And that was why his mother had had to come down, post-haste, without warning. To see about some papers. Some papers. Christopher was to understand--

Christopher understood. Indeed there was not much to understand. And yet, when they had gone on, he was bothered by it. Already, so young he was, so ruthless, and so romantic, he had begun to be a little ashamed of that fading, matter-of-fact world of Concord Street. And it was with just that world which he wished to forget, that the man lying ill in the candle-lit chamber was linked in Christopher's memory. For it was the same man he had seen in the doorway that morning months ago, with a brown hat in one hand and a thorn stick in the other.

Even a thing like that may be half put aside, though--for a while. And by the time Christopher went to his room for the night the thought of the interloper had retired into the back of his mind, and they were all Kains there on the Hill, inheritors of romance. He found himself bowing to his mother with a courtliness he had never known, and an "I wish you a good night," sounding a century old on his lips. He saw the remote, patrician figure bow as gravely in return, a petal of colour as hard as paint on the whiteness of either cheek. He did not see her afterward, though, when the merciful door was closed.

Before he slept he explored the chamber, touching old objects with reverent finger-tips. He came on a leather case like an absurdly overgrown beetle, hidden in a corner, and a violoncello was in it. He had seen such things before, but he had never touched one, and when he lifted it from the case he had a moment of feeling very odd at the pit of his stomach. Sitting in his underthings on the edge of the bed, he held the wine-coloured creature in the crook of his arm for a long time, the look in his round eyes, half eagerness, half pain, of one pursuing the shadow of some ghostly and elusive memory.

He touched the C-string by and by with an adventuring thumb. I have heard "Ugo" sing, myself, and I know what Christopher meant when he said that the sound did not come out of the instrument, but that it came _in_ to it, sweeping home from all the walls and corners of the chamber, a slow, rich, concentric wind of tone. He felt it about him, murmurous, pulsating, like the sound of surf borne from some far-off coast.

And then it was like drums, still farther off. And then it was the feet of marching men, ma.s.sive, dark, grave men with luminous eyes, and the stamp on their faces of an imperishable youth.

He sat there so lost and rapt that he heard nothing of his mother's footsteps hurrying in the hall; knew nothing till he saw her face in the open doorway. She had forgotten herself this time; that fragile defense of gentility was down. For a moment they stared at each other across a gulf of silence, and little by little the boy's cheeks grew as white as hers, his hands as cold, his lungs as empty of breath.

"What is it, Mother?"

"Oh, Christopher, Christopher--Go to bed, dear."

He did not know why, but of a sudden he felt ashamed and a little frightened, and, blowing out the candle, he crept under the covers.

The afternoon was bright with a rare sun and the world was quiet.

Christopher lay full-spread on the turf, listening idly to the "clip-clip" of Nelson's shears as the old man trimmed the hedge.

"And was my father _very_ strong?" he asked with a drowsy pride.

"No, not so very." Nelson stopped clipping and was immediately lost in the past.

"Only when he was _that_ way five strong men couldn't turn him. I'll say that. No, if they had to get him with a shotgun that day, 'twas n.o.body's fault nor sin. If Guy Bullard seen Daniel there on the sand with an ax in his hand and foam-like on his lips, and the little ones cornered where he caught them between cliff and water--Guy's own baby amongst them--and knowing the sickness of the Kains as he and everybody else did--why, I'm free and willing to say 'twas his bounden duty to hold a true aim and pull a steady trigger on Daniel, man of his though I was, and man of his poor father before him--

"No, I can't make it right to lay blame on any man for it, no more than I can on them, his brother officers, that broke Maynard's neck with their tent-pegs the night after Gettysburg. No, no--"

It was evidently a time-worn theme, an argument, an _apologia_, accepted after years of bitterness and self-searching. He went on with the remote serenity of age, that has escaped the toils of pa.s.sion, pursuing the old, worn path of his mind, his eyes buried in vacancy.

"No, 'twas a mercy to the both of them, father and son, and a man must see it so. 'Twould be better of course if they could have gone easier, same as the _old_ Maynard went, thinking himself the Lord our G.o.d to walk on water and calm the West Indy gale. That's better, better for all hands round. But if it had to come so, in violence and fear, then n.o.body need feel the sin of it on his soul--n.o.body excepting the old man Bickers, him that told Daniel. For 'twas from that day he began to take it on.

"I saw it myself. There was Daniel come home from other parts where his mother had kept him, out of gossip's way, bright as you please and knowing nothing wrong with the blood of the Kains. And so I say the sin lays on the loose-wagging tongue of Bickers, for from the day he let it out to Daniel, Daniel changed. 'Twas like he'd heard his doom, and went to it. Bickers is dead a long time now, but may the Lord G.o.d lay eternal d.a.m.nation on his soul!"

Even then there was no heat; the curse had grown a formula. Having come to the end, the old man's eyes tumbled down painlessly out of the void and discovered the shears in his hand.

"Dear me, that's so," he said to himself. One thought was enough at a time. He fell to work again. The steady "clip-clip-clip" moved off slowly along the hedge. Not once did he remember; not once as the indefatigable worker shuffled himself out of sight around the house did he look back with any stirring of recollection at the boyish figure lying there as still as a shadow cast in the deep gra.s.s.

A faintly lop-sided moon swam in the zenith. For three days now that rare clarity had hung in the sky, and for three nights the moon had grown. Its benign, poisonous illumination flowed down steeply through the windows of the dark chamber where Christopher huddled on the bed's edge, three pale, chill islands spread on the polished floor.

