"Elise has the same power, but I hate to see it in her and never encourage her by the least praise. Of course you can't understand this feeling, but I know the girl would fly off at the slightest chance and live in that shabby Latin Quarter. There, no doubt, she would marry some down-at-the-heel artist, who would live on her money and go on painting bad pictures to the end of time; and she would aid and abet him and paint worse ones herself!"

"Elise has money, then?"

"The money is all hers except my pitiful third that the law allows me, and I had to go into that a little to keep Ponsonby Huntington in a good humor. However, Elise cannot get control of her money until she is twenty-five and I have several years yet. She is quite equal to throwing me over in spite of all I have done for her." Mrs. Huntington spoke with a rancor that was really astounding to Molly, whose own mother was so different that the girl had an idea that all mothers must have some of Mrs. Brown's qualities.

"Oh, I am sure you are mistaken in judging your daughter thus severely!

She must have inherited from George some other traits along with the artistic talent."

"That is just it. She inherited from him this very tendency to be hard on me. Was it kind or right for George to leave all the money to her; and to me, his devoted and long-suffering wife, nothing more than the law exacted? My only hope is that she may marry a man rich enough to make a handsome settlement on me. One who will have money enough not to regard Elise's fortune at all, except, perhaps, to realize the necessity of turning it over to me. Now tell me: do you think the Latin Quarter a likely place for a girl to find such a husband?"

"Oh, I don't know. You did pretty well there, and if you had waited for me, you might have done even better from a financial standpoint, as I have been very successful as the world takes it. Perhaps poor little Elise might have equal luck. Oh, Lizzie, Lizzie, how changed you are!

You have spoken only of money and position and society; never once of love and humanity. I can't bear to see you this way. When I think of you as a girl with your soft, sweet manner and no more worldliness than a kitten, I can hardly bear to contemplate this change in you."

"Oh la, la, Tom, you and I know that a kitten only takes a year to grow into a horrid cat, and as you so brutally and frankly put it, I have had about twenty-five years to grow and sharpen my claws. You struck this note first in our conversation. I was prepared to be as nice as you once thought me, but I saw how cynical you had grown and I knew there was no use in putting on; so I have rather enjoyed showing you my true self.

Anyhow, you are grateful to me for throwing you over, now that you see what I am. Is it not so?"

Mr. Kinsella did not answer for a moment, but finally said, changing the subject: "There is one thing I am going to ask of you for auld lang syne and I think maybe you will grant it: let Elise put in this winter in a good studio in Paris. She is hungry for a long period of uninterrupted work and I know it will soften her toward you instead of hardening her; and I feel sure that when the dreaded twenty-fifth birthday arrives, she will want to settle half of the fortune on you. Do this for me, Lizzie.

I guarantee it will come out well for you."

Mrs. Huntington hesitated for a moment and then by a quick calculation came to the conclusion that it would be a good thing, after all, and would leave her free to go where she chose. She well knew how cheaply a girl could board in Paris when she was at work in a studio, and, as Tom said, there was every chance of her picking up a rich husband among the students. There were always some young men who were rolling in wealth, but still had the artistic bee in their bonnets.

"I'll do it, Tom, but if it turns out badly I'll have you to thank."

"Lizzie, now you are more like your old self and I am grateful to you for this concession. Come, let us find Elise and tell her the good news."

Molly was indeed glad to have the interview over. It was against her whole honest nature to eavesdrop, but she felt it best for all concerned for her to remain quiet. As soon as Mr. Kinsella and Mrs. Huntington had disappeared, Molly beat a hasty retreat to her stateroom where her mother was looking for her, not being able to find her on deck.

"Oh, Mother, I am so excited!" And she told Mrs. Brown all about her forced concealment during the intimate conversation between the old lovers.

"It is very interesting, certainly, and I hardly know how you could help being a listener. Since it will go no farther, as of course neither of us will ever mention the matter to a soul, it will do no harm. I wish you had not had to hear it, however, as I hate for my Molly to realize that such women as Mrs. Huntington exist, so cold and selfish and worldly. I am glad poor Elise is to be allowed to stay in Paris all winter and work. Perhaps we can make up to her some for her mother's heartlessness."

