Nobody said anything. Then Door spoke, hesitantly, "The Hunter?" Hunter?"

"That's right," said Hunter, and she brushed the dust of the floor from her leather leggings. "I'm back."

From somewhere a bell sounded, twice, a deep bonging noise that made Richard's teeth vibrate. "Five minutes," muttered the marquis. Then he said, to the remains of the crowd, "I think we've found our bodyguard. Thank you all very much. Nothing more to see."

Hunter walked over to Door, and looked her up and down. "Can you stop people from killing me?" asked Door. Hunter inclined her head toward Richard. "I saved his his life three times today, crossing the bridge, coming to the market." life three times today, crossing the bridge, coming to the market."

Varney, who had stumbled to his feet, picked up the crowbar with his mind. The marquis watched him do it; he said nothing.

The ghost of a smile hovered about Door's lips. "That's funny," she said. "Richard thought you were a-"

Hunter never found out what Richard thought she was. The bar came hurtling toward her head. She simply reached out a hand and caught it: it thwapped thwapped, satisfyingly, into the palm of her hand.

She walked over to Varney. "Is this yours?" she asked. He bared his teeth at her, yellow and black and brown. "Right now," said Hunter, "we're under Market Truce. But if you try something like that again, I'll waive the truce, and I'll break off both your arms and make you carry them home in your teeth. Now," she continued, bending his wrist behind his back, "say sorry, nicely."

"Ow," said Varney.

"Yes?" she said, encouragingly.

He spat it out as if it were choking him. "I'm sorry." She let him go. Varney backed away to a safe distance, plainly scared and furious, watching Hunter. When he reached the door to the Food Halls, he hesitated, and shouted, "You're dead. You're fucking dead, you are!" in a voice that hovered on the edge of tears, and then he turned, and he ran from the room.

"Amateurs," sighed Hunter.

They walked back through the store the way that Richard had come. The bell he had heard was now tolling deeply and continually. When they came upon it, he saw that it was a huge brass bell, suspended on a wooden frame, with a rope suspended from the clapper. It was being tolled by a large black man, wearing the black robes of a Dominican monk, and it had been set up next to Harrods' gourmet jelly bean stand.

Impressive as the market had been to watch, Richard found the speed at which it was being dismantled, broken down, and put away even more impressive. All evidence that it had ever been there was vanishing: stalls were being taken apart, loaded onto people's backs, hauled off into the streets. Richard noticed Old Bailey, his arms filled with his crude signs and with bird cages, stumbling out of the store. The old man waved happily at Richard and vanished off into the night.

The crowds thinned, the market vanished, and almost instantly the ground floor of Harrods looked as usual, as sedate, elegant, and clean as any time he had walked around it in Jessica's wake on a Saturday afternoon. It was as if the market had never existed.

"Hunter," said the marquis. "I've heard of you, of course. Where have you been, all this time?"

"Hunting," she said, simply. Then, to Door. "Can you take orders?"

Door nodded. "If I have to."

"Good. Then maybe I can can keep you alive," said Hunter. "If I take the job." keep you alive," said Hunter. "If I take the job."

The marquis stopped. His eyes flickered over her, distrustfully. "You said, if if you take the job . . . ?" you take the job . . . ?"

Hunter opened the door, and they stepped out onto the pavement of London at night. It had rained while they had been at the market, and the streetlights now glimmered on the wet tarmac. "I've taken it," said Hunter.

Richard stared at the glistening street. It all seemed so normal, so quiet, so sane. For a moment, he felt that all he needed to get his life back would be to hail a taxi and tell it to take him home. And then he would sleep the night through in his own bed. But a taxi would not see him or stop for him, and he had nowhere to go, even if one did.

"I'm tired," he said.

No one said anything. Door would not meet his eyes, the marquis was cheerfully ignoring him, and Hunter was treating him as an irrelevance. He felt like a small child, unwanted, following the bigger children around, and that made him irritated. "Look," he said, clearing his throat, "I know you are all very busy people. But what about me?"

The marquis turned and stared at him, eyes huge and white in his dark face. "You?" he said. "What about you?"

"Well," said Richard. "How do I get back to normal again? It's like I've walked into a nightmare. Last week everything made sense, and now nothing makes sense . . ." He trailed off. Swallowed. "I want to know how to get my life back," he explained.

