He jams his wet feet into his Wellies and thanks the fisherman, then hikes back to his inn, the only inn in town that's open in November. Half an hour later, clean and dry and still shaken, he considers his options.

After the Great War, he lived for a while in Harlem-he remembers the riots and the music, and the sense of community. His mother is still there, growing gracious as a flower in window-box. But he left that for college in Alabama, and he has not forgotten the experience of segregated restaurants, or the excuses he made for never leaving the campus.

He couldn't get out of the south fast enough. His Ph.D. work at Yale, the first school in America to have awarded a doctorate to a Negro, taught him two things other than natural history. One was that Booker T. Washington was right, and white men were afraid of a smart colored. The other was that W.E.B. DuBois was right, and sometimes people were scared of what was needful.

Whatever resentment he experienced from faculty or fellow students, in the North, he can walk into almost any bar and order any drink he wants. And right now, he wants a drink almost as badly as he does not care to be alone. He thinks he will have something hot and go to the library.

It's still raining as he crosses the street to the tavern. Shaking water droplets off his hat, he chooses a table near the back. Next to the kitchen door, but it's the only empty place and might be warm.

He must pa.s.s through the lunchtime crowd to get there, swaybacked wooden floorboards bowing underfoot. Despite the storm, the place is full, and in full argument. No one breaks conversation as he enters.

Harding cannot help but overhear.

"Jew b.a.s.t.a.r.ds," says one. "We should do the same."

"No one asked you," says the next man, wearing a cap pulled low. "If there's gonna be a war, I hope we stay out of it."

That piques Harding's interest. The man has his elbow on a thrice-folded Boston Herald, and Harding steps close-but not too close. "Excuse me, sir. Are you finished with your paper?"

"What?" He turns, and for a moment Harding fears hostility, but his sun-lined face folds around a more generous expression. "Sure, boy," he says. "You can have it."

He pushes the paper across the bar with fingertips, and Harding receives it the same way. "Thank you," he says, but the Yankee has already turned back to his friend the anti-Semite.

Hands shaking, Harding claims the vacant table before he unfolds the paper. He holds the flimsy up to catch the light.

The headline is on the front page in the international section.

GERMANY SANCTIONS LYNCH LAW.

"Oh, G.o.d," Harding says, and if the light in his corner weren't so bad he'd lay the tabloid down on the table as if it is filthy. He reads, the edge of the paper shaking, of ransacked shops and burned synagogues, of Jews rounded up by the thousands and taken to places no one seems able to name. He reads rumors of deportation. He reads of murders and beatings and broken gla.s.s.

As if his grandfather's hand rests on one shoulder and the defeated hand of the Kaiser on the other, he feels the stifling shadow of history, the press of incipient war.

"Oh, G.o.d," he repeats.

He lays the paper down.

"Are you ready to order?" Somehow the waitress has appeared at his elbow without his even noticing. "Scotch," he says, when he has been meaning to order a beer. "Make it a triple, please."

"Anything to eat?"

His stomach clenches. "No," he says. "I'm not hungry."

She leaves for the next table, where she calls a man in a cloth cap sir. Harding puts his damp fedora on the tabletop. The chair across from him sc.r.a.pes out.

He looks up to meet the eyes of the fisherman. "May I sit, Professor Harding?"

"Of course." He holds out his hand, taking a risk. "Can I buy you a drink? Call me Paul."

"Burt," says the fisherman, and takes his hand before dropping into the chair. "I'll have what you're having."

Harding can't catch the waitress's eye, but the fisherman manages. He holds up two fingers; she nods and comes over.

"You still look a bit peaked," fisherman says, when she's delivered their order. "That'll put some color in your cheeks. Uh, I mean-"

Harding waves it off. He's suddenly more willing to make allowances. "It's not the swim," he says, and takes another risk. He pushes the newspaper across the table and waits for the fisherman's reaction.

"Oh, Christ, they're going to kill every one of them," Burt says, and spins the Herald away so he doesn't have to read the rest of it. "Why didn't they get out? Any fool could have seen it coming."

