Mystic Isles of the South Seas - Part 27
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Part 27

Besides the occasional concerts of the band, boxing and moving-pictures made up the public night life of Papeete. Attached to the theaters were bars, as at the Palais, and these were the foci of those who hunted distraction, and the trysting-places of the amorous. One found in them or flitting about them all the Tahitian or part Tahitian girls in Papeete who were not kept from them by higher ambition or by a strict family rule. From Moorea, Raiatea, Bora-Bora, and other islands, and from the rural districts of Tahiti, drifted the fairest who pursued pleasure, and to these cafes went the male tourists, the gayer traders, the sailors, and the Tahitian men of city ways, the chauffeurs, clerks, and officials.

Boxing and cinemas were novelties in Tahiti, and though the bars were only adjuncts of the shows, they had become the scenes of a hectic life quite different from former days. The groves, the beach, and the homes were less frequented for merrymaking, the white having brought his own comparatively new customs of men and women drinking together in public houses. And there had crept in on a small scale an exploitation of beauty by those who profited by the receipts at the prize-fights, the cinemas, and the bars. The French or part castes who owned these attractions were copying the cruder methods of the Chinese.

Llewellyn, David, and McHenry were habitues of these resorts, and I not an infrequent visitor. We went together to a prize-fight, which had been well advertised. A small boy with a gong handed me a bill on the rue du Four, which read:

Casino de Tahiti Ce Soir Vendredi

Pour le championnat des Etabliss.e.m.e.nts francais de l'Oceanie

Grand Match de Boxe Entre MM.

Great Boxing Match Between MM.

Moto Raa rahi i rotopu ia

Opeta (Raratonga) & Teaea (Mataiea)

10 Rounds

Moni parahiraa 1re 2f. 50 2me 2f. 3me 1f. 50

The bill said further in French and Tahitian that this was to be the climax of all ring battles in the South Seas between natives, the Christchurch Kid and Cowan, the bridegroom, being hors concours.

Every seat was reserved by noon. All day the automobile stages ran into the country districts to bring natives, and from Moorea came boat-loads of spectators. On the streets native youths emulated the combatants, and at every corner boys were at fisticuffs. The Casino de Tahiti was on the rue de Rivoli, a large wooden shed painted in polychromatic tints, and with a gallery open to the air for the band, which played an hour before all events to summon patrons. Groups were in the street by eight o'clock, many having been unable to buy seats, and others there merely to hear the music and to laugh. Many were Chinese, queueless, smartly dressed in conventional white suits and American straw hats. The storekeepers had come in from the country. The men heatedly discussed the merits of the boxers. Opeta of Raratonga was mentioned as the champion of the world--this part of it.

Smoking was not allowed inside, so not until the last moment did the men file in. Hundreds of women were long in their places, some white, many part white, and others Tahitians. They were in their best gowns, flirting, eating fruit and nuts, laughing, and talking. Every girl of the Tiare Hotel was there, and all the guests. I was wedged in between Lovaina and Atupu, and the latter stroked my leg often, as one does a cat or dog, affectionately, but without much thought about it. Lovaina, too, rubbed my back from time to time.

A picture preceded the fight. It was of cow-boys, robbers, and the Wild West, with much shooting. A half-caste explained it, and his wit was considerable, tickling the ears as the scenes tickled the eyes. The natives applauded or execrated the films as the Parisians do at the opera. They encouraged the heroes and cursed the villains. Lovaina was interested, but said:

"Those robber in picshur make all boy bad. The governor he say that maybe he stop that Bill 'Art kind of picshur. Some Tahiti boy steal horse and throw rope on other boy for la.s.soo."

When the screen was removed, a roped enclosure, a square "ring," was disclosed. The announcer spoke in Tahitian of the signal achievements of the two fighters, of their determination to do their best then and there. The women cheered these declarations. Seated just below me was a red-headed French girl, with perhaps a slight infusion of Polynesian blood, who had a baby in a perambulator. Her strawberry plaits dangled temptingly as she cooed to the baby. She was for Opeta, the foreign compet.i.tor.

A white-haired Australian woman, with a strong accent, favored Teaea, and when the Raratonga youth was winning, shouted to Teaea:

"'It 'im 'arder, Ol' Peet! 'E's outa wind! Knock 'is sh.e.l.l hoff!"

The Casino de Tahiti had two galleries, and in the topmost, at a franc, five sous each, sat the little G.o.ds, as with us. Others were perched on doors, on projections of cornices, and in every nook.

The fighters were naked except for breech-clouts. They were barefooted. They wore their hair longish, and it appeared like rough, black caps, which now and again fell over their faces and was flung back by a toss of their heads. They were handsome men, framed symmetrically, lithe, and healthy-looking. Their bodies soon shone with the sweat. Their eyes, as soft as velvet to begin, grew fiery as they punished each other. In truth, this punishment was not severe from American prize-ring standards. The islander was unused to blows, and the gloves were of the biggest size, such as those worn by business men in gymnasiums.

