A strange interview, surely, between King and Prince, while the French gunners stood waiting with their matches burning, and the standard of Aragon still flew over the enchanted castle. It fell ere long, and the whole kingdom was in the hands of Charles. It is true he had not the wit to keep it. But anyone who wants to know that story must seek it in Guicciardini, and may live to thank me for referring him to one of the greatest and most interesting writers whom the world can show.

CHAPTER VI

THE BARBARITIES OF FERDINAND OF ARAGON WITH CERTAIN OTHER SUBJECTS WHICH PRESENT THEMSELVES IN STROLLING ROUND THE CITY

It is not possible to stroll along the sea-front much further than the Castle of the Enchanted Egg, because the inclosures of the a.r.s.enal occupy the foresh.o.r.e. Thus the only course open is to turn inland, and, retracing one's steps a little, to pa.s.s up beneath the shadow of the great cliff of the Pizzofalcone into the Strada Santa Lucia, which has always borne the fame of exhibiting at a glance more of the highly coloured, if uncleanly, life of the poorer Neapolitans than any other district of the city. I suspect its proximity to the hotels had something to do with this high reputation, for crowded as the winding roadway is at times with fishermen and peasant women, there is, I maintain, incomparably more of uncivilised and ancient Naples to be seen in the Strada de' Tribunali, or around Castel Capuano, than is now presented to the eyes of the astonished visitor in Santa Lucia.

However, the wide pavement on the side of that highway which opens towards the sea--for the famous creek is filled up now--is at all times a standing-place for booths, chiefly for the sale of the "frutti del mare," edible or not; and there one may see both young girls and ancient hags proffering their wares with clamorous pertinacity, making use of a vocabulary which is piquant, if not sweet, and soaring up into howls such as only a Neapolitan throat can execute.

The charm of Santa Lucia is largely of the past. Naples is suffering a change; and at this point one realises for the first time that the old city of dirt and laughter is being swept and garnished. The "piano di risanamento," that much-needed scheme of resanitation which was conceived in Naples after the dread outbreak of cholera had scourged the narrow alleys in a way to make the most careless people think--that great conception of broad streets to be driven through the crowded quarters, letting the sweet and healing sea air course to and fro between the houses, has brought health and may bring cleanliness, but it seems to be expelling gaiety and picturesqueness with the mephitic vapours which have wrought such woe. Naples may be an idle city still, but it is not so idle. It is disorderly and not too safe, yet is more reputable than it was. The rake is contemplating better things, and by-and-by may actually achieve them--an antic.i.p.ation over which good men must rejoice. But visitors who come to play may lament the increase of seriousness and the vanishing faith that life begins and ends with laughter.

A traveller approaching Naples from this side must needs be struck by the narrowness of the close alleys which pierce the houses of Santa Lucia. Standing in the middle of any one of these vicoli, a man might almost touch both house-fronts, while the walls tower up so high on either hand that only a mere strip of sky is visible, and that with effort. No breeze but one which blew directly on the mouth of these alleys could reach the windows of the dense population which inhabits them. Disease stalks unimpeded, beyond the power of science to restrain. The reason for building these lines of houses so close together was, of course, to secure shade, that priceless blessing throughout the burning dog days in southern Italy. No man can have strolled about Italian towns even in fine spring weather without feeling grateful for the shadows which fall on him from some overhanging house-front. Under shelter from the sun the very smells seem less; and in August scarce any price in health may appear too high to pay for a patch of shade which lasts throughout the day.

The curved roadway of Santa Lucia mounts the hill on which the kings of Anjou, having resolved to take up their residence in Naples rather than in Palermo, which was the former capital of the Two Sicilies, built their new castle--Castel Nuovo--still a fortress, though untenable in modern war. This eminence lay outside the city then.

Centuries later the town had not absorbed it, and the castle on the knoll remained surrounded by vineyards and the palaces of those princes of the blood who were ent.i.tled to dwell in the immediate neighbourhood of the King. Eastwards lay the city, much as one may see it now, filling the hollow of the coast and stretching some way up a hill.

