"Oh, my G.o.d!" he cried out quickly, as a man might that was stabbed; "I couldn't trust myself to ride; I _couldn't_." He shuddered, and put a hand over his eyes. "Look here," he said, "you _must_ walk home with me, or at least see me past the Chalk-pit."

Now the Chalk-pit, when spelt with a capital letter, is an especially deep and ugly one on the very edge of the Bleakirk road, about two miles out of the village. A weak fence only separates its lip from the macadam. It is a nasty place to pa.s.s by night with a carriage; but here it was broad day, and the fellow was walking. So I didn't take him at all.

"Listen to me," he went on in a dull voice; "do you remember sitting beside this road, close on ten years back? And a boy and girl who came along this road together and asked you to marry them?"

"Bless my soul! Were you that boy?"

He nodded. "Yes: and the young lady in the chaise to-day was that girl. Old man, I know you reckon yourself clever,--I've heard you talk: but that when I met her to-day, three hours married, and she didn't know me, I had a h.e.l.l in my heart as I drove past the Chalk-pit, is a thing that pa.s.ses your understanding, perhaps.

They were laughing together, mark you, and yet they weren't a hair's breadth from death. And, by the Lord, you must help me past that pit!"

"Young man," I said, musing, "when first I met you, you were ten years old, and I thought you a fool. To-day you have grown into an unmitigated a.s.s. But you are dangerous; and therefore I respect you, and will see you home."

I turned back with him. When we came to the Chalk-pit, I kept him on the farther side of the road, though it cost me some terror to walk between him and the edge; for I have too much imagination to be a thoroughly brave man.

The sun was sinking as we walked down to Bleakirk; and the recruiting sergeant sat asleep outside the "Woolpack," with his head on the window-sill. I woke him up; and within half an hour my post-boy wore a bunch of ribbons on his cap--red, white, and blue.

I believe he has seen some fighting since then; and has risen in the ranks.

A DARK MIRROR.

In the room of one of my friends hangs a mirror. It is an oblong sheet of gla.s.s, set in a frame of dark, highly varnished wood, carved in the worst taste of the Regency period, and relieved with faded gilt. Glancing at it from a distance, you would guess the thing a relic from some "genteel" drawing-room of Miss Austen's time. But go nearer and look into the gla.s.s itself. By some malformation or mere freak of make, all the images it throws back are livid. Flood the room with sunshine; stand before this gla.s.s with youth and hot blood tingling on your cheeks; and the gla.s.s will give back neither sun nor colour; but your own face, blue and dead, and behind it a horror of inscrutable shadow.

Since I heard this mirror's history, I have stood more than once and twice before it, and peered into this shadow. And these are the simulacra I seem to have seen there darkly.

I have seen a bleak stone parsonage, hemmed in on two sides by a grave-yard; and behind for many miles nothing but sombre moors climbing and stretching away. I have heard the winds moaning and wuthering night and morning, among the gravestones, and around the angles of the house; and crossing the threshold, I know by instinct that this mirror will stand over the mantelpiece in the bare room to the left. I know also to whom those four suppressed voices will belong that greet me while yet my hand is on the latch.

Four children are within--three girls and a boy--and they are disputing over a box of wooden soldiers. The eldest girl, a plain child with reddish-brown eyes, and the most wonderfully small hands, s.n.a.t.c.hes up one of the wooden soldiers, crying, "This is the Duke of Wellington! This shall be the Duke!" and her soldier is the gayest of all, and the tallest, and the most perfect in every part.

The second girl makes her choice, and they call him "Gravey" because of the solemnity of his painted features. And then all laugh at the youngest girl, for she has chosen a queer little warrior, much like herself; but she smiles at their laughter, and smiles again when they christen him "Waiting Boy." Lastly the boy chooses. He is handsomer than his sisters, and is their hope and pride; and has a ma.s.sive brow and a mouth well formed though a trifle loose. His soldier shall be called Bonaparte.

Though the door is closed between us, I can see these motherless children under this same blue mirror--the gla.s.s that had helped to pale the blood on their mother's face after she left the warm Cornish sea that was her home, and came to settle and die in this bleak exile. Some of her books are in the little bookcase here. They were sent round from the West by sea, and met with shipwreck. For the most part they are Methodist Magazines--for, like most Cornish folk, her parents were followers of Wesley--and the stains of the salt water are still on their pages.

I know also that the father will be sitting in the room to my right-- sitting at his solitary meal, for his digestion is queer, and he prefers to dine alone: a strange, small, purblind man, full of sorrow and strong will. He is a clergyman, but carries a revolver always in his pocket by day, and by night sleeps with it under his pillow.

