"He wasn't invited?"

"Sure he was. But his presence in the auditorium would have been a major disruption."

"When were they married?"

"Too easy. May 1, 1967, shortly before noon, in a suite in the Aladdin Hotel, Las Vegas."

Terri was fifteen when Elvis died. He wasn't a heartthrob in those days. By then he had become a bloated caricature of himself in embroidered, rhinestone-spangled jumpsuits more appropriate for Liberace than for the bluesy singer with a hard rhythm edge who had first hit the top of the charts in 1956, with "Heartbreak Hotel."

Terri hadn't yet been born in 1956. Her fascination with Presley had not begun until sixteen years after his death.

The origins of this obsession are in part mysterious to her. One reason Elvis mattered, she said, was that in his prime, pop music had still been politically innocent, therefore deeply life-affirming, therefore relevant. By the time he died, most pop songs had become, usually without the conscious intention of those who wrote and sang them, anthems endorsing the values of fascism, which remains the case to this day.

I suspect that Terri is obsessed with Elvis partly because, on an unconscious level, she has been aware that he has moved among us here in Pico Mundo at least since my childhood, perhaps ever since his death, a truth that I revealed to her only a year ago. I suspect she is a latent medium, that she may sense his spiritual presence, and that as a consequence she is powerfully drawn to the study of his life and career.

I have no idea why the King of Rock-'n'-Roll has not moved on to the Other Side but continues, after so many years, to haunt this world. After all, Buddy Holly hasn't hung around; he's gotten on with death in the proper fashion.

And why does Elvis linger in Pico Mundo instead of in Memphis or Vegas?

According to Terri, who knows everything there is to know about all the days of Elvis's busy forty-two years, he never visited our town when he was alive. In all the literature of the paranormal, no mention is made of such a geographically dislocated haunting.

We were puzzling over this mystery, not for the first time, when Viola Peabody brought our late lunch. Viola is as black as Bertie Orbic is round, as thin as Helen Arches is flat-footed.

Depositing our plates on the table, Viola said, "Odd, will you read me?"

More than a few folks in Pico Mundo think that I'm some sort of psychic: perhaps a clairvoyant, a thaumaturge, seer, soothsayer, something. something. Only a handful know that I see the restless dead. The others have whittled an image of me with the distorting knives of rumor until I am a different piece of scrimshaw to each of them. Only a handful know that I see the restless dead. The others have whittled an image of me with the distorting knives of rumor until I am a different piece of scrimshaw to each of them.

"I've told you, Viola, I'm not a palmist or a head-b.u.mp reader. And tea leaves aren't anything to me but garbage."

"So read my face," she said. "Tell me - do you see what I saw in a dream last night?"

Viola was usually a cheerful person, even though her husband, Rafael, had traded up to a waitress at a fancy steak house over in Arroyo City, thereafter providing neither counsel nor support for their two children. On this occasion, however, Viola appeared solemn as never before, and worried.

I told her, "The last last thing I can read is faces." thing I can read is faces."

Every human face is more enigmatic than the timeworn expression on the famous Sphinx out there in the sands of Egypt.

"In my dream," Viola said, "I saw myself, and my face was broken, dead. I had a hole in my forehead."

"Maybe it was a dream about why you married Rafael."

"Not funny," Terri admonished me.

"I think maybe I'd been shot," Viola said.

"Honey," Terri comforted her, "when's the last time you had a dream come true?"

"I guess never," Viola said.

"Then I wouldn't worry about this one."

"Best I can remember," Viola said, "I've never before seen myself face-on in a dream."

Even in my nightmares, which sometimes do do come true, I've never glimpsed my face, either. come true, I've never glimpsed my face, either.

"I had a hole in my forehead," she repeated, "and my face was spooky, all out of kilter."

A high-powered round of significant caliber, upon puncturing the forehead, would release tremendous energy that might distort the structure of the entire skull, resulting in a subtle but disturbing new arrangement of the features.

"My right eye," Viola added, "was bloodshot and seemed to to swell half out of the socket."

In our dreams, we are not detached observers, as are the characters who dream in movies. These internal dramas are usually seen strictly from the dreamer's point of view. In nightmares, we can't look into our own eyes except by indirection, perhaps because we fear discovering that therein lie the worst monsters plaguing us.

Viola's face, sweet as milk chocolate, was now distorted by a beseeching expression. "Tell me the truth, Odd. Do you see death in me?"

I didn't say to her that death lies dormant in each of us and will bloom in time.

Although not one small detail of Viola's future, whether grim or bright, had been revealed to me, the delicious aroma of my untouched cheeseburger induced me to lie in order to get on with lunch: "You'll live a long happy life and pa.s.s away in your sleep, of old age."

"Really?"

Smiling and nodding, I was unashamed of this deception. For one thing, it might be true. I see no real harm in giving people hope. Besides, I had not sought to be her oracle.

In a better mood than she'd arrived, Viola departed, returning to the paying customers.

Picking up my cheeseburger, I said to Terri, "October 23, 1958."

"Elvis was in the army then," she said, hesitating only to chew a bite of her grilled-cheese sandwich. "He was stationed in Germany."

"That's not very specific."

"The evening of the twenty-third, he went into Frankfurt to attend a Bill Haley concert."

"You could be making this up."

