Odd Hours - Part 14
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Part 14

Whittle's behavior suggested that he faced something worse than an easy pa.s.sage into peaceful darkness. As he accepted mortality and could no longer deny the corpse in the bathtub, his terror escalated.

Perhaps half a minute or forty seconds had pa.s.sed since he had first appeared in the bathroom doorway.

What happened next happened fast, and it was a center-stage moment worthy of Second Witch, she who had no other name in Macbeth Macbeth.

Whittle moved around the bathroom with the frenzied urgency of a bird that, having flown in through an open window, could not detect the draught that would lead it back to freedom.

In the play, Second Witch had stood over a cauldron, squeezing drops of her blood into the brew: By the p.r.i.c.king of my thumbs... By the p.r.i.c.king of my thumbs...

Desperately circling the room, Whittle made no sound equivalent to the swoop-and-flutter of a bird, and in fact no sound whatsoever. Yet I half thought there were wings that I should should hear if only I knew how to listen. hear if only I knew how to listen.

By the p.r.i.c.king of my thumbs, something wicked this way comes.

Enter a player more terrible than Macbeth.

The bathroom light dimmed as if a great machine had surged on elsewhere in town, drawing power from the grid.

In half-light halved again, shadows swelled and swooned, and I thought I felt the wings that I could not hear, the rhythmic pulses of pressure from air beaten by great pinions.

I cannot testify with certainty to what I saw, because it defied interpretation both by my five senses as well as by those perceptions of mine that might be called extrasensory. I had never seen anything like it before-and hoped never to see its like again.

The spirit of Sam Whittle might have thrown itself against the mirror above the sink, but I think not. What seems more true is that the mirror reached out to seize the spirit of Sam Whittle.

Further: that the mirror was for a moment more than a mirror, that it unfolded from the wall, that the gla.s.s unfurled like fabric, forming mercurial membranes full of dark reflections of both the bathroom and of some more fantastical place.

Also: that those undulant plumes were simultaneously as reflective as polished silver and yet dark with tarnish, that they embraced Whittle's spirit and swept it up into the chaos of images that swarmed across their fluttering surfaces.

And finally: that his spirit was gathered into the membranes, that the membranes furled into the mirror, and that as the mirror quivered into stillness like a pond after swallowing a stone, there was for only an instant a face peering out at me, not Whittle's face but another so hideous that I cried in alarm and reeled back.

The Presence appeared so briefly that I cannot remember the grisly details of it, so briefly that it was only my reflection at which I shouted, from which I stumbled backward.

I almost fell, reached for something to steady myself, and grabbed the handle of the shower door. The latch released. The door came open. I stood face to face with another corpse.

TWENTY-TWO.

FOUR MINUTES.

In the kitchen, the man's shoes had been under that side of the table on which the gla.s.s of bourbon had been overturned. This woman must have been drinking from the other gla.s.s.

The killers had cinched a braided-leather belt around her neck and had hung her from the shower head. Her feet dangled two inches off the floor.

Ceramic tiles had cracked under the strain of her suspended weight. Ancient grout had crumbled to the floor of the shower stall. The water pipe had bent, but no leak had sprung.

Fortunately, I didn't have to examine the victim to see how she had died. Her face was a ghastly portrait of strangulation. Perhaps her neck had broken, too.

In life, she must have been attractive. She might have been in her twenties; but in one brutal minute, she had aged a decade.

Like Whittle, she had been bound with duct tape at the ankles and the wrists, and also gagged.

The line of sight between the tub and the shower stall made it likely that Sam Whittle had been forced to watch them hang the woman.

I had seen enough, too much.

The irrational conviction arose that if I looked at the cadavers again, their eyes would roll in their sockets to fix on me, and they would smile and say, "Welcome." "Welcome."

Above the sink, the streaked mirror appeared to be an ordinary looking-gla.s.s, but it had transformed once, so might transform again.

I was alive, not a lingering spirit, but I could not be sure that the collector who had taken Whittle lacked the power to take me.

Leaving the bathroom, I did not turn off the lights, but pulled the door tight shut.

For a few seconds I stood in the bedroom with the flashlight extinguished, less afraid of the dark than of the sights that light could show me.

They would not have killed Flashlight Guy merely because he had failed to subdue me on the beach when I had swum to sh.o.r.e from the inflatable dinghy. Whittle and the woman must have disagreed with the other conspirators about something, and must not have foreseen the ferocity with which their a.s.sociates would settle a difference of opinion.