Opeta had as seconds American beach-combers; and Teaea, natives. They had all the pugilistic appurtenances of towels, bottles, etcetera, and fanned and rubbed their men between rounds as if they were matched for a fortune.

Teaea had a green ribbon in his loin-cloth. He was taller and heavier than Opeta, but showed his inferiority quickly. They danced about and fiddled for an opening, sparred for wind, and did all the fancy footwork of the fifth-cla.s.s fighter, but they seldom came together except in clinches. The referee, the Christchurch Kid, was the martyr, for he had to pull them apart every minute. The rounds were of two minutes' duration, and the rests one minute. After seven very tame rounds, the spectators became angered, and in the eighth Teaea went down, and took the count of ten on his hands and feet, warily watching his opponent. In the ninth, Opeta, excited by the demands of the gallery, slugged him in the head. Teaea sought the boards again, and the counting of ten by the referee began.

The Mataiea boxer was on his back, but his glazing eyes stared reproachfully at Opeta. The latter, now clearly the victor, glanced at the red-headed girl, who was dancing on the floor beside her perambulator and waving her congratulations. The house was on its feet yelling wildly to Teaea to rise. Those who had bet on him were calling him a knave and a coward, while Opeta's backers were imploring him to kill Teaea if he stood up. The Raratonga champion became excited, confused and when Teaea, at the call of eight, cautiously turned over and lifted his head, he struck him lightly.

The inhabitants of the country districts vociferated in one voice:

"Uahani! Uahani!"

"Faufau! Faufau!" cried the G.o.ds.

"Foul! Foul! 'E 'it' im, 'hand' e's hon 'is 'ands hand kneeses,"

exclaimed the Australian woman.

The audience took up the chorus in French, Tahitian, and English. Though Opeta had won them all by his ability and fairness and was plainly the better man, the sentiment was for the rules. The Christchurch Kid thought a moment, and conferred with the announcer, who talked with all the seconds. The spectators were insistent, and though loath to end the show, the Kid held up the gloved hand of the Mataiean.

The announcer declared him the "champignon" of Papeete, but navely declared that Opeta was still full of fight, and challenged the universe. The Raratonga man was dumfounded at the result of his forgetfulness, and gazed coldly and accusingly at the red plaits. The people, too, now regretted their enthusiasm for the right, which had shortened their program of rounds, and demanded that the battle go on. But the band had left, the lights were dimmed, and gradually the crowd departed.

The Australian waited to shake the hand of her knight, to whom she said:

"I bloomin' well knew you 'd do 'im hup! 'E's got nothin' hin 'is right. 'E's a runaw'y, 'e is."

David and I went into the buffet of the cinema after the fight to hear the arguments over it, and he to collect bets. He had chosen the winner by the toss of a coin. The French Governor of the Paumotus was there, gaily bantering half a dozen girls for whom he bought drinks. We joined him with Miri and Caroline and Maraa and others, the best-known sirens of Papeete. They were handsome, though savage-looking, and they had lost their soft voices. Alcohol and a thousand upaupahuras had made them shrill. They smoked endless cigarettes. Some wore shoes and stockings, and some were barefooted. Their dresses were red or blue, with insertions of lace and ribbons, and they were crowned with flowers in token of their mood of gaiety.

David insisted on a bowl of velvet, three quarts of champagne, and three of English porter mixed in a great urn. The champagne bubbled in the heavier porter, and the brew was a dark, brilliant color, soft and smooth. It was delicious, and seemed as safe as cocoanut milk. I drank my share of it in the cinema cafe, and after that was conscious only vaguely of going to the Cocoanut House garden, where Miri and Caroline and Maraa danced nude under the trees by the light of the full moon.

Then came blankness until I awoke several hours after midnight. I was sitting on the curbing of the Pool of Psyche, and some one was holding my hand. I thought it must be Atupu or Lovaina, and groped for a moment before I could pull my senses together. I looked up, and saw a wreathed and bearded native, and then down and saw his attire, mixed man's and woman's, and knew he was one of the mahus who loafed about the queen's grounds. I drew away my hand as from a serpent's jaws, and clasped my head, which rocked in anguish. A horrid chuckle or dismal throaty sound caused me to see the Dummy standing in the gateway, looking contemptuously at me, and witheringly at my companion. I had a second's thought of myself as a son of Laoc.o.o.n.

The mahu got up and hastened away, and Vava put his hand on my shoulder and lifted me as a child to the road. He pointed toward the Annexe, and as I went haltingly with him, he now and again uttered unearthly cackles and bawls as if enjoying a farce I could not see. He, like the mahu, was one of those mishaps of nature a.s.signed to play an absurd and sorry part in the tragicomedy of life in which all must act the roles a.s.signed by the great author-manager until death puts us out of the cast. In that scene I myself was the buffoon of fate.

