The music came from a little roadside restaurant, half open to the sky, where a few people sat at tables overlooking the sea. I strolled in, and sat sipping my vino di Posilipo while the mandolin thrummed till the singer grew tired, took his fees, and went off to some other cafe. The wine is not what it was in Capaccio's days. "Semper Pausilypi vigeat poculum!" cries the jolly topographer, "and may Jupiter himself lead the toasts!" By all means, if he will; but I fear the son of Saturn will not be tempted from Olympus by the contents of the purple beaker set before me at the price of three soldi. "It is pure, it is fragrant, it is delicious," Capaccio goes on, waxing more eloquent with every gla.s.s. "In the fiercest heat it is grateful to the stomach, it goeth down easily, it promoteth moisture, it molesteth neither the liver nor the reins, nor doth it even obfuscate the head!

Its virtue is not of those that pa.s.s away; for whether of this year, last year, or of G.o.d knows when, it hath still the scent of flowers, and lyeth sweetly on the tongue." I think Capaccio must have had a vineyard here, and sold his wines by auction. Far beneath me I could hear the washing of the sea, and the moon climbing up the sky scattered a gleam of silver here and there upon the water. Naples stretched darkly round the curving sh.o.r.e, while high upon the ridge the Castle of St. Elmo stood out black and solid against the night sky, with the low priory in front, sword and cowl dominating the city, as ever through her history, whether for good or ill.

In dusk or sunshine no man who looks upon this view will need to ask why Virgil loved it, and desired to be buried near the spot whence he had been used to watch it. Not far away upon my left, above the grotto which leads to Pozzuoli, is the tomb traditionally known as his. There are many who believe and some who doubt; but there is a mediaeval tale about the matter which is well worth telling. It was commonly reported in the days of Hohenstaufen and Anjou that the bones of Virgil were buried in a castle surrounded by the sea. There is no other fortress to which this could apply than the Castle of the Egg.

In the reign of Roger, King of Sicily, a certain scholar--they are always English, in these legends!--who had wandered far in quest of learning, came into the royal presence with a pet.i.tion. The King, who found him wise and grave, and took pleasure in his conversation, was willing to grant his wish, whatever it might be; whereon the Englishman replied that he would not abuse the royal favour, nor beg for any mere ephemeral pleasure, but would ask a thing which in the eyes of men must seem but small, namely, that he might have the bones of Virgil, wheresoever he might find them in the realm of Sicily. It was even then long since forgotten in what spot precisely the body of the great poet had been laid; and it seemed to the King little likely that a stranger from the north should be able to discover what had remained hidden from the Neapolitans. So he gave consent, and the Englishman set forth for Naples, armed with letters to the Duke, giving him full power to search wherever he would. The citizens themselves had no fear of his success in a quest where they had often failed, and so made no effort to restrain him. The scholar searched and dug, guiding his operations by the power of magic. At last he broke into the centre of a mountain, where not one cleft betrayed the existence of any cavity or tomb. There lay the body of the mighty poet, unchanged and calm as if he slept. Full eleven centuries he had lain silently in a rest unbroken by the long-resounding tread of barbarous armies from the north, flooding and desolating the fair empire which must have seemed to him likely to outlast the world. I wish that some one of those who broke into the sepulchre, and shed the light of day once more upon those features which had slept so long in darkness, had told us with what feelings he looked upon them and saw the very lips that had spoken to Augustus, and the cheek which Horace kissed. I think the men who found themselves in the sudden presence of so much greatness must have stood there with a certain tremor, as those others did who not long afterwards disturbed the bones of Arthur and of Guenevere at Glas...o...b..ry, daring to lift and touch the long fair tresses which brought Lancelot to shame.

These men who found the tomb of Virgil would have done well if they had sealed it up again and lost the secret, so that the bones might lie unto this hour on the spot where the spirit is so well remembered.

But the English scholar had the King's warrant, and claimed at least the books on which the wizard's head was propped. Those the Duke of Naples gave him, but the bones he refused, and had them taken for greater safety to Castel dell'Uovo, where they lay behind an iron grating and were shown to anyone who desired to see them. But if they were at any time disturbed, the air would darken suddenly, high gusts of storm would roar around the battlements of the castle, and the sea beating heavily about the rocks would rage as if demanding vengeance for the insult.