The royal palace, which stands now upon the right, hiding the front of the Castel Nuovo, is of course a modern building. It has no beauty, and I have naught to say concerning it. The handsome piazza laid out before the palace is a pleasant place to stroll in, especially on warm evenings when the lights are glittering and there is music at Gambrinus' Cafe at the corner. But it has no special interest, and I go on therefore round the corner of the piazza past the halting-place of tramcars, past the little garden of the palace and the colonnade of the San Carlo Theatre, till I reach the Piazza del Municipio, where a gateway in the long wall admits to the castle precinct. Admission is free. The sentry at the gate merely nods when I declare my business to be curiosity and nothing more, and leaves me to stroll unchecked up the ascending causeway till I enter the quadrangle of the castle, where a squad of soldiers are drilling awkwardly.

It is strange that many visitors to Naples omit this castle from the sights they see. It is well to spend hours and days in the museum and aquarium, or in wandering from church to church, spoilt as is almost every one among those sacred buildings by the corrupt taste of the eighteenth century, which daubed over n.o.ble gothic arches with unmeaning Barocco ornament, and left Naples degraded among Italian cities by the loss of almost all that was once done n.o.bly within her walls in stone or marble. But here is the very fount and centre of the sovereignty of Naples, the home of all its kings since Manfred, the Palace of Anjou and Aragon. In these walls their secrets were deposited, and some to this day remain open to the curious. Here was the chief theatre of their pomp, and here, on the knoll above the sh.o.r.e among the olive groves and orchards that fringed the city walls, unnumbered tragedies occurred.

The castle has two courtyards. The portal leading from the outer to the inner is dignified by what is probably the finest piece of building now left in Naples, the triumphal arch erected by Alfonso of Aragon--first of the two kings who bore that name--to celebrate his conquest of the city and the downfall of the last adherents of the old House of Anjou. "Pious, merciful, unconquered": such were the terms in which his character was described upon the arch beneath which he rode in and out in triumph. Mercy was an attribute uncommon in his family; of that all men can judge unto this day. Piety is estimated differently from age to age. In monarchs, at least of mediaeval times, it was a virtue of outward observance, and in this Alfonso did perhaps excel. As for the third merit which he claimed, it is not on record that anyone tried to conquer him, except the barons of the kingdom, who were suppressed with a ruthless cruelty which forecast the tyranny of his son and grandson, who wrought the deed of terror in the Church of San Lionardo on the Chiaia.

The archway is chiefly the work of Pietro di Martino of Milan, though it is said that Giuliano da Majano also laboured on it, if not others also. It possesses a n.o.ble pair of bronze doors of even greater interest than the archway; for not only is their workmanship extremely fine, but also the figures possess the interest of portraiture. The scenes depicted are the triumphs of King Ferdinand, second of the five monarchs of Aragon, over his revolting barons. There is Ferdinand upon his war-horse talking to the Duke of Taranto, his thin, cruel face recognisable at a glance by the high nose which he derived from his father, King Alfonso, builder of the arch. In the medallions of the door the same sharp face appears; while his son, afterwards Alfonso the Second, bears a shorter, thicker face, which is suggestive, though very falsely, of more kindness.

Let us go into the castle and see what remains there to explain the reputation of inhuman cruelty which history has conferred on these kings. A small boy armed with keys is already hovering about expectant; and though it is his purpose to show only the Chapel of Santa Barbara, the slightest hint of a desire to see the subterranean chamber will cause him to lead you through the sacristy, where he will produce a couple of candle ends, and throw open a small doorway hidden in the wall. A winding stair of perhaps twenty steps conducts to a little chamber, faintly lighted by a deep-set window. At first the room seems empty, but as one's eyes adjust themselves to the dim light four coffins become visible, each lying on a shelf, two open and two closed.

Surely, one thinks, this must be a place of private sepulture for the Royal Family or for their servants, and the stair giving access from the chapel was built for the convenience of mourners who wished to stand beside their dead. But the boy, with a chuckle of amus.e.m.e.nt, lifts the lid of one of the closed coffins. Within lies the mummy of a man, fearfully distorted by his agony, his cramped hands clutched desperately, as if fighting with all his strength against those who held him down. His mouth is contorted, his whole body heaving with a last struggle for life and breath. The man was strangled, there can be no doubt of it; and there he lies to this hour, fully clothed in the garments which he wore when he came down that little winding stair, hose, b.u.t.tons, and doublet still intact.