"You won't get it back traveling with us, Richard," said Door. "It's going to be hard enough for you anyway. I . . . I really am sorry."

Hunter, in the lead, knelt down on the pavement. She took a small metal rod from her belt and used it to unlock the cover to a sewer. She pulled up the sewer cover, looked into it warily, climbed down, then ushered Door into the sewer. Door did not look at Richard as she went down. The marquis scratched the side of his nose. "Young man," he said, "understand this: there are two Londons. There's London Above-that's where you lived-and then there's London Below-the Underside-inhabited by the people who fell through the cracks in the world. Now you're one of them. Good night."

He began to climb down the sewer ladder. Richard said, "Wait," and caught the sewer cover before it could close. He followed the marquis down. It smelled like drains at the top of the sewer-a dead, soapy, cabbagey smell. He expected it to get worse as he went down, but instead the smell quickly dissipated as he approached the floor of the sewer. Gray water ran, shallow but fast, along the bottom of the brick tunnel. Richard stepped into it. He could see the lights of the others up ahead, and he ran and splashed down the tunnel until he caught up with them.

"Go away," said the marquis.

"No," he said.

Door glanced up at him. "I am really sorry, Richard," she said.

The marquis stepped between Richard and Door. "You can't go back to your old home or your old job or your old life," he said to Richard, almost gently. "None of those things exist. Up there, you you don't exist." They had reached a junction: a place where three tunnels came together. Door and Hunter set off along one of them, the one that was empty of water, and they did not look back. The marquis lingered. don't exist." They had reached a junction: a place where three tunnels came together. Door and Hunter set off along one of them, the one that was empty of water, and they did not look back. The marquis lingered.

"You'll just have to make the best of it down here," he said to Richard, "in the sewers and the magic and the dark." And then he smiled, hugely, whitely: a gleaming grin, monumental in its insincerity. "Well-delightful to see you again. Best of luck. If you can survive for the next day or two," he confided, "you might even make it through a whole month." And with that he turned and strode off through the sewer, after Door and Hunter.

Richard leaned against a wall and listened to their footsteps, echoing away, and to the rush of the water running past on its way to the pumping stations of East London, and the sewage works. "Shit," he said. And then, to his surprise, for the first time since his father died, alone in the dark, Richard Mayhew began to cry.

The Underground station was quite empty, and quite dark. Varney walked through it, keeping close to walls, darting nervous looks behind him, and in front of him, and from side to side. He had picked the station at random, had headed for it over the rooftops and through the shadows, making certain that he was not being followed. He was not heading back to his lair in the Camden Town deep tunnels. Too risky. There were other places where Varney had cached weapons and food. He would go to ground for a little while, until this all blew over.

He stopped beside a ticket machine and listened, in the darkness: absolute silence. Reassured that he was alone, he allowed himself to relax. He stopped at the top of the spiral staircase and drew a deep breath.

An oily voice from beside him said conversationally, "Varney's the finest bravo and guard in the Underside. Everyone knows that. Mister Varney told us so himself." A voice from the other side of him responded, dully, "It's not nice to lie, Mister Croup."

In the pitch darkness, Mr. Croup expanded on his theme. "It isn't, Mister Vandemar. I have to say, I regard it as a personal betrayal, and I was deeply wounded by it. And disappointed. When you don't have any redeeming features, you don't take particularly kindly to disappointment, do you, Mister Vandemar?"

"Not kindly at all, Mister Croup."

Varney threw himself forward, and ran, headlong, in the dark, down the spiral staircase. A voice from the top of the stairs, Mr. Croup's: "Really," it said, "we ought to look upon it as a mercy killing."

The sound of Varney's feet clattered off the metal railings, echoed throughout the stairwell. He puffed, and he panted, his shoulders glancing off the walls, tumbling blindly downwards in the dark. He reached the bottom of the steps, next to the sign warning travelers that there were 259 steps up to the top, and only healthy people should even think about attempting it. Everyone else, suggested the sign, should use the elevator.

The elevator?

Something clanked, and the elevator doors opened, magnificently slowly, flooding the passageway with light. Varney fumbled for his knife: cursed, when he realized the Hunter-bitch still had it. He reached for the machete in his shoulder sheath. It was gone.

He heard a polite cough behind him, and he turned.

Mr. Vandemar was sitting on the steps, at the bottom of the spiral staircase. He was picking his fingernails with Varney's machete.