Such is the tale told by Gervasius of Tilbury, who has been dead almost half as long as Virgil. It may be true or untrue. I am not fond of climbing up into the judgment seat, or attempting to recognise white-robed truth in the midst of the throng of less worthy, though more amusing, characters which throng Italian legend. Least of all on such a night as this, when the soft wind blowing over the sea from the enchanted Castle of the Egg fills the air with whispering suggestions of old dead things and calls back many a tale of inimitable tragedy wrought out upon the sh.o.r.e of the gulf which lies before me--a furnace in all ages of hot pa.s.sions and sensuous delights such as leave deep marks upon the memory of man. That most wilful quality is not unlike the echo in the hollow of some overhanging rock. It will repeat the sounds that please it, but no others, while even those it will distort, adding something wild or unearthly to every one, however ordinary. So the memory of the people selects capriciously those circ.u.mstances which it cherishes; and even while it hands them on from generation to generation it is ever adding fact to fact with the cunning of him who writes a fairy tale, casting glamour round the sordid details, struggling towards the beautiful or terrible--even not seldom towards the scandalous.

A little lower on the slope of the hill, well in sight from the point at which I sit, there is a vast and ruined building on the very margin of the sea. In the dusk light I can clearly see its two huge wings thrust out into the water, and the broken outline of its roof breaking the pale sky. The tide washes round its foundations. The whole ma.s.s lies black and silent, except at one point where a restaurant has intruded itself into the sh.e.l.l of a once splendid hall, and lights flicker round the empty windows which were built for the pleasure of a court. Three hundred years ago this palace was begun for the wife of a Spanish viceroy, Donna Anna Carafa. It was never finished, and has been put to a number of degrading uses, being at one time a quarantine station, at another a stable for the horses of the tramway, while a few fishermen have always housed their wives and children in its old ruined chambers, undeterred by the tales which a.s.sociate the ruin with the spirit of the Queen Giovanna.

Queen Giovanna is so great a personage in Naples that it is worth while to consider her particularly. There are few spots within thirty miles of Naples where one does not hear of her too amorous life and her tragic death. I doubt if there are half a dozen guides or vetturini in all the city who, if asked the name of this great building, will not answer that it is "Il Palazzo della Regina Giovanna," and on being further questioned will not tell a doleful story of how she was strangled in one of the deserted chambers. The stranger, ignorant of Naples, will perhaps set down this fact, pleased to discover a trace of history yet lingering in the recollection of the people, and will cherish it carefully until he is told the same tale at Castel Capuano, on the other side of the city, with the addition of certain particulars which, by our narrow northern way of thinking, are damaging to Queen Giovanna's character. For instance, it is said of her that she was in those early days so convinced a democrat as to choose her lovers freely from among the sovereign people. They were doubtless gratified by her choice; but the pleasure faded when they discovered in due course of time that each favourite in turn, after the fickle Queen grew tired of him, was expected or compelled to leap from the top of a high tower, thus carrying all his knowledge of the secret scandals of a court by a short cut into the next world. A cruel Queen, it is true; but how prudent! Any one of us might leave a marvellous sweet memory of himself in the world, if only he could stop the mouths of--But that has nothing to do with Queen Giovanna.

This sweet memory, however, this fruit of prudence, is precisely what the Queen has attained in Naples and in all the surrounding country. I have questioned many peasants who spoke to me about her, and received the invariable answer that she was a good Queen, a very good Queen--in fact, of the best. Now history, listening to this declaration, sighs and shakes her head despairingly. There were two queens named Giovanna--leaving out several others who, for various reasons, do not come into the reckoning. The first was certainly a better woman than the second, but she is credibly believed to have begun her reign when quite a girl by murdering her first husband, after which she departed in various ways from the ideal of Sunday-schools. The second was an atrocious woman, concerning whose ways of life it is better to say as little as possible. The first was strangled, though not in Naples, or its neighbourhood, but at the Castle of Muro, far down in Apulia. The second had innumerable lovers, and was, perhaps, one of the worst women ever born.

The Queen Giovanna of tradition seems to be a blend of these two sovereigns, laden with the infirmities of both, and loved the more for the burden of the scandals which she bears. It is a charming trait, this disposition of poor humanity to glorify dead sinners! Conscious of their own imperfections, mindful of the condescension of a queen who steps down to the moral level of her people, the Neapolitans welcome her with outstretched hands, and love her for her peccadilloes. Legend confers a pleasanter immortality than history, earned less painfully, bestowed more charitably, and quite as durable.