Each of the other coffins contains the body of a man slain in his clothes, the head separated, and lying by the shoulders.

Who were these men, and how has it happened that they lie here all together? What made mummies of them, and with what object were their bodies preserved? The answer must be sought in history. The _Diario Ferrarese_, printed by Muratori, tells us that "it was the constant habit of King Ferdinand and King Alfonso, when their enemies, whether barons or people, had fallen into their hands, to cut off their heads and keep them salted in chambers underneath their palace." Not content with having dismissed the spirits of their foes to another world, these kingly Aragons must needs have, close by the scene of their continual sports and labours, so many secret pleasure chambers into which they could withdraw at leisure moments and gaze in rapture on the very features of the enemy whose turbulence was stilled and whose wits would never be turned against his king again. Doubtless these visits renewed the joy of killing!

So in this chamber where King Alfonso or his father stood and gloated, one may stand to-day and look down on the same bodies still unmoved--a strange step back into the Middle Ages, and a more revealing glimpse than any other known to me of what Naples was in old days, when its kings--yes, even the best of them!--were tigers, and the seeds were sown of that contempt for life which is to this hour a chief difficulty of those who govern Naples. Who were these men? Surely, one thinks, their rank and importance must be measured by the care with which the King bestowed their bodies in such close neighbourhood to the royal chapel and to his own apartments!

Probably we shall not miss the truth by very much if we conclude them to be some among those barons of the kingdom who, incensed by the harsh government of Ferdinand, and furious beyond all measure with his more hateful son, gave rein to their old affection for the House of Anjou, and conspired with the Pope to confer the realm on a prince of that royal house. It seems strange that even under the afflictions of the Aragon sovereignty men should have looked back on the days of Anjou with affection. But the fact is that Alfonso, Duke of Calabria, whose power as the eldest son of the aged King grew stronger daily, was such a ruler as must needs rouse regrets for other days even in a patient generation, much more in one so proud and turbulent as the Neapolitans. Harshness and cruelty they understood; but Alfonso did what no nation will endure. He took the women, even of the n.o.blest houses, at his will. Of this came unquenchable hatred, and in the end the ruin of his house.

The conspiracy was a terrible one. Half the great officers of the kingdom were involved in it, and King Ferdinand knew not where to look for loyalty. The Prince of Salerno, Lord High Admiral of the realm, and the Prince of Bisignano were among the leaders--members both of that great family of San Severino, whose palace is known to every visitor as the Church of the Gesu Nuovo. The Grand Constable, the Grand Seneschal, the King's Secretary--there was no end to the men of note and consequence who joined in the appeal to the Pope to dethrone the tyrants of the House of Aragon, and give the kingdom to Rene of Lorraine, last descendant of the ancient kings.

Ferdinand was a prince whose sagacity is extolled by all men. He was wise as is the serpent. His statesmanship was of the type made widely known twenty years later by Caesar Borgia, and in this emergency he practised the same arts as enabled that accomplished dissimulator to strangle his four chief enemies at once. The two occasions deserve close study from those who would understand the statecraft of the fifteenth century. Each was indeed a masterpiece of that art which Machiavelli calls "virtu," and it is difficult to decide where to award the palm.

Ferdinand negotiated. It was indeed his only course, for time must be gained at any cost. This was in the regular routine of kings in difficulty. De Comines, in a memorable pa.s.sage, explains how useful it is to send amba.s.sadors to meet one's enemies; they see so much even while they are treating. Ferdinand negotiated with such skill, such open frankness and goodwill, showed such a broad and merciful spirit, and was so ready to forgive, that the conspirators, who had waited in vain for their new king, accepted the accord and returned sullenly to their castles, doubting and fearing sorely.