And then Mr. Croup fell upon him, all teeth and talons and little blades; and Varney never had a chance to scream. "Bye," said Mr. Vandemar, impassively, and he continued paring his nails. After that the blood began to flow. Wet, red blood in enormous quantities, for Varney was a big man, and he had been keeping it all inside. When Mr. Croup and Mr. Vandemar were finished, however, one would have been hard put even to notice the slight stain on the floor at the bottom of the spiral staircase.

The next time the floors were washed, it was gone forever.

Hunter was in the lead. Door walked in the middle. The marquis de Carabas took up the rear. None of them had said a word since leaving Richard half an hour earlier.

Door stopped, suddenly. "We can't do this," she said, flatly. "We can't leave him back there."

"Of course we can," said the marquis. "We did."

She shook her head. She had felt guilty and stupid ever since she saw Richard, lying on his back beneath Ruislip, at the audition. She was tired of it.

"Don't be foolish," said the marquis.

"He saved my life," she told him. "He could have left me on the sidewalk. He didn't."

It was her fault. She knew that was true. She had opened a door to someone who could help her, and help her he had. He had taken her somewhere warm, and he had cared for her, and he had brought her help. The action of helping her had tumbled him from his world into hers.

It was foolish to even think about bringing him with them. They could not afford to bring someone with them: she was unsure that the three of them would be able to take care of themselves on the journey that confronted them.

She wondered, briefly, if it were simply the door that she had opened, that had taken her to him, which had allowed him to notice her, or if there were, somehow, more to it than that.

The marquis raised an eyebrow: he was detached, removed, a creature of pure irony. "My dear young lady," he said. "We are not bringing a guest along on this expedition."

"Don't patronize me, de Carabas," said Door. She was so tired. "And I think I can decide who comes with us. You are are working for me, aren't you? Or is it the other way around?" Her sorrow and exhaustion had drained her of her patience. She needed de Carabas-she couldn't afford to drive him away-but she had reached her limit. working for me, aren't you? Or is it the other way around?" Her sorrow and exhaustion had drained her of her patience. She needed de Carabas-she couldn't afford to drive him away-but she had reached her limit.

De Carabas stared at her, coldly angry. "He is not not coming with us," he stated, flatly. "Anyway, he's probably dead by now." coming with us," he stated, flatly. "Anyway, he's probably dead by now."

Richard was not dead. He was sitting in the dark, on a ledge, on the side of a storm drain, wondering what to do, wondering how much further out of his league he could possibly get. His life so far, he decided, had prepared him perfectly for a job in Securities, for shopping at the supermarket, for watching soccer on the television on the weekends, for turning up the thermostat if he got cold. It had magnificently failed to prepare him for a life as an un-person on the roofs and in the sewers of London, for a life in the cold and the wet and the dark.

A light glimmered. Footsteps came toward him. If, he decided, it was a bunch of murderers, cannibals, or monsters, he would not even put up a fight. Let them end it all for him; he'd had enough. He stared down into the dark, to the place where his feet should be. The footsteps came closer.

"Richard?" The voice was Door's. He jumped. Then he studiously ignored her. If it weren't for you, If it weren't for you, he thought . . . he thought . . .

"Richard?"

He didn't look up. "What?" he said.

"Look," she said. "You really wouldn't be in this mess if it weren't for me." You can say that again You can say that again, he thought. "And I don't think you'll be any safer with us. But. Well." She stopped. A deep breath. "I'm sorry. I really am. Are you coming?"

He looked at her then: a small creature with huge eyes staring at him urgently from a heart-shaped, pale face. Okay, he said to himself. I guess I'm not quite ready to just give up and die. "Well, I don't have anywhere else to be right now," he said, with a studied unconcern that bordered on hysteria. "Why not?"

Her face changed. She threw her arms around his chest and hugged him, tightly. "And we will try to get you back home again," she said. "Promise. Once we've found what I'm looking for." He wondered if she meant it, suspected, for the first time, that what she was offering might be impossible. But he pushed that thought out of his head. They began to walk down the tunnel. Richard could see Hunter and the marquis waiting for them at the tunnel's mouth. The marquis looked as if he had been forced to swallow a pulped lemon.

"What are are you looking for, anyway?" asked Richard, cheering up a little. you looking for, anyway?" asked Richard, cheering up a little.