CHAPTER IV

THE RIVIERA DI CHIAIA AND SOME STRANGE THINGS WHICH OCCURRED THERE

In bright sunshine I came down the last slopes of the Posilipo, wending towards the Riviera di Chiaia. The bay sparkled with innumerable colours; the hills lay in morning shadow; Vesuvius was dark and sullen, and the twin peaks of Capri rested on the horizon like the softest cloud. The sun fell very sweetly among the oranges in the villa gardens, lighting up their dark and glossy leaves with quick-changing gleams which moved and went as lightly as if reflected from the restless waters of the bay. Out on the sea there was a swarm of fishing boats, each provided with a rod of monstrous length; while as I reached the level of the sea, and entered on the winding road that goes to Naples, I found myself skirting a long, narrow beach, of which the reeking odours proclaimed it to be a landing-place of fishers. There, under the shadow of the towering cliff, boats were hauled up, nets were drying, fish frails were piled in heaps, and close to a small stone pier which jutted out into the water a couple of fishing-wives were scolding each other much in the same way as two dames of Brixham or of Newlyn, while a small urchin p.r.o.ne upon the sand, watched the encounter of wits with eager curiosity to know whether more was to come of it or not.

[Ill.u.s.tration: STRADA DI CHIAIA, NAPLES.]

More did not come of it. The strife sank into silence, and as I paced along the margin of the little beach, glancing now at the wide curve of the bay, now at the dark fortress of the enchanted Castle of the Egg upon its further horn, I found myself in a strange medley of ancient thoughts and modern ones, the old world wrestling with the new, tales of the kings of Aragon mingling with the cries of cabmen and the whirring noises of the tramways.

This little beach by which I stand is all that is now left of the Marina di Chiaia, which once ran round the bay up to the rocks and caverns of the Chiatamone, where the Egg Castle juts out into the sea.

It was all a sandy foresh.o.r.e, with boats hauled up and nets set out to dry, just as one may see them on this sc.r.a.p which still remains. It was renowned as a place of ineffable odours. Indeed, an ancient writer, seeking a simile for a certain very evil smell, could think of none more striking than "that which one smells on the Marina di Chiaia in the evening." It is to be gathered that the women were in large measure responsible for this--as for most other things that go wrong in Naples. "Tutt'e' peccate murtali so' femmene," says the proverb--All the mortal sins are feminine; and if those, why not the smells also? But it is not to be supposed that the women of the Chiaia were the less attractive. Far from that. We have the word of the poet del Tufo that they were so gracious and charming that even a dead man would not remain insensible to the desire of loving them. What can have become of these houris? I did much desire to see them, but I searched in vain. I found none but heavy, wide-mouthed women, owning no charm but dirt, and no attractions save a raucous tongue. Perhaps the disappearance of the smells involved the loss of the beauty also.

If so, another grudge is to be cherished against the sanitary reformers, who so often in the history of mankind have proved that they know not what they do.

But I was about to speak of King Alfonso of Aragon, a monarch whose story can be forgotten by no one who has given himself the pleasure of reading the superb work in which Guicciardini has told the story of his times, a tale of greatness and of woe immeasurable, having in itself every element of tragedy, with a human interest which throbs even painfully from page to page. Macaulay, by giving currency to a stupid tale about a galley slave who chose the hulks rather than the history, has contrived to rob many of us of a pleasure far greater than can be derived from the ant.i.theses in which he himself delights; and has spread abroad the impression that this prince among historians, this dignified and simple writer, this unsurpa.s.sed judge of men whom he himself in a wiser moment compared to Tacitus, was dull! It is but one more injustice done by Macaulay's hasty fancy, serving well to prove what mischief may be wrought by a man who cannot deny himself the pleasure of a quirk until he has reflected what injury it may do to another's reputation.