He has done so ever since some one told him that the moors above were unsafe for a person with his opinions.

All this the gla.s.s shows me, and more. I see the children growing up. I see the girls droop and pine in this dreary parsonage, where the winds nip, and the miasma from the churchyard chokes them.

I see the handsome promising boy going to the devil--slowly at first, then by strides. As their hope fades from his sisters' faces, he drinks and takes to opium-eating--and worse. He comes home from a short absence, wrecked in body and soul. After this there is no rest in the house. He sleeps in the room with that small, persistent father of his, and often there are sounds of horrible strugglings within it. And the girls lie awake, sick with fear, listening, till their ears grow heavy and dull, for the report of their father's pistol. At morning, the drunkard will stagger out, and look perhaps into this gla.s.s, that gives him back more than all his despair.

"The poor old man and I have had a terrible night of it," he stammers; "he does his best--the poor old man! but it's all over with me."

I see him go headlong at last and meet his end in the room above after twenty minutes' struggle, with a curious desire at the last to play the man and face his death standing. I see the second sister fight with a swiftly wasting disease; and, because she is a solitary t.i.tanic spirit, refuse all help and solace. She gets up one morning, insists on dressing herself, and dies; and the youngest sister follows her but more slowly and tranquilly, as beseems her gentler nature.

Two only are left now--the queer father and the eldest of the four children, the reddish-eyed girl with the small hands, the girl who "never talked hopefully." Fame has come to her and to her dead sisters. For looking from childhood into this livid gla.s.s that reflected their world, they have peopled it with strange spirits.

Men and women in the real world recognise the awful power of these spirits, without understanding them, not having been brought up themselves in front of this mirror. But the survivor knows the mirror too well.

"_Mademoiselle, vous etes triste_."

"_Monsieur, j'en ai bien le droit_."

With a last look I see into the small, commonplace church that lies just below the parsonage: and on a tablet by the altar I read a list of many names. . .

And the last is that of Charlotte Bronte.

THE SMALL PEOPLE.

_To a Lady who had asked for a Fairy Tale_.

You thought it natural, my dear lady, to lay this command on me at the dance last night. We had parted, two months ago, in London, and we met, unexpectedly and to music, in this corner of the land where (they say) the piskies still keep. And certainly, when I led you out upon the balcony (that you might not see the new moon through gla.s.s and lose a lucky month), it was not hard to picture the Small People at their play on the turf and among the dim flower-beds below us.

But, as a matter of fact, they are dead, these Small People.

They were the long-lived but not immortal spirits of the folk who inhabited Cornwall many thousands of years back--far beyond Christ's birth. They were "poor innocents," not good enough for heaven yet too good for the eternal fires; and when they first came, were of ordinary stature. But after Christ's birth they began to grow smaller and smaller, and at length turned into emmets and vanished from the earth.

The last I heard of them was a sad and serious little history, very different from the old legends. Part of it I was told by a hospital surgeon, of all people in the world. Part I learnt by looking at your beautiful gown last night, as you leant on the balcony-rail.

You remember how heavy the dew was, and that I fetched a shawl for your shoulders. You did not wrap it so tightly round but that four marguerites in gold embroidery showed on the front of your bodice; and these come into the tale, the remainder of which I was taught this morning before breakfast, down among the cairns by the sea where the Small People's Gardens still remain--sheltered spots of green, with here and there some ferns and cliff-pinks left. For me they are libraries where sometimes I read for a whole summer's day; and with the help of the hospital surgeon, I bring you from them a story about your ball-gown which is perfectly true.

Twenty years ago--before the fairies had dwindled into ants, and when wayfarers were still used to turn their coats inside out, after nightfall, for fear of being "pisky-led"--there lived, down at the village, a girl who knew all the secrets of the Small People's Gardens. Where you and I discover sea-pinks only, and hear only the wash of the waves, she would go on midsummer nights and find flowers of every colour spread, and hundreds of little lights moving among them, and fountains and waterfalls and swarms of small ladies and gentlemen, dressed in green and gold, walking and sporting among them, or reposing on the turf and telling stories to the most ravishing soft music. This was as much as she would relate; but it is certain that the piskies were friends of hers. For, in spite of her nightly wanderings, her housework was always well and cleanly done before other girls were dressed--the morning milk fresh in the dairy, the step sanded, the fire lit and the scalding-pans warming over it. And as for her needlework, it was a wonder.