Usually I am pleased when bad guys fall out with one another, because disharmony in their ranks can make them easier to defeat. But if this crew was planning many deaths and vast destruction such that the sky and sea would burn with b.l.o.o.d.y light, as in my dream, I would feel better if they were not also hair-trigger hotheads in addition to being criminal sc.u.m.

I switched on the flashlight and hurriedly searched the dresser drawers. They contained only clothes, and not many of those.

Although I had been in the house no more than five minutes, the time had come to get out. Maybe these murders had been impromptu; if so, the killers might return to remove the bodies and clean up the evidence of violence.

Twitching as if electrical impulses short-circuited through the frayed fibers of my nerves, I thought that I heard stealthy noises elsewhere in the house.

Chastising myself for being too easily spooked, I nevertheless decided not to leave by the way I had entered.

Dousing the flashlight, I swept aside the draperies. The window sash slid up as smoothly as it had moved previously.

From the back of the bungalow came the crash of a door being kicked open, and an instant later the front door was booted in as well.

I had spoken of one devil, and another had arrived. Murderers, returning to the scene of a crime, intent on removing the evidence, would never call attention to themselves by kicking down the doors any more than they would arrive blowing party horns.

From within the house, men shouted: "Police!" "Police!"

I slipped out of the bungalow as quickly and as quietly as an experienced sneak thief, which is perhaps not a skill that I should trumpet with pride.

As though it were a living ent.i.ty that could reproduce itself, the fog seemed to have fathered new generations of fog, crowding the night more completely than when I'd gone inside five minutes earlier.

The police had arrived without sirens and also without switching on the emergency-light arrays on their patrol cars. No revolving red or blue beacons stained the fog.

Again I thought of seed pods from outer s.p.a.ce disgorging men who were not men. Although I didn't believe that the Magic Beach Police Department was staffed by extraterrestrials pa.s.sing for human, I did suspect that at least some of them were less than exemplars of law enforcement.

Because I had taken Sam Whittle's wallet on the beach but had not taken his money, they had thought I might look him up to ask a few questions. They had entered the bungalow as if they knew two bodies were stashed there-which meant I had been lured inside to take the fall for the murders.

As I came out the window, the police were entering the bungalow by the front and the back. Not all of them would go inside.

Foiled by the density of the fog, a flashlight appeared at the front corner of the house.

The beam could not reach me. While I was still unable to see the officer behind the light and while I was likewise invisible, I moved blindly away from him, across a lawn.

Another flashlight quested through the murk at the back of the bungalow.

Turning from that one, as well, I headed toward what I thought must be the property next door, although I could see no house lights. The men inside the bungalow would soon find the window that I had left open, and upon making that discovery, they would focus all their resources in this direction.

When I walked boldly into a chain-link fence that marked the property line, the shaken barrier seemed to sing here he is, here he is, here he is. here he is, here he is, here he is.

TWENTY-THREE.

IN DEFENSE OF MY SNEAK-THIEF REPUTATION, I must point out that no shrubs fronted the fence to warn me of it. No climbing vine grew on it, the tendrils of which might have brushed my face, halting me inches short of the collision. The steel chain was pretty much the color of the fog.

I am not one who believes that life is unfair or that we are all victims of a cruel or indifferent universe, but this fence this fence struck me as unfair to the extent that I might have sat down and pouted about it if my freedom and possibly even my life hadn't been in jeopardy. struck me as unfair to the extent that I might have sat down and pouted about it if my freedom and possibly even my life hadn't been in jeopardy.

As soon as the chain-link announced my inept.i.tude, one of the men behind me said "What was that?" and the other one said "Yancy, is that you?" and both flashlights probed toward the source of the chain song.

I had nowhere to go but up, so I climbed, strumming a harpist-from-h.e.l.l tune from the chain-link, hoping I would not encounter coils of lacerating razor wire at the top.

Behind me, entirely comfortable with cliches, a cop shouted, "Stop or I'll shoot!"

I doubted they could see me yet, and I didn't believe they would lay down a barrage of random fire in a residential neighborhood.

As I climbed, however, I tightened my sphincter muscles against the prospect of a bullet in the spine, because you never know what might happen in a universe that, at a critical moment, throws an invisible chain-link fence in front of you.

Sometimes when people are shot in the spine and take more than an instant to die, they lose control of their bowels. I tightened my sphincter so that my corpse would not be an embarra.s.sment to me or to those who had to deal with it. While I am ready to die if I must, I have an aversion to dying filthy.

Good fences make good neighbors, and these were apparently good enough that they had not felt the need for razor wire at the top. I crested the fence, threw myself into the yard beyond, fell, rolled to my feet, and ran with the expectation of being garroted by a taut clothesline.

