'When the ti-leaves are brought away, they must be tied up in a wand and carried straight to the oven, and opened when all are ready to pa.s.s through; then hold the wand forward and say:

'"O men (spirits) who heated the oven! let it die out! O dark earth-worms! O light earthworms! fresh water and salt water, heat of the oven and redness of the oven, hold up the footsteps of the walkers, and fan the heat of the bed. O cold beings, let us lie in the midst of the oven! O Great-Woman-who-set-fire-to-the-skies! hold the fan, and let us go into the oven for a little while!" Then, when all are ready to walk in, we say:

"Holder of the first footstep!

Holder of the second footstep!

Holder of the third footstep!

Holder of the fourth footstep!

Holder of the fifth footstep!

Holder of the sixth footstep!

Holder of the seventh footstep!

Holder of the eighth footstep!

Holder of the ninth footstep!

Holder of the tenth footstep!

"O Great-Woman-who-set-fire-to-the-skies! all is covered!"

'Then everybody walks through without hurt, into the middle and around the oven, following the leader, with the wand beating from side to side.

'The Great-Woman-who-set-fire-to-the-skies was a high-born woman in olden times, who made herself respected by the oppressive men when they placed women under so many restrictions. She is said to have had the lightning at her command, and struck men with it when they encroached on her rights.

'All the above is expressed in old Tahitian, and when quickly spoken is not easily understood by the modern listener. Many of the words, though found in the dictionary, are now obsolete, and the arrangement of others is changed. Oe and tana are never used now in place of the plural outou and tatou; but in old folk-lore it is the cla.s.sical style of addressing the G.o.ds in the collective sense. Tahutahu means sorcery, and also to kindle a fire.'

So far Miss Henry, on this occasion, and the archaic nature of the hymn, with the reference to a mythical leader of the revolt of women, deserves the attention of anthropologists, apart from the singular character of the rite described. In the third number of the Journal (vol. ii.) the following editorial note is published:

'Miss Tenira Henry authorises us to say that her sister and her sister's little child were some of those who joined in the Uum-Ti ceremony referred to in vol. ii. p. 108, and in the preceding note, and actually walked over the red-hot stones. The ill.u.s.tration of the performance given in the last number of the Journal, it appears, is actually from a photograph taken by Lieutenant Morne, the original of which Miss Henry has sent us for inspection.--EDITOR.'

Corroborative Evidence

The following corroborative account is given in the Journal, from a source vaguely described as 'a pamphlet published in San Francisco, by Mr. Hastwell:'

'The natives of Raiatea have some performances so entirely out of the ordinary course of events as to inst.i.tute (sic) inquiry relative to a proper solution.

'On September 20, 1885, I witnessed the wonderful, and to me inexplicable, performance of pa.s.sing through the "fiery furnace."

'The furnace that I saw was an excavation of three or four feet in the ground, in a circular form (sloping upwards), and about thirty feet across. The excavation was filled with logs and wood, and then covered with large stones. A fire was built underneath, and kept burning for a day. When I witnessed it, on the second day, the flames were pouring up through the interstices of the rocks, which were heated to a red and white heat. When everything was in readiness, and the furnace still pouring out its intense heat, the natives marched up with bare feet to the edge of the furnace, where they halted for a moment, and after a few pa.s.ses of the wand made of the branches of the ti-plant by the leader, who repeated a few words in the native language, they stepped down on the rocks and walked leisurely across to the other side, stepping from stone to stone. This was repeated five times, without any preparation whatever on their feet, and without injury or discomfort from the heated stones.

There was not even the smell of fire on their garments.'

Mr. N. J. Tone, in the same periodical (ii. 3,193), says that he arrived just too late to see the same rite at Bukit Mestajam, in Province Wellesley, Straits Settlements; he did see the pit and the fire, and examined the naked feet, quite uninjured, of the performers. He publishes an extract to this effect from his diary. The performers, I believe, were Klings. Nothing is said to indicate any condition of trance, or other abnormal state, in the fire-walkers.

The Fire-walk in Trinidad.

Mr. Henry E. St. Clair, writing on September 14. 1896, says: 'In Trinidad, British West Indies, the rite is performed annually about this time of the year among the Indian coolie immigrants resident in the small village of Peru, a mile or so from Port of Spain. I have personally witnessed the pa.s.sing, and the description given by Mr. Ponder tallies with what I saw, except that, so far as I can remember, the number of those who took part in the rite was greater than six. In addition, there is this circ.u.mstance, which was not mentioned by that gentleman: each of the "pa.s.sers" carried one or two lemons, which they dropped into the fire as they went along. These lemons were afterwards eagerly scrambled for by the bystanders, who, so far as I can recollect, attributed a healing influence to them.'

Bulgarian Fire-walk

As to the Bulgarian rite, Dr. Schischmanof writes to me:

'I am sure the observance will surprise you; I am even afraid that you will think it rather fantastic, but you may rely on my information.

The danse de feu was described long ago in a Bulgarian periodical by one of our best known writers. What you are about to read only confirms his account. What I send you is from the Recueil de Folk Lore, de Litterature et de Science (vol. vi. p. 224), edited, with my aid and that of my colleague, Mastov, by the Minister of Public Instruction. How will you explain these hauts faits de l'extase religieuse? I cannot imagine! For my part, I think of the self-mutilations and tortures of Dervishes and Fakirs, and wonder if we have not here something a.n.a.logous.'

The article in the Bulgarian serial is called 'The Nistinares.' The word is not Bulgarian; possibly it is Romaic.