"Let no man think that present kindnesses lead to the forgetting of past injuries," says Machiavelli, laying bare the roots of human nature in his incisive way. To do them justice, the barons supposed no such thing. The Prince of Salerno was missing one fine morning. On the gateway of his palace was a card, on which were inscribed the mystic words--"Pa.s.sero vecchio non entra in caggiola" (An old sparrow does not go into the cage). He is said to have got out of the city disguised as a muleteer. Other sparrows were less prudent or more unfortunate. The cage doors were wide open, and the King and Duke sat piping so prettily that any bird might have thought it safe to flutter in. Towards the Count of Sarno Ferdinand showed particular affection.

His son Marco Coppola was betrothed to the daughter of the Duke of Amalfi, the King's nephew. The wedding was at hand. It must be held in the Royal Palace, in Castel Nuovo, if only to mark the royal favour.

There were great festivities. The pomp of the Court was boundless. But the wedding garments which the King was preparing were not of this world. Midway in the feastings and the music, when all men were confident and careless, the stroke fell. How, one wonders, did Ferdinand and Alfonso look at that moment when, sitting at the head of the tables, gazing down upon their guests, bridegroom and bride and relatives trusting in the royal honour, they gave the signal and called in the soldiers who turned that feast to terror? How did the guests look when the guard went round arresting every man of mark or consequence within the hall? Surely since Belshazzar was King in Babylon no feast has been broken up more awfully!

The craft and treachery of this great stroke fixed once for all the reputation of Ferdinand and Alfonso. The nice taste of Renaissance Italy revolted, giving voice to loud condemnation. King and Prince, surprised at the outcry, paused, and held back the secret executioner.

It would be safer to have a show of justice; so a court was nominated, the prisoners were tried, and when they had been despatched from the world in this unexceptionable manner, one by one the other dukes and barons were caught and led into the secret pleasure chambers, whence they never more emerged. The Prince of Bisignano, the Duke of Melfi, the Duke of Nardo, counts and knights innumerable disappeared. Their children and their wives were treated in like manner. Few escaped; but for many a day Neapolitans told the tale how Bandella Gaetano, Princess of Bisignano, a woman of high courage and resource, fled with her young children to the Church of San Lionardo in the Chiaia; and there, profiting by the old fame of the saint as the guardian of fugitives, bribed a boatman to take her on to Terracina, and so sought refuge with the Colonnas. Ferdinand would have given much to stamp out the brood; and had he been able to turn the pages of the book of fate he would have given even more.

What happened to the prisoners was never known. For some time the fiction was kept up that they were alive, and food was even sent daily to their cells, set down perhaps beside the salted bodies in mockery.

But the executioner was seen wearing a gold chain which had belonged to the Prince of Bisignano; and ere long it was known that every one was dead.

There is no doubt that in these awful days the Church of San Lionardo was filled with fugitives. It was there that Alfonso wrought that nameless deed of terror which dwelt so heavily upon his conscience as to destroy his nerves and send him fleeing from the kingdom. We have seen what things his conscience would endure; perhaps it is as well we remain in ignorance of what it would not. But if we argue from the known to the unknown we may form a surmise of the nature of that act which is enough to banish sleep, and may well make us grateful that the walls of that old sanctuary which concealed so terrible a secret stand no longer on the smiling sh.o.r.e which is the chosen parade of Neapolitan society of our own day.

There are two chapels in the castle, one opening from the other; but both lost whatever beauty they once had by the deplorable pa.s.sion for Barocco, which wrought such evil in Naples. Two great beauties still remain, though not inside the chapels. One is the doorway, a lovely work of Giuliano da Majano, mercifully left untouched, I know not by what happy chance; the other is a winding staircase behind the choir, consisting of a hundred and fifty-eight steps, each formed of a single block of travertine, and so arranged that their inward edges form a perfect cylinder. There is no end to the scenes of history and tragedy which are recalled by these old walls and chambers, in which the hottest pa.s.sions of life in Naples have spent themselves so often, even from the first coming of Charles of Anjou down to the creation of the Parthenopean Republic, when Nelson received the surrender of the Revolutionists, driven to despair by the arrival of his fleet. But these are tales which visitors must find out for themselves. If they will not go to Castel Nuovo on the inducement which I have given them, neither will they if I should write a volume.