Alfonso of Aragon was King of Naples when the French, led by their King Charles the Eighth, were advancing through Italy to the attack of Naples. The old t.i.tle of the House of Anjou which reigned in Naples for near two centuries, was in the French judgment not extinct; and Charles, called into Italy by Ludovic the Moor, Duke of Milan, and one of the greatest scoundrels of all ages, was pressing on through the peninsula faster and with more success than either his friends wished or his enemies had feared. One by one the obstacles which were to have detained him in northern Italy crumbled at his approach. Florence was betrayed by Piero di Medici; the Neapolitan armies in the Romagna were driven back; the winter was mild, offering no obstacle to campaigning; the Pope was overawed; and at length Alfonso, seeing the enemy victorious everywhere, and now almost at his gates, fell into a strange state of nerves. The first warrior of his age broke down like a panic-stricken girl. The strong, proud King fell a prey to fear. He could not sleep, for the night was full of haunting terrors, and out of the dark there came to visit him the spectres of men whom he had slain by treachery, each one seeming to rejoice at the vengeance of which Heaven had made the French King the instrument.

Yet Alfonso had large and well-trained armies at his command, and the pa.s.ses of the kingdom were easily defended. The French were no nearer than at Rome; and anyone who has travelled between the Eternal City and Naples must see how easily even in our own days a hostile army could be held among the mountains. Had there been a resolute defence, many a month might yet have pa.s.sed before a single Frenchman reached the Siren city. But Alfonso could give no orders; and his terrors were completed by a vision which appeared to one of his courtiers in a dream repeated on three successive nights. It was the spirit of the old King Ferdinand which appeared to the affrighted Jacopo, grave and dignified as when all trembled before him in his life, and commanded, first in gentle words and afterwards with terrifying threats, that he should go forthwith to King Alfonso, telling him that it was vain to hope to stem the French invasion; that fate had declared their house was to be troubled with infinite calamities, and at length to be stamped out in punishment for the many deeds of enormous cruelty which the two had committed, but above all for that one wrought, at the persuasion of Alfonso, in the Church of San Lionardo in the Chiaia when he was returning home from Pozzuoli.

The spirit gave no details of this crime. There was no need. The mere reference to it completed Alfonso's overthrow. Whatever the secret may have been, it scored the King's heart with recollections which he could not face when conjured up in this strange and awful manner.

There was no longer any resource for him. His life was broken once for all, and hastily abdicating his kingdom in favour of his son Ferdinand, whose clean youth was unstained by any crimes, he carried his remorse and all his sinful memories to a monastery in Sicily, where he died, perhaps in peace.

No man who reads this tale can refrain from wondering where was this Church of San Lionardo on the Chiaia, and what it was that King Alfonso did there. The first question is easier than the last to answer, yet there are some materials for satisfying curiosity in regard to both.

[Ill.u.s.tration: NAPLES--PORTA MERCANTILE]

It is useless to seek for the Church of San Lionardo now. It was swept away when the fine roadway was made which skirts the whole sea-front from the Piazza di Vittoria to the Torretta. But in old days it must have been a rarely picturesque addition to the beauty of the bay. It stood upon a little island rock, jutting out into the sea about the middle of the curve, near the spot where the aquarium now stands. It was connected with the land by a low causeway, not unlike that by which the Castle of the Egg is now approached; and it was a place of peculiar interest and sanct.i.ty, apart from its conspicuous and beautiful position, because from the days of its first foundation it had claimed a special power of protection over those who were tormented by the fear of shipwreck or captivity, both common cases in the lives of the dwellers on a sh.o.r.e haunted by pirates and often vexed by storms. The foundation was due to the piety of a Castilian gentleman, Lionardo d'Oria, who, being in peril of wreck so long ago as the year 1028, vowed a church in honour of his patron saint upon the spot, wherever it might be, at which he came safely to land. The waves drove him ash.o.r.e upon this beach, midway between Virgil's Tomb and the enchanted Castle of the Egg; and here his church stood for seven hundred years and more upon its rocky islet--a refuge and a shrine for all such as went in peril by land or sea.

Naturally enough, the thoughts of Neapolitans turned easily in days of trouble to the saint whose special care it was to extricate them. Many a fugitive slipped out of Naples in the dark and sped furtively along the sandy beach to the island church, whence, as he knew perfectly, he could embark on board a fishing-boat with far better hope of getting clear away than if he attempted to escape from Naples. Thus at all moments of disturbance in the city the chance was good that important persons were in hiding in the Church of San Lionardo waiting the favourable moment of escape. King Alfonso must have known this perfectly. One may even surmise that his journey to Pozzuoli was undertaken with the object of tempting out rebellious barons and their followers from the city, where they might be difficult to find, into this solitary spot, where he could scarcely miss them. If so, he doubtless gloated over the first sight of the island church as he came riding down from the Posilipo and out upon the beach towards it, knowing that the trap was closed and the game his own.