"You know I'm not." Her crisp dill pickle crunched audibly when she bit it. "Backstage, he met Haley and a Swedish rock-'n'-roll star named Little Gerhard."

"Little Gerhard? That can't be true."

"Inspired, I guess, by Little Richard. I don't know for sure. I never heard Little Gerhard sing. Is Viola going to be shot in the head?"

"I don't know." Juicy and cooked medium-well, the meat in the cheeseburger had been enhanced with a perfect pinch of seasoned salt. Poke was a contender. "Like you said, dreams are just dreams."

"She's had things hard. She doesn't need this."

"Shot in the head? Who does does need it?" need it?"

"Will you look after her?" Terri asked.

"How would I do that?"

"Put out your psychic feelers. Maybe you can stop the thing before it happens."

"I don't have psychic feelers."

"Then ask one of your dead friends. They sometimes know things that are going to happen, don't they?"

"They're generally not friends. Just pa.s.sing acquaintances. Anyway, they're helpful only when they want to be helpful."

"If I was dead, I'd help you," Terri a.s.sured me.

"You're sweet. I almost wish you were dead." I put down the cheeseburger and licked my fingers. "If somebody in Pico Mundo is going to start shooting people, it'll be Fungus Man."

"Who's he?"

"Sat at the counter a while ago. Ordered enough food for three people. Ate like a ravenous swine."

"That's my kind of customer. But I didn't see him."

"You were in the kitchen. He was pale, soft, with all rounded edges, like something that would grow in Hannibal Lecter's cellar."

"He put off bad vibes?"

"By the time he left, Fungus Man had an entourage of bodachs."

Terri stiffened and looked warily around the restaurant. "Any of them here now?"

"Nope. The worst thing on the premises at the moment is Bob Sphincter."

The real name of the pinchpenny in question was Spinker, but he earned the secret name we gave him. Regardless of the total of his bill, he always tipped a quarter.

Bob Sphincter fancied himself to be two and a half times more generous than John D. Rockefeller, the oil billionaire. According to legend, even in the elegant restaurants of Manhattan, Rockefeller had routinely tipped a dime.

Of course in John D's day, which included the Great Depression, a dime would purchase a newspaper and lunch at an Automat. Currently, a quarter will get you just a newspaper, and you won't want to read anything in it unless you're a s.a.d.i.s.t, a m.a.s.o.c.h.i.s.t, or a suicidally lonely wretch desperate to find true love in the personal ads.

Terri said, "Maybe this Fungus Man was just pa.s.sing through town, and he hit the highway as soon as he cleaned his plate."

"Got a hunch he's still hanging around."

"You gonna check him out?"

"If I can find him."

"You need to borrow my car?" she asked.

"Maybe for a couple hours."

I walk to and from work. For longer trips, I have a bicycle. In special cases, I use Stormy Llewellyn's car, or Terri's.

So many things are beyond my control: the endless dead with all their requests, the bodachs, the prophetic dreams. I'd probably long ago have gone seven kinds of crazy, one for each day of the week, if I didn't simplify my life in every area where I do do have some control. These are my defensive strategies: no car, no life insurance, no more clothes than I absolutely need - mostly T-shirts, chinos, and jeans - no vacations to exotic places, no grand ambitions. have some control. These are my defensive strategies: no car, no life insurance, no more clothes than I absolutely need - mostly T-shirts, chinos, and jeans - no vacations to exotic places, no grand ambitions.

Terri slid her car keys across the table.

"Thanks," I said.

"Just don't haul any dead people around in it. Okay?"

"The dead don't need a ride. They can appear when they want, where they want. They walk through air. They fly."

"All I'm saying is, if you tell me some dead person was sitting in my car, I'll waste a whole day scrubbing the upholstery. It creeps me out."

"What if it's Elvis?"

"That's different." She finished her dill pickle. "How was Rosalia this morning?" she asked, meaning Rosalia Sanchez, my landlady.

"Visible," I said.

"Good for her."

CHAPTER 7.

GREEN MOON MALL STANDS ALONG GREEN MOON Road, between old-town Pico Mundo and its modern western neighborhoods. The huge structure, with walls the color of sand, had been designed to suggest humble adobe construction, as though it were a home built by a family of gigantic Native Americans averaging forty feet in height.

In spite of this curious attempt at environmentally harmonious but deeply illogical architecture, patrons of the mall can still be Starbucked, Gapped, Donna Karaned, and Crate & Barreled as easily in Pico Mundo as in Los Angeles, Chicago, New York, or Miami.

In a corner of the vast parking lot, remote from the mall, stands Tire World. Here the architecture is more playful.

The single-story building supports a tower crowned by a giant globe. This model of Earth, rotating lazily, seems to represent a world of peace and innocence lost when the snake entered Eden.

Like Saturn, this planet sports a ring, not of ice crystals and rocks and dust but of rubber. Encircling the globe is a tire that both rotates and oscillates.

Five service bays ensure that customers will not wait long to have new tires installed. The technicians wear crisp uniforms. They are polite. They smile easily. They seem happy.

Car batteries can be purchased here, as well, and oil changes are offered. Tires, however, remain the soul of the operation.

The showroom is saturated with the enchanting scent of rubber waiting for the road.

That Tuesday afternoon, I wandered the aisles for ten or fifteen minutes, undisturbed. Some employees said h.e.l.lo to me, but none tried to sell me anything.