And where would they run? Harding could have asked. But it's not an answerable question, and from the look on Burt's face, he knows that as soon as it's out of his mouth. Instead, he quotes: " 'There has been no tragedy in modern times equal in its awful effects to the fight on the Jew in Germany. It is an attack on civilization, comparable only to such horrors as the Spanish Inquisition and the African slave trade.' "

Burt taps his fingers on the table. "Is that your opinion?"

"W.E.B. DuBois," Harding says. "About two years ago. He also said: 'There is a campaign of race prejudice carried on, openly, continuously and determinedly against all non-Nordic races, but specifically against the Jews, which surpa.s.ses in vindictive cruelty and public insult anything I have ever seen; and I have seen much.' "

"Isn't he that colored who hates white folks?" Burt asks.

Harding shakes his head. "No," he answers. "Not unless you consider it hating white folks that he also compared the treatment of Jews in Germany to Jim Crowism in the US."

"I don't hold with that," Burt says. "I mean, no offense, I wouldn't want you marrying my sister-"

"It's all right," Harding answers. "I wouldn't want you marrying mine either."

Finally.

A joke that Burt laughs at.

And then he chokes to a halt and stares at his hands, wrapped around the gla.s.s. Harding doesn't complain when, with the side of his hand, he nudges the paper to the floor where it can be trampled.

And then Harding finds the courage to say, "Where would they run to? n.o.body wants them. Borders are closed-"

"My grandfather's house was on the Underground Railroad. Did you know that?" Burt lowers his voice, a conspiratorial whisper. "He was from away, but don't tell anyone around here. I'd never hear the end of it."

"Away?"

"White River Junction," Burt stage-whispers, and Harding can't tell if that's mocking irony or deep personal shame. "Vermont."

They finish their scotch in silence. It burns all the way down, and they sit for a moment together before Harding excuses himself to go to the library.

"Wear your coat, Paul," Burt says. "It's still raining."

Unlike the tavern, the library is empty. Except for the librarian, who looks up nervously when Harding enters. Harding's head is spinning from the liquor, but at least he's warming up.

He drapes his coat over a steam radiator and heads for the 595 shelf: science, invertebrates. Most of the books here are already in his own library, but there's one-a Harvard professor's 1839 monograph on marine animals of the Northeast-that he has hopes for. According to the index, it references shoggoths (under the old name of submersible jellies) on pages 46, 78, and 133-137. In addition, there is a plate bound in between pages 120 and 121, which Harding means to save for last. But the first two mentions are in pa.s.sing, and pages 133-138, inclusive, have been razored out so cleanly that Harding flips back and forth several times before he's sure they are gone.

He pauses there, knees tucked under and one elbow resting on a scarred blond desk. He drops his right hand from where it rests against his forehead. The book falls open naturally to the mutilation.

Whoever liberated the pages also cracked the binding.

Harding runs his thumb down the join and doesn't notice skin parting on the paper edge until he sees the blood. He s.n.a.t.c.hes his hand back. Belatedly, the papercut stings.

"Oh," he says, and sticks his thumb in his mouth. Blood tastes like the ocean.

Half an hour later he's on the telephone long distance, trying to get and then keep a connection to Professor John Marshland, his colleague and mentor. Even in town, the only option is a party line, and though the operator is pleasant the connection still sounds like he's shouting down a piece of string run between two tin cans. Through a tunnel.

"Gilman," Harding bellows, wincing, wondering what the operator thinks of all this. He spells it twice. "1839. Deep-Sea and intertidal Species of The North Atlantic. The Yale library should have a copy!"

The answer is almost inaudible between hiss and crackle. In pieces, as if over gla.s.s breaking. As if from the bottom of the ocean.

It's a dark four p.m. in the easternmost US, and Harding can't help but recall that in Europe, night has already fallen.

" . . . infor . . . need . . . Doc . . . Harding?"

Harding shouts the page numbers, cupping the checked-out library book in his bandaged hand. It's open to the plate; inexplicably, the thief left that. It's a hand-tinted John James Audubon engraving picturing a quiescent shoggoth, docile on a rock. Gulls wheel all around it. Audubon-the Creole child of a Frenchman, who scarcely escaped being drafted to serve in the Napoleonic Wars-has depicted the gla.s.sy translucence of the shoggoth with such perfection that the bent shadows of refracted wings can be seen right through it.

