"Yes; it was true," a dark shade crossing her face. "But never mind me.

Fred asked me if I knew where to go to find three or four pretty girls.

He said he did not want '_biddies_;' they must be young and pretty; must be fair singers, and have nice manners. He could get gawks in plenty. He wanted lively young girls who would be interesting and attractive. Some new idea seemed to strike Arch Brookhouse. He took Fred aside, and by-and-by they called Louis, and the three talked a long time.

"The next day, Arch and Louis came to me. They knew where to find just the girls that would suit Fred, but it would be some trouble to get them. Then they told me all about the Groveland girls; Nellie and her sister, Mamie, Grace Ballou and one or two others. Arch knew Nellie and Grace. Louis seemed particularly interested in Mamie.

"Fred is a reckless fellow, and he would spend any amount to outdo the 'Gayety,' and he seemed infatuated with the new scheme for getting talent. Besides, he knew that he could pay them what he liked; they would not be clamoring for high salaries. He agreed to pay my expenses North if I would get the girls for him.

"Arch and Louis went home, and we corresponded about the business.

Finally, Arch wrote that three of the girls would attend school at Amora, the Spring term, and it was settled that I should attend also.

"I rather liked the prospect. Fred fitted me out in good style, and I went.

"Of course I soon found how to manage the girls. Mamie Rutger was ripe for anything new, and she did not like her step-mother. She was easy to handle.

"Grace was vain and easily influenced. She thought she could run away and create a sensation at home, and come back after a while to astonish the natives with her success as an actress.

"Nellie Ewing was more difficult to manage, but I found out that she was desperately in love with Johnny La Porte. Johnny had begun by being in love with Nellie, but her silly devotion had tired him, and besides, he is fickle by nature.

"I told Arch that if we got Nellie, it would have to be through La Porte. Arch knew how to manage La Porte, who was vain, and prided himself upon being a 'masher.' He thought to be mixed up in a sensational love affair, would add to his fame as a dangerous fellow. He sang a good tenor, and often sang duets with Nellie.

"Louis Brookhouse had a chum named Ed. Dwight; Ed. had been, or claimed to have been, a song and dance man. _I_ don't think he was ever anything more than an amateur, but he was perpetually dancing jigs, and singing comic songs, and went crazy over a minstrel show.

"Louis used to take Grace out for an occasional drive, and one day he introduced Ed. to Mamie.

"After a time, Arch and Louis thought they could better their original plan. Arch is a shrewd fellow, with a strong will, and he could just wind Johnny La Porte around his finger. Johnny took him for a model, for Arch was a stylish fellow, who knew all the ropes, and had seen a deal of the world; and Johnny, while he had been a sort of prince among the Grovelanders, had never had a taste of town life.

"Arch managed Johnny, and _he_ managed Nellie Ewing."

She paused, and something in her face made me say, sternly:

"How did Johnny La Porte manage Nellie Ewing?" and then I glanced ominously at my watch, which I still held in my hand.

She moved uneasily, and averted her eyes.

"Nellie was conscientious," she resumed, reluctantly. "She had all sorts of scruples. But Johnny told her that he was to go South and study law with his mother's cousin, who lived in New Orleans. He said that he dared not marry until he had finished his studies, but if she would marry him privately, and keep the marriage a secret, she could go South and they would not be separated.

"She agreed to this, and the ceremony was performed. After it was over, he told her that he had just discovered that he would be subject to arrest under some new marriage law, and that they would be separated if it became known.

"And then he persuaded her to come here before him and work at the Little Adelphi; telling her that if her father found her there they would not suspect him, and as soon as his studies were over he would claim her openly."

Again she hesitated.

"And was this precious programme carried out?" I demanded.

"Yes. It was a long time before Nellie consented, but a little cool treatment from Johnny brought her to terms. She got away very nicely. I presume you know something about that."

"Never mind what I know. How did she get rid of her horse after leaving Mrs. Ballou's house?"

"Not far from Mrs. Ballou's there is a small piece of timber. Johnny was there with his team and he had a fellow with him who took charge of the pony. Johnny drove Nellie ten miles towards Amora, driving at full speed. There Ed. Dwight, with his machine wagon, waited, and Nellie was taken by Ed. into Amora. On the way she put on some black clothes and a big black veil. At Amora, Louis Brookhouse was waiting. They got there just in time to catch the midnight express, and were almost at their journey's end before Nellie was missed."

"Stop. You have said that Nellie Ewing has not been at the theater of late; has been blue, and ill. What has caused all this?"

She colored hotly, and a frightened look crept into her eyes.

"You are not to hold me to blame?"

"Not if you answer me truly."

"One night I had come home from the theater with Nellie, and she began crying because Johnny did not come as he had promised, and did not write often enough. I was tired and cross, and I suppose I had taken too much wine. I forgot myself, and told her that Johnny had hired a man to personate a parson, and that she was not married at all. She broke down entirely after that."

I sprang to my feet, for the moment forgetting that the creature before me was a woman. I wanted to take her by the throat and fling her from the window.

"Go on!" I almost shouted. "Go on; my patience is nearly exhausted. Is Nellie Ewing seriously ill?"

"She is fretting and pining; she thinks she is dying, and she loves Johnny La Porte as much as ever."

"And Mamie Rutger?"

"She was glad to run away. One evening when every body about the farm was busy, she waited at the front gate for Ed. Dwight. People were used to the sight of his covered wagon, and it was the last thing to suspect.

But Mamie Rutger went from her father's gate in that wagon, and she and Dwight drove boldly to Sharon, and both took the midnight train as the others did at Amora.

"Ed. only went a short distance with Mamie; he came back the next morning. Mamie was plucky enough to come on alone."

"And then you and Grace Ballou tried to elope?"

"Yes."

"Well, I won't trouble you to tell you that story. I know all about it.

Now, listen to me. I have registered you here as my sister, and you are going to stay here for one week a prisoner. You are to speak to no one, write to no one. You will be constantly watched, and if you attempt to disobey me you know the consequences. As soon as Mr. Rutger and 'Squire Ewing arrive I will set you at liberty, and no one shall harm you; but until then you must remain in your own room, and see no one except in my presence."

"But you promised--"

"I shall keep my promise, but choose my own time."

"But the theater--"

"You can write them a note stating that you are going to leave the city for a little recreation. You may send a similar note to Mamie and Nellie."

"You are not treating me fairly."

"I am treating you better than you deserve. Did you deal fairly at Amora and Groveland? If I were not morally sure that such crimes as yours must be punished sooner or later, I should not dare set you free."

CHAPTER x.x.xIII.

JOHNNY LA PORTE IS BROUGHT TO BOOK.