"Son of a b.i.t.c.h!" Carter wanted to reach through the wires and strangle the bodyguard. "Jenna's okay?"

"Yeah. They all are."

"Both girls."

"Yes!" Turnquist snapped. "But I need some help. We're holed up in the den, and I don't want to leave Jenna or the girls in the house alone, but I need to search the place."

"Absolutely do not leave them alone!" Carter ordered, suddenly frantic. Why hadn't he followed Wes until he was home? But there was no way Wes could have gotten there in the past half-hour. What about earlier, when you thought he was at the Lucky Seven?

Carter stepped on the gas and pulled a quick one-eighty on the bridge. "Put Jenna on."

"She's all right."

"Put her on!" He gunned the engine and his tires spun.

"h.e.l.lo?" Her voice was steady and touched him in a way he didn't think possible. The Blazer straightened.

"Are you all right?"

"All right? What do you think?" she said, and despite the angry tenor in her voice, there was more-an underlying current of panic.

"Stay with Turnquist." He drove off the bridge, his wipers fighting the ice acc.u.mulating on his windshield.

"Don't worry."

Something deep inside of him cracked. "I do."

There was a second's hesitation, then she said, "Carter?"

"Yeah?"

"Get the h.e.l.l over here."

"Hang in there, Jenna." His voice felt suddenly rough. "I'm on my way."

CHAPTER 39.

The seconds sc.r.a.ped by on the clock in the den, and Jenna was going quietly out of her mind. She, Ca.s.sie, Turnquist, and even Critter were sequestered in the small room. Every curtain and blind in the house was drawn tight and the lights and television flickered as winds, keening down the gorge, buffeted the house. The girls huddled together under a sleeping bag on the couch, and Jenna tried to keep her cool.

Impossible.

Get here, Carter, she silently thought, every muscle in her body tense.

Turnquist, too, was on edge, his weapon at his side.

Every ten minutes, he walked through the house, weapon in hand, eyes darting everywhere, stopping at the windows and opening the blinds a bit to catch a glimpse of the storm. Jenna listened to his footsteps creak on the stairs or pad lightly on the floors overhead.

She sat in a rocker, eyes fixed on the clock, one hand falling over the arm to scratch Critter behind his ears.

Finally, about the time Jenna was certain she was coming completely unhinged, the dog lifted his head and growled. Turnquist, who was just descending from the second story, walked into the darkened kitchen and squinted through the night. "It's Carter's Blazer," he said, and punched in the code to allow the sheriff to roll through the gates. But the gates didn't so much as budge. "d.a.m.ned things. I'm going out," he called over his shoulder. "The gate's iced up." He threw on a down jacket and left the house, closing and locking the door behind him.

Allie was dozing, Ca.s.sie's eyes at half-mast. "Can you trust him, Mom?"

"Who? Jake Turnquist?"

"Yeah. It doesn't seem like he does much. Not if the guy still gets in. Maybe it's him."

"I checked him out."

"By talking to Mr. Brennan. Oh, wow."

"I called names on the list of references he gave me."

"Like he couldn't have set that up."

"Sheriff Carter recommended him."

"Maybe he's in on it, too."

"No."

"No?" Ca.s.sie lifted an eyebrow. "How do you know, Mom? This whole place could be some kind of weird community, everyone like an alien. They've got really odd stuff up here, Mom. Half the people believe in Bigfoot, and that Charley Perry, the man who found the body at Catwalk Point, he claims he was abducted by aliens for a while. What's freaky about that is that everyone in town just accepts it. He's 'a little eccentric.' Are they kidding? The guy's a full-blown nutcase and should be locked up. Just like half the townspeople. Don't you think it's strange that two of the men you've been seeing, Harrison Brennan and Travis Settler, have secret pasts-that they were involved in some kind of elite special forces military group or the CIA or something they can't talk about? And what about Rinda, your friend. Her brother and son are creeeeeepy. Something genetically wrong there, if you ask me."

"But Josh is normal."

"No. I didn't say that. His whole family is off! I'm starting to think that we-you, me, and Allie-are the normal ones. And that's crazy, too, cuz you're a Hollywood star, or were one, the family's divorced, Dad's remarried...but we still seem more sane than most of the people around here."

"You think?" Jenna asked as Ca.s.sie turned back to the television. Normal? With her distaste for winter? She doubted it as she peered through the slats at the white-out.