The cold front that came in behind the rain brought fog with it, and the entire harbor is blanketed by morning. Harding shows up at six AM anyway, hopeful, a Thermos in his hand-German or not, the hardware store still has some-and his sampling kit in a pack slung over his shoulder. Burt shakes his head by a piling. "Be socked in all day," he says regretfully. He won't take the Bluebird out in this, and Harding knows it's wisdom even as he frets under the delay. "Want to come have breakfast with me and Missus Clay?"

Clay. A good honest name for a good honest Yankee. "She won't mind?"

"She won't mind if I say it's all right," Burt says. "I told her she might should expect you."

So Harding seals his kit under a tarp in the Bluebird-he's already brought it this far-and with his coffee in one hand and the paper tucked under his elbow, follows Burt along the water. "Any news?" Burt asks, when they've walked a hundred yards.

Harding wonders if he doesn't take the paper. Or if he's just making conversation. "It's still going on in Germany."

"d.a.m.n," Burt says. He shakes his head, steel-gray hair sticking out under his cap in every direction. "Still, what are you gonna do, enlist?"

The twist of his lip as he looks at Harding makes them, after all, two old military men together. They're of an age, though Harding's indoor life makes him look younger. Harding shakes his head. "Even if Roosevelt was ever going to bring us into it, they'd never let me fight," he says, bitterly. That was the Great War, too; colored soldiers mostly worked supply, thank you. At least Nathan Harding got to shoot back.

"I always heard you fellows would prefer not to come to the front," Burt says, and Harding can't help it.

He bursts out laughing. "Who would?" he says, when he's bitten his lip and stopped snorting. "It doesn't mean we won't. Or can't."

Booker T. Washington was raised a slave, died young of overwork-the way Burt probably will, if Harding is any judge-and believed in imitating and appeasing white folks. But W.E.B. DuBois was born in the north and didn't believe that anything is solved by making one's self transparent, inoffensive, invisible.

Burt spits between his teeth, a long deliberate stream of tobacco. "Parlez-vous francaise?"

His accent is better than Harding would have guessed. Harding knows, all of a sudden, where Burt spent his war. And Harding, surprising himself, pities him. "Un peu."

"Well, if you want to fight the Krauts so bad, you could join the Foreign Legion."

When Harding gets back to the hotel, full of apple pie and cheddar cheese and maple-smoked bacon, a yellow envelope waits in a cubby behind the desk.

WESTERN UNION.

1938 NOV 10 AM 10 03.

NA114 21 2 YA NEW HAVEN CONN 0945A.

DR PAUL HARDING=ISLAND HOUSE Pa.s.sAMAQUODDY MAINE=.

COPY AT YALE LOST STOP MISKATONIC HAS ONE SPECIAL COLLECTION STOP MORE BY POST.

MARSHLAND.

When the pages arrive-by post, as promised, the following afternoon-Harding is out in the Bluebird with Burt. This expedition is more of a success, as he begins sampling in earnest, and finds himself pelted by more of the k.n.o.bby transparent pellets.

Whatever they are, they fall from each fruiting body he harvests in showers. Even the insult of an amputation-delivered at a four-foot reach, with long-handled pruning shears-does not draw so much as a quiver from the shoggoth. The viscous fluid dripping from the wound hisses when it touches the blade of the shears, however, and Harding is careful not to get close to it.

What he notices is that the nodules fall onto the originating shoggoth, they bounce from its integument. But on those occasions where they fall onto one of its neighbors, they stick to the touch transparent hide, and slowly settle within to hang in the animal's body like unlikely fruit in a gelatin salad.

So maybe it is a means of reproduction, of sharing genetic material, after all.

He returns to the Inn to find a fat envelope shoved into his cubby and eats sitting on his rented bed with a nightstand as a worktop so he can read over his plate. The information from Doctor Gilman's monograph has been reproduced onto seven yellow legal sheets in a meticulous hand; Marshland obviously recruited one of his graduate students to serve as copyist. By the postmark, the letter was mailed from Arkham, which explains the speed of its arrival. The student hadn't brought it back to New Haven.