The scene is in certain villages in Turkey, on the Bulgarian frontier, and not far from the town of Bourgas, on the Euxine, in the department of Lozen Grad. The ministrants (Nistinares) have the gift of fire-walking as a hereditary talent; they are specially _just_, and the gift is attributed as to a G.o.d in Fiji, in Bulgaria to St. Constantine and St.

Helena.

'These _just ones_ feel a desire to dance in the flames during the month of May; they are filled at the same time with some unknown force, which enables them to predict the future. The best Nistinare is he who can dance longest in the live flame, and utter the most truthful prophecies.'

The Nistinares may be of either s.e.x.

On May 1 the Nistinares hold a kind of religious festival at the house of one of their number. Salutations are exchanged, and presents of food and raki are made to the chief Nistinare. The holy icones of saints are wreathed with flowers, and perfumed with incense. Arrangements are made for purifying the holy wells and springs.

On May 21, the day of St. Helena and St. Constantine, the parish priest says Ma.s.s in the grey of dawn. At sunrise all the village meets in festal array; the youngest Nistinare brings from the church the icones of the two saints, and drums are carried behind them in procession. They reach the sacred well in the wood, which the priest blesses. This is parallel to the priestly benediction on 'Fountain Sunday' of the well beneath the Fairy Tree at Domremy, where Jeanne d'Arc was accused of meeting the Good Ladies. {169} Everyone drinks of the water, and there is a sacrifice of rams, ewes, and oxen. A festival follows, as was the use of Domremy in the days of the Maid; then all return to the village.

The holy drum, which hangs all the year before St. Helena in the church, is played upon. A mock combat between the icones which have visited the various holy wells is held.

Meanwhile, in each village, pyres of dry wood, amounting to thirty, fifty, or even a hundred cartloads, have been piled up. The wood is set on fire before the procession goes forth to the hallowing of the fountains. On returning, the crowd dances a horo (round dance) about the glowing logs. Heaps of embers (Pineus acervus) are made, and water is thrown on the ground. The musicians play the tune called 'L'Air Nistinar.' A Nistinare breaks through the dance, _turns blue_, trembles like a leaf, and glares wildly with his eyes. The dance ends, and everybody goes to the best point of view. Then the wildest Nistinare seizes the icon, turns it to the crowd, and with naked feet climbs the pyre of glowing embers. The music plays, and the Nistinare dances to the tune in the fire. If he is so disposed he utters prophecies. He dances till his face resumes its ordinary expression; then he begins to feel the burning; he leaves the pyre, and places his feet in the mud made by the libations of water already described. The second Nistinare then dances in the fire, and so on. The predictions apply to villages and persons; sometimes sinners are denounced, or repairs of the church are demanded in this queer parish council. All through the month of May the Nistinares call out for fire when they hear the Nistinare music playing. They are very temperate men and women. Except in May they do not clamour for fire, and cannot dance in it.

In this remarkable case the alleged gift is hereditary, is of saintly origin, and is only exercised when the Nistinare is excited, and (apparently) entranced by music and the dance, as is the manner also of medicine-men among savages. The rite, with its sacrifices of sheep and oxen, is manifestly of heathen origin. They 'pa.s.s through the fire' to St. Constantine, but the observance must be far older than Bulgarian Christianity. The report says nothing as to the state of the feet of the Nistinares after the fire-dance. Medical inspection is desirable, and the photographic camera should be used to catch a picture of the wild scene. My account is abridged from the French version of the Bulgarian report sent by Dr. Schischmanof.

Indian Fire-walk

Since these lines were written the kindness of Mr. Tawney, librarian at the India Office, has added to my stock of examples. Thus, Mr. Stokes printed in the Indian Antiquary (ii. p. 190) notes of evidence taken at an inquest on a boy of fourteen, who fell during the fire-walk, was burned, and died on that day. The rite had been forbidden, but was secretly practised in the village of Periyangridi. The fire-pit was 27 feet long by 7.5 feet broad and a span in depth. Thirteen persons walked through the hot wood embers, which, in Mr. Stokes's opinion (who did not see the performance), 'would hardly injure the tough skin of the sole of a labourer's foot,' yet killed a boy. The treading was usually done by men under vows, perhaps vows made during illness. One, at least, walked 'because it is my duty as Pujari.' Another says, 'I got down into the fire at the east end, meditating on Draupati, walked through to the west, and up the bank.' Draupati is a G.o.ddess, wife of the Pandavas. Mr.

Stokes reports that, according to the incredulous, experienced fire-walkers smear their feet with oil of the green frog. No report is made as to the condition of their feet when they emerge from the fire.

Another case occurs in Oppert's work, The Original Inhabitants of India (p. 480). As usual, a pit is dug, filled with f.a.ggots. When these have burned down 'a little,' and 'while the heat is still unbearable in the neighbourhood of the ditch, those persons who have made the vow . . .

walk . . . on the embers in the pit, without doing themselves as a rule much harm.'

Again, in a case where b.u.t.ter is poured over the embers to make a blaze, 'one of the tribal priests, in a state of religious afflatus, walks through the fire. It is said that the sacred fire is harmless, but some admit that a certain preservative ointment is used by the performers.' A chant used at Mirzapur (as in Fiji) is cited. {171}

In these examples the statements are rather vague. No evidence is adduced as to the actual effect of the fire on the feet of the ministrants. We hear casually of ointments which protect the feet, and of the thickness of the skins of the fire-walkers, and of the unapproachable heat, but we have nothing exact, no trace of scientific precision. The Government 'puts down,' but does not really investigate the rite.

Psychical Parallels