Alfonso was a man who never knew mercy. Who the fugitives were whom he found hidden in the church, or in what manner they met their death, is, so far as I know, recorded nowhere. But this we know, that it was no ordinary death, no mere strangling or beheading of rebellious subjects that the King sanctioned and perhaps watched in this lonely church which was built as a refuge for troubled men. Of such deeds there were so many scored up to the account of both kings that the spirit of the elder could hardly have reproached his son with any one of them. What was done in the Church of San Lionardo was something pa.s.sing the common cruelty of even Spaniards in those ages, and it is perhaps a merciful thing that oblivion has descended on the details.

I shall return again to King Alfonso and his family, for the city is full of memories of them, and in the vaults of the Castel Nuovo there are things once animate which throw a terrible light upon the practices of the House of Aragon. But for the time this may be enough of horrors; and I turn with pleasure to the long sea-front against which the tide is breaking fresh and pleasantly, surging white and foaming over the black rocks which skirt the foot of the sea-wall. The wind comes freshly out of the east. Capri is growing into a wonderful clearness. Even the little town upon the saddle of the island begins to glow white and sparkling, and the limestone precipices show their clefts and shadows in the increasing light. The soft wind blows in little sunny gusts, which shake the blossoms of wistaria on the house-fronts, mingling the salt and fishy odours of the beach with the scent of flowers in the villa gardens. There is scarce a sign of cloud in the warm sky, and all the crescent bay between me and the city takes colours which are perpetually changing into deeper tints of liquid blue and rare soft green, with flashes here and there of brown, and exquisite reflections which are but half seen before they yield to others no less beautiful. The long white sea-wall gleams like the setting of a gem, and the warm air trembles slightly in the distance, so that the Castle of the Egg looks as if it were indeed enchanted, and might be near the doom predicted for it when its frail foundations shall be broken.

I had meant to spend an hour this morning in the Church of Sannazzaro, on the slope of the hill, at no great distance from this spot. He who does not see churches betimes in Naples may chance to miss them altogether, and will waste much temper during the hot afternoon in hammering on barred doors with vain effort to rouse sleepy sacristans.

Heaven knows I am not indifferent to church architecture, and had the morning been less beautiful I should certainly have described learnedly enough, the building preserving the memory of the quaint and artificial poet whom Bembo, as frigid and unnatural as himself, declared to be next to Virgil in fame, as he was also next in sepulture. I often wonder whether Bembo really meant anything at all by this judgment, except an elegant turn of verse. If he did--But I am straying away from the lights and shadows of this magic morning, which are far more delightful than the arcadian rhapsodies of Sannazzaro and of Bembo. Let me put them both aside. Or stay, one observation of the former comes into mind. He said the Mergellina was "Un pezzo di cielo caduto in terra"--a sc.r.a.p of heaven fallen down on earth. He had blood in him, then, this worshipper of nymphs and cla.s.sicism; let us go and see his Mergellina. It will not take us far from the sea-front, to which it once lay open, in the days when there were no grand hotels nor ugly boarding-houses blocking out the sweet colours and the clean air of the sea.

As I turn inland, my eye is caught by a tablet on a house-front to the left, which has a melancholy interest for all Englishmen:--

"IN QUESTA CASA NACQUE FRANCESCO CARACCIOLI AMMIRAGLIO IL 18 GUIGNO 1752 STRANGOLATO AL 29 GUIGNO 1799"

"Strangolato"--ay, hung at Nelson's yardarm, while his flagship lay off Naples, and sunk afterwards in the sea, whence his naked body was washed up on sh.o.r.e. It is a tragic tale; but to use it as an imputation on Nelson's honour is unjust. Caraccioli was a rebel, and paid the penalty of unsuccessful revolution. He was brave and unfortunate, he resisted manfully an evil government; but he was not unfairly slain.

In a few yards further the whole charming length of Sannazzaro's bit of heaven lies spread out before me. A wide, straight street, a paradise of yellow stucco, stained and peeling off, a wilderness of sordid shops and dirty children running wild, a solitary tramcar spinning on its way to Naples, a creaking cart with vegetables, a huckster bawling fish--I have not patience to catalogue the delights of the Mergellina of to-day, but turn my back on them and flee to the sea-front again, where I can look out on what is still unspoiled, because man has no dominion over it.