Halfway down the page, Harding pushes his plate away and reaches, absently, into his jacket pocket. The vial with the first gla.s.s nodule rests there like a talisman, and he's startled to find it cool enough to the touch that it feels slick, almost frozen. He starts and pulls it out. Except where his fingers and the cloth fibers have wiped it clean, the tube is moist and frosted. "What the h.e.l.l . . . ?"

He flicks the cork out with his thumbnail and tips the rattling nodule onto his palm. It's cold, too, chill as an ice cube, and it doesn't warm to his touch.

Carefully, uncertainly, he sets it on the edge of the side table his papers and plate are propped on, and pokes it with a fingertip. There's only a faint tick as it rocks on its protrusions, clicking against waxed pine. He stares at it suspiciously for a moment, and picks up the yellow pages again.

The monograph is mostly nonsense. It was written twenty years before the publication of Darwin's The Origin of Species, and uncritically accepts the theories of Jesuit, soldier, and botanist Jean-Baptiste Lamarck. Which is to say, Gilman a.s.sumed that soft inheritance-the heritability of acquired or practiced traits-was a reality. But unlike every other article on shoggoths Harding has ever read, this pa.s.sage does mention the nodules. And relates what it purports are several interesting old Indian legends about the "submersible jellies," including a creation tale that would have the shoggoths as their creator's first experiment in life, something from the elder days of the world.

Somehow, the green bead has found its way back into Harding's grip. He would expect it to warm as he rolls it between his fingers, but instead it grows colder. It's peculiar, he thinks, that the native peoples of the Northeast-the Pa.s.samaquoddys for whom the little seacoast town he's come to are named-should through sheer superst.i.tion come so close to the empirical truth. The shoggoths are a living fossil, something virtually unchanged except in scale since the early days of the world- He stares at the careful black script on the paper unseeing, and reaches with his free hand for his coffee cup. It's gone tepid, a sc.u.m of b.u.t.terfat coagulated on top, but he rinses his mouth with it and swallows anyway.

If a shoggoth is immortal, has no natural enemies, then how is it that they have not overrun every surface of the world? How is it that they are rare, that the oceans are not teeming with them, as in the famous parable ill.u.s.trating what would occur if every sp.a.w.n of every oyster survived?

There are distinct species of shoggoth. And distinct populations within those distinct species. And there is a fossil record that suggests that prehistoric species were different at least in scale, in the era of megafauna. But if n.o.body had ever seen a dead shoggoth, then n.o.body had ever seen an infant shoggoth either, leaving Harding with an inescapable question: if an animal does not reproduce, how can it evolve?

Harding, worrying at the gla.s.sy surface of the nodule, thinks he knows. It comes to him with a kind of nauseating, euphoric clarity, a trembling idea so pellucid he is almost moved to distrust it on those grounds alone. It's not a revelation on the same scale, of course, but he wonders if this is how Newton felt when he comprehended gravity, or Darwin when he stared at the beaks of finch after finch after finch.

It's not the shoggoth species that evolves. It's the individual shoggoths, each animal in itself.

"Don't get too excited, Paul," he tells himself, and picks up the remaining handwritten pages. There's not too much more to read, however-the rest of the subchapter consists chiefly of secondhand anecdotes and bits of legendry.

The one that Harding finds most amusing is a nursery rhyme, a child's counting poem littered with nonsense syllables. He recites it under his breath, thinking of the Itsy Bitsy Spider all the while: The wiggle giggle squiggle Is left behind on sh.o.r.e.

The widdle giddle squiddle Is caught outside the door.

Eyah, eyah. Fata gun eyah.

Eyah, eyah, the master comes no more.

His fingers sting as if with electric shock; they jerk apart, the nodule clattering to his desk. When he looks at his fingertips, they are marked with small white spots of frostbite.

He pokes one with a pencil point and feels nothing. But the nodule itself is coated with frost now, fragile spiky feathers coalescing out of the humid sea air. They collapse in the heat of his breath, melting into beads of water almost indistinguishable from the k.n.o.bby surface of the object itself.

He uses the cork to roll the nodule into the tube again, and corks it firmly before rising to brush his teeth and put his pajamas on. Unnerved beyond any reason or logic, before he turns the coverlet down he visits his suitcase compulsively. From a case in the very bottom of it, he retrieves a Colt 1911 automatic pistol, which he slides beneath his pillow as he fluffs it.