'Do I sound bored? Why not look in the telephone book?'

'Dunno his name, even.'

Ai Imajo frowns. 'And does he know your name?'

'Yes.'

'Place an ad in the personal columns. "Relatives of Eiji Miyake please contact this PO box." That kind of thing. Most Tokyoites read the same three or four newspapers. Your relative might not read it himself, but somebody else might. You're looking dubious.'

I think hard.

Ai Imajo studies me. 'What?'

Oh, I love being studied by Ai Imajo. 'I have no idea.'

That smile again, mixed with confusion. 'I have no idea what?'

'No idea why am I so stupid I never thought of that. Which newspapers?'

'O Wild Man of Kyushu,' says Buntaro back at Shooting Star, 'your eyes are a pair of piss-holes in the snow.' My landlord is eating a blueberry-blooded ice lolly. On the video screen a man in a black suit walks through a desert. A bottleneck guitar swirls with the tumbleweed. The black suit needs a dry clean and the man needs a shave and a shower. 'Morning. What's the movie?'

'Paris, Texas, by Wim Wenders.' Buntaro piles in the last of the ice lolly before it collapses down his hand. I watch for a while longer. Not much happens in Paris, Texas. 'Sort of slow, isn't it?'

Buntaro licks his hand. 'This, lad, is an existentialist classic. Man with no memory meets woman with huge hooters. So. How was your night? No memory or huge hooters? You can't fool me, y'know. I was young myself, once. You are a quick worker, though, I got to grant you that. Two weeks in the big bad city and already chasing the more fragrant sex.'

'I sort of ran into friends.'

'Yeah, yeah. Speaking of friends, I saw a monster cockroach earlier.'

'Take it up with my landlord.'

'Seriously, I thought it was a hairless rat. Then it twitched its antlers. I tried to splat it, but it took off and flew up the stairs. Vanished under your door quicker than you could say "In the name of all that is holy, what is is that thing?" Maybe your starving moggy ate it. Maybe it ate your starving moggy.' that thing?" Maybe your starving moggy ate it. Maybe it ate your starving moggy.'

'I fed my starving moggy before I went out.' Good to see Buntaro getting used to the idea of Cat living in my capsule.

'Aha! So your tryst was planned!'

My head throbs. 'Leave me alone,' I beg. 'Please.'

'Was I knocking you? Empty what's full, fill what's empty, scratch what itches. The three keys to harmony. But what is is that unidentified red patch covering your throat?' that unidentified red patch covering your throat?'

Attack is defence. 'Your trouser flies are way open.'

'Who cares? The dead bird does not leave the nest.'

'The bird can't be that dead. Look at your wife.'

'The bird is dead. Look at my wife.'

'Huh?'

'You'll see what I mean one day, my boy.'

I'm about to go upstairs when three high-school boys march in. The leader asks me: 'You got Virtua Sapiens Virtua Sapiens ?' ?'

'Never heard of it,' says Buntaro. 'The sequel of Homo Homo ?' ?'

'You what?'

'It's a video game,' I explain. 'Out last week.'

The second-in-command ignores me. 'Got Broadsword of Zyqorum Broadsword of Zyqorum, then?'

'No software. All videos.'

'Told yer!' says the leader, and they troop out.

'You're welcome, lads.' Buntaro watches them go. 'Y'know, Miyake, I have it on reliable authority Baby and You Baby and You, no less that the average Japanese father spends seventeen minutes per day with his sprog. The average schoolboy spends ninety-five minutes per day inside video games. A new generation of electronic daddies. When Kodai is born, he is getting his bedtime stories from his parents, not from sicko druggo psycho freako programmers. I'm already getting my big fat "No" for when Kodai comes running for a video game machine thing.'

'What if he comes running in tears because none of the kids in his class will talk to him because his daddy's too mean to buy him a game system?'

'I-' Buntaro frowns. 'I never thought of that. What did your dad do?'

'He was in another part of the country.'

'What about your mum, then?'

One little lie leads to another. 'I had my soccer club. Anyway, I need to, uh, get cleaned up.' I climb up to my capsule, shower by the time I towel myself dry I am sweaty enough for another shower and unroll my futon. Sleep is not coming. Ai Imajo keeps floating up. Her supple neck, her smile. She says my name. I get up and try to do some bottleneck guitar chords, but my fingers are rusty. I check the cockroach motel. Only one guest a baby. Cockroach has spread the word about motel hospitality. Cat comes back and laps her water dish dry. I fill it up, but she laps that dry too.

