Moor Fires - Part 48
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Part 48

She started up in bed, for the mysterious allurement of George's image was strong enough to make her understand what it might be for Miriam, and she held herself to the bed lest she should be tempted to play the spy; yet, had she brought herself to open her sister's door, she would have been shamed and gladdened by the sight of that pretty sleeper lying athwart her bed in profound unconsciousness.

Miriam, whose heart was still untouched by G.o.d or man, could lie and sleep soundly, though she knew George waited for her on the moor. The restlessness that had first driven her there had sent her home again, that, by a timely abstention, she might recover the full taste of adventure, and that, by the same means, George might learn her worth.

She was a little puzzled by his behaviour, and she began to find monotony in its decorum. According to his promise, he had taught her to ride, and while all her faculties were bent on that business, she hardly noticed him, but with confidence in her own seat and Charlie's steadiness, there came freedom to look at George, and with it the desire to rule the expression of his face and the modulations of his voice.

He would not be beguiled. "I'm teaching you to ride," he said, and though she mocked him he was not stirred to quarrel. She was temporarily incapable of realizing that while she learnt to ride, he learnt to honour her, and found safety for himself and her in silence; nor, had she realized it, would she have welcomed it. What she wanted was the pleasure of being hunted and seeing the hunter discomfited, and though she could not get that from him, she had a new joy when Charlie carried her strongly and safely across the moor; again she knew the feeling of pa.s.sing through a void, of sailing on a thunder-cloud without hope of rescue and careless of it, and she paid a heavy price when she decided that it would do George good to wait in vain for her. She would not have him disrespectful, but she desired him ardent; she wished to see that stubbornly set mouth open to utter longings, and, when she went to bed after a dull day, she laughed to think of how he waited and stared into the gloom.

A fortnight pa.s.sed before she stole out on a misty night and at the appointed place found him like a grey carved figure on a grey carved horse. Only his lips moved when she peered at him through the mist. He said, "This is the fifteenth night. If you'd waited till tomorrow, you wouldn't have found me here."

"George," she said, with her face close to his knee, "how unkind you are to me. And, oh, George, do you really think I should have cared?"

In the mist, she, too, had the look of one not made of flesh and blood, but she had no likeness to some figure carved: she was the spirit of the mist with its drops on her hair, a thing intangible, yet dowered with power to make herself a torment. So she looked, but Halkett had felt the touch of her, and taking her by the wrist, he dragged her upwards while he bent down to her.

"You--you--!" he panted.

"You're hurting, George!"

"What do I care? I haven't seen you for two weeks. I've been--been starving for you."

She spoke coolly, with a ringing quality in her tones. "You would see me better if you didn't come so near."

Immediately he loosened her without looking at her, and she stood chafing her hands, hating his indifference, though she knew it was a.s.sumed, uncertain how to regain her supremacy. Then she let instinct guide her, and she looked a little piteous.

"Don't be rough with me. I didn't mean--I don't like you to be rough with me."

He was off his horse and standing by her at those words, and, still watchful for rebuffs, he took her hand and stroked it gently.

"Did I hurt you, then?" he said.

"Yes. Why are you like that?" She lifted her head and gave him the oval face, the dark, reproachful eyes like night.

"Because I'm mad for you--mad for you. Little one--you make me mad. And you'll never marry me. I know that. And I'm a fool to let you play the devil with me. I know that, too. A mad fool. But you--you're in my blood."

Softly she said, "You never told me that before. You needn't scold me so. How should I know you wanted that?"

"You knew I loved you."

"No. I knew you liked me and I hoped--"

He bent his head to listen.

"I hoped you loved me."

His words came thickly, a muddy torrent. "Then marry me, marry me, Miriam. Marry me. I want--I can't--You must say you'll marry me."

Keeping her eyes on him, she moved slowly away, and from behind Charlie's back she laughed with a genuine merriment that wounded inexpressibly.

"You're funny, George," she said. "Very funny. At present I have no intention of doing anything but riding Charlie."

Through a mist doubled and coloured by his red rage, he watched her climb into the saddle and, before she was fairly settled in it, he gave the horse a blow that sent him galloping indignantly out of sight.

Halkett did not care if she were thrown, for his anger and his pa.s.sion were confounded into one emotion, and he would have rejoiced to see her on the ground, her little figure twisted with her fall, but he did not follow her. He went home in the rain that was now falling fast, and when the mare was stabled he brewed himself a drink that brought oblivion.

CHAPTER XXIII

Helen waked, that night, from a short deep sleep, to hear the falling of heavy rain and sharp gusts of wind that bowed the poplars. As the storm strengthened, raindrops were blown on to her pillow, and she could hear the wind gathering itself up before it swept moaning across the moor and broke with a miserable cry against the walls. She hoped Mildred Caniper slept through a wailing that might have a personal note for her, and as she prepared to leave the room and listen on the landing, she thought she heard a new sound cutting through the swish of the rainfall and the shriek of wind. It was a smaller sound, as though a child were alone and crying in the night, and she leaned from her window to look into the garden. The rain wetted her hair and hands and neck, while she stared into varying depths of blackness--the poplars against the sky, the lawn, like water, the close trees by the wall--and as she told herself that the wind had many voices, she heard a loud, unwary sob and the impact of one hard substance on another.

Some one was climbing the garden wall, and a minute later a head rose above the scullery roof. It was Miriam, crying, with wet clothes clinging to her, and Helen called out softly.

"Oh, is that you?" she answered, and laughed through a tangled breath.

"I'm drenched."

"Wait! I'll go into Phoebe and help you through."

"There's a chair here. I left it. I'm afraid it's ruined!"

Helen entered the other room as Miriam dropped from the window-ledge to the floor.

"Don't make a noise. We mustn't wake her. Oh, oh, you look--you look like rags!"

Miriam sat limply; she shook with cold and sobs and laughter. Water dripped from every part of her, and when Helen helped her up, all the streams became one river.

Helen let go of the cold hands and sank to the bed. "There must be gallons of it! And you--!"

"I'm frozen. Mop it up. Towels--anything. I'll fling my clothes out of the window. They are quite used to the scullery roof."

"Speak quietly. Whisper. She may hear you!"

"That would be--the devil, wouldn't it? Good thing Rupert isn't here!

Put something at the bottom of the door. Lock it. My fingers are numb.

Oh, dear, oh, dear, I can't undo my things."

"Let me. You ought to have hot water, and there's no fire. I'll rub you down. And your hair! Wring it out, child. What were you doing on the moor?"

"Just amusing myself."

"With George Halkett?"

"We-ell, I was with him in the spirit, oh, yes, I was; but in the flesh, only for a very little while. What made you think I was with him?"

"Something I heard. Are you warmer now?"

"Much warmer. Give me my nightgown, please. Oh, it's comfortable, and out there I was so cold, so cold. Oh," she cried out, "I should love to set his farm on fire!"

"Hush!"