Old Crow - Part 19
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Part 19

Raven turned to her, waiting for her cue. Would she take a hand at the game, as it imposed itself on him? Her silence and aloofness were his answer. She was sitting forward in her chair, to get the baby's feet nearer the warmth. But since she would not speak, Raven did.

"I should think any one would be beat out, a night like this," he said, as casually as he could manage, "carrying a baby, too, in such a storm.

You'd better be careful of the child, at least," he added curtly, turning to Tenney, "if you want to keep him. Out in this cold and sleet!

You don't want their deaths on your hands, do you?"

Tenney stared back at him in a wildness of apprehension.

"Be you a doctor?" he managed to ask.

Raven remembered the words: "Their tongue cleaved to the roof of their mouth." That seemed to be what Tenney's tongue was doing now.

"No," said he, "I'm not a doctor, but I've seen a good deal of sickness in the War. Get them warm," he added authoritatively, "both of them. Put the child into warm water."

"Yes," said Tenney, in an anguished sort of haste. Then to his wife he continued, in a humility Raven noted as her best guaranty of at least temporary safety, "I'll bring you the foot tub, an' whilst you're doin'

it, I'll warm the bed."

"Yes," she said quietly, but with a composure of mastery in her voice.

"So do."

Raven got up and made his way to the door. Then he bethought himself that he had not given any reason for coming and that Tenney might remember it afterward and wonder.

"I thought I'd run up," he said, "and pay you for your week's work."

Tenney was darting about with a small tin tub, filling it from the kettle and trying the temperature with his hand.

"No," he answered absorbedly, "I can't bother with that to-night. Let it be till another time."

He had drawn a chair to his wife's side and set the tub on it, and now she also tried the temperature while he watched her anxiously. And at once the baby who, in his solemnity of silence, had seemed to Raven hitherto little more than a stage property, broke into a l.u.s.ty yelling, and Tenney put out his hands to him, took him to his shoulder and began to walk the floor, while the woman poured more water into the tub.

Neither of them had a look for Raven, and he went out into the bl.u.s.tering night with a picture etched so deeply on his brain that he knew it would always be there while he, in his flesh, survived: the old picture of the sacred three, behind the defenses of their common interests, the father, mother and the child.

XIV

All that night Raven, through his light sleep, had a consciousness of holding on to himself, refusing to think, refusing angrily to fear. The sleep seemed to him like a thin, slippery coating over gulfs unplumbed; it was insecure, yet it failed to let him down into blessed depths of oblivion below. But he would not think to no purpose (he had a dread of the wild, disordered clacking of the wheels in unproductive thought), and he would not invite again the strange humiliation, the relief tinged by aversion, that came over him when he felt, on leaving them, the inviolability of the three in their legal bond. She had looked to him so like heaven's own, he had upborne her in his thought almost to the gate of heaven itself; and yet she was walled in by a bond she would not repudiate with the brute who persecuted her. In spite of her uncouth speech, in spite of her ignorance of delicate usage, she seemed to him a creature infinitely removed from the rougher aspects of this New England life; yet there she was in one of the most sordid scenes of it, and she was absorbed by it, she fitted it as a Madonna fits a cave. And what business had he, he asked angrily, to weave about her the web of a glorifying sympathy, exalting her only from that pernicious habit of his of being sorry? Yet, as he thought it, he knew she was different from the ordinary country woman afraid of her man, and that any fine mantle he wove for her could not equal the radiance of her pure courage and undaunted truth.

Once he rose from his bed and began to dress hastily, with what he recognized at the same moment as the wild purpose of slipping out of the house and going up to Tenney's, to see if there was a light or to listen for the catamount voice. But that, he realized immediately, was folly.

Suppose Tenney saw him. What reason could he plant in the man's inflamed mind, except one more hostile to her peace? So he went back to bed, chilled, and was savagely glad of his discomfort. It gave him something, however trivial, to think about besides the peril of a woman who looked like motherhood incarnate, and so should have been heir to all the worship and chivalry of men. With the first light he was up and had built his fire, and Charlotte, hearing him, got, sooner than was her wont, out of her warm bed. Charlotte owned to liking to "lay a spell" in winter, to make up for the early activities of summer mornings when you must be "up 'fore light" to keep pace with the day. For after nine o'clock "the day's 'most gone." She looked up at him as he came into the kitchen where she was brashing her fire for a quick oven, and he found her eyes clearly worried in their questioning.

"No toast, Charlotte," he said. He wondered if even his voice was trembling in his haste. "No biscuits. I'm going up to the hut."

Charlotte nodded and seemed to settle into understanding. She had a sympathetic, almost a reverent tolerance for the activities of pen and ink. To her, Raven was a well-beloved and in no wise a remarkable being until he stepped into the clouded room of literary activity. There she would have indulged him in any whim or unaccountable tyranny. Charlotte had never heard of temperament, but she believed in it. Once only did she speak to him while he was drinking his coffee:

"You got any ink up there?"

