Not Pretty, but Precious; And Other Short Stories - Part 24
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Part 24

He was aware that he had lost a shame and a torment, and not aware that she might have been an honor and a joy, if only he had been able to love.

J. W. DE FOREST.

"How Mother Did It."

The year 1839--that is, the year in which I was born--is of no manner of importance to myself or anybody else. The year 1859--that is, the year in which I began to _live_ (Charlie and I got married that year)--is of considerable importance to myself and to somebody else. The two decades forming the interim between those years const.i.tute my Dark Age, in which I teethed and measled and whooping-coughed, and went to school, and wore my hair in two long pig-tails, and loved mola.s.ses candy, and regarded a school-room as purgatory, a ball-room as heaven--when I sang and danced and grew as the birds and gra.s.shoppers and flowers sing and dance and grow, because they having nothing else to do.

Then came my Golden Age. That means, then came Charlie into my life, when I felt for the first time that there was music in the birds' voices and perfume in the flowers--that there was light in the heavens above and on the earth beneath, for G.o.d was in heaven and Charlie was on earth--when I, who had all along been hardly more than a human gra.s.shopper, became the happiest of happy women--so much happier, I thought, than I deserved. For who was I, and what great thing had I ever done, that I should be crowned with such a crown of glory as--Charlie? why should I, insignificant I, be so blest among women as to be taken to wife by Charlie?

I was insanely sentimental enough to rather resent the fact that Charlie was prosaically well off: his circ.u.mstances were distressingly easy. It would have been so much nicer, so deliciously romantic, if there had been an opportunity afforded me to show how ready, nay, eager, I was to sacrifice friends, home and country for his dear sake. But Charlie didn't want me to sacrifice my friends; nor did it require any great amount of heroism to exchange my modestly comfortable home for his decidedly luxurious one; and as for country, nothing on earth could have induced Charlie to leave his own country, much less his own parish, much less his own plantation. So we were married without any talk of sacrifice on either side, and moved quietly enough from father's small plantation to Charlie's large one.

There was but one drawback to the perfectness of my happiness: there was so little hope of my ever having an opportunity to air those magnanimous traits of character upon the possession of which I so plumed myself. I felt sure that I could meet the most adverse circ.u.mstances with the most smiling patience, but circ.u.mstances obstinately refused to be adverse. I was inwardly conscious that the most trying emergency could not shake my heroic but purely feminine fort.i.tude; but, alas! my fort.i.tude was likely to rust while waiting for the emergency. Injury and wrong should be met with sublime dignity, but the most wildly speculative imagination could not look upon Charlie's placidly handsome face and convert him into a possible tyrant.

To tell how the longed-for opportunity to exercise my powers of endurance, and my dignity, and all the rest of it, did finally come about, and to tell how I bore the test, is the object of this paper.

For the first six months of our married life, Charlie and I were simply ridiculously happy--selfishly happy too. We resented a neighbor's visit as an act of barbarous invasion, and the necessity of returning such visits was acknowledged with a sublimity of resignation worthy of pictorial representation in that exquisite parlor manual, Fox's _Book of Martyrs_.

If Charlie left the house for an hour or two, I looked upon his enforced absence as a cruel dispensation of Providence, which I did _not_ bear with "fort.i.tude and sublime dignity," but pouted over like the ridiculous baby I was. Bare conjugal civility required that on leaving the house Charlie should kiss me three times, and on returning six times: anything short of that I should have considered a pre-monitory symptom of approaching separation. If Charlie had ever been so savage as to call me plain "Lulie," I should have felt certain he was sick and tired of me, and was repenting of having married me instead of that spectacled bas-bleu, Miss Minerva Henshaw, who read Buckle and talked dictionary. I believe I was intoxicated with my own happiness, and was a little nonsensical because I was so happy.