Chapter XVI

A journey to Mataiea--I abandon city life--Interesting sights on the route--The Grotto of Maraa--Papara and the Chief Tati--The plantation of Atimaono--My host, the Chevalier Tetuanui.

Life in the country made me laugh at myself for having so long stayed in the capital. The fever of Papeete had long since cooled in my veins. A city man myself, I might have known that all capitals are noxious. Great cities are the wens on the body of civilization. They are aggregations of sick people, who die out in the third generation. Greed builds them. Crowded populations increase property values and buy more manufactured luxuries. The country sends its best to perish in these huddlements. In America, where money interests boom cities and proudly boast their corruption in numbers, half the people are already in these webs in which the spider of commerce eats its victims, but ultimately may perish for lack of food. Brick and steel grow nothing.

I had made excursions from Papeete, but always carrying the poisons of the town with me. At last my playmates deserted me. Lying Bill and McHenry sailed on their schooner for the Paumotu and the Marquesas islands, Landers left for Auckland, and Count Polonsky for a flying visit to America. Llewellyn, though an interesting study, learned in native ways, and with comparisons of Europe and America, was too atrabilious, and, besides, had with his young partner, David, abandoned himself to the night life, the cinema bars, with their hilarious girls and men, the prize-fights, and the dancing on the beach in the starlight. Schlyter, the tailor, an occasional companion, was busied cutting and sewing a hundred uniforms for a war-ship's crew.

I bethought me of the letter Princess Noanoa Tiare had given me to the chief of Mataiea, and with a bag I departed for that village at daybreak, after taofe tau for four sous at Shin Bung Lung's Fare Tamaaraa. The diligence was open at the sides and roofed with an awning, and was drawn by two mules, with bells on their collars.

On the stage I paid twenty centimes a kilometre, or six and a half cents a mile. It carried the mail, pa.s.sengers, and freight. In every district there was a mailbox on the fence of the chefferie, the chief's office, and on the trees alongside the road at regular intervals, and the driver took mails from people who hailed him. Arriving at a chefferie, the stage halted, the district mutoi, or native policeman-postman, appeared leisurely, opened the locked box on the diligence, looked at ease over the contents, took out what he liked, and put back the remainder, with the postings of the chefferie.

A glance at the map of Tahiti shows it shaped like a Samoan fan, or, roughly, like a lady's hand mirror. It is really two islands, joined by the mile-wide isthmus of Taravao. The larger island is Poroiunu or Tahiti-nui (big Tahiti), and the smaller Taiarapu, or Tahiti-iti (little Tahiti). Tahiti-nui is almost round; and Tahitiiti, oval. Both are volcanic, distinct in formation. They are united by a sedimentary piece of land long after they were raised from the ocean's bed.

Mataiea is twenty-seven miles from Papeete, and well on toward the isthmus.

Most of our pa.s.sengers were Chinese, and I realized the Asiaticizing of Tahiti. They were store-keepers, small farmers, or laborers. The Broom Road lay most of the way along the beach, back of the fringe of cocoanut and panda.n.u.s-trees, and between the homes and plantations of Tahitians and foreigners. I saw all the fruits of the islands in matchless profusion, intermingled with magnificent ferns, the dazzling bougainvillea, the brilliant flamboyant-tree, and a thousand creepers and plants. Every few minutes the road rushed to the water's-edge, and the glowing main, with its flashing reef, and the shadowy outlines of Moorea, a score of miles away, appeared and fled. Past villages, churches, schools, and villas, the shops of the Chinese merchants, the sheds for drying copra, rows of vanilla-vines, beaches with canoes drawn up and nets drying on sticks, men and women lolling on mats upon the eternal green carpet of the earth, girls waving hands to us, superb men, naked save for pareus, with torsos, brown, satiny, and muscled like Greek gladiators, women bathing in streams, their forms glistening, their b.r.e.a.s.t.s bare; and constant to the scene, dominating it, the lofty, snakelike cocoanuts and their brothers of less height and greater girth.

At Fa'a a postwoman appeared. Before opening the mail-box she tarried to light a cigarette and to chat with the driver about the new picture at the cinema in Papeete. She commented laughingly on the writers and addressees of the letters, and flirted with a pa.s.senger. The former himene-house, which had been the dance-hall of Kelly, the leader of the fish-strike, was vacant, but I heard in imagination the strains of his pagan accordion, and the himene which will never be forgotten by the Tahitians, "Hallelujah! I'm a b.u.m!" Kelly had gone over the water to the jails of the United States, where life is hard for minstrels who sing such droll songs.

In Punaauia, the next district to Fa'a, was a schoolhouse and on it a sign: 2 x 2 = 4.

M. Souvy, a government printer of Tahiti, had given the site out of his humble savings. By the sign, in his blunt way, he struck at education which does not teach the simple necessity of progress--common sense.

"Cela saute aux yeux," he had said.