White Out. The unfinished movie. Where Jill had died.

Instead of you. You were supposed to be up on the mountain, not Jill.

She shuddered, remembered hearing the explosion, snow pluming hundreds of feet into the air, and then the horrendous rumbling, as if the earth itself was being painfully wrenched apart. From her spot on the Sno-cat, she'd watched in horror as a wall of snow and ice roared down the mountainside, to the very spot where the next scene was to be shot, where Jill was innocently waiting. Jenna had screamed and thrown herself off the vehicle, but was restrained by some of the crew.

They hadn't found Jill's body for hours, but Jenna had known the minute she'd died.

All because of you. You'd talked her into following your footsteps. You'd suggested to Robert that he hire her.

And look what happened.

The aftermath of the disaster had far-reaching repercussions. Investigators surmised that explosives intended to be used later in the filming had accidently been discharged early, causing the avalanche, that it had destroyed the set where they were to film. An unfortunate tragedy. No one at fault. Everyone a.s.sociated with the film to blame. Jenna had been emotionally devastated, Robert nearly ruined financially. They had blamed each other, and Jenna had given up acting, refusing to finish a project that had cost Jill her life.

The press had gone nuts. Pictures of Jenna and her family splashed on newspapers across the country. The tabloids had promoted a conspiracy theory, promoting the idea that the financially troubled endeavor was so far over budget that the film had been sabotaged by one of the backers who wanted to get out and escape with the insurance money.

That time of her life had been an excruciating blur. She'd tried to hold herself together for the kids, but her career was a shambles, her already-strained marriage crumbling, her guilt eating her alive. Everyone she knew was angry and pointing fingers. One of the major backers, Paulo Roblez, had been particularly upset, as had Monty Fenderson, Jenna's agent, who, when she'd announced she was giving up acting, had lost his only star-caliber client. He'd threatened to sue her and Robert and anyone he could think of.

And so she'd ended up hating winter and Christmas.

So why did you move up here to the land of cold winters with the largest mountain in the state almost in your back yard? Why do you still take the girls skiing? To punish yourself, or to overcome your fears and grief?

A good question, one not answered in the year of counseling.

To this day, Jenna felt the guilt and pain at the loss of her sister. It had been Jenna who had gotten Jill into acting. Jenna, who by taking the role of Katrina in Innocence Lost, a part not unlike Brooke Shields's in Pretty Baby, had propelled herself to fame at an early age. From that point, she'd taken on roles of gritty, hard-as-nails heroines and had found some respect in a business that had little. Jill had willingly followed in Jenna's golden footsteps, only to lose her life.

It had been so pointless, and now, staring into the stormy night, she felt that same little niggle of doubt that had eaten at her since the accident. Not that it made any sense, but Jenna had always wondered if the tragedy was planned, if the accident on the set of White Out had somehow been cruelly orchestrated. Could someone have deliberately caused the avalanche? But why? A police probe into the accident had proved nothing, not even negligence, in her sister's death, and the entire catastrophe had been ruled accidental. But the rumors had abounded, and secretly there had been allegations that the movie had been sabotaged deliberately when explosives that were to be used in another scene had gone off prematurely, thereby putting an end to a movie that had already been hopelessly over budget. There had even been talk that the "accident" was a way of creating some buzz about the film, a macabre enticement to moviegoers.

But Jenna had pulled the plug on any expectation of profits made from her sister's death by quitting and letting the lawyers fight it out.

She watched as Jake managed to force the gates open and Carter drove his SUV through the drifts to the garage. A surge of relief swept through her, and she couldn't take her eyes off of him, a tall, rangy lawman to whom she was now affixing the unwanted role of personal hero. Which was ludicrous. Yet she couldn't stop herself from rushing into the kitchen and throwing open the door at his arrival. Silly as it was, she threw herself at him and his big arms crushed her to his body. "Thank G.o.d you're here," she said, perilously close to tears as the rush of bitter wind forced its way inside.

"Hey, calm down." His breath fanned her hair as he kicked the door shut, but Carter didn't let go of her, held her tight and hard against him. And she, d.a.m.n it, was grateful for his strong body. His firm male presence. The feel of bone, gristle, flesh, and raw determination all wrapped in waterproofed down. "I'm not goin' anywhere."