I heard panting, looked down, and saw a golden retriever running at my side, ears flapping. The dog glanced up at me, tongue lolling, grinning, as though jazzed by the prospect of an unscheduled play session.

Because I did not think a dog would run head-on into a fence or into the side of a house, or into a tree, I sprinted boldly through the clotted clouds, eyes directed down at my guide, acutely alert to his body language. I broke left and right each time that he did, keeping him close, though it occurred to me that if he was a dog with a sense of humor, he would race past a tree with no room to spare and leave me with my face embedded in bark.

Dogs do laugh, as any true dog lover knows. In my blind run, I took courage from the knowledge that dogs do not have a cruel sense of humor. They will laugh at human folly and stupidity, but they will not encourage it.

To my surprise, as I ran with the retriever, through my mind flew a fragment of my conversation with Annamaria as we had walked the greensward along Hecate's Canyon, when she had tried to help me understand why I believed everything she told me even though I had not understood most of it: Why do you believe me so readily?

I don't know.

But you do know....

Give me a hint. Why do I believe you so readily?

Why does anyone believe anything?

With the retriever, I ran headlong into a white opacity because I trusted in the essential goodness and the instincts of dogs. Trust. Trust. I also trusted Annamaria, which was why I believed what she told me, as cryptic and evasive as her words sometimes seemed. I also trusted Annamaria, which was why I believed what she told me, as cryptic and evasive as her words sometimes seemed.

Trust, however, could not be the answer. If trust was the reason I believed her, that raised a subsequent question equal to the first: If I believed her because I trusted her, then why did I trust her, considering that she was a virtual stranger and that she seemed to be calculatedly mysterious? however, could not be the answer. If trust was the reason I believed her, that raised a subsequent question equal to the first: If I believed her because I trusted her, then why did I trust her, considering that she was a virtual stranger and that she seemed to be calculatedly mysterious?

The golden retriever was having so much fun that I wondered if he might be running me in circles around his master's house. But my trust in him proved well placed when he brought me to a gate in the chain-link fence.

I tried to keep him from getting out of the yard, but he proved too agile to be blocked. Free, he did not sprint away into the night but stayed nearby, waiting to see what fun thing I might want to do next.

To the south, swords of light dueled in the fog, seeking me. The dog and I went north.

TWENTY-FOUR.

A UNIVERSAL SOLVENT POURED THROUGH THE world, dissolving the works of man and nature.

Shapes like buildings loomed in vague detail. Geometric fence rows separated nothing from nothing, and their rigid geometry melted into mist at both ends.

Portions of trees floated into and out of sight, like driftwood on a white flood. Gray gra.s.s spilled down slopes that slid away as though they were hills of ashes too insubstantial to maintain their contours.

The dog and I ran for a while, changed direction several times, and then we walked, out of nil and into naught, through vapor into vapor.

At some point I became aware that the weather was something more than mere weather. The stillness and the fog and the chill were not solely the consequences of meteorological systems. I began to suspect and soon felt certain that the condition of Magic Beach on this night was a presentiment, a symbolic statement of things to come.

The dog and I journeyed through a dreamscape where thick smoke smoldered from fires long extinguished, and the fumes had no odor in a world purged of every stink and fragrance.

The air pooled in stillness because the winds had died and would never breathe again, and the silence betold a world of solid stone, where the planetary core had gone cold, where no rivers ran and seas no longer stirred with tides, where no clocks existed because no time remained to be counted.

When the dog and I stopped and stood entirely still, the white nada nada settled under us, no longer disturbed by our pa.s.sage, and the pavement began to disappear beneath my feet, beneath his paws. settled under us, no longer disturbed by our pa.s.sage, and the pavement began to disappear beneath my feet, beneath his paws.

Such a terror rose in me that I exhaled explosively with relief when the sudden swish of his tail disturbed the bleached void and revealed, after all, the texture of the blacktop.

Yet a moment later, I felt that I had entered the Valley of Death and at once had pa.s.sed into some place beyond even that, into an emptiness of such perfection that it contained no atom of the world that had been, not even a memory of nature or of the things of man, a place that lacked the substance to be a place, that was more accurately a condition. Here no hope existed for the past or for a future, no hope of the world that had been or of the world that might have been.

I was not having having a premonition; instead, I was walking through a night that had a premonition; instead, I was walking through a night that had become become a premonition. Black is the combination of all colors, and white is the utter absence of color. The fog foretold the nullity of nonbeing, a vacuum within a vacuum, the end of history following the ultimate annihilation. a premonition. Black is the combination of all colors, and white is the utter absence of color. The fog foretold the nullity of nonbeing, a vacuum within a vacuum, the end of history following the ultimate annihilation.