[Ill.u.s.tration: NAPLES--OLD TOWN]

When I emerge from the old palace fortress I hesitate, being, in truth, half inclined to turn directly to the Carmine, the strongest point of interest in Naples. But a man will fail to comprehend the relation of the Carmine to ancient Naples if he goes to it by the broad street along the quays which lay outside the mediaeval city. It is better to plunge into the maze of narrow ways which still, unto this hour, retain the general aspect of the city wherein Boccaccio rambled, picking up in I know not what haunt of roysterers those sad tales which beguile one yet in the pages of the _Decameron_. Who has not read of the nocturnal adventures of Andreuccio, who came from Pisa to Naples to buy horses with twenty gold florins in his pocket? Who would not wish to see the very lanes through which he wandered naked in the night? Who has not felt the charm of that nave irresponsibility which pervades the tales of Naples in old days? Does it still exist?

Are the narrow lanes athrob even now on summer nights with the thrumming of the lute, with the patter of girls' feet, made musical by wafts of song blown down from lofty windows?

"Flower of the rose, If I've been merry, what matter who knows?"

Well, let us go and see; and first we will turn up the Toledo, now rechristened "Via Roma," that long straight street which the Viceroy Don Pietro di Toledo made without the city wall, and which is still the chief artery of life and fashion.

The narrow vista, made picturesque by hanging balconies and green shutters, is bathed in sunshine--not the fierce glare which even in early summer brings out the awnings used to convert the footways into shaded corridors, but the pleasant golden glow of an April Eastertide, carrying with it the reek of violets and early roses. It is no wonder that the street is odorous of flowers; for at any corner a few soldi will buy them by the handful, fresh and dewy, redolent of summer, though indeed summer never flees far from this sunny coast, and even in midwinter she will slip back for a while, bringing golden days. It is on the stroke of noon, noon of Holy Thursday, and in another hour the roadway will be closed to vehicles. For on this day, by custom old enough to be respectable, the Neapolitans go on foot to visit the sepulchres of Christ in the churches, combining this exercise of devotion with the more worldly solaces of friendship and social intercourse. There was a time when princesses came down and mingled with the throng, the royal ladies of the House of Bourbon going to and fro on foot; while the rustling of their long dresses of black silk gave the ceremony its picturesque t.i.tle of "Lu Struscio." There being no princesses in Naples now, the old ceremony has lost some of its attractions for the n.o.bly born; but it is still honoured, and already the carriages are growing thin, while in every part of the long street men armed with long brooms are reducing the whole width to the same state of cleanliness as the footpaths. With the disappearance of the vetturino a blessed peace steals down upon the air. This is, I should suppose, the one day in the year on which a man can hear himself speak in the Via Roma. But Naples, pa.s.sionate for noise, is never long without it. Fast as the vetturini go the hawkers come, hoa.r.s.e and raucous; men with strings of chestnuts, boys holding tiny Java sparrows on their finger-tips, women thrusting at you trays of "pastiere," without which no good citizen of Naples would dream of pa.s.sing Easter, any more than he would go through Christmas without "capitoni." It is rarely wise to apply to local delicacies any other test than that of sight. The women push past me with their trays, knowing well that their market does not lie among the strangers.

Meantime the Via Santa Brigida, which crosses the Via Roma, has broken out into a jungle of standing booths, on which are displayed proudly cheap playthings for the children, sweetmeats and other paschal joys, mingled with combs, shirtings, and suchlike useful articles, to which attention is drawn by huge placards.

OCCASIONE!

FERMATEVI! TASTATE! GIUDICATE!

while the seething crowd which hustles round the stalls is animated by any but a feeling of devotion.

So the throng gathers, till by-and-by the Via Roma is a sea of moving heads. The church doors stand wide open, of itself an unusual sight in Naples, where the churches are closed at noon, and reopen only for an hour in the evening. Their doorways are curtained heavily in black, and beneath the hanging folds a ceaseless stream of people are pa.s.sing in and out, pressing forward to where the rec.u.mbent figure of our Lord lies at the foot of a blazing trophy of flowers and wax lights, kissing the contorted limbs fervently, then hurrying away. A large proportion of these devotees are dressed in black, especially the older women, but among them are many who seem more anxious to display their bright spring toilettes, and the crowded street a.s.sumes the aspect of a drawing-room, in which greetings and laughing salutations fly freely on all hands. It is all picturesque enough, and a relic of old life in Naples which is worth seeing.