Her knees nearly buckled and she clung to him. "Thank you." Her face was upturned, her lips touching the rim of his ear.

His jaw hardened. "Don't thank me yet. We've got a lunatic to locate."

"That we do." Reluctantly, she extracted herself from those oh-so-safe arms and blinked back tears that had no right to sting her eyes.

"By the way, have you ever met a poet named Leo Ruskin?"

She shook her head. "No."

"He lived in Southern California a few years back and it was his line, 'Today...Tomorrow...Endlessly,' that was going to be used in the promotion of White Out."

"I didn't know that," she said earnestly, "but there was a lot I didn't know back then, as Robert and I were barely speaking. I spent my days on the set, my evenings with the kids, and I left all of the financial matters-the promotion, development, all of it-with him. Have you talked to Ruskin?"

"Can't find him. Not yet. But we will." He paused. "I think we should ask your ex about him, the promo line, and whoever was contracted to do the makeup for the movie."

"The makeup?"

"Yeah. I a.s.sume a makeup artist or some company handled all the changes to your face."

Her eyes narrowed. "You think whoever did that could have had something to do with the finger we found."

"Don't you?"

"I don't know what to think, and I don't remember the name of the company, but I'll call Robert. He must have records."

"You'd think."

The back door opened again and Turnquist, stomping his boots and blowing on his gloved hands, strode in with another gust of frigid winter air. He glanced at the remains of Jenna and Carter's embrace and his thin mouth pulled down at the corners. "Why don't you stay here, and I'll search the place."

"I thought you did that already, when you first hired on."

"I mean I'm gonna rip up the floorboards. Somehow that son of a b.i.t.c.h knows what's happening in this house."

"Wait for the OSP. I called them on the way over."

Turnquist's already flushed face grew redder. "I can handle it."

"Can you? I haven't seen much evidence of that so far," Carter snapped. "I don't want any evidence compromised. Tell me exactly what went on here, then wait for the state guys."

"That could be hours."

"All we've got is time." Carter's cell phone beeped and he answered it as they all filed into the den. Critter yawned, stretched his legs, then walked stiffly over to sniff Carter's boots, but Allie's eyes didn't so much as flutter.

Ca.s.sie was slumped on the opposite end of the couch from her sister and she, too, had finally let exhaustion take its toll. Head cradled in one arm, she was snoring softly, dead to the world.

Jenna's heart twisted when she remembered her horrid dream. How had she and Ca.s.sie drifted so far apart? As a child, Ca.s.sie had been so effervescent, so happy, delighted with all new things from puppies to ice cream to airplanes, and then, as she'd headed into p.u.b.escence and her parents' marriage was falling apart, she'd lost that beautiful, whimsical joie de vivre that had been her essence as a child. Had it been a natural progression into adulthood or the slow erosion of happiness caused by her parents' inability to work through their problems after the accident?

Back to the tragedy.

Always the tragedy.

Carter clicked his phone off. "Larry Sparks is on his way," he said, "but the State Police are knocked flat with this storm. We'll all have to be patient. Looks like it's gonna be a long night."

"Already has been," Turnquist grumbled.

"Okay, so let's go into the kitchen there," Carter nodded to the open doorway, "and you two can tell me everything that went on here tonight."

CHAPTER 40.

The next few hours seemed to go on forever. Larry Sparks and a detective from the Oregon State Police arrived and, with Turnquist, searched the house and grounds. Meanwhile, Jenna explained what happened in the last few days, naming everyone who had been on the grounds, when she had last noticed the jewelry box had been opened, when anyone could have possibly been in the house, what enemies she might have made who would want to do harm to her. The police searched her room again, dusted for prints again, removed the fake finger and were going to test its composition against alginate, the substance that had been found at the site where they discovered Mavis Gette's body. Sparks had already called Reverend Swaggert about the rings and would have the preacher verify if they had belonged to Lynnetta.

"So you think the person who's doing this killed that Gette woman and abducted the others," Jenna said, once the police were packing up to leave.

"Looks that way."

"But how? Why?" She shook her head and bit her lower lip in frustration and fear. "I don't understand why this is happening to me."

"Neither do I. You've got someone obsessed with you," Carter said. He was seated on the raised hearth of the fireplace, warming his back, his clasped hands hanging between his knees.