So mother and daughter kissed and went to bed; Molly waked the next morning with no trace of seasickness, ready and eager to enjoy the rest of the voyage.

The trip was delightful to both mother and daughter. They made many acquaintances on board, but Elise O'Brien and the two Kinsellas they counted among their real friends. So closely were the five thrown together on the voyage, that they often said it seemed as though they had known one another all their lives. Mrs. Huntington kept to herself much of the time. She seemed to realize that it was policy to let Elise have as good a time as she could with her father's old friend and his nephew; and since the Browns seemed to have influential and wealthy friends, they could, at least, do her daughter no harm, and might even prove useful during the girl's sojourn in Paris.

Elise bloomed in this congenial atmosphere and did not look like the same girl. She had a ready wit, was quick at repartee, and after a while her tongue lost its bitterness and her sarcastic humor became much more genial.

Mr. Kinsella would often say: "That is like your father. He had the kindest humor in the world and was truly Irish in his wit." But when she was too critical or inclined to let her wit run away with her heart, he would shake his head and look sad; and the girl began to care what her father's friend thought of her, and tried to please him.

She had liked Molly from the minute they clasped hands when Pierce introduced them, and this liking grew to enthusiastic love. She had had few intimates and this friendship was wonderful to her. Mr. Kinsella realized the importance of this wholesome influence on his charge, (he had made Elise his charge ever since he wrung from her mother the promise to let her continue her studies in art), and he did everything to throw the girls together and give them opportunities to talk their eager girls' talk.

"I hate to think of the journey coming to an end," said Molly. "It has been splendid; but if the trip is nearly over, our friendship has just begun! And what times we can have in Paris! Isn't it great that you and Judy know each other and that the three of us are so congenial?"

Elise looked sad. "Yes, it is fine, but I know you and Judy will want me out of the way. You are such old friends, and I shall always feel like an interloper."

"Oh, Elise, Elise! You must not feel that way for an instant. Judy and I love each other a whole lot, but we are not a bit inclined to pair off and not make new friends. Judy is more than likely already to have begun a big affair of friendship with somebody. She will get so thick with that one that she will have no time for anyone else; and then she will find out the person is not the paragon she had imagined and come weeping back to me," said Molly, throwing her arm around Elise and giving her a warm hug.

"Well, let's enjoy the few hours left to us. It seems hardly possible that this is the same, stupid old boat that we boarded a little over a week ago. I hated it, our stuffy stateroom, the crowded table; and then I always dread a long voyage with Mamma. She gets so cross and overbearing when she is cut off from society and amus.e.m.e.nts and----" Elise stopped suddenly. She felt Molly's friendly arm growing slack around her waist and she realized that her new friends, the Browns, could not tolerate her impertinent remarks to and about her mother. "Oh, Molly, please excuse me. I am trying to be nicer about Mamma. It is awfully ill-bred of me to speak of her in that way, no matter how I feel."

"Elise, why don't you try to feel differently and then it would be impossible for you to speak so?"

"Oh, Molly, I will try." And it shows she was already trying, for she did not add what was in her heart to say, "If you only knew my mother you would not ask that of me."

CHAPTER V.

PARIS.

"Judy! Judy! I can't believe that we are really here, that this is Paris, and that you are you! As for me, I feel like 'there was an old woman as I've heard tell' who said 'Lawk a mercy on me, this surely can't be I.'"

Molly settled herself with a sigh of supreme enjoyment on the lumpy seat of an extremely rickety taxi that Judy had engaged to take the Browns from the station to Mrs. Pace's very exclusive pension on the Boulevard St. Michel.

"It does seem almost too good to be true that I have got you and your dear mother at last. I have not been able to work for a week because of the excitement of expectation. I went over to Monroe's this morning and got your mail. I could hardly lug it home, both of you had such a batch.

You see, the mail has beaten your slow steamer in and everyone is writing to have a greeting ready for you in Paris." And Judy, who was in the middle, put embracing arms around both Mrs. Brown and Molly as they rode down the Avenue de l'Opera.