In the absence of the usual street noises, in the solemn trappings of the churches, and yet more in the tramp of crowds so largely clad in mourning, there is not wanting a suggestion of funeral pomp; and as I stand apart and watch the throng go by, there comes into my mind the memory of a solemn procession which once came down this famous highway, bearing to the grave the body of a lad whom the city, by the strangest freak, had raised in one day from the lowest to the highest station, and cast down as suddenly into a b.l.o.o.d.y grave, one who had enough heroism in his ignorant mind to resent oppression, and might--who knows?--have proved an earlier Garibaldi, had he been supported by the n.o.bles. It was Mas'aniello who was thus borne dead down the slope of the Toledo, honoured by the weeping people who were little likely to find another leader bold enough to head them, honoured even by the Church, which rarely refuses outward show of honour to the men she has destroyed. First came a hundred boys of the conservatorio of Loreto, then all the brothers of the monasteries, to the number of four hundred, and then the body of the fisherman dictator, wrapped in a white shroud folded so that all might see the head--I hope it had not that hideous look of death and anguish from which one shrinks on seeing the wooden model in the museum of San Martino! After the bier walked great crowds of Mas'aniello's followers, those ragam.u.f.fin soldiers who but a few days earlier had stormed down this street in triumph, sacking and destroying where they pleased. Now they walked mournfully and slow, as well they might, for liberty lay upon the bier they followed, and the Spanish tyranny was about to close over them again. Behind them trailed their flags, and they marched to the soft beat of muted drums all hung with c.r.a.pe. But last of all came those who made this great procession memorable beyond all others. The soldiers were followed by a countless throng of women of the people. Out of every lane and alley of the swarming city they had come to bid farewell to their defender, to the one man who in many generations had dared to show them that they were not worms. Many of them carried lighted candles, weeping bitterly as they went slowly by; while others sang in tearful voices the "Santissimo Rosario," in trust that the brave soul of the departed might find peace.

[Ill.u.s.tration: BAY OF NAPLES FROM SAN MARTINO]

So through this outskirt of the city the funeral train of Mas'aniello came from the Carmine and went back to that centre of the life and tragedy of Naples. We too will go there presently, and then will talk the more about Mas'aniello. But first we must walk through the ancient city, and that is now quite close at hand. I have traversed almost half the length of the Toledo--the ancient name comes more readily than the modern--pa.s.sing by the little Largo della Carita, where in the shadow of the tramcars green bays hang around the tablet that protests against forgetfulness of Felice Cavallotti. I am in sight of the Piazza Dante, and a little more would show me the red walls of the museum, when I halt beneath the vast and heavy front of the Palazzo Maddaloni, and turning round into the shadow of the Strada Quercia, I see the fine courtyard and loggia of the palace, eloquent of pomps and ceremonies which find no match in the Naples of to-day. Some hundred and fifty yards beyond the palace the old line of the city walls crossed the street at right angles. There is not a sign of walls or towers now. The ancient quadrangle of streets and alleys, the old Greek city which held out so stoutly generation after generation when besieged by Lombard or Imperialist, lies open now to strangers of every nation. On entering its precinct one appears to have found a new world, albeit an unsavoury one. For here, in place of the irregular and curved vistas in which the builders of modern Naples have delighted, is a long narrow street of exceeding straightness, cleaving like an arrow-flight through the close-packed houses. Irresistibly it brings to mind the long straight streets of Pompeii, so far as a thoroughfare seething with crowded life can recall one which lies silent and open under the winds of heaven. It is a just comparison; for indeed Pompeii still retains the very aspect which Naples must have borne. In size, in manner of construction, in defences, the two towns were closely similar, and this long street which under several names pierces the ancient city from side to side, was one of the three Dec.u.man ways which every visitor to the buried city traces out and follows. A little higher up the hill is the Dec.u.ma.n.u.s Major, now called the Strada de' Tribunali, and still by far the most interesting street in Naples, while higher yet upon the slope the third of the Dec.u.man streets runs parallel to the other two under the name of Strada Anticaglia, and in it stood the ancient theatre, some remnants of which still exist between the Vico di S. Paolo and the Vico de'

Giganti. These three Dec.u.man streets are the arteries of ancient Naples. In them, and in the countless alleys which unite them, are to be found almost all the relics of the mediaeval city; and indeed a man wandering about beneath those unmodernised house-fronts, elbowing his way through crowds of ragged peasants and of burly priests, might well doubt in what century he found himself, so unlike the scene is to the trim world which he has known elsewhere.