Fortunately for the comfort of both Charlie and myself, his domestic cabinet consisted of a marvelously well-trained set of servants, who were simply perfect--as perfect in their way as Charlie was in his. They had been trained by Charlie's mother, who had been the head of affairs in his house up to the hour of her death--an event which had occurred some dozen years before my first meeting with Charlie. Everybody said she had been a celebrated housekeeper, and Charlie's devotion to her had been the talk of the country-side. There were people malicious enough to say that if Charlie's mother had never died, he would never have married, but I take the liberty of resenting such an a.s.sertion as a personal insult; for, although I don't doubt the dear old lady was a perfect jewel in her way, yet, looking at the portrait of her which hangs over our parlor mantelpiece, I see the face of a hard, determined-looking woman with cold gray eyes and rigidly set mouth, in a funny-looking black dress, neither high-necked nor low-necked, having a starchy white ruffle round the edge, in vivid white contrast to the yellow skin; with grizzly, iron-gray curls peeping out from under a cap that is fearfully and wonderfully made, with a huge ruffled border radiating in a circ.u.mference of several feet, while its two black-and-white gauze ribbon strings lie in rigid exactness over her two rigidly exact shoulders. Looking on this portrait, I do not thank anybody for saying that it was only because death chose that shining mark that I had found favor in Charlie's eyes.

We had been married, I suppose, about six months, when, sitting one evening over a cozy wood-fire in our cozy little parlor, just under the work of art I have described at such length, Charlie committed his first matrimonial solecism. He yawned, actually gaped--an open-mouthed, audible, undeniable yawn!

Glancing up at him from my work (which consisted of the inevitable worked slippers without which no woman considers her wifehood absolutely a.s.serted), I caught him in the act. "Are you tired, Charlie?" I asked in accents of wifely anxiety.

Tired! Poor fellow! he ought to have been, for he had ridden all over the plantation that day, had written two business letters, and smoked there's no telling how many cigars, and had only taken one little cat-nap after dinner.

He was leaning back in his arm-chair, with his eyes fixed in mournful meditation upon his mother's portrait (at least I thought so), when I asked him if he was tired, and I fancied he was thinking sad thoughts of the mother who had not been dead so very long as never to trouble the thoughts of the living; so, laying down my slippers, I crossed the rug and perched myself on Charlie's knee.

"Talk to me about her, Charlie dear."

"About whom, little one?" asked Charlie, turning his eyes toward me with a little lazy look of inquiry.

"About your mother, Charlie: weren't you thinking about her just now?"

"I don't know--maybe I was. Dear mother! you don't find many women like her now-a-days."

Reader, that was my first glimpse of Charlie's hobby. And from the luck-less moment when I so innocently invited him to mount it, up to the time when I forcibly compelled him to dismount from it, I had ample opportunity to exercise my "smiling patience, sublime dignity and heroic fort.i.tude." Whether or not I improved my opportunities properly, I will leave you to judge for yourself. But for two whole years "how mother did it" seemed to be the watchword of Charlie's existence, and was the _bete noir_ of mine.

So long as Charlie and I were in Paradise the house kept itself, and very nicely it did it too, but by the time we were ready to come back to earth the perfect servants, who had been taking such good care of themselves, and our two daft selves into the bargain, were found to be sadly demoralized. The discovery came upon us gradually. I think my husband noticed the decadence as soon as I did, but I wasn't going to invite his attention to the fact; and he, I suppose, thought that I thought that everything was just as it should be.

One of Charlie's inherited manias was for early rising--a habit which would have been highly commendable and undeniably invaluable in a laboring man, but which struck me, who had an equally strong mania for not rising early, as extremely inconvenient and the least little bit absurd. Charlie got up early simply because "mother did it" before him; and after he had risen at earliest dawn and dressed himself, he had nothing better to do than walk out on the front gallery, locate himself in a big wicker chair, tilt his chair back and elevate his feet to the top of the banisters, and stare out over the cottonfields. This position he would maintain, probably, about twenty minutes. Then the pangs of hunger would render him restless, and he would draw out his watch to note the time of day. The next step in the formula would bring him back to my room door while I was still sleepily trying to reconnect the broken links of a dream, from which vain effort he would startle me into wide-awake reality by a stentorian "Lulie, Lulie! Come, wife--it's breakfast-time."

Upon which, instead of "heroic fort.i.tude," I would treat him to a little cross "Please yell at the cook, Charlie, and not at me. I'm sure if people _will_ get up at such unearthly hours, they should expect to be kept waiting for their breakfast."

Then the spirit of unrest would impel Charlie toward the back door, where I would hear him commanding, exhorting, entreating.

Mentally registering a vow to give my husband a dose of Mrs. Winslow's Soothing Syrup on the coming night, I would relinquish all hope of another nap, get up and dress myself, and join my roaring lion on the front gallery, where we would both sit meekly waiting for the allied forces of kitchen and dining-room to decide upon the question of revictualing us.

