"Yeah," I said, "But Martin, is it true?"

He asked me gravely, "What do you think?"

I didn't say anything.

"How would you like to work in a company like that?" he asked speculatively.

"I don't really know," I said.

He sat up straighter and his voice got brisk. "Well, all fantasy aside, how'd you like to work in this company?" He asked, lightly slapping my ankle. "On the stage, I mean. Sid thinks you're ready for some of the smaller parts. In fact, he asked me to put it to you. He thinks you never take him seriously."

"Pardon me while I gasp and glow," I said. Then, "Oh Marty, I can't really imagine myself doing the tiniest part."

"Me neither, eight months ago," he said. "Now, look. Lady Macbeth."

"But Marty," I said, reaching for his finger again, "you haven't answered my question. About whether it's true."

"Oh that!" he said with a laugh, switching his hand to the other side.

"Ask me something else."

"Okay," I said, "why am I bugged on the number eight? Because I'm permanently behind a private 8-ball?"

"Eight's a number with many properties," he said, suddenly as intently serious as he usually is. "The corners of a cube."

"You mean I'm a square?" I said. "Or just a brick? You know, 'She's a brick.'"

"But eight's most curious property," he continued with a frown, "is that lying on its side it signifies infinity. So eight erect is really--" and suddenly his made-up, naturally solemn face got a great glow of inspiration and devotion--"Infinity Arisen!"

Well, I don't know. You meet quite a few people in the theater who are bats on numerology, they use it to pick stage-names. But I'd never have guessed it of Martin. He always struck me as the skeptical, cynical type.

"I had another idea about eight," I said hesitatingly. "Spiders. That 8-legged asterisk on Miss Nefer's forehead--" I suppressed a shudder.

"You don't like her, do you?" he stated.

"I'm afraid of her," I said.

"You shouldn't be. She's a very great woman and tonight she's playing an infinitely more difficult part than I am. No, Greta," he went on as I started to protest, "believe me, you don't understand anything about it at this moment. Just as you don't understand about spiders, fearing them. They're the first to climb the rigging and to climb ash.o.r.e too.

They're the web-weavers, the line-throwers, the connectors, Siva and Kali united in love. They're the double mandala, the beginning and the end, infinity mustered and on the march--"

"They're also on my New York screen!" I squeaked, shrinking back across the cot a little and pointing at a tiny glinting silver-and-black thing mounting below my w.i.l.l.y-ball.

Martin gently caught its line on his finger and lifted it very close to his face. "Eight eyes too," he told me. Then, "Poor little G.o.d," he said and put it back.

"Marty? Marty?" Sid's desperate stage-whisper rasped the length of the dressing room.

Martin stood up. "Yes, Sid?"

Sid's voice stayed a whisper but went from desperate to ferocious.

"You villainous elf-skin! Know you not the Cauldron Scene's been playing a hundred heartbeats? 'Tis 'most my entrance and we still mustering only two witches out of three! Oh, you nott-pated starveling!"

Before Sid had got much more than half of that out, Martin had slipped around the screen, raced the length of the dressing room, and I'd heard a l.u.s.ty thwack as he went out the door. I couldn't help grinning, though with Martin racked by anxieties and reliefs over his first time as Lady Mack, it was easy to understand it slipping his mind that he was still doubling Second Witch.

VI

I will vault credit and affect high pleasures Beyond death.

--Ferdinand

I sat down where Martin had been, first pushing the screen far enough to the side for me to see the length of the dressing room and notice anyone coming through the door and any blurs moving behind the thin white curtain shutting off the boys' two-thirds.

I'd been going to think. But instead I just sat there, experiencing my body and the room around it, steadying myself or maybe readying myself. I couldn't tell which, but it was nothing to think about, only to feel. My heartbeat became a very faint, slow, solid throb. My spine straightened.

No one came in or went out. Distantly I heard Macbeth and the witches and the apparitions talk.

Once I looked at the New York Screen, but all the stuff there had grown stale. No protection, no nothing.

I reached down to my suitcase and from where I'd been going to get a miltown I took a dexedrine and popped it in my mouth. Then I started out, beginning to shake.

When I got to the end of the curtain I went around it to Sid's dressing table and asked Shakespeare, "Am I doing the right thing, Pop?" But he didn't answer me out of his portrait. He just looked sneaky-innocent, like he knew a lot but wouldn't tell, and I found myself think of a little silver-framed photo Sid had used to keep there too of a c.o.c.ky German-looking young actor with "Erich"

autographed across it in white ink. At least I supposed he was an actor. He looked a little like Erich von Stroheim, but nicer yet somehow nastier too. The photo had used to upset me, I don't know why.

Sid must have noticed it, for one day it was gone.

I thought of the tiny black-and-silver spider crawling across the remembered silver frame, and for some reason it gave me the cold creeps.

Well, this wasn't doing me any good, just making me feel dismal again, so I quickly went out. In the door I had to slip around the actors coming back from the Cauldron Scene and the big bolt nicked my hip.

Outside Maud was peeling off her Third Witch stuff to reveal Lady Macduff beneath. She twitched me a grin.

"How's it going?" I asked.

"Okay, I guess," she shrugged. "What an audience! Noisy as highschool kids."

"How come Sid didn't have a boy do your part?" I asked.

"He goofed, I guess. But I've battened down my bosoms and playing Mrs.

Macduff as a boy."

"How does a girl do that in a dress?" I asked.

"She sits stiff and thinks pants," she said, handing me her witch robe. "'Scuse me now. I got to find my children and go get murdered."