Later I go out to buy the Tokyo Evening Mail Tokyo Evening Mail. I take the submarine into Ueno, and find a quiet place in the park to fill out the classified ad box. I make several false starts it is crucial that I don't write anything that will provoke my stepmother or make it look like I want money. Finally I'm satisfied with Plan C: a short, simple message. I'll post it tomorrow during my lunch break. I suck a champagne bomb. Ueno park is full of families, kids, couples, old people, rings of foreigners Brazilians maybe, Chinese, each nationality on its own patch of territory. Museum-goers, photographers, skateboarders. Cicadas in the trees, babies under the trees, a funfair through the trees. Oily pigeons. Velocodrome motorbikes rip around the far perimeter. The air is candy floss, incense, zoo and octopus-dumpling-flavoured. I walk down to Shinobazu pond to watch people feed the ducks. I lie down against a tree and put Mind Games Mind Games on my Discman. It is the hottest afternoon in the history of September. I watch clouds. Here comes Picture Lady, arguing with an invisible companion. I wonder if I will ever find the guts to ask Ai Imajo out on a date. I watch a young woman feeding the ducks bread crusts from a paper bag. She has a stack of library books on her bench. I drowse. The woman wheels her bicycle over, as if she wants to talk to me. She studies my face. I press 'Stop' on my Discman and park noises flood back. 'No,' she finally says, 'this is not just one of those coincidences.' on my Discman. It is the hottest afternoon in the history of September. I watch clouds. Here comes Picture Lady, arguing with an invisible companion. I wonder if I will ever find the guts to ask Ai Imajo out on a date. I watch a young woman feeding the ducks bread crusts from a paper bag. She has a stack of library books on her bench. I drowse. The woman wheels her bicycle over, as if she wants to talk to me. She studies my face. I press 'Stop' on my Discman and park noises flood back. 'No,' she finally says, 'this is not just one of those coincidences.'

'I'm sorry?'

She shakes her head in disgusted disbelief. 'Daimon is spying on me.'

I prop myself up. 'Who are you?'

She sets her face hard. 'I do not need this shit.'

Uh?

Her finger curses me as she hisses. 'Tell him to go fuck himself! Tell him to sell his elopement fantasies to his squeaky schoolgirls! Tell him he is worth nothing! Tell him my country stopped being a Japanese colony at the end of the last war! Tell him if he tries to call I'll change my number! Tell him that if he shows his face at my apartment I'll drive a fork into it! Tell Yuzu Daimon to slime away and die! And all of this applies to you, too.'

Ducks honk.

All at once I understand. This woman is Miriam, the hostess at Queen of Spades. The woman who didn't meet Yuzu Daimon at the games centre yesterday evening. The woman I helped Daimon get even with. This is awful. 'I swear,' I begin, 'I... I had no idea, I wasn't spying on you just now, I' ducks flap by 'I never realized, I mean, this is all a mistake, I had no idea you would be here how could I? I mean, I don't even know Daimon really-'

First, the sycamore tree blips spokes. Second, it sinks in that she kicked me hard and straight and true, in the balls. Third, I writhe on the ground as acorns of agony shower down around me. Fourth, I hear her voice, cold enough to freeze the pond. 'I know exactly exactly who you are, Eiji Miyake. You are a leech who tells lies for a living. Exactly like your father.' She walks to her bike. I try to ignore the pain and replay her last line. 'Wait!' She is already cycling away. I wobble to my feet. 'Wait!' She is pedalling away, over the causeway between the duck-pond and the boating lake. I try to run but the pain takes my breath away. 'Miriam! Wait!' Mothers with pushchairs turn to look, a bunch of motorbike kids watch and laugh. Even the ducks laugh. ' who you are, Eiji Miyake. You are a leech who tells lies for a living. Exactly like your father.' She walks to her bike. I try to ignore the pain and replay her last line. 'Wait!' She is already cycling away. I wobble to my feet. 'Wait!' She is pedalling away, over the causeway between the duck-pond and the boating lake. I try to run but the pain takes my breath away. 'Miriam! Wait!' Mothers with pushchairs turn to look, a bunch of motorbike kids watch and laugh. Even the ducks laugh. 'Miriam!' I crouch down, defeated, and watch her disappear into mirages and spray from the fountains. She knows my father! I want to feel hope but I want to bawl with frustration. I hobble back to my stuff, where I find one thing more, lying in the dust between the roots of the sycamore. A library book which fell when Miriam crippled me. What book is it? I can't read a word it is in Korean.