"Lulie," said Charlie to me one morning at the breakfast-table, "things are getting all out of gear about this house, somehow or other."

I put down the coffee-pot with a resigned thump and asked my lord, with an injured air, to please explain himself.

"Well, when mother was alive I never knew what it was to sit down to my breakfast later than six o'clock in summer or seven in winter."

"How did she manage it, Charlie?" I asked, very meekly.

"Why, by getting up early herself. No servant on the face of the globe is going to get up at daybreak and go to work in earnest when she knows her mistress is sound asleep in bed. I will tell you how mother did: she had a pretty good-sized bell, that she kept on a table by her bedside, and every morning, as soon as her eyes were open, she would give such a peal with that old bell that all the servants on the premises knew that 'Mistress was awake and up,' and bestirred themselves accordingly. There was no discount on mother: that was the way she made father a rich man, too."

"But, Charlie, you're already a rich man, and why on earth should we get out of bed at daybreak just because your mother and father did so before us?"

"Of course, Lulie," said Charlie, the least little bit coldly, "I have no desire in the world to force you to conform to my views: I only told you how mother did it."

Reader, you know how I loved Charlie, and after that I out-larked the lark in early rising; and although Charlie and I did little more than gape in each other's faces for an hour or two, and wish breakfast would come, and wonder what made them take so long, he was perfectly satisfied that we were both on the road that was to make us healthier, wealthier and wiser.

Among other points on which my husband and I were mutually agreed was a liking for good strong coffee, and we also held in common one decided opinion, and that was, that our coffee was gradually becoming anything but good and strong.

Charlie broached the subject first. "Lulie, our coffee is getting to be perfectly undrinkable," said he one morning, putting his cup down with a face of disgust.

"It is indeed, Charlie: it's perfectly villainous. Milly ought to be ashamed of herself: I shall speak to her again after breakfast."

"Maybe you don't give out enough coffee?" suggested Charlie.

"I don't know how much Milly takes," I replied, innocently.

"Takes! Do you mean to say that you don't know how much coffee goes out of your pantry, Lulie? I don't wonder we never have any fit to drink!"

If I had been of an argumentative turn, I would have asked Charlie to explain how giving the cook carte blanche in the matter of quant.i.ty should have had such a disastrous effect in the matter of quality. But I was not of an argumentative turn, so I took no notice of his queer logic.

"Why should I bother about every spoonful of coffee, Charlie? You a.s.sured me, when I first came here, that every servant you had was as honest as you or I, and I'm sure Milly knows better than I do how much coffee she _ought_ to take."

"Well," said Charlie with a sigh of mock resignation, "that may be the way they do things now-a-days, but I remember exactly how mother managed to have good coffee." Here the hobby broke into a brisk canter: "I recollect she had a little oval wooden box, that held, I suppose, about a quart--or two, maybe--of roasted coffee, and that box stood on the mantelpiece in her room; and every morning, as soon as her bell rang, Milly would come with a cup and spoon, and mother would measure out two table-spoonfuls of coffee with her own hands and give it to the cook, and the cook knew better than not to have good coffee, I can tell you."

"Are you sure it was only two spoonfuls, Charlie?"

"I am sure," responded Charlie, solemnly.

As good-luck would have it, while rummaging in the store-room a day or two after that coffee talk, I came upon a little old oval wooden box, the lid of which I detached with some difficulty, and as the scent of the roses hung round it still, I had no difficulty in identifying my treasure-trove with the wooden box that had played such a distinguished part in the good old times when cooks "knew better than not to have good coffee, I can tell you."

Hoping that some relic of my dead predecessor might prove more awe-inspiring to contumacious Milly than my own despised monitions, I exhumed the wooden box, had it thoroughly cleansed, filled with roasted coffee and placed upon my mantelpiece, giving Milly orders to come to _me_ hereafter, every morning, for the coffee.

Charlie gave me a grateful little kiss when he saw the old box in the old place, either as a reward for my amiable endeavor to do things as mother did, or because he took the old wooden box for an outward and visible sign of the inward and spiritual grace that was to move Milly to make good coffee.

But somehow or other, in spite of the unsightly old wooden box on my mantelshelf, the coffee didn't improve in the least. Maybe the charm failed to work because Charlie had forgotten which end of the mantelpiece his mother used to keep it on, or I used the wrong spoon. I'm inclined to lay it on the spoon myself, but there's no telling.