He started and looked at her a moment, dazed. Nothing was further from his mind than ink. Other liquids, tears, waters of lethe, lakes of fire and brimstone would not have sounded foreign to his thought. But ink!

how incalculably far was the life of the written word from this raw anguish of reality he was caught in to-day! He recovered himself instantly.

"I've got my pen," he told her, "my stylograph."

And presently he had put on his coat, bidden her a hasty good-by and was plunging up the slope. Somehow, though the crest of the wave had been reached the night before and that usually, Tira had a.s.sured him, meant a following calm, he was certain of seeing her to-day. It was not that he wanted to see her, but an inner conviction, implacably fixed as the laws of nature that are at no point subject to the desires of man, told him she would come. The hut must be warm for her. The fire must be relaid.

And, he told himself grimly, the apex had been reached. The end of the thing was before them. He must not yield to her again. He must command her, persuade and conquer her. She must let him send her away.

At the hut he almost expected to see her footprints in the light snow by the door. But the exquisite softness lay untouched. The day was a heaven of clearness, the shadows were deep blue and the trees beginning the slow waving motion of their majestic secrecies. He took out the key from under the stone, went in and made his fire with a hand too practiced to lose in efficacy from its haste. Presently it was roaring upward and, after a glance about to see that the room was not in any disorder too great for him to remedy quickly, he walked back and forth, and whenever it died down enough to let him, fed the fire. It began to seem to him as if he were going to be there days feeding the fire to keep her warm, but it was only a little before ten when he heard a step and his heart choked him with its swelling of relief. At once he was also calmer. A moment ago even, he would have wondered how he could meet her, how keep the storm of entreaty out of his voice if he was to beg her to let him save her. But now he knew he should be himself as she had briefly known him and though he must command, he should in no sense offend. He stood still by the fire, half turning toward the door, to wait. It was an unformulated delicacy of his att.i.tude toward her that she should not find him going forward to meet her as if she were a guest. She should enter as if the house were her own. But she did not enter. There was a hand at the door. It knocked. Then he called:

"Come in."

The door opened, under what seemed to him, in his first surprise, a halting hand and a woman stepped in. It was Nan. She came a hesitating pace into the room and stood looking at him, after the one interested glance about her, smiling a little, half quizzically, as if aware she had brought a surprise and yet not in doubt of its being welcome. Raven stared back at her for one bewildered minute and then, so instant and great was the revulsion, burst into a shout of laughter. Nan stood there and laughed with him.

"What is it, Rookie?" she asked, coming forward to him. "I'm funny, I suppose, but not so funny as all that. What's the joke?"

She was a finished sort of creature to come into his wood solitude, and yet an outdoor creature, too, with her gray fur cap and coat. She looked younger, less worn than when he saw her last, perhaps because her cheeks were red from the frosty air and her eyes bright at finding him.

"Let me have your coat," he said. "Come to the fire."

She took off her coat and he dropped it on the couch. He pulled a chair nearer the hearth (it was his own chair, not Tira's), and motioned her to it. She did not sit. She put out her thickly shod foot to the blaze and then withdrew it, for she was all aglow from her plunge up the hill, and turned to him, her brows knitted, her eyes considering.

"What is it, Rookie?" she asked. "Something's up and you wish I hadn't come. That it?"

"I haven't had time to wish you hadn't come," he said. He had to be straight with her. "I never was more surprised in my life. You were the last person I expected to see."

"But why d'you laugh, Rookie?" she persisted, and then, as he hesitated, evidently considering exactly why he did and what form he could put it in, she concluded: "I know. You were taken aback. I've done the same thing myself, often. Well!" She seemed to dismiss it as unimportant and began where she had evidently meant to begin. "Now I'll tell you what I'm here for."

"Sit down, Nan," he bade her.

Now that his first derangement was over, he was glad to see her. Tira might not come. If she did, he could do something. He could even, at a pinch and with Tira's consent, put the knowledge of the tawdry business into Nan's hands. But she would not sit down. Plainly she had received a setback. She was refusing to accept his hospitality to any informal extent. And he saw he had hurt her. He was always reading the inner minds of people, and that was where his disastrous sympathy was forever leading him: to that pernicious yielding, that living of other people's lives and not his own.

"It was only," he said, trying to pick up the lost thread of her confidence, "that I didn't expect you. I couldn't have dreamed of your coming. How did you come so early?"

"Took the early train," said Nan curtly.

"Not the beastly old thing that starts before light?"

She nodded.

"What for?"

"To get ahead of them," she answered, still curtly.

"Them? Who?"

"d.i.c.k and his mother and Doctor Brooke."

"d.i.c.k and Amelia? What's Amelia on here for?"

He had half expected her and yet, in the new turmoil about him, he had actually forgotten she might come.