In the Shibuya back streets I am lost in no time. Yesterday and this afternoon seem weeks apart. This grid of narrow streets and bright shadows, and the pink quarter of last night, seem to be different cities. Cats and crows pick through piles of trash. Brewery trucks reverse around corners. Water spatters from overflow pipes. Shibuya's night zone is drowsing, like a hackneyed comedian between acts. My eyes begin to get lost in the signboards Wild Orchid, Yamato Nadeshiko, Mac's, Dickens, Yumi-chan's. Even if I happened to find Queen of Spades, search fatigue would probably stop me seeing. I left Shooting Star without my watch, and I have no idea how fast the afternoon is passing. My feet are aching and I taste dust. So hot. I fan myself with my baseball cap. It makes no difference. An old mama-san waters marigolds in her third-storey window box. When I look back at her she is still watching me, absently.

The phone booth is a safari of porn and smells of never-washed trousers. You don't need to buy sex mangas in Tokyo just find the nearest callbox. Me and my cousins would have saved a fortune. All the shapes and sizes I ever imagined, and lots of others, too. Threesomes, foursomes, S&M, high-school revue, special silver service for octogenarians. 'Directory enquiries,' answers a woman. 'What city, please?'

'Tokyo.'

'What area, please?'

'Shibuya.'

'And the name, please?'

Miss Manilla Sunrise pouts over two beachballs. No, surely- 'Name, please?'

-they can't can't actually be her actual- actually be her actual- 'Name, please!'

'Uh, sorry. I'm trying to track down a bar. Queen of Spades.'

'Queen of Spades... one moment, please.' Keyboard taps.

Miss Whippy Cream licks the froth off her stilettos.

Keyboard taps. 'Queens of England... Queer Sauna... sorry. Nothing.'

'Are you sure? It was there last night. Could it be a new number?'

Mrs Mop rides a broom, speech ballooning: 'In! Out! Shake it all about!'

'New numbers are added to the computer as they are registered.'

'So if Queen of Spades isn't on your computer...'

'Then it must be ex-directory.'

Weird. 'What kind of bar wants to hide its telephone number?'

'A very exclusive one, I imagine. Sorry, but I can't help you.'

'Oh well. Thanks for trying.'

I hang up. One big card is handwritten in childish letters. It has no telephone number. 'If you want sex with me, I'm standing outside.' I look around. She looks right at me through the glass. Sixteen? Fifteen? Fourteen? Her eyes have a damaged look. She presses her lips softly against the glass. I scuttle away, faster than Cockroach.

The police box door is stiff. I have to grind it open. Ancient Aum Shinrikyo wanted posters, Dial 110 posters, Join-the-Police-and-Serve-Japan posters. I'll pass, thanks. Filing cabinets. The same black-and-white clock with the gliding second hand you get in all government buildings. A Citi Bank calendar, rustling in the breeze from the paddling fan. The cop is tilted back with his hands behind his head, deep in meditation. One eyelid rises. 'Son?'

'Excuse me. I'm looking for a bar.'

'You're looking for a bar?' His words leak from the side of his mouth.

'Yes.'

'Will any bar do? Or does it have to be one bar in particular?'

'I'm looking for one bar in particular.'

'You're looking for one bar in particular.'

'Yes.'

A sigh as long as the end of the world. The other eyelid rises. Two bloodshot eyeballs. A long silence. He leans forward, his chair screeches, and he slowly unfolds a map on the desk. Upside down. 'Name?'

'Eiji Miyake.'

A long stare. 'Not your name, genius. The name of the bar.'

'Uh, sorry. Queen of Spades.'

The cop focuses and darkens. 'You are a member of this bar?'

I swallow. 'Not exactly. I went there last night.'

He frowns as if I am being evasive. 'Somebody took you?'

I nod. 'Yeah.'

He peers at me from another angle. 'And you want to go back? Why?'

'I need to speak to a sort of... friend who works there.'

'You need to speak to a sort of friend who works there. How old exactly did you say you are?'

'I, uh, didn't.'

'I know you didn't, genius. That is why I asked. How old are you?'

What is this about? 'I'm twenty.'

'ID.'.

Nervously, I open my wallet and hand over my driving licence. The cop scrutinizes it. 'Eiji Miyake, resident of Kagoshima prefecture. In Tokyo to work?' I nod. He reads. 'Date of birth, 9th September. You were twenty yesterday, correct?'

'Correct.'

'So upon visiting said bar you were under the minimum drinking age. Correct?'

'I went to Queen of Spades yesterday. On my birthday.'