Some said she was a changeling; others that she had found the four-leaved clover or the fairy ointment, and rubbed her eyes with it. But it was her own secret; for whenever the people tried to follow her to the "Gardens," _whir! whir! whir!_ buzzed in their ears, as if a flight of bees were pa.s.sing, and every limb would feel as if stuck full of pins and pinched with tweezers, and they were rolled over and over, their tongues tied as if with cords, and at last, as soon as they could manage, they would pick themselves up, and hobble home for their lives.

Well, the history--which, I must remind you, is a true one--goes on to say that in time the girl grew ambitious, or fell in love (I cannot remember which), and went to London. In any case it must have been a strong call that took her: for there are no fairies in London. I regret that my researches do not allow me to tell you how the Small People at home took her departure; but we will suppose that it grieved them deeply. Nor can I say precisely how the girl fared for many years. I think her fortune contained both joy and sorrow for a while; and I suspect that many pa.s.sages of her life would be sadly out of place in this story, even if they could be hunted out.

Indeed, fairy-tales have to omit so much nowadays, and therefore seem so antiquated, that one marvels how they could ever have been in fashion.

But you may take it as sure that in the end this girl met with more sorrow than joy; for when next she comes into sight it is in London streets and she is in rags. Moreover, though she wears a flush on her cheeks, above the wrinkles it does not come of health or high spirits, but perhaps from the fact that in the twenty years' interval she has seen millions of men and women, but not one single fairy.

In those latter days I met her many times. She pa.s.sed under your windows shortly before dawn on the night that you gave your dance, early in the season. You saw her, I think?--a woman who staggered a little, and had some words with the policeman at the corner: but, after all, a staggering woman in London is no such memorable sight.

All day long she was seeking work, work, work; and after dark she sought forgetfulness. She found the one, in small quant.i.ties, and out of it she managed to buy the other, now and then, over the counter. But she had long given up looking for the fairies.

The lights along the Embankment had ceased to remind her of those in the Small People's Gardens; nor did the noise bursting from music-hall doors as she pa.s.sed, recall the old sounds; and as for the scents, there were plenty in London, but none resembling that of the garden which you might smell a mile out at sea.

I told you that her needlework had been a marvel when she lived down at the village. Curiously enough, this was the one gift of the fairies that stayed by her, and it remained as wonderful as ever.

Her most frequent employer was a flat-footed Jew with a large, fleshy face; and because she had a name for honesty, she was not seldom entrusted with costly pieces of stuff, and allowed to carry them home to turn into ball-dresses under the roof through the gaps of which, as she st.i.tched, she could see the night pa.s.s from purple to black, and from black to the lilac of daybreak. There, with a hundred pounds' worth of silk and lace on her knee, she would sit and work a dozen hours to earn as many pence. With fingers weary and--But you know Hood's song, and no doubt have taken it to heart a dozen times.

It came to this, however, that one evening, when she had not eaten for forty hours, her employer gave her a piece of embroidery to work against time. The fact is, my dear lady, that you are very particular about having your commissions executed to the hour, and your dressmakers are anxious to oblige, knowing that you never squabble over the price. To be sure, you have never heard of the flat-footed Jew man--how should you? And we may believe that your dressmakers knew just as little of the poor woman who had used to be the friend of the Small People. But the truth remains that, in the press of your many pleasures, you were pardonably twenty-four hours late in ordering the gown in which you were to appear an angel.

Ah, madam! will it comfort you to hear that _you_ were the one to reconcile the Small People with that poor sister of yours who had left them, twenty years before, and wanted them so sorely?

The hospital doctor gave her complaint a long name, and I gather that it has a place by itself in books of pathology. But the woman's tale was that, after she had been st.i.tching through the long night, the dawn came through the roof and found her with four marguerites still left to be embroidered in gold on the pieces of satin that lay in her lap. She threaded her needle afresh, rubbed her weary eyes, and began--when, lo! a miracle.

Instead of one hand, there were four at work--four hands, four needles, four lines of thread. _The four marguerites were all being embroidered at the same time!_ The piskies had forgiven, had remembered her at last, after these many years, and were coming to her help, as of old. Ah, madam, the tears of thankfulness that ran from her hot eyes and fell upon those golden marguerites of yours!

Of course her eyes were disordered. There was only one flower, really. There was only one embroidered in the morning, when they found her sobbing, with your bodice still in her lap, and took her to the hospital; and that is why the dressmakers failed to keep faith with you for once, and made you so angry.

Dear lady, the piskies are not easily summoned, in these days.

THE MAYOR OF GANTICK.