Miscellaneous Aphorisms; The Soul of Man - Part 5
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Part 5

There's nothing in the world like the devotion of a married woman. It's a thing no married man knows anything about.

No woman should have a memory. Memory in a woman is the beginning of dowdiness. One can always tell from a woman's bonnet whether she has got a memory or not.

There are things that are right to say but that may be said at the wrong time and to the wrong people.

The meaning of any beautiful created thing is, at least, as much in the soul of him who looks at it as it was in his soul who wrought it. Nay, it is rather the beholder who lends to the beautiful thing its myriad meanings, and makes it marvellous for us, and sets it in some new relation to the age, so that it becomes a vital portion of our lives and a symbol of what we pray for, or perhaps of what, having prayed for, we fear that we may receive.

The Renaissance was great because it sought to solve no social problem, and busied itself not about such things, but suffered the individual to develop freely, beautifully, and naturally, and so had great and individual artists and great and individual men.

In England people actually try to be brilliant at breakfast. That is so dreadful of them! Only dull people are brilliant at breakfast.

When one is in love one begins by deceiving oneself, and one ends by deceiving others. That is what the world calls a romance.

The secret of life is never to have an emotion that is unbecoming.

No artist is ever morbid. The artist can express everything.

The development of the race depends on the development of the individual, and where self-culture has ceased to be the ideal the intellectual standard is instantly lowered and often ultimately lost.

An idea that is not dangerous is unworthy of being called an idea at all.

To elope is cowardly; it is running away from danger, and danger has become so rare in modern life.

When a man is old enough to do wrong he should be old enough to do right also.

The Book of Life begins with a man and a woman in a garden. It ends with Revelations.

In married life three is company and two is none.

Out of ourselves we can never pa.s.s, nor can there be in creation what in the creator was not.

Don't tell me that you have exhausted life. When a man says that one knows that life has exhausted him.

When a woman marries again it is because she detested her first husband.

When a man marries again it is because he adored his first wife. Women try their luck; men risk theirs.

The highest criticism really is the record of one's own soul. It is more fascinating than history, as it is concerned simply with oneself. It is more delightful than philosophy, as its subject is concrete and not abstract, real and not vague. It is the only civilised form of autobiography, as it deals, not with the events, but with the thoughts of one's life, not with life's physical accidents of deed or circ.u.mstance, but with the spiritual moods and imaginative pa.s.sions of the mind.

To know anything about oneself one must know all about others.

Duty is what one expects from others, it is not what one does oneself.

After a good dinner one can forgive anybody, even one's own relations.

Talk to every woman as if you loved her and to every man as if he bored you, and at the end of your first season you will have the reputation of possessing the most perfect social tact.

Man--poor, awkward, reliable, necessary man--belongs to a s.e.x that has been rational for millions and millions of years. He can't help himself; it is in his race. The history of women is very different. They have always been picturesque protests against the mere existence of common-sense; they saw its dangers from the first.

More marriages are ruined nowadays by the common-sense of the husband than by anything else. How can a woman be expected to be happy with a man who insists on treating her as if she were a perfectly rational being.

It is very vulgar to talk about one's business. Only people like stock-brokers do that, and then merely at dinner-parties.

It is awfully hard work doing nothing. However, I don't mind hard work when there is no definite object of any kind.

To do nothing at all is the most difficult thing in the world, the most difficult and the most intellectual. To Plato, with his pa.s.sion for wisdom, this was the n.o.blest form of energy.

To Aristotle, with his pa.s.sion for knowledge, this was the n.o.blest form of energy also. It was to this that the pa.s.sion for holiness led the saint and the mystic of mediaeval days.

Youth! There is nothing like it. It is absurd to talk of the ignorance of youth. The only people to whose opinions I listen now with any respect are persons much younger than myself. They seem in front of me.

Life has revealed to them her latest wonder.

Romance lives by repet.i.tion, and repet.i.tion converts an appet.i.te into an art.

I adore simple pleasures. They are the last refuge of the complex.

There is nothing like youth. The middle-aged are mortgaged to life. The old are in life's lumber-room. But youth is the lord of life. Youth has a kingdom waiting for it. Everyone is born a king, and most people die in exile--like most kings.

All crime is vulgar, just as all vulgarity is crime.

Society, civilised society at least, is never very ready to believe anything to the detriment of those who are both rich and fascinating. It instinctively feels that manners are of more importance than morals, and in its opinion the highest respectability is of much less value than the possession of a good chef. And, after all, it is a very poor consolation to be told that the man who has given one a bad dinner or poor wine is irreproachable in his private life. Even the cardinal virtues cannot atone for half-cold entrees.

While, in the opinion of society, contemplation is the gravest thing of which any citizen can be guilty, in the opinion of the highest culture it is the proper occupation of man.

Life is terribly deficient in form. Its catastrophes happen in the wrong way and to the wrong people. There is a grotesque horror about its comedies, and its tragedies seem to culminate in farce. One is always wounded when one approaches it. Things last either too long or not long enough.

If a woman wants to hold a man she has merely to appeal to what is worst in him.

We are all in the gutter, but some of us are looking at the stars.

Beauty has as many meanings as man has moods. It is the symbol of symbols. It reveals everything, because it expresses nothing. When it shows us itself it shows us the whole fiery-coloured world.

Men always want to be a woman's first love. That is their clumsy vanity.

Women have a more subtle instinct about things. What they like is to be a man's last romance.

Anything approaching to the free play of the mind is practically unknown amongst us. People cry out against the sinner, yet it is not the sinful but the stupid who are our shame. There is no sin except stupidity.

One regrets the loss even of one's worst habits. Perhaps one regrets them the most. They are such an essential part of one's personality.

It is through art, and through art only, that we can realise our perfection; through art and through art only, that we can shield ourselves from the sordid perils of actual existence.

A man who can dominate a London dinner-table can dominate the world. The future belongs to the dandy. It is the exquisites who are going to rule.

It often happens that the real tragedies of life occur in such an inartistic manner that they hurt us by their crude violence, their absolute incoherence, their absurd want of meaning, their entire lack of style. They affect us just as vulgarity affects us. They give us an impression of sheer brute force, and we revolt against that. Sometimes, however, a tragedy that possesses artistic elements of beauty crosses our lives. If these elements of beauty are real the whole thing simply appeals to our sense of dramatic effect. Suddenly we find that we are no longer the actors but the spectators of the play. Or rather we are both.

We watch ourselves, and the mere wonder of the spectacle enthrals us.

When a woman finds out that her husband is absolutely indifferent to her, she either becomes dreadfully dowdy or wears very smart bonnets that some other woman's husband has to pay for.

It is immoral to use private property in order to alleviate the horrible evils that result from the inst.i.tution of private property.