But these are quarters in which it is not prudent to wander when the night is falling. Naples is not a safe city, and travellers would do wisely to realise the fact. Even in broad daylight caution and good sense are needed more than in most other cities. Ladies will show it by removing from their dress all ornaments of the slightest value, and men by refusing absolutely all inducements to enter houses, whether offered by small boys professing to find sacristans--a not uncommon trick--or by any other person not known and vouched for. After dark, if a man must walk alone, he should walk carefully on the light side of the street and restrain any curiosity he may feel to see the effect of moonlight on the houses until he can watch it safely from his own window. These are not unnecessary cautions. Neapolitans themselves do not neglect them, though strangers do; and many have found cause to regret it. I myself, while walking with a lady in the immediate neighbourhood of the cathedral, have seen her caught by the waist by a burly brute and shaken as a terrier shakes a rat in the effort to unclasp a handsome silver buckle which she wore. The rascal failed, and was gone again before he could be seized. But the experience is one which few men would desire their wives or sisters to undergo.

Complaint is useless. It is even doubtful whether, in a city where almost every robber has a knife, worse things may not happen to those who meet such attacks in the customary English manner. But the remedy is simple. Carry nothing which is of any obvious value. Avoid unnecessary conversation with poor boys, who are not safe guides. Go home while it is still light. With these plain rules men and women equally may explore the recesses of old Naples with pleasure and with almost perfect safety.

It is out of these teeming quarters, packed with a population as dense and fetid as that of Seven Dials, that the Camorra, the great secret society of Naples, drew the strength and vigour which enables it still to defy the law. There would be no exaggeration in saying that hardly a full generation has pa.s.sed by since in all the lower quarters of the city the Camorra ruled with an audacity so high that there was neither man nor woman, boy nor girl, who did not know he must obey it rather than the law. The law was blind and deaf. The Camorra had eyes and ears in every vicolo and every cellar. It discovered all things; it struck heavily and secretly at those who tried to thwart it. A fruitseller who resisted payment of dues to the Camorrist would find his custom disappear. Accident upon accident would happen to his goods. Ere long he would be a ruined man. The Camorra might accept his submission, if proffered humbly and accompanied by a fine; but any active resistance, any communication with the police, would be repaid by a knife-thrust in the stomach some dark night. Fishermen, street hawkers, vetturini, guides--all were under the thrall of the ruthless organisation, all paid tribute in return for its protection, and executed its orders without remorse.

So far as is known to outsiders, the aims of the Camorra--which still exists, and wields considerable power yet--were not mainly political, though it was certainly at one time a powerful engine in the hands of those who desired the return of the Bourbons. That desire, once pa.s.sionate in Naples, has almost died away. Francis the Second is dead, and there is none who can breathe life into the dry bones of his party. If the devotion to the old Royal House exists, it is kept alive by the exertions of the priests, who would make a hero of Apollyon if he came down on earth and showed a disposition to unseat the present king. The lower orders are still as clerical as in the days of Mas'aniello. Turbulent and fierce as are their pa.s.sions, they are capable of high devotion; and a spiritual ruler who exerted the whole influence of the Church might turn them into a great people. But here too, as at every turn in Italy, the task of government is checked and hampered by the hostility of Church and Crown. No foreigner can appreciate the chances of this struggle, or even apportion fairly blame between the combatants. It is enough for those of us who love Italy to sit and watch the unrolling of the future, lamenting that from the outset of her career as a united nation she has been wrestling with a Church whose traditions lie in the humbling of emperors and kings.

CHAPTER VII

CHIEFLY ABOUT CHURCHES WITH SOME SAINTS, BUT MORE SINNERS