How wonderful Paris looked to them on that clear, crisp day in autumn!

She was showing her best and most smiling aspect to the travelers, which delighted Judy, as she felt quite responsible for her beloved city and wanted her friends to like it as much as she did. They pa.s.sed various points of interest which Judy pointed out with pride, and which brought answering thrills from Mrs. Brown and Molly.

The streets were gay with little pushcarts, laden with chrysanthemums and attended by the most delightful looking old women. Everyone seemed to be in a good humor and no one in much of a hurry except the chauffeurs, and they went whizzing by at a most incredible speed through the crowded thoroughfares.

"How clean the streets are!" exclaimed Mrs. Brown. "And what a good smell!"

"Oh, I just wondered if you would notice the smell! That is Paris.

'Every city has an odor of its own,' Papa says, and I believe he is right. Paris smells better than New York, although I like the smell in New York, too; but Paris has a strange freshness in its odor that reminds me of flowers and good things to eat, and suggests gay times, rollicking fun and adventure."

"Same old Judy," laughed Molly, "with her imagination on tap."

Just then they ran under the arches of the Louvre into the Place du Carrousel, and Molly held her breath with wonder and delight. Then came the Seine with its beautiful bridges, its innumerable boats, and its quays with the historic secondhand book stalls where Edwin Green had looked forward to walking with her, searching for treasures of first editions and what not. "Never mind," thought Molly, "Professor Green may come later and the first editions will keep."

"There is the wonderful statue of Voltaire, and through this street you can catch a glimpse of the Beaux Arts," chanted Judy. "Now look out, for before you know it we will be in the aristocratic Faubourg St.

Germain,--and then the Luxembourg Gardens,--and here we are at our own respectable door before we are ready for it! Now Mrs. Pace will eat both of you up for a while and I cannot get a word in edgewise."

The Pension Pace was on the corner where a small street ran into the broad boulevard at a sharp angle, making the building wedge-shaped. It was a very imposing looking house and Mrs. Brown wondered at a woman being able to conduct such a huge affair. She expressed her surprise to Judy, who informed her that Mrs. Pace had only the three upper floors and that the other flats were let to different tenants.

"The elevator takes us to the fifth floor, where Mrs. Pace has her parlors, dining salon and swellest boarders,--at least the boarders able to pay the most. Of course _we_ do not think that they are the swellest, since we are on the seventh floor ourselves. Who so truly swell as we?"

Judy got out of the taxi with such an a.s.sumption of great style that the chauffeur, much impressed, demanded a larger _pourboire_ than she saw fit to give him.

"They always try to make you pay more, no matter what you offer. I am adamant, however, where cabbies and chauffeurs are concerned. Papa says, 'Look after the tips and the legitimate expenses will look after themselves.' So I look after the tips and trust to luck for the rest to come out right. I am not much of an economist, I fear, but I am learning, now that I am on a strict allowance."

An elevator, so slow that its progress was almost imperceptible, took them to the fifth floor where Mrs. Pace was in readiness to receive them. Her greeting was very cordial and condescending. She seemed to be taking them under her protecting wing, giving them to understand that with her they had nothing more to fear or worry about; and as Molly and her mother had nothing in particular to worry about and certainly nothing to fear, they were very much amused by her att.i.tude toward them.

Judy was purple with suppressed merriment as Mrs. Pace advised them to go right to bed, to rest up from their long journey, poor sick, miserable, friendless females.

Mrs. Brown a.s.sured her that she was not at all tired and never felt better in her life; that she had made many friends on the steamer; and that she would freshen up a bit with some soap and water and then go out for a walk with Miss Julia Kean. Mrs. Brown had reckoned without her host, however, as the intrepid Mrs. Pace took them to their room on the seventh floor, just across the hall from Judy's, and did not leave them until they were in their kimonos and actually lying down.

"You must not try to keep up, dear ladies, when you are overfatigued and ill. Bed is the best place for you, bed and quiet. Miss Kean had better leave you now and let you have a little nap."