Once again the boy brought the bow home across the shivering strings, and, as if ears could be thirsty as a drunkard's throat, he drank his fill of the 'cello's deep, full-membered chord. The air was heavy with the resonance of marching feet, ghostly feet marching and marching down upon him in slow, inexorable crescendo as the tides ebbed later among the sedges on the marsh and the moon grew big. And above the pulse of the march he seemed to hear another cadence, a thin laughter.

He laughed too, giving himself up to that spectral contagion. He saw the fat, iridescent bubble with the Hill in it, the House of dreams, the Beach and the Moor and Willow Wood of fancy, and all the grave, strong, gentle line of Kains to whom he had been made bow down in worship. He saw himself taken in, soul and body, by a thin-plated fraud, a cheap trick of mother's words, as before him, his father had been. And the faint exhalations from the moon-patches on the floor showed his face contorted with a still, set grimace of mirth.

Anger came over him in a white veil, twitching his lips and his toes and bending his fingers in knots. Through the veil a sound crept, a sound he knew well by this time, secret footfalls in the hall, faltering, retreating, loitering returning to lag near the door.

How he hated her! It is curious that not once did his pa.s.sion turn against his blighted fathers; it was against the woman who had borne him, the babe, and lied to him, the boy--against her, and against that man, that interloper, dying in a room below.

The thought that had been willing to creep out of sight into the back-country of his mind on that first night came out now like a red, devouring cloud. Who was that man?

What was he dying of--or _supposed_ to be dying of? What had he been doing that morning in Concord Street? What was he doing here, in the house of the men who had never grown old and of the boy who would never grow old? Why had his mother come down here, where he was, so queerly, so secretly, so frightened?

Christopher would have liked to kill that man. He shivered and licked his lips. He would have liked to do something b.l.o.o.d.y and abominable to that face with the hollow cheeks, the sunken grey eyes, and the forehead, high, sallow, and moist. He would have liked to take an ax in his hand and run along the thundering beach and catch that face in a corner somewhere between cliff and water. The desire to do this thing possessed him and blinded him like the kiss of lightning.

He found himself on the floor at the edge of the moonlight, full of weakness and nausea. He felt himself weeping as he crawled back to the bed, his cheeks and neck bathed in a flood of painless tears. He threw himself down, dazed with exhaustion.

It seemed to him that his mother had been calling a long while.

"Christopher! What is it? What is it, boy?"

He had heard no footsteps, going or coming; she must have been there all the time, waiting, listening, her ear pressed to the thick, old paneling of the door. The thought was like wine; the torment of her whispering was sweet in his ears.

"Oh, Chris, Chris! You're making yourself sick!"

"Yes," he said. He lifted on an elbow and repeated in a voice which must have sounded strange enough to the listener beyond the door. "Yes!"

he said. "Yes!"

"Go away!" he cried of a sudden, making a wide, dim, imperious gesture in the dark.

"No, no," the imploring whisper crept in. "You're making yourself sick--Christopher--all over nothing--nothing in the world. It's so foolish--so foolish--foolish! Oh, if I could only tell you, Christopher--if I could tell you--"

"Tell me _what_?" He shuddered with the ecstasy of his own irony. "Who that man is? That 'caretaker'? What he's doing here? What _you're_ doing here?--" He began to scream in a high, brittle voice: "_Go away from that door! Go away!_"

This time she obeyed. He heard her retreating, soft-footed and frightened, along the hall. She was abandoning him--without so much as trying the door, just once again, to see if it were still bolted against her.

She did not care. She was sneaking off--down the stairs--Oh, yes, he knew where.

His lips began to twitch again and his finger nails scratched on the bedclothes. If only he had something, some weapon, an axe, a broad, keen, glittering axe! He would show them! He was strong, incredibly strong! Five men could not have turned him back from what he was going to do--if only he had something.

His hand, creeping, groping, closed on the neck of the 'cello leaning by the bed. He laughed.

Oh, yes, he would stop her from going down there; he would hold her, just where she was on the dark stair nerveless, breathless, as long as he liked, if he liked he would bring her back, cringing, begging.

He drew the bow, and laughed higher and louder yet to hear the booming discord rocking in upon him from the shadows. Swaying from side to side, he lashed the hollow creature to madness. They came in the press of the gale, marching, marching, the wild, dark pageant of his fathers, nearer and nearer through the moon-struck night.

"Tell me _what_?" he laughed. "_What_?"

And abruptly he slept, sprawled crosswise on the covers, half-clothed, dishevelled, triumphant.

It was not the same night, but another; whether the next or the next but one, or two, Christopher can not say. But he was out of doors.

He had escaped from the house at dusk; he knew that.

He had run away, through the hedge and down the back side of the hill, torn between the two, the death, warm and red like life, and the birth, pale, chill, and inexorable as death.

Most of that daft night-running will always be blank in Christopher's mind; moments and moments, like islands of clarity, remain. He brings back one vivid interval when he found himself seated on his father's gravestone among the whispering gra.s.ses, staring down into the pallid bowl of the world. And in that moment he knew what Daniel Kain had felt, and Maynard Kain before him; a pa.s.sionate and contemptuous hatred for all the dullards in the world who never dreamed dreams or saw visions or sang wordless songs or ran naked-hearted in the flood of the full-blown moon. He hated them because they could not by any possibility comprehend his magnificent separation, his starry sanity, his kinship with the G.o.ds. And he had a new thirst to obliterate the whole creeping race of dust-dwellers with one wide, incomparably b.l.o.o.d.y gesture.