Collina. The proposal was accepted at once; and barefooted, and dressed in a tunic, with a mantle of the commonest material about his shoulders, he jumped on a horse and started for the gate, accompanied by only four men,--Phaon, Epaphroditus, Sporus, and another whose name is not given.

[Ill.u.s.tration: Head of Nero, in the Capitoline Museum.]

[Ill.u.s.tration: The Ponte Nomentano.]

The incidents of the flight were terrible enough to deprive the imperial fugitive of the last spark of hope. The sky was overcast, and heavy black clouds hung close to the earth, the stillness of nature being occasionally broken by claps of thunder. The earth shook just as he was riding past the praetorian camp. He could hear the shouts of the mutinous soldiers cursing his name, while Galba was proclaimed his successor. Farther on, the fugitives met several men hurrying towards the town in search of news. Nero heard some of them telling one another to be sure to run in search of him. Another pa.s.ser inquired the news from the palace. Before reaching the Ponte Nomentano, Nero's horse, frightened by a corpse which was lying on the roadside, gave a start. The slouched hat and handkerchief, with which the emperor was trying to conceal his face, slipped aside, and just at that moment a messenger from the praetorian camp recognized him, and by force of habit gave the military salute.

[Ill.u.s.tration: MAP SHOWING THE LOCATION OF PHAON'S VILLA]

Beyond the bridge the Via Nomentana divides: the main road, on the right, leads to Nomentum (Mentana); the left to the territory of Ficulea (la Cesarina). It is now called the Strada delle Vigne Nuove.

Nero and his followers took this country road. The particulars given by Suetonius suit the present aspect and the nature of the district so exactly that we can follow the four men step by step to the walls of Phaon's villa. The slopes of the hills were then, as they are now, uncultivated, and covered with bushes. There is still a path on the banks of the Fosso della Cecchina, leading to the rear wall of the villa, _aversum villae parietem_; and the hillsides are still honeycombed with pozzolana quarries, the _angustiae cavernarum_ of Suetonius. The villa extends on the tableland, or ridge, between the valleys of la Cecchina and Melaina. Its main gate corresponds exactly with the gate of the Vigna Chiari, the first of the "vigne nuove" on the right as one goes from Rome, at a distance of six kilometres from the threshold of the Porta Collina. For a radius of a thousand feet around the gate, we meet with the typical remains of a Roman villa of the first century,--porticoes, water tanks, and substructions, from the platform of which there is a lovely view over the wooded plains of the Tiber and the Anio, the city, and the hills of the Vatican, and of the Janiculum, which frame the panorama. The site is pleasant, secluded, and quiet, so that it well fulfilled the wish for a _secretior latetra_ expressed by Nero in his hopeless condition. The fugitives dismounted at the turn of the Strada delle Vigne Nuove, and let the horses loose among the brambles. Not wishing to be seen in the open road, they followed the lower path on the banks of the Cecchina, which was concealed by a thick growth of canes. It was necessary to bore a hole in the rear wall of the villa, and while this was being done, Nero quenched his thirst from a pond of stagnant water, near the opening of the pozzolana quarries. Once inside the villa, he was asked to lie down on a couch covered with a peasant's mantle, and was offered a piece of stale bread, and a gla.s.s of tepid water. Food he refused, but touched the rim of the cup with his parched lips. It is curious to read in Suetonius of the many grimaces the wretch made before he could determine to kill himself; he made up his mind to do so only when he heard the tramping of the hors.e.m.e.n whom the Senate had sent to arrest him. He then put the dagger into his throat, aided in giving the last thrust by his freedman Epaphroditus.

The centurion sent to take him alive arrived before he expired. To him Nero addressed these last words: "Too late! Is this your fidelity?" He gradually sank, his countenance a.s.suming such a frightful expression that all who were present fled in horror. Icelus, freedman of Galba, the newly elected emperor, gave his consent to a decent funeral.

Ecloge and Alexandra, his nurses, Acte his mistress, and the three faithful men who had accompanied him in his flight, provided the necessary funds, about five thousand dollars. The body was cremated, wrapped in a sheet of white woven with gold, the same that he had used on his bed New Year's night. The three women collected the ashes and placed them in the tomb of the Domitian family, which stood on the spur of the Pincian Hill which is behind the present church of S.

Maria del Popolo. The urn was of porphyry, the altar upon which it stood of Carrara marble, and the tomb itself of Thesian marble. A pathetic discovery has just been made in the Vigna Chiari, on the exact spot of Nero's suicide, by my friend, Cav. Rodolfo Buti, that of the tomb of Claudia Ecloge, the old woman who was so devoted to her nursling. The epitaph is a plain marble slab containing only a name.

But this simple inscription, read amid the ruins of Phaon's villa, with every detail of the scene of the suicide before one's eyes, makes more impression on the feelings than would a great monument to her memory. As she could not be buried within or near the family vault of the Domitii on the Pincian, she selected the spot where Nero's remains had been cremated.

"When Nero perished by the justest doom Which ever the destroyer yet destroy'd, Amidst the roar of liberated Rome, Of nations freed, and the world overjoy'd, Some hands unseen strew'd flowers upon his tomb,-- Perhaps the weakness of a heart not void Of feeling for some kindness done, when power Had left the wretch an uncorrupted hour."[100]

The original epitaph of Claudia Ecloge has been removed to the Capitoline Museum, where it seems lost among so many other objects of interest; but the student who will select the Vigne Nuove for an afternoon excursion will find there a facsimile, placed by our archaeological commission on the front wall of the Casino di Vigna Chiari.

THE TOMB OF THE FLAVIAN EMPERORS. The Via del Quirinale-Venti Settembre, which leads from the Quirinal Palace to the Porta Pia, corresponds exactly to the old Alta Semita, which was a street of such importance, on account of its length, straightness, and surroundings, that the whole region (the sixth) was named from it. For our present purpose we shall take into consideration only the first part, between the Quirinal Palace and the Quattro Fontane. It was bordered on the north side by the Temple of Quirinus, discovered and demolished in 1626, and by the Capitolium Vetus, the old Capitol, also destroyed in 1625, by Pope Barberini.

[Ill.u.s.tration: Plan of the Alta Semita.]

The opposite side of the street was lined with private mansions of families who were eminent in the history of the republic and the empire. The first belonged to Pomponius Atticus, the friend of Cicero, and to his descendants the Pomponii Ba.s.si. Cicero locates it between the Temple of Quirinus and the Temple of Health, that is, near the present church of S. Andrea al Quirinale; and precisely here, in November, 1558, the house was discovered by Messer Uberto Ubaldini, in such perfect condition that the family doc.u.ments and deeds, inscribed on bronze, were still hanging on the walls of the _tablinum_,--a fact that is recorded only twice in the annals of Roman excavations.[101]

The house, seen and described by Manuzio and Ligorio, stood at the corner of the Alta Semita and a side street called "The Pomegranate"

(_ad malum punic.u.m_), and was profusely adorned with statues, colonnades, s.p.a.cious halls, etc. One of the bronze tablets, which was saved from the ruins, and is now exhibited in the Gallery of the Uffizi, at Florence, states that the munic.i.p.al council of Ferentinum, a.s.sembled in the Temple of Mercury, had placed the city under the guardianship of Pomponius Ba.s.sus, A. D. 101. The patronage was accepted by the gallant patrician, and _tabulae hospitales_ were exchanged between the parties.