[Ill.u.s.tration: BOATS AT THE MERGELLINA--NAPLES]

A short stroll towards the city within reach of the lapping waves restored my temper, and I remembered that as I fled from the Mergellina I saw over my shoulder a halting-place for tramcars, well known to all who visit Naples by the name of the "Torretta."

I hardly know how many of those visitors have asked themselves what this Torretta was, to which they have so often paid their fares of twenty-five centimes, or have connected it in memory with the other towers of which they hear upon the further side of Naples. But since Naples is a seaborn city, and a wealthy city by the sh.o.r.e of ocean attracts pirates as naturally as flies flock to honey, it may be as well to explain why the Torretta was built.

The tale goes back as far as the days of Don Fernando Afan de Rivera, Duca d'Alcala, who did Naples the honour of condescending to govern it as Viceroy to His Most Catholic Majesty of Spain from the year 1629 to 1631. He was an old and gouty viceroy, but not lacking in energy or courage. Those were times in which infinite numbers of Turkish pirates hovered round the coasts of Italy; and week by week the warning cannon roared out from Ischia, and the heavy toll of the alarm bells rolled along the sh.o.r.e from Campanella and Castellammare to the harbours beneath Vesuvius, waking all the fishermen to watchfulness and rousing the guards within the city walls.

"All'arme! all'arme! la Campana sona Li Turche so' arrivati a la marina!"

The terror-stricken refrain is still on the lips of the peasants in the coasts which were harried by Dragut and Ucchiali.

One night a band of these bold corsairs struck suddenly in the darkness, and landed on the western end of the Chiaia, well outside the limits of the city. There were among their numbers certain renegades of Naples, and using the local knowledge of these scoundrels, they had conceived the design of capturing the Marchesa del Vasto, whose palace stood in this somewhat unprotected region, and whom they intended to surprise in her sleep. So rich a prisoner would have brought them a vast ransom; but the scheme turned out disappointing. The Marchesa had gone to take the waters, over the hills at Agnano, whither greedy Turks could not pursue her. Nothing remained but to bag as many people of inferior consequence as time permitted; and the renegades, turning to their advantage the alarm which was already spreading among the inhabitants, rushed about knocking at every door and imploring the people in anguished tones to come out at once and save themselves from the Turks, who were landing at that moment. Some poor frightened souls were simple enough to accept this invitation, and were made prisoners for their pains the moment they crossed the threshold. Others, more wisely, suspecting the trick, made rude replies, and barred their doors and shutters, knowing that at dawn, if not before, help must surely come from the neighbouring city.

[Ill.u.s.tration: NAPLES--GRADONI DI CHIAIA.]

They were not mistaken in their faith. Naples was astir, and the guards were mustering by torchlight in the streets. The Duca d'Alcala was at the Palazzo Stigliano, near the Porta di Chiaia. Old and gouty as he was, he had set himself at the head of his men, the city gate was flung open, and in the grey light of morning the Turks saw a considerable force advancing on them. They did not stay to fight, but pushed off their ships, carrying with them twenty-four prisoners, whom next day they signified that they were willing to ransom.

Accordingly parleys were held upon the Island of Nisida; the Viceroy himself paid part of the sum demanded, while the rest was contributed by the Society for the Redemption of Captives, a useful public inst.i.tution whose income was heavily drawn upon in those days.

Probably neither one nor the other was entirely pleased at having to pay out a large sum for the redemption of people living almost under the walls of the city. It was to guard against such mishaps in future that the Torretta was built, and garrisoned as strongly as its size permitted.

What old tales these seem, and how changed is all the aspect of this bay! San Lionardo gone as completely as the shadow of a drifting cloud! The Torretta degraded to a halting-place of tramcars! The Mergellina stripped of all that made the poet Sannazzaro love it! Only on the sea-front the same beauty of heavenly blue still shimmers on the waters, breaking into bubbles of pure gold where the soft tide washes up amid the rocks. The fishing boats slip to and fro under their large three-cornered sails. There is more wind out there upon the bay; it strikes in sharp puffs on the bellying canvas, and the light craft heel towards the land. One of them has put in beside the stairs not far from where I am loitering. The bottom of his boat is alive with silvery fish; and on the cool stones of the landing-place, just awash with clear green water, stand the barelegged fishermen, stooping over the still living fish, cleansing their burnished scales from the soil of the dirty skiff, laughing and chattering like children, as they are. Suddenly one of them s.n.a.t.c.hes at a little object which the others had not noticed, and holds it up to me in gleeful expectation of a few soldi. "Cavallo di mare!" A tiny sea-horse, already stiff and rigid, a clammy and uncomfortable curiosity. My good man, if I desire to look at sea-horses I have but to cross the road to the aquarium, where I can watch them in the grace and wonder of their life and shall not be asked to c.u.mber myself with their dead bodies. Salvatore shrugs his shoulders. If I am mad enough to miss this chance, it is my own affair; the Madonna will scarce send me another. In the midst of the diatribe I stroll across to the aquarium.