Door took a deep breath, and answered after a long pause. "It's a long story," she said, solemnly. "Right now we're looking for an angel named Islington." It was then that Richard began to laugh; he couldn't help himself. There was hysteria in there, certainly, but there was also the exhaustion of someone who had managed, somehow, to believe several dozen impossible things in the last twenty-four hours, without ever getting a proper breakfast. His laughter echoed down the tunnels.

"An angel?" he said, giggling helplessly. "Called Islington?"

"We've got a long way to go," said Door.

And Richard shook his head, and felt wrung out, and emptied, and flayed. "An angel," he whispered, hysterically, to the tunnels and the dark. "An angel."

There were candles all over the Great Hall: candles stood by the iron pillars that held the roof up; candles waited by the waterfall that ran down one wall and into the small rock-pool below; candles clustered on the sides of the rock wall; candles huddled on the floor; candles were set into candlesticks by the huge door that stood between two dark iron pillars. The door was built of polished black flint set into a silver base that had tarnished, over the centuries, almost to black. The candles were unlit; but as the tall form walked past, they flickered into flame. No hand touched them; no fires touched their wicks.

The figure's robe was simple, and white; or more than white. A color, or an absence of all colors, so bright as to be startling. Its feet were bare on the cold rock floor of the Great Hall. Its face was pale and wise, and gentle; and, perhaps, a little lonely.

It was very beautiful.

Soon every candle in the Hall was burning. It paused by the rock-pool; knelt beside the water, cupped its hands, lowered them into the clear water, raised them, and drank. The water was cold, but very pure. When it had finished drinking the water it closed its eyes for a moment, as if in benediction. Then it stood up, and walked away, back through the Hall, the way it had come; and the candles went out as it passed, as they had done for tens of thousands of years. It had no wings; but still, it was, unmistakably, an angel.

Islington left the Great Hall; and the last of the candles went out, and the darkness returned.

S i x

Richard wrote a diary entry in his head.

Dear Diary, he began. he began. On Friday I had a job, a fiancee, a home, and a life that made sense. (Well, as much as any life makes sense.) Then I found an injured girl bleeding on the pavement, and I tried to be a Good Samaritan. Now I've got no fiancee, no home, no job, and I'm walking around a couple of hundred feet under the streets of London with the projected life expectancy of a suicidal fruitfly. On Friday I had a job, a fiancee, a home, and a life that made sense. (Well, as much as any life makes sense.) Then I found an injured girl bleeding on the pavement, and I tried to be a Good Samaritan. Now I've got no fiancee, no home, no job, and I'm walking around a couple of hundred feet under the streets of London with the projected life expectancy of a suicidal fruitfly.

"This way," said the marquis, gesturing elegantly, his filthy lace cuff flowing.

"Don't all these tunnels look the same?" asked Richard, tabling his diary entry for the moment. "How can you tell which is which?"

"You can't," said the marquis, sadly. "We're hopelessly lost. We'll never be seen again. In a couple of days we'll be killing each other for food."

"Really?" He hated himself for rising to the bait, even as he said it.

"No." The marquis's expression said that torturing this poor fool was too easy to even be amusing. Richard found that he cared less and less what these people thought of him, however. Except, perhaps, for Door.

He went back to writing his mental diary. There are hundreds of people in this other London. Thousands maybe. People who come from here, or people who have fallen through the cracks. I'm wandering around with a girl called Door, her bodyguard, and her psychotic grand vizier. We slept last night in a small tunnel that Door said was once a section of Regency sewer. The bodyguard was awake when I went to sleep, and awake when they woke me up. I don't think she ever sleeps. We had some fruitcake for breakfast; the marquis had a large lump of it in his pocket. Why would anyone have a large lump of fruitcake in his pocket? My shoes dried out mostly while I slept. There are hundreds of people in this other London. Thousands maybe. People who come from here, or people who have fallen through the cracks. I'm wandering around with a girl called Door, her bodyguard, and her psychotic grand vizier. We slept last night in a small tunnel that Door said was once a section of Regency sewer. The bodyguard was awake when I went to sleep, and awake when they woke me up. I don't think she ever sleeps. We had some fruitcake for breakfast; the marquis had a large lump of it in his pocket. Why would anyone have a large lump of fruitcake in his pocket? My shoes dried out mostly while I slept.