Rarely, if ever, have I pa.s.sed by this storehouse of great marvels without regretting it, for indeed it has no equal in the world. Tanks of fish are kept in many cities; the only aquarium is at Naples. There alone can one stand and watch the actual stress and movement of the life which pa.s.ses in the sea, that animal life of myriad shapes and colours which is so like the plants and which while rooted to a rock, and spreading long translucent tendrils like a frond of seaweed, will yet curl and uncurl, swaying this way and that in search of food, or in the effort to escape some enemy it fears. For the depths of the sea are full of enemies, and every sense of those which dwell beneath it is alert. There one may see the tube-dwelling worms, thrust out from the mouth of their tall cylinders like a feathery tuft of tendrils, a revolving fan, which spins and spins until some sea-horse floating up erect and graceful comes too close, and instantly the fan closes, the tendrils disappear and lie hidden till the danger has gone by. Far along the rock clefts, high and low throughout the pools, there is a perpetual watchfulness and motion, a constant stir and trembling; and the provision which the lowest animal possesses for the protection of its life is in quick and momentary use, laying open such a revelation of the infinite resources of nature as itself makes this cool chamber one of the most interesting places in the world.

But if a man go there for beauty only, in what profusion he will find it! The green depths of the tanks are all aglow with soft rich colour.

The sea beneath the cliffs at Vico is not more blue on the softest day in spring than the fish which glide by among these shadows; nor are the lights seen from Castellammare when the sun drops down behind Ischia and the rosy flushes spread along the coast, more exquisite than the soft pink scales which glance through the arches of the rocks. Turquoise and pearl, emerald and jacinth, the gleams caught from the hidden sun above reflect the hues of every gem. The strange, dense vegetation, the quick flash of moving gold and purple, reveal a world of marvellous rich beauty; and if it be indeed the case that those bold divers of past days who dared to plunge out of the bright sun into the dusk and dimness of the ocean depths saw there the orange sponges, the waving forests of crimson weed, and all the myriad colours of the moving fishes glinting through them, it is no wonder that they came back into the world of men spreading tales of countless jewels, and unnumbered treasures, which lie buried in the caves and grottoes of the sea.

Naples is alive with stories of this sort; and not Naples only, but all Sicily and southern Italy share the tales of the great diver, Nicol Pesce, who is sometimes a Sicilian and sometimes a dweller on the mainland, but is claimed by Naples with good reason, as I shall show presently. The mere sight of things so like those which Nicol must have seen calls up all the rare stories told of him; and I go up into the Villa Garden, which skirts the long sea-front, and having found a seat beneath a shady palm tree, whence I can watch the blue sea lying motionless around the dark battlements of Castel dell'Uovo, while the wind makes light noises in the feathery boughs above me, I fall to thinking of the diver who, at the bidding of the king, searched the caverns underneath the castle, which no man has ever found but he, and came back with his arms full of jewels. Any child in Naples knows that heaps of gems are lying in those caverns still.

Who was Nicol Pesce? Ah! what is the use of asking such questions about a myth? He was once, like all of us, a thing which crept about the earth--it matters little when, _nei tempi antichi_! But now he is a b.u.t.terfly fluttering in the world of romance, a theme for poets, and cherished in the heart of children. If you must know more about his actual existence, catch a child and give him a few soldi to escort you to the foot of the Vico Mezzocannone, away on the further side of the city, where the lanes drop steeply to the harbour. There, built into the front of a house, you will see an ancient stone, on which is carved the figure of a s.h.a.ggy man grasping a knife in his right hand, while his left is clenched in the air. That is Nicol Pesce, so called because he was at home in the water as a fish is; and the knife is that which he used to cut himself out from the bellies of the fish when he had done the long swift journeys which he was wont to make in the manner